List of compositions by Johann Sebastian Bach

  (Redirected from BWV Anh)

Canon triplex a 6: first printed in 1747 (below), it appears on both versions of the portrait Haussmann made of Bach (1746, 1748 – above). In the 19th-century Bach Gesellschaft edition the canon was published in Volume 451, p. 138. In 1950 the piece was assigned the number 1076 in Schmieder's catalogue of Bach's works (BWV). The 1998 edition of that catalogue (BWV2a) mentions Haussmann's paintings as original sources for the work (p. 438), and likewise the Bach digital website gives a description of both paintings as sources for the piece (linked from Bach digital Work page 01262).

Johann Sebastian Bach composed cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, cello, flute, chamber ensemble and orchestra.

There are over 1000 known compositions by Bach. Nearly all of them are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Listing Bach's compositionsEdit

Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work.[1] The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (adding four-part chorales which had been published in the second half of the 18th century), followed by a rough overview of the unpublished ones.[2] In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. So, for example, the Prelude and Fugue in E-flat major can be indicated as "C. F. Peters Vol. III No. 1", or any of the variants ("Griepenkerl and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)

BGEdit

 
The Prelude in F minor of The Well-Tempered Clavier book 1, in the BGA known as Vol. 14, p. 44, over eighty years before it got the number 857 in the Bach-Werke-Verzeichnis

In the second half of the 19th century the Bach-Gesellschaft (BG) published all of Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA).[3] This offered a unique identification of all of Bach's known works, a system that was quickly adopted, for instance by the biographers: Philipp Spitta used it complementarily to the Peters edition numbering for the BG volumes that had appeared when he was writing his Bach-biography in the second half of the 19th century (e.g. "B. G., III., p. 173" for the above-mentioned Prelude in E-flat major), and Terry used it in the third Appendix to his 20th-century translation of Forkel's biography.[4]

But there was still a lot of confusion: some authors preferred to list Bach's works according to Novello's editions, or Augener's, or Schirmer's,... giving rise to various conversion tables at the end of books on Bach's compositions (e.g. Harvey Grace's in a 1922 book on Bach's organ compositions).

NBGEdit

In 1900 the BG published its last volume, and dissolved itself, as its primary goal, publishing all of Bach's known works, was accomplished. The BG was succeeded by the Neue Bachgesellschaft (NBG), with a new set of goals (Bach yearbook, Bach festivals, and a Bach museum). Occasionally however the NBG published newly discovered works, or variants not published in the BGA. For instance the 1740s version of O Jesu Christ, meins Lebens Licht was published in NBG XVII1 in 1916 (the 1730s version of the same piece, with a different orchestration, had been published in BG 24, pp. 185–192).[4]

BWVEdit

In 1950 the Bach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following BG for the collation (e.g. BG cantata number = BWV number of the cantata):[5]

 
The BWV is a thematic catalogue, thus it identifies every movement of every composition by its first measures, like the opening of BWV 1006, movement 2 (Loure) above.
  1. Kantaten (Cantatas), BWV 1–224
  2. Motetten (Motets), BWV 225–231
  3. Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243
  4. Passionen, Oratorien (Passions, Oratorios), BWV 244–249
  5. Vierstimmige Choräle (Four-part chorales), BWV 250–438
  6. Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524
  7. Werke für Orgel (Works for organ), BWV 525–771
  8. Werke für Klavier (Keyboard compositions), BWV 772–994
  9. Werke für Laute (Lute compositions), BWV 995–1000
  10. Kammermusik (Chamber music), BWV 1001–1040
  11. Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)
  12. Kanons (Canons), BWV 1072–1078
  13. Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080

For instance, the Prelude and Fugue in E-flat major now became BWV 552, situated in the range of the works for organ. In contrast to other catalogues such as the Köchel catalogue for Mozart's compositions there is no attempt at chronological organization in the BWV numbering, for instance BWV 992 is an early composition by Bach. Exceptionally BWV numbers are also indicated as Schmieder (S) numbers (e.g. S. 225 = BWV 225).[6]

Another consequence of the ordering principles of the BWV was that it tore known collections apart, for instance Clavier-Übung III was partly in the organ compositions range (BWV 552 and 669–689), with the four duets listed among the keyboard compositions (BWV 802–805).

BWV Anh.Edit

The Anhang (Anh.), i.e. Appendix, of the BWV listed works that were not suitable for the main catalogue, in three sections:

Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.

BWV2aEdit

Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. For example, BWV 11, formerly listed as a Cantata, was moved to the fourth chapter of the main catalogue as an Oratorio. Rather than renumbering a composition, an arrow indicated where the composition was inserted: "BWV 11/249b→" meaning "BWV 11, inserted after BWV 249b" (4th chapter). Similarly, BWV 1083/243a→ meant BWV 1083, inserted after BWV 243a (3rd chapter). Also authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "BWV Anh. II 114" became "Anh. II 114/Anh. III 183→ indicating it was now considered a spurious work.[7]

In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV2a, contained a few further updates and collation rearrangements.[8]

New additions (Nachträge) to BWV2/BWV2a included:

A few exceptions to the principle that compositions weren't renumbered were when a composition from the Anhang could be recovered and/or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV2) → BWV 1121 (BWV2a, where it is in section 7 as a work for organ).[9]

Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. Examples:

Some versions were completely removed from the catalogue, e.g. BWV 655b and c

Slashes indicate movements: e.g. BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the Agnus Dei of the Mass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232IV/4 (BWV 232, fourth movement of Part IV).

21st-century additionsEdit

Numbers above BWV 1126 were added in the 21st century.

Reconstructed versionsEdit

An upper case R added to a BWV number indicates a reconstructed version, that is a conjectured earlier version of a known composition. One of such reconstructions, the Concerto for oboe and violin, as published in NBA VII/7 (Supplement) p. 75, based on the double harpsichord concerto BWV 1060, is known as BWV 1060R.

BWV3Edit

As of mid-2018 the Bach digital website started to implement the new numbers of the 3rd edition of the Bach-Werke-Verzeichnis, which has been announced for publication in 2020.[10] For example, the Leipzig version of the Christ lag in Todes Banden cantata used to be BWV 4 in previous versions of the catalogue, and, in BWV3, has become BWV 4.2.[11]

NBAEdit

 
The NBA illustrates its score editions with facsimiles from manuscripts or contemporary editions: for instance NBA Series IV Volume 4 (Clavier-Übung III) contains a facsimile of the title page of the 1739 first edition of that collection.

In the meantime, the New Bach Edition (Neue Bach-Ausgabe, abbreviated as NBA) was being published,[12][13] offering a new system to refer to Bach's works, e.g. NBA IV/4: 2, 105, which is Series IV, Volume 4, p. 2 (Prelude) and p. 105 (Fugue), for BWV 552.

NBArevEdit

Some years after the completion of the NBA in 2007 its publisher Bärenreiter joined with the Bach Archive again to publish revised editions of some of Bach's scores. These revised editions, aligning with the NBA editions (format, layout), but outside that group of publications, were published under the name Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition (Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke – Revidierte Edition), in short: New Bach Edition – Revised (Neue Bach-Ausgabe – Revidierte Edition), abbreviated as NBArev. Where the original NBA editions were exclusively in German, the volumes of the Revised series have their introductions both in German and English. Its first volume, NBArev 1, was a new edition of the Mass in B minor, appearing in 2010.[14]

BCEdit

The Bach Compendium (BC), a catalogue covering Bach's vocal works, was published in 1985.[15] Occasionally works that have no BWV number can be identified by their BC number, e.g. BC C 8 for "Der Gerechte kömmt um" an arrangement attributed to Bach on stylistic grounds, however unmentioned in the BWV.[16]

BNBEdit

Bachs Notenbibliothek (BNB) is a list of works Bach had at his disposition. Works of other composers which were arranged by Bach and/or which he (had) copied for performance usually have a BNB number.[17]

SBBEdit

The Berlin State Library (Staatsbibliothek zu Berlin = SBB) holds an important collection of composition manuscripts relating to Bach. Some versions of works are best known by their principal manuscript in the SBB, for instance BWV 525a = SBB St 345, or according to the abbreviations used at the Bach-digital website D-B Mus. ms. Bach St 345.

By opus number, and chronological listsEdit

 
Title page of Bach's Opus 1 (Clavier-Übung I, 1731), the only time he seems to have used an opus number

Apart from indicating his first published keyboard composition as Opus 1, Bach didn't use opus numbers, so Bach's works can't be listed by opus number. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA sequence of publication) – overall lists covering all of Bach's compositions in order of first publication are however not a way Bach's compositions are usually presented.

Listing Bach's works according to their time of composition can't be done comprehensively: for many works the period in which they were composed is a very wide range. For Bach's larger vocal works (cantatas, Passions,...) research has led to some more or less generally accepted chronologies, covering most of these works: a catalogue in this sense is Philippe (and Gérard) Zwang's list giving a chronological number to the cantatas BWV 1–215 and 248–249.[18] This list was published in 1982 as Guide pratique des cantates de Bach in Paris, ISBN 2-221-00749-2. A revised edition was published in 2005 (ISBN 2747598888).

Other composersEdit

Various catalogues with works by other composers have intersections with collections of works associated with Bach:[19]

BR-WFB (or) BR
Bach-Repertorium numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = BR A49
Other BRs:
Fk (or) F
Falck catalogue numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = F 25/2
H
Helm numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = H 569
HWV
Works by George Frideric Handel, e.g. BWV Anh. 106 = HWV 605
TWV
Compositions by Georg Philipp Telemann, e.g. BWV 824 = TWV 32:14
Warb (or) W
Warburton numbers for works by Johann Christian Bach, e.g. BWV Anh. II 131 = W A22 (or: Warb A 22)
Wq
Wotquenne numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = Wq 145

Works in Bach's catalogues and collectionsEdit

There are over 1500 works that feature in a catalogue of works by Bach, like the Bach-Werke-Verzeichnis, and/or in a collection of works associated with Bach (e.g. in one of the Notebooks for Anna Magdalena Bach). Of these around a thousand are original compositions by Bach, that is: more than a mere copy or transcription of an earlier work by himself or another composer.

Legend to the table
column content
01 BWV Bach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers. Anhang (Annex; Anh.) numbers are indicated as follows:
  • preceded by I: in Anh. I (lost works) of BWV1 (1950 first edition of the BWV)
  • preceded by II: in Anh. II (doubtful works) of BWV1
  • preceded by III: in Anh. III (spurious works) of BWV1
  • preceded by N: new Anh. numbers in BWV2 (1990) and/or BWV2a (1998)
02 2a Section in which the composition appears in BWV2a:
  • Chapters of the main catalogue indicated by Arabic numerals (1-13)
  • Anh. sections indicated by Roman numerals (I–III)
  • Reconstructions published in the NBE indicated by "R"
03 Date Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher.
04 Name Name of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...)
05 Key Key of the composition
06 Scoring See scoring table below for the abbreviations used in this column
07 BG Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume.[3]
08 NBE New Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:[13]
  1. Cantatas (Vol. 1–34: church cantatas grouped by occasion; Vol. 35–40: secular cantatas; Vol. 41: Varia)
  2. Masses, Passions, Oratorios (12 volumes)
  3. Motets, Chorales, Lieder (4 volumes)
  4. Organ Works (11 volumes)
  5. Keyboard and Lute Works (14 volumes)
  6. Chamber Music (5 volumes)
  7. Orchestral Works (7 volumes)
  8. Canons, Musical Offering, Art of Fugue (3 volumes)
  9. Addenda (approximately 7 volumes)
09 Additional info may include:
  • "after" – indicating a model for the composition
  • "by" – indicating the composer of the composition (if different from Johann Sebastian Bach)
  • "in" – indicating the oldest known source for the composition
  • "pasticcio" – indicating a composition with parts of different origin
  • "see" – composition renumbered in a later edition of the BWV
  • "text" – by text author, or, in source

Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Magnificat) and common tunes (e.g. Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes.

10 BD Bach Digital Work page
Background colours
Colour Meaning
green extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision
yellow extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol)
orange-brown extant or clearly documented manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member
Table sections (collated as in BWV2a for BWV 1–1126 and Anhang)
BWV (original ranges in parentheses)
1. Cantatas (1–224) • 2. Motets (225–231) • 3. Masses, Mass movements, Magnificat (232–243) • 4. Passions, Oratorios (244–249) • 5. Four-part chorales (250–438) • 6. Songs, Arias and Quodlibet (439–524) • 7. Works for organ (525–771) • 8. Keyboard compositions (772–994) • 9. Lute compositions (995–1000) • 10. Chamber music (1001–1040) • 11. Works for orchestra (1041–1071) • 12. Canons (1072–1078) • 13. Musical Offering, The Art of Fugue (1079–1080) • Later additions (1081–...) • Reconstructions
BWV Anhang (Appendix)
I: Lost/fragmentary (1–23) • II: Doubtful (24–155) III: Spurious (156–189) • N: Nachträge (New additions, 190–213)
Not in BWV (BWV deest)
Sorted by BC, BGA, BNB, NBA, etc.
Collections
Without resorting the table (i.e. collection kept together in BWV2a)
Cello Suites BWV 1007–1012Christmas Oratorio, BWV 248Clavier-Übung IV = Goldberg Variations BWV 988Inventions BWV 772–786Sinfonias BWV 787–801Sonatas and partitas for solo violin BWV 1001–1006
Using the sort function (not available in all browsers)
Works in Bach's catalogues and collections
BWV 2a Date Name Key Scoring BG NBE Additional info BD
1. Cantatas (see also: List of Bach cantatas, Church cantata (Bach) and List of secular cantatas by Johann Sebastian Bach) Up ↑
1 1. 1725-03-25 Cantata Wie schön leuchtet der Morgenstern (Annunciation) F maj. stbSATB 2Hn 2Odc 2Vl Str Bc 1: 1 I/28.2: 3 after Z 8359; text after Nicolai 00001
2 1. 1724-06-18 Cantata Ach Gott, vom Himmel sieh darein (Trinity II) G min. atbSATB 4Tbn 2Ob Str Bc 1: 53 I/16: 81 after Z 4431; text after Luther 00002
2/6 chorale setting "Ach Gott, vom Himmel sieh darein" (s. 6) G Dor. SATB 1: 72 III/2.1: 25
III/2.2: 156
after Z 4431; text by Luther 11189
3 1. 1725-01-14 Cantata Ach Gott, wie manches Herzeleid (Epiphany II) A maj. satbSATB Hn Tbn 2Oba Str Bc 1: 73 I/5: 189 after Z 533a; text after Moller 00003
3/6 chorale setting "Ach Gott, wie manches Herzeleid" (s. 18) SATB 1: 94 III/2.1: 26
III/2.2: 90
after Z 533a; text by Moller 11191
4.2 1. 1724-04-09 Cantata Christ lag in Todes Banden (Easter) E min. satbSATB Cnt 3Tbn Str Bc 1: 95 I/9: 1 after BWV 4.1; text by Luther 00004
4/8 chorale setting "Christ lag in Todes Banden" (s. 7) E min.
D min.
SATB 1: 124 III/2.2: 104 after Z 7012a; text by Luther 11295
4.1 1. 1707-04-24 Cantata Christ lag in Todes Banden (Easter; early version, lost) satbSATB 2Vl 2Va Bc I/9 after Z 7012a; → BWV 4.2; text by Luther 00005
5 1. 1724-10-15 Cantata Wo soll ich fliehen hin (Trinity XIX) G min. satbSATB Tdt 2Ob Str Bc 1: 125 I/24: 133 after Z 2164; text after Heermann 00006
5/7 chorale setting "Wo soll ich fliehen hin" (s. 11) SATB 1: 150 III/2.1: 66
III/2.2: 180
after Z 2164; text by Heermann 11232
chorale setting "Auf meinen lieben Gott" after Z 2164
6 1. 1725-04-02 Cantata Bleib bei uns, denn es will Abend werden (Easter 2) C min. satbSATB 2Ob Odc Str Vc Bc 1: 151 I/10: 43 after Z 439 (/3: → BWV 649), Z 350a (/6); text after Lk 24:29 (/1), by Melanchthon & Selnecker (/3), Luther (/6) 00007
6/6 chorale setting "Erhalt uns, Herr, bei deinem Wort" (s. 2) G min. SATB 1: 176 III/2.2: 40 after Z 350a ; text by Luther 11338
7 1. 1724-06-24 Cantata Christ unser Herr zum Jordan kam (24 June: feast of John the Baptist) E min. atbSATB 2Oba 2Vl Str Bc 1: 177 I/29: 25 after Z 7246; text after Luther 00008
8.1 1. 1724-09-24 Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 1st version) E maj. satbSATB Hn Fl Fl 2Oba Str Bc 1: 211 I/23: 105 after Z 6634; text after Neumann; → BWV 8.2 00009
8.2 1. 1747-09-17 Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 2nd version) D maj. satbSATB Fl 2Oba Tai 2Vl Str Bc I/23: 163 after BWV 8.1 00010
9 1. 1732-07-20 Cantata Es ist das Heil uns kommen her (Trinity VI) E maj. satbSATB Fl Oba Str Bc 1: 243 I/17.2: 83 after Z 4430; text after Speratus 00011
9/7 chorale setting "Es ist das Heil uns kommen her" (s. 12) SATB 1: 274 III/2.1: 52
III/2.2: 172
after Z 4430; text by Speratus 11213
10 1. 1724-07-02 Cantata Meine Seel erhebt den Herren a.k.a. German Magnificat (Visitation) G min. satbSATB Tr 2Ob Str Bc 1: 275 I/28.2: 131 after Magnificat peregrini toni; text after Magnificat; → BWV 648 00012
10/7 chorale setting "Meine Seel erhebt den Herren" (doxology, ss. 10–11) SATB 1: 303 III/2.1: 82
III/2.2: 205
after Magnificat peregrini toni; text: German Magnificat 11248
12 1. 1714-04-22 Cantata Weinen, Klagen, Sorgen, Zagen (Jubilate; two versions) F Dor. atbSATB Tr Ob 2Vl 2Va Bas Bc 2: 59 I/11.2: 1 after Z 5629 (/7: → BWV 69.1/6); text by Franck, S.?; text after Acts 14:22 (/3); text by Rodigast (/7); /2 → BWV 232/14 00014
1724-04-30 G min.
13 1. 1726-01-20 Cantata Meine Seufzer, meine Tränen (Epiphany II) D min. satbSATB 2Fl Odc Str Bc 2: 79 I/5: 229 after Z 6543 (/3), Z 2293b (/6); text by Lehms, Heermann (/3), Fleming (/6) 00015
13/6 chorale setting "In allen meinen Taten" (s. 9) B♭ maj. SATB 2: 98 III/2.2: 58 after Z 2293b; text by Fleming 11347
chorale setting "Nun ruhen alle Wälder" G maj. III/2.2: 216
14 1. 1735-01-30 Cantata Wär Gott nicht mit uns diese Zeit (Epiphany IV) G min. stbSATB Hn 2Ob Str Bc 2: 99 I/6: 139 after Z 4434; text after Luther 00016
14/5 chorale setting "Wär Gott nicht mit uns diese Zeit" (s. 3) SATB 2: 132 III/2.1: 88
III/2.2: 103
after Z 4434; text by Luther 11250
16 1. 1726-01-01 Cantata Herr Gott, dich loben wir (New Year/Circumcision) A min. atbSATB Hn 2Ob Odc Str Bc 2: 173 I/4: 103 after Z 8652 (/1), 5267 (/6; → BWV 419); text by Lehms, Luther (/1), Eber (/6) 00018
1731-01-01 atbSATB Hn 2Ob Va Str Bc
16/6 1726-01-01 chorale setting "Helft mir Gotts Güte preisen" (s. 6) SATB 2: 198 III/2.2: 56 after Z 5267; text by Eber 11324
17 1. 1726-09-22 Cantata Wer Dank opfert, der preiset mich (Trinity XIV) A maj. satbSATB 2Ob Str Bc 2: 199 I/21: 147 after Z 8244 (/7); text: Meiningen, after Ps 50:23 (/1; → BWV 236/6), Lk 17:15-16 (/4), by Gramann (/7) 00019
17/7 chorale setting "Nun lob, mein Seel, den Herren" (s. 3) SATB 2: 225 III/2.2: 4 after Z 8244; text by Gramann 11330
18.2 1. 1724-02-13 Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima; chamber pitch [de] version) A min. stbSATB 2Fl Bas 4Va Vc Bc 2: 227 I/7: 107 text by Neumeister; after BWV 18.1 00020
18.1 1. 1715-02-24 Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima; choir pitch [de] version) G min. stbSATB Bas 4Va Vc Bc I/7: 81 text by Neumeister; → BWV 18.2 00021
19 1. 1726-09-29 Cantata Es erhub sich ein Streit (Michaelmas) stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc 2: 253 I/30: 55 text by Picander 00022
20 1. 1724-06-11 Cantata O Ewigkeit, du Donnerwort (Trinity I) atbSATB Tdt Tmp 3Ob Str Bc 2: 291 I/15: 133 00023
21.1 1. before Dec. 1713 Cantata Ich hatte viel Bekümmernis (1st version: in ogni tempore; 1714-06-17: Trinity III) C min. satbSATB 3Tr Tmp Ob Str Bc I/16: 109 text by Franck, S.?; → BWV 21.2 00024
21.2 1. c. autumn 1720 Cantata Ich hatte viel Bekümmernis (2nd version) D min. satbSATB 3Tr Tmp Ob Str Bc I/16 text by Franck, S.?; after BWV 21.1; → .3 00025
21.3 1. 1723-06-13 Cantata Ich hatte viel Bekümmernis (3rd version: Trinity III) C min. satbSATB 3Tr Tmp 4Tne Ob Str Bc 51: 1 I/16 text by Franck, S.?; after BWV 21.2 00026
22 1. 1723-02-07 Cantata Jesus nahm zu sich die Zwölfe (Estomihi) satbSATB Ob Str Bc 51: 65 I/8: 1 00027
23.1 1. 1723 Cantata Du wahrer Gott und Davids Sohn (1st version, 3 movements: Estomihi) C min. satbSATB 2Ob Str Bc 51: 93 I/8: 35 BWV 23.2, .3 00028
23.2 1. 1723-02-07 Cantata Du wahrer Gott und Davids Sohn (2nd version, 4 movements: Estomihi) B min. satbSATB Crn 3Tbn 2Oba Str Bc I/8: 71 after BWV 23.1; → .3 00029
23.3 1. 1728–1731 Cantata Du wahrer Gott und Davids Sohn (3rd version, 4 movements: Estomihi) C min. satbSATB 2Ob Str Bc 51: 93 I/8: 35 after BWV 23.1, .2 00030
24 1. 1723-06-20 Cantata Ein ungefärbt Gemüte (Trinity IV) F maj. satbSATB Cl 2Ob 2Oba Str Bc 51: 125 I/17.1: 47 text by Neumeister 00031
25 1. 1723-08-29 Cantata Es ist nichts Gesundes an meinem Leibe (Trinity XIV) stbSATB Crn 3Tbn 3Fl 2Ob Str Bc 51: 153 I/21: 79 00032
26 1. 1724-11-19 Cantata Ach wie flüchtig, ach wie nichtig (Trinity XXIV) A min. satbSATB Hn Fl 3Ob Str Bc 51: 189 I/27: 29 00033
27 1. 1726-10-06 Cantata Wer weiß, wie nahe mir mein Ende? (Trinity XVI) satbSSATB Hn 2Ob Odc Str Org Bc 51: 217 I/23: 221 after BWV Anh. 170 00034
28 1. 1725-12-30 Cantata Gottlob! nun geht das Jahr zu Ende (Christmas I) A min. satbSATB Cnt 3Tbn 2Ob Tai Str Bc 51: 245 I/3.2: 75 text by Neumeister; → BWV 28/2a, Anh. 160/2 00035
28/2a 1. 1725? Motet Sei Lob und Preis mit Ehren C maj. SATB 39: 167 III/3: 15 after BWV 28/2; → Anh. 160/2; was BWV 231 00036
29 1. 1731-08-27 Cantata Wir danken dir, Gott, wir danken dir (council election) D maj. satbSATB 3Tr Tmp 2Ob Str Org Bc 51: 273 I/32.2: 1 after BWV 120.2/4 00037
30.2 1. 1738-06-24 Cantata Freue dich, erlöste Schar (24 June: feast of John the Baptist) satbSATB 2Fl 2Ob Oba Vl Str Bc 51: 321 I/29: 59 text by Picander?; after BWV 30.1 (parody) 00038
30.1 1. 1737-09-28 Secular cantata Angenehmes Wiederau (for Hennicke [de] at Wiederau [de] manor) D maj. satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc 34: 325 I/39: 51 text by Picander?; → BWV 30.2, 195, v2/6, /8 00039
31.2 1. 1724-04-09 Cantata Der Himmel lacht! Die Erde jubilieret (Leipzig version: Easter) stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc I/9: 41
rev 2
text by Franck, S; after BWV 31.1 00040
31.1 1. 1715-04-21 Cantata Der Himmel lacht! Die Erde jubilieret (Weimar version: Easter) C maj. stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va Bc 7: 1 I/9
rev 2
text by Franck, S; → BWV 31.2 00041
32 1. 1726-01-13 Cantata Liebster Jesu, mein Verlangen (Epiphany I) E min. sbSATB Ob Str Bc 7: 53 I/5: 143 text by Lehms 00042
33 1. 1724-09-03 Cantata Allein zu dir, Herr Jesu Christ (Trinity XIII) A min. atbSATB 2Ob Str Bc 7: 81 I/21: 23 00043
34.1 1. 1727-06-01 Cantata O ewiges Feuer, o Ursprung der Liebe (Pentecost) D maj. atbSATB 3Tr Tmp 2Fl 2Ob Str Bc 7: 115 I/13: 129 BWV 34.2 00044
34.2 1. after 1727 Cantata O ewiges Feuer, o Ursprung der Liebe (wedding; incomplete) satbSATB Vl Va Bc I/33: 27 after BWV 34.1 00045
35 1. 1726-09-08 Cantata Geist und Seele wird verwirret (Trinity XII) a 2Ob Tai Str Org Bc 7: 171 I/20: 215 text by Lehms 00046
36.4 1. 1725–1730 Cantata Schwingt freudig euch empor (Advent I; early version) stbSATB Oba Str Bc 7: 395 I/1: 17 after BWV 36.1; → BWV 36.5 00048
36.5 1. 1731-12-02 Cantata Schwingt freudig euch empor (Advent I) satbSATB 2Oba Str Bc 7: 221 I/1: 41 after BWV 36.4 00047
36.2 1. 1726-11-30 or
1725-11-30
Secular cantata Steigt freudig in die Luft (birthday of Charlotte Friederike Wilhelmine of Anhalt-Köthen; music lost) stbSATB Oba Va Str Bc (?) I/35 text by Picander; after BWV 36.1/1, /3, /5, /7, /9 00049
36.3 1. 1735-07-27 Secular cantata Die Freude reget sich (birthday of Rivinus, J. F. [de]?) satSATB Fl Oba Str Bc 34: 39 I/38: 255 after BWV 36.1/1, /3, /5, /7, /8 00050
36.1 1. April–May 1725 Secular cantata Schwingt freudig euch empor (birthday of Mencke, J. B. [de]?) stbSATB Oba Str Va Bc 34: 39 I/39: 1 BWV 36.2.4 00051
37 1. 1724-05-18 Cantata Wer da gläubet und getauft wird (Ascension) A maj. satbSATB 2Oba Str Bc 7: 259 I/12: 79 00052
38 1. 1724-10-29 Cantata Aus tiefer Not schrei ich zu dir (Trinity XXI) E min. satbSATB 2Ob 4Tbn Str Bc 7: 283 I/25: 217 00053
39 1. 1726-06-23 Cantata Brich dem Hungrigen dein Brot (Trinity I) sabSATB 2Fl 2Ob Str Bc 7: 336 I/15 179 00054
40 1. 1723-12-26 Cantata Darzu ist erschienen der Sohn Gottes (Christmas 2) F maj. atbSATB 2Hn 2Ob Str Bc 7: 349 I/3.1: 3 BWV 233/6 00055
41 1. 1725-01-01 Cantata Jesu, nun sei gepreiset (New Year) C maj. satbSATB 3Tr Tmp 3Ob Str Vc Bc 10: 1 I/4: 37 00056
42 1. 1725-04-08 Cantata Am Abend aber desselbigen Sabbats (Quasimodogeniti) satbSATB 2Ob Bas Str Bc 10: 63 I/11.1: 61 00057
43 1. 1726-05-30 Cantata Gott fähret auf mit Jauchzen (Ascension) satbSATB 3Tr Tmp 2Ob Str Bc 10: 93 I/12: 133 after BWV 43/11 00058
44 1. 1724-05-21 Cantata Sie werden euch in den Bann tun (Exaudi) satbSATB 2Ob Str Bc 10: 127 I/12: 165 00059
45 1. 1726-08-11 Cantata Es ist dir gesagt, Mensch, was gut ist (Trinity VIII) E maj. atbSATB 2Fl Ob Oba Str Bc 10: 151 I/18: 197 00060
46 1. 1723-08-01 Cantata Schauet doch und sehet, ob irgend ein Schmerz sei (Trinity X) atbSATB Tdt Hn 2Fl 2Odc Str Bc 10: 187 I/19: 109 00061
47 1. 1726-10-13 Cantata Wer sich selbst erhöhet, der soll erniedriget werden (Trinity XVII) G min. sbSATB 2Ob Str Org Bc 10: 239 I/23: 319 text by Helbig 00062
48 1. 1723-10-03 Cantata Ich elender Mensch, wer wird mich erlösen (Trinity XIX) G min. atSATB Tr 2Ob Str Bc 10: 275 I/24: 105 00063
49 1. 1726-11-03 Cantata Ich geh und suche mit Verlangen (Trinity XX) G min. sb Oba Str Vl Org Bc 10: 299 I/25: 107 BWV 1053/3 00064
50 1. Cantata Nun ist das Heil und die Kraft (single movement; arrangement or fragment of a cantata for Michaelmas?) D maj. 2SATB 3Tr Tmp 3Ob Str Bc 10: 341 I/30: 141 text after Rev. 12: 10; in SBB P 136 00065
51 1. 1730-09-17 Cantata Jauchzet Gott in allen Landen (Trinity XV) C maj. s (2)Tr (Tmp) Str Bc 122: 1 I/22: 77 00066
52 1. 1726-11-24 Cantata Falsche Welt, dir trau ich nicht (Trinity XXIII) F maj. sSATB 2Hn 3Ob Bas Str Bc 122: 25 I/26: 131 text by Birkmann; after BWV 1046a/1 00067
54 1. 1714–1717? Cantata Widerstehe doch der Sünde (Oculi) E♭ maj. a 2Vl 2Va Bc 122: 59 I/18: 3 text by Lehms; → BWV 247/53? 00069
55 1. 1726-11-17 Cantata Ich armer Mensch, ich Sündenknecht (Trinity XXII) G min. tSATB Fl Oba Str Bc 122: 73 I/26: 55 text by Birkmann 00070
56 1. 1726-10-27 Cantata Ich will den Kreuzstab gerne tragen (Trinity XIX) bSATB 2Ob Tai Str Vc Bc 122: 87 I/24: 173 text by Birkmann 00071
57 1. 1725-12-26 Cantata Selig ist der Mann (Christmas 2) G min. sbSATB 2Ob Tai Str Bc 122: 105 I/3.1: 83 text by Lehms 00072
58.2 1. 1733-01-04
or
1734-01-03
Cantata Ach Gott, wie manches Herzeleid (New Year I) C maj. sb 2Ob Tai Vl Str Bc 122: 133 I/4: 217 text by Birkmann; after BWV 58.1 00073
58.1 1. 1727-01-05 Cantata Ach Gott, wie manches Herzeleid (New Year I; early version) C maj. sb Vl Str Bc I/4: 241 text by Birkmann; → BWV 58.2 00074
59 1. 1724-05-28 Cantata Wer mich liebet, der wird mein Wort halten (Pentecost) C maj. sbSATB 2Tr Tmp Str Bc 122: 151 I/13: 65 text by Neumeister; → BWV 74/1 and /2, 175/7 00075
60 1. 1723-11-07 Cantata O Ewigkeit, du Donnerwort (Trinity XXIV) D maj. atbSATB Hn 2Oba Str Bc 122: 169 I/27: 1 00076
61 1. 1714-12-02 Cantata Nun komm, der Heiden Heiland (Advent I – first setting) stbSATB Fag 2Vl 2Va Bc 16: 1 I/1: 1 text by Neumeister 00077
62 1. 1724-12-03 Cantata Nun komm, der Heiden Heiland (Advent I – second setting) B min. satbSATB Hn 2Ob Str Bc 16: 19 I/1: 75 00078
63 1. 1714-12-25
1723-12-25
Cantata Christen, ätzet diesen Tag (Christmas; two versions) C maj. satbSATB 4Tr Tmp 3Ob Bas Str Bc 16: 51 I/2: 1 text by Heineccius, J. M.? 00079
64 1. 1723-12-27 Cantata Sehet, welch eine Liebe hat uns der Vater erzeiget (Christmas 3) E min. sabSATB Cnt 3Tbn Oba Str Bc 16: 111, 371 I/3.1: 113 text by Knauer (modified) 00080
65 1. 1724-01-06 Cantata Sie werden aus Saba alle kommen (Epiphany) tbSATB 2Hn 2Fl 2Odc Str Bc 16: 133 I/5: 1 00081
66.2 1. 1724-04-10 Cantata Erfreut euch, ihr Herzen (Easter 2) atbSATB Tr 2Ob Str Bc 16: 167 I/10: 1 after BWV 66.1/8, /1–/4 00082
66.1 1. 1718-12-10 Secular cantata Der Himmel dacht auf Anhalts Ruhm und Glück (birthday of Leopold of Anhalt-Köthen) atbSATB 2Ob Bas Str Bc (?) I/35 text by Hunold; → BWV 66.2/1–/5 00083
67 1. 1724-04-16 Cantata Halt im Gedächtnis Jesum Christ (Quasimodogeniti) A maj. atbSATB Hn Fl 2Oba Str Bc 16: 215 I/11.1: 1 BWV 234/2 00084
68 1. 1725-05-21 Cantata Also hat Gott die Welt geliebt (Pentecost 2) D min. sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc 16: 247 I/14: 31 text by Ziegler, C. M.; after BWV 208/13 and /7 00085
69.2 1. 1748-08-26 Cantata Lobe den Herrn, meine Seele (council election) D maj. satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc 16: 281 I/32.2: 111 after BWV 69.1/1, /3 and /5 00086
69.1 1. 1723-08-15 Cantata Lobe den Herrn, meine Seele (Trinity XII) satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc I/20: 117 text by Knauer (modified); after BWV 12/7; → BWV 69.2/1, /3 and /5 00087
70.2 1. 1723-11-21 Cantata Wachet! Betet! Betet! Wachet! (Trinity XXVI) C maj. satbSATB Tr Ob Str Vc Bc 16: 327 I/27: 107 text by Franck, S (reworked); after BWV 70.1 00088
70.1 1. 1716-12-06 Cantata Wachet! Betet! Betet! Wachet! (Advent II) satbSATB Tr Ob Str Vc Bc I/1 text by Franck, S; → BWV 70.2/1, /3, /5, /8, /10, /11 00089
71 1. 1708-02-04 Cantata Gott ist mein König (council election) D maj. satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org 18: 1 I/32.1: 3 text by Eilmar? 00090
72 1. 1726-01-27 Cantata Alles nur nach Gottes Willen (Epiphany III) A min. sabSATB 2Ob Str Bc 18: 55 I/6: 59 text by Franck, S; → BWV 235/2 00091
73 1. 1724-01-23 Cantata Herr, wie du willt, so schicks mit mir (Epiphany III) G min. stbSATB Hn 2Ob Str Bc 18: 85 I/6: 3 00092
74 1. 1725-05-20 Cantata Wer mich liebet, der wird mein Wort halten (Pentecost) satbSATB 3Tr Tmp 2Ob Odc Str Bc 18: 105 I/13: 83 text by Ziegler, C. M.; after BWV 59/1, /4 00093
75 1. 1723-05-30 Cantata Die Elenden sollen essen (Trinity I) satbSATB Tr 2Ob Oba Bas Str Bc 18: 147 I/15: 85 BWV 100/6 00094
76 1. 1723-06-06 Cantata Die Himmel erzählen die Ehre Gottes (Trinity II) C maj. satbSATB Tr 2Ob Oba Str Vdg Bc 18: 189 I/16: 1 BWV 528/1 00095
77 1. 1723-08-22 Cantata Du sollt Gott, deinen Herren, lieben (Trinity XIII) satbSATB Tdt 2Ob Str Bc 18: 233 I/21: 1 text by Knauer 00096
78 1. 1724-09-10 Cantata Jesu, der du meine Seele (Trinity XIV) G min. satbSATB Hn Fl 2Ob Str Vne Bc 18: 255 I/21: 115 00097
79 1. 1725-10-31 Cantata Gott der Herr ist Sonn und Schild (Reformation Day; two versions: Fl associated with 2nd c.1730) G maj. sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc 18: 287 I/31: 1 BWV 236/2, /4, 234/5 00098
80.3 1. 1727-10-31
1731-10-31
Cantata Ein feste Burg ist unser Gott (Reformation Day; 2nd Leipzig v.; Tr & Tmp in BGA likely W. F. Bach's addition) D maj. satbSATB 3Ob 2Oba Odc Str Bc 18: 317 I/31: 71 text by Franck, S; after BWV 80.1, .2 00099
80.1 1. 1715-03-24
1716-03-16
Cantata Alles, was von Gott geboren (Oculi; music lost) satb(?)SATB Ob Str Bc I/8.2: V text by Franck, S; → BWV 80.2, .3 00100
80.2 1. 1723-10-31
1731-10-31
Cantata Ein feste Burg ist unser Gott (Reformation Day; 1st Leipzig version) sbSATB Ob Str Bc I/31: 65 text by Franck, S; after BWV 80.1; → BWV 80.3 00101
81 1. 1724-01-30 Cantata Jesus schläft, was soll ich hoffen? (Epiphany IV) E min. atbSATB 2Fl 2Oba Str Bc 201: 1 I/6: 111 00102
82.1 1. 1727-02-02 Cantata Ich habe genug (Purification; 1st version) C min. b Ob Str Bc 201: 25 I/28.1: 111 text by Birkmann; → BWV 82.2–.4 00103
82.2 1. 1731-02-02 Cantata Ich habe genug (Purification; 2nd version) E min. s Fl Str Bc I/28.1: 155 text by Birkmann; after BWV 82.1; → 82.3–.4 00104
82.2/2–/3 1. c.1731 (AMB) Notebook A. M. Bach (1725) No. 34 Recitative "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen" E min. s Bc 432: 46 V/4 text by Birkmann; after BWV 82.2 00104
82.2/3 1. c.1731 (AMB) Notebook A. M. Bach (1725) No. 38 Aria "Schlummert ein, ihr matten Augen" (incomplete) E min. s Bc 432: 49 V/4 text by Birkmann; after BWV 82.2 00104
82.3 1. c.1735 Cantata Ich habe genug (Purification; 3rd version) C min. b or mezzo Ob Str Bc I/28.1: 111 text by Birkmann; after BWV 82.1–.2; → 82.4 00105
82.4 1. 1746–1748 Cantata Ich habe genug (Purification; 4th version) C min. b (or mezzo) Ob Odc Str Bc I/28.1: 111 text by Birkmann; after BWV 82.1–.3 00106
83 1. 1724-02-02 Cantata Erfreute Zeit im neuen Bunde (Purification) atbSATB 2Hn 2Ob Vl Str Bc 201: 51 I/28.1: 3 00107
84 1. 1727-02-09 Cantata Ich bin vergnügt mit meinem Glücke (Septuagesimae) E min. sSATB Ob Str Bc 201: 77 I/7: 21 text by Picander (reworked)? 00108
85 1. 1725-04-15 Cantata Ich bin ein guter Hirt (Misericordias Domini) C min. satbSATB 2Ob Str Vc Bc 201: 99 I/11.1: 157 00109
86 1. 1724-05-14 Cantata Wahrlich, wahrlich, ich sage euch (Rogate) E maj. satbSATB 2Oba Str Bc 201: 119 I/12: 45 00110
87 1. 1725-05-06 Cantata Bisher habt ihr nichts gebeten in meinem Namen (Rogate) D min. atbSATB 2Ob 2Odc Str Bc 201: 135 I/12: 61 text by Ziegler, C. M. (reworked) 00111
88 1. 1726-07-21 Cantata Siehe, ich will viel Fischer aussenden (Trinity V) D maj.
B min.
satbSATB 2Hn 2Oba Tai Str Bc 201: 153 I/17.2: 33 00112
89 1. 1723-10-24 Cantata Was soll ich aus dir machen, Ephraim? (Trinity XXII) sabSATB Hn 2Ob Str Bc 201: 179 I/26: 1 00113
90 1. 1723-11-14 Cantata Es reißet euch ein schrecklich Ende (Trinity XXV) D min. atbSATB (Tr) Str Bc 201: 195 I/27: 59 00114
91.2 1. after 1740 Cantata Gelobet seist du, Jesu Christ (Christmas; later version) G maj. satbSATB 2Hn Tmp 3Ob Str Bc 22: 1 I/2: 131 after BWV 91.1 00115
91.1 1. 1724-12-25 Cantata Gelobet seist du, Jesu Christ (Christmas; early version) G maj. satbSATB 2Hn Tmp 3Ob Str Bc 22: 1, 333 I/2: 164 BWV 91.2 00116
92 1. 1725-01-28 Cantata Ich hab in Gottes Herz und Sinn (Septuagesimae) B min. satbSATB 2Oba Str Bc 22: 33 I/7: 41 00117
93 1. 1724-07-09 Cantata Wer nur den lieben Gott läßt walten (Trinity V) C min. satbSATB 2Ob Str Bc 22: 69 I/17.2: 3 BWV 647 00118
94 1. 1724-08-06 Cantata Was frag ich nach der Welt (Trinity IX) D maj. satbSATB Fl 2Ob 2Oba Str Bc 22: 95 I/19: 43 00119
95 1. 1723-09-12 Cantata Christus, der ist mein Leben (Trinity XVI) G maj. stbSATB Hn or Cnt 2Ob 2Oba Str Bc 22: 129 I/23: 65 00120
96 1. 1724-10-08 Cantata Herr Christ, der einge Gottessohn (Trinity XVIII) F maj. satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc 22: 155 I/24: 1 00121
97 1. 1734-07-25
?; after 1735
Cantata In allen meinen Taten (two versions; Trinity V?) B♭ maj. satbSATB 2Ob Str Bc 22: 185, 336 I/34: 197 text by Fleming 00122
98 1. 1726-11-10 Cantata Was Gott tut, das ist wohlgetan (Trinity XXI) B♭ maj. satbSATB 2Ob Str Bc 22: 231 I/25: 241 text by Birkmann 00123
99 1. 1724-09-17 Cantata Was Gott tut, das ist wohlgetan (Trinity XV) G maj. satbSATB Hn Fl Oba Str Bc 22: 251 I/22: 41 text by Rodigast (reworked); → BWV 100/1 00124
100 1. 1732–1735 Cantata Was Gott tut, das ist wohlgetan G maj. satbSATB 2Hn Tmp Fl Oba Str Bc 22: 277 I/34: 239 text by Rodigast; after BWV 99/1, 75/7 00125
101 1. 1724-08-13 Cantata Nimm von uns, Herr, du treuer Gott (Trinity X) G maj. satbSATB 2Hn Tmp Fl Oba Str Bc 23: 1 I/19: 173 00126
102 1. 1726-08-25 Cantata Herr, deine Augen sehen nach dem Glauben (Trinity X) G min. atbSATB Fl Vl 2Ob Str Bc 23: 33 I/19: 229 BWV 235/1, 233/4, /5 00127
103 1. 1725-04-22
1731-04-15
Cantata Ihr werdet weinen und heulen (Jubilate, 2 versions) B min. atSATB Tr Fl Fl (or) Vl 2Oba Str Bc 23: 67 I/11.2: 25 text by Ziegler, C. M. 00128
104 1. 1724-04-23 Cantata Du Hirte Israel, höre (Misericordias) tbSATB 2Ob 2Oba Tai Str Bc 23: 95 I/11.1: 113 00129
105 1. 1723-07-25 Cantata Herr, gehe nicht ins Gericht mit deinem Knecht (Trinity IX) G min. satbSATB Hn 2Ob Str Bc 23: 117 I/19: 1 00130
106 1. 1708-09-16? Cantata Gottes Zeit ist die allerbeste Zeit (funeral; "Actus tragicus") E♭ maj. satbSATB 2Fl 2Vdg Bc 23: 147 I/34: 1 text by Olearius, J. (reworked) 00131
107 1. 1724-07-23 Cantata Was willst du dich betrüben (Trinity VII) B min. stbSATB Hn 2Fl 2Oba Str Bc 23: 179 I/18: 55 text by Heermann 00132
108 1. 1725-04-29 Cantata Es ist euch gut, daß ich hingehe (Cantate) A maj.
B min.
atbSATB 2Oba Str Bc 23: 203 I/12: 17 text by Ziegler, C. M. 00133
109 1. 1723-10-17 Cantata Ich glaube, lieber Herr, hilf meinem Unglauben (Trinity XXI; 2 versions) D min. atSATB (Hn) 2Ob Str Bc 23: 231 I/25: 157 00134
110 1. 1725-12-25 Cantata Unser Mund sei voll Lachens (Christmas) D maj.
B min.
satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc 23: 263 I/2: 71 text by Lehms 00135
111 1. 1725-01-25 Cantata Was mein Gott will, das g'scheh allzeit (Epiphany III) A min. satbSATB 2Ob Str Bc 24: 1 I/6: 27 00136
112 1. 1731-04-08 Cantata Der Herr ist mein getreuer Hirt (Misericordias) G maj. satbSATB 2Hn 2Oba Str Bc 24: 29 I/11.1: 179 text by Meuslin after Ps. 23 00137
113 1. 1724-08-20 Cantata Herr Jesu Christ, du höchstes Gut (Trinity XI) B min. satbSATB Fl 2Oba Str Bc 24: 49 I/20: 79 00138
114 1. 1724-10-01 Cantata Ach, lieben Christen, seid getrost (Trinity XVII) G min. satbSATB Hn Fl 2Ob Str Bc 24: 81 I/23: 287 00139
115 1. 1724-11-05 Cantata Mache dich, mein Geist, bereit (Trinity XXII) G maj. satbSATB Hn Fl Oba Str Vc Bc 24: 109 I/26: 21 text by Freystein (reworked) 00140
116 1. 1724-11-26 Cantata Du Friedefürst, Herr Jesu Christ (Trinity XXV) A maj. satbSATB Hn 2Oba Str Bc 24: 133 I/27: 79 text by Ebert (reworked) 00141
117 1. 1728–1731 Cantata Sei Lob und Ehr dem höchsten Gut G maj. atbSATB 2Fl 2Ob 2Oba Str Bc 24: 159 I/34: 151 text by Schütz, J. J. 00142
119 1. 1723-08-30 Cantata Preise, Jerusalem, den Herrn (council election) C maj. satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc 24: 193 I/32.1: 129 00144
120.1 1. 1729 or earlier Cantata Gott, man lobet dich in der Stille (council election) satbSATB 3Tr 2Ob 2Oba Vl Str Bc 24: 247 I/32.2: 53 BWV 120.2/6, /1, /3, 1019a/3 ; → BWV 120.3/1, /2, /4, 232II/9 00145
120.2 1. 1729? Cantata Herr Gott, Beherrscher aller Dinge (wedding; incomplete) satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc 41: 149 I/33: 75 after BWV 1006/1, 137/5; ↔ BWV 120.1/2, /4, /6, 1019a/3; → BWV 120.3/2, /4, /1, 232II/9, 29/1 00146
120.3 1. 1730-06-26 Cantata Gott, man lobet dich in der Stille (200th anniversary of the Augsb. Confess.; music lost, partially reconstructable) saSATB 3Tr Tmp 2Oba Vl Str Bc ? I/34
I/32.2
text by Picander; after BWV 120.1/1, /2, /4, 120.2/6, /1, /3, 1019a/3; → 232II/9 00147
121 1. 1724-12-26 Cantata Christum wir sollen loben schon (Christmas 2) satbSATB Cnt 3Tbn Oba Str Bc 26: 1 I/3.1: 57 00148
122 1. 1724-12-31 Cantata Das neugeborne Kindelein (Christmas I) G min. satbSATB 3Fl 2Ob Tai Str Bc 26: 21 I/3.2: 53 00149
123 1. 1725-01-06 Cantata Liebster Immanuel, Herzog der Frommen (Epiphany) B min. atbSATB 2Fl 2Oba Str Bc 26: 41 I/5: 47 00150
124 1. 1725-01-07 Cantata Meinen Jesum laß ich nicht (Epiphany I) E maj. satbSATB Hn Oba Str Bc 26: 61 I/5: 115 00151
125 1. 1725-02-02 Cantata Mit Fried und Freud ich fahr dahin (Purification) E min. atbSATB Hn Fl Ob Oba Str Bc 26: 83 I/28.1: 31 00152
126 1. 1725-02-04 Cantata Erhalt uns, Herr, bei deinem Wort (Sexagesimae) A min. atbSATB Tr 2Ob Str Bc 26: 111 I/7: 155 00153
127 1. 1725-02-11 Cantata Herr Jesu Christ, wahr' Mensch und Gott (Estomihi) F maj. stbSATB Tr 2Fl 2Ob Str Bc 26: 133 I/8: 107 BWV 127/1 (variant) 00154
127/1 (var.) 1. c.1750 Chorus "Herr Jesu Christ, wahr' Mensch und Gott" (Passion oratorio movement) E♭ maj. SATB 2Fl 2Ob Str Bc I/41: 95 after BWV 127/1; → BC D 10 00155
128 1. 1725-05-10 Cantata Auf Christi Himmelfahrt allein (Ascension) G maj. atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc 26: 163 I/12: 101 text by Ziegler, C. M. 00156
129 1. 1727-06-08 Cantata Gelobet sei der Herr, mein Gott (Trinity) D maj. sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc 26: 185 I/15: 37 text by Olearius, J. 00157
130.1 1. 1724-09-29 Cantata Herr Gott, dich loben alle wir (Michaelmas; 1st version) C maj. satbSATB 3Tr Tmp Fl 3Ob Str Bc 26: 231 I/30: 48 text by Eber (reworked); → BWV 130.2 00158
130.2 1. 1732–1735 Cantata Herr Gott, dich loben alle wir (Michaelmas; 2nd version) C maj. satbSATB 3Tr Tmp Fl 3Ob Str Bc I/30: 48 text by Eber (reworked); after BWV 130.1 00159
131 1. 1707–1708 Cantata Aus der Tiefen rufe ich, Herr, zu dir G min. satbSATB Ob Bas Str Bc 28: 1 I/34: 67 text by Bach or Eilmar after Ps. 130; → BWV 131a 00160
132 1. 1715-12-22 Cantata Bereitet die Wege, bereitet die Bahn (Advent IV) A maj. satbSATB Ob Bas Str Vc Bc 28: 33 I/1: 99
rev 2
text by Franck, S. 00162
133 1. 1724-12-27 Cantata Ich freue mich in dir (Christmas 3) A maj. satbSATB Cnt 2Oba Str Bc 28: 51 I/3.1: 135 text by Ziegler, C. (/1, /6) 00163
134.3 1. 1731-03-27
1735-04-12
Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; later version) atSATB 2Ob Str Bc 28: 81 I/10: 69 after BWV 134.2 00164
134.2 1. 1724-04-11 Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; early version) atSATB 2Ob Str Bc 28: 81, 287 I/10: 106 after BWV 134.1; → BWV 134.3 00165
134.1 1. 1719-01-01 Secular cantata Die Zeit, die Tag und Jahre macht (congratulation for New Year) atSATB 2Ob Str Bc 29: 209 I/35: 49 text by Hunold; → BWV 134.2 00166
135 1. 1724-06-25 Cantata Ach Herr, mich armen Sünder (Trinity III) atbSATB Cnt Tbn 2Ob Str Bc 28: 119 I/16: 197 00167
136 1. 1723-07-18 Cantata Erforsche mich, Gott, und erfahre mein Herz (Trinity VIII) atbSATB Hn 2Ob 2Oba Str Bc 28: 137 I/18: 129 BWV 234/6 00168
137 1. 1725-08-19 Cantata Lobe den Herren, den mächtigen König der Ehren (Trinity XII) satbSATB 3Tr Tmp 2Ob Str Bc 28: 165 I/20: 171 text by Neander; → BWV 650 00169
138 1. 1723-09-05 Cantata Warum betrübst du dich, mein Herz (Trinity XV) satbSATB 2Oba Str Bc 28: 197 I/22: 19 BWV 236/3 00170
139 1. 1724-11-12 Cantata Wohl dem, der sich auf seinen Gott (Trinity XXIII) satbSATB 2Oba Str Bc 28: 223 I/26: 97 text by Rube (reworked) 00171
140 1. 1731-11-25 Cantata Wachet auf, ruft uns die Stimme (Trinity XXVII) stbSATB Hn 2Ob Tai Vl Str Bc 28: 249 I/27: 149 text by Nicolai (reworked); → BWV 645 00172
143 1. Cantata Lobe den Herrn, meine Seele (New Year) stbSATB 3Hn Tmp Bas Str Bc 30: 43 I/4: 165
rev 2
00175
144 1. 1724-02-06 Cantata Nimm, was dein ist, und gehe hin (Septuagesima) satSATB 2Ob Oba Str Bc 30: 75 I/7: 1 00176
145 1. 1729-04-19 Cantata Ich lebe, mein Herze, zu deinem Ergötzen (Easter 3) stbSATB Tr Fl 2Ob Str Bc 30: 93 I/10: 111 text by Picander; after BWV 145/b 00177
146 1. 1726-05-12 Cantata Wir müssen durch viel Trübsal (Jubilate) satbSATB Fl 2Ob 2Oba Tai Str Org Bc 30: 123 I/11.2: 65 after BWV 1052R/1, /2?; → BWV 1052/1, /2 00179
147.2 1. 1723-07-02 Cantata Herz und Mund und Tat und Leben (Visitation) D maj. satbSATB Tr 2Ob Oba 2Odc Str Bc 30: 191 I/28: 63 text by Franck, S. (reworked); after BWV 147.1 00180
147.1 1. 1716-12-20 Cantata Herz und Mund und Tat und Leben (Advent IV) D maj. satbSATB Tr Ob Str Bc I/1 text by Franck, S.; → BWV 147.2/1, /3, /7, /5 00181
148 1. 1723-09-19 Cantata Bringet dem Herrn Ehre seines Namens (Trinity XVII) atSATB Tr 2Oba Odc Str Bc 30: 235 I/23: 253 text by Picander 00182
149 1. 1729-09-29 Cantata Man singet mit Freuden vom Sieg (Michaelmas) satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc 30: 261 I/30: 97 text by Picander; after BWV 208/15 00183
149/1a 1. Fall 1729 Cantata opening: "Concerto" (incomplete; abandoned alternative start of BWV 149?) D maj. SATB 3Tr Tmp 2Ob Str Bc I/40
I/30
in SBB P 175; was BWV Anh. 198 01509
150 1. 1707-07-10 Cantata Nach dir, Herr, verlanget mich (Trinity III) satbSATB Bas 2Vl Bc 30: 301 I/41: 3 00184
151 1. 1725-12-27 Cantata Süßer Trost, mein Jesus kömmt (Christmas 3) satbSATB Fl Vl Oba Str Bc 32: 1 I/3.1: 169 text by Lehms 00185
152 1. 1714-12-30 Cantata Tritt auf die Glaubensbahn (Christmas I) sb Fl Ob Va Vdg Bc 32: 17 I/3.2: 3 text by Franck, S.; ↔ BWV 536/2; → 536a/2 00186
153 1. 1724-01-02 Cantata Schau, lieber Gott, wie meine Feind (Christmas II) atbSATB Str Bc 32: 41 I/4: 199 00187
154 1. 1724-01-09 Cantata Mein liebster Jesus ist verloren (Epiphany I) atbSATB 2Oba Str Hc Bc 32: 59 I/5: 89 00188
155 1. 1716-01-19
1724-01-16
Cantata Mein Gott, wie lang, ach lange? (Epiphany II) satbSATB Bas Str Bc 32: 83 I/5: 173 text by Franck, S. 00189
156 1. 1729-01-23 Cantata Ich steh mit einem Fuß im Grabe (Epiphany III) F maj. satbSATB Ob Str Bc 32: 97 I/6: 91 text by Picander; after BWV 1056R/2?; → BWV 1056/2 00190
157.2 1. 1727-02-06 Cantata Ich lasse dich nicht, du segnest mich denn (funeral; later: Purification) tbSATB Fl Ob Oba Va Str Bc 32: 115 I/34: 41 text by Picander; after BWV 157.1 00191
157.1 1. before 1727-02-06 Cantata Ich lasse dich nicht, du segnest mich denn (funeral) tbSATB Fl Oba Va Str Bc I/34 text by Picander; → BWV 157.2 11366
158 1. Cantata Der Friede sei mit dir (Purification; later: Easter 3) sbSATB Ob Vl Bc 32: 141 I/10: 129 in SBB P 1047, St 634 00192
159 1. 1729-02-27 Cantata Sehet, wir gehn hinauf gen Jerusalem (Estomihi) satbSATB Ob Str Bc 32: 155 I/8: 153 text by Picander 00193
161 1. 1716-09-27 Cantata Komm, du süße Todesstunde (Trinity XVI; 1st version) atSATB 2Fl Str Org Bc 33: 1 I/23: 1 text by Franck, S.; → BWV 161, v2 00195
161, v2 1. 1723–1750? Cantata Komm, du süße Todesstunde (Trinity XVI; 2nd version) satSATB 2Fl Str Bc 33: 1 I/23: 33 text by Franck, S.; after BWV 161 00196
162.1 1. 1716-10-25 Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX) A min. satbSATB Str Bc 33: 29 I/25: 1 text by Franck, S.; → BWV 162.2 00197
162.2 1. 1723-10-10 Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX) B min. satbSATB Hn Str Bc 33: 29 I/25: 23 text by Franck, S.; after BWV 162.1 11367
163 1. 1715-11-24 Cantata Nur jedem das Seine (Trinity XXIII) satbSATB Str 2Vc Bc 33: 47 I/26: 77 text by Franck, S. 00198
164 1. 1725-08-26 Cantata Ihr, die ihr euch von Christo nennet (Trinity XIII) satbSATB 2Fl 2Ob Str Bc 33: 65 I/21: 57 text by Franck, S. 00199
165 1. 1715-06-16
1724-06-04
Cantata O heilges Geist- und Wasserbad (Trinity) satbSATB Fag Str Bc 33: 89 I/15: 1 text by Franck, S.; in SBB Am.B 105 00200
166 1. 1724-05-07 Cantata Wo gehest du hin? (Cantate) satbSATB Ob Str Bc 33: 105 I/12: 1 text by Franck, S.; → BWV 584 00201
167 1. 1723-06-24 Cantata Ihr Menschen, rühmet Gottes Liebe (24 June: feast of John the Baptist) satbSATB Tr Ob Odc Str Bc 33: 123 I/29: 1 00202
168 1. 1725-07-29 Cantata Tue Rechnung! Donnerwort (Trinity IX) satbSATB 2Oba Str Bc 33: 147 I/19: 87 text by Franck, S. 00203
169 1. 1726-10-20 Cantata Gott soll allein mein Herze haben (Trinity XVIII) aSATB 2Oba Tai Str Org Bc 33: 167 I/24: 59 text by Birkmann; → BWV 1053/1, /2 00204
170 1. 1726-07-28 Cantata Vergnügte Ruh, beliebte Seelenlust (Trinity VI) a Oba Fl Str Org Bc 33: 193 I/17.2: 61 text by Lehms 00205
171 1. 1729-01-01 Cantata Gott, wie dein Name, so ist auch dein Ruhm (New Year) satbSATB 3Tr Tmp 2Ob Str Bc 35: 1 I/4: 131 text by Picander; after BWV 205 00206
172.1 1. 1714-05-20 Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 1st version = Weimar version; incomplete) C maj. (SATB) 3Tr Tmp (Fl? Ob 2)Vl 2Va Vc Bas (Bc) I/13 text by Franck, S.?; → BWV 172.2 00207
172.2 1. 1724-05-28 Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 2nd version = 1st Leipzig version) D maj. satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc I/13: 1 text by Franck, S.?; after BWV 172.1; → BWV 172.3 00208
172.3 1. 1731-05-13 Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 3rd version = 2nd Leipzig version) C maj. satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc 35: 35 I/13: 33 text by Franck, S.?; after BWV 172.2 00209
173.2 1. 1727-06-02
1731-05-14
Cantata Erhöhtes Fleisch und Blut (Pentecost 2) satbSATB 2Fl Str Bc 35: 71 I/14: 1 after BWV 173.1 00210
173.1 1. 1722-12-10 Secular cantata Durchlauchtster Leopold (birthday of Leopold of Anhalt-Köthen) satbSATB 2Fl Str Bc 34: 1 I/35: 95 BWV 173.2 00211
174 1. 1729-06-06 Cantata Ich liebe den Höchsten von ganzem Gemüte (Pentecost 2) atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc 35: 103 I/14: 63 text by Picander; after BWV 1048/1 00212
175 1. 1725-05-22 Cantata Er rufet seinen Schafen mit Namen (Pentecost 3) atbSATB 2Tr 3Fl Str Vc Bc 35: 159 I/14: 147 text by Ziegler, C. M. 00213
176 1. 1725-05-27 Cantata Es ist ein trotzig und verzagt Ding (Trinity) sabSATB 2Ob Odc Str Bc 35: 179 I/15: 17 text by Ziegler, C. M. 00214
177 1. 1732-07-06 Cantata Ich ruf zu dir, Herr Jesu Christ (Trinity IV) satSATB 2Ob Odc Bas Vl Str Bc 35: 199 I/17.1: 77 text by Agricola, J. 00215
178 1. 1724-07-30 Cantata Wo Gott der Herr nicht bei uns hält (Trinity VIII) atbSATB Hn 2Ob 2Oba Str Bc 35: 235 I/18: 159 00216
179 1. 1723-08-08 Cantata Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Trinity XI) stbSATB 2Ob 2Odc Str Bc 35: 273 I/20: 55 BWV 236/1, /5, 234/4 00217
180 1. 1724-10-22 Cantata Schmücke dich, o liebe Seele (Trinity XX) satbSATB 2Fl Fl Ob Odc Str Vc Bc 35: 293 I/25: 41 00218
181 1. 1724-02-13 Cantata Leichtgesinnte Flattergeister (Sexagesima) satbSATB Tr Fl Ob Str Bc 37: 1 I/7: 133 00219
182 1. 1714-03-25
1724-03-25
1728-03-21
Cantata Himmelskönig, sei willkommen (Palm Sunday) G maj. atbSATB Fl (Ob 2)Vl 2Va Bc 37: 21 I/8.2: 1 text by Franck, S.? 00220
183 1. 1725-05-13 Cantata Sie werden euch in den Bann tun (Exaudi) satbSATB 2Oba 2Odc Str Vc Bc 37: 59 I/12: 187 text by Ziegler, C. M. 00221
184.2 1. 1724-05-30
1727-06-03
1731-05-15
Cantata Erwünschtes Freudenlicht (Pentecost 3) satSATB 2Fl Str Bc 37: 75 I/14: 119 after BWV 184.1/1–/4, /6 00222
184.1 1. 1721-01-01 Secular cantata (incomplete) sb 2Fl Vl Str Bc (?) I/35 BWV 184.2/1–/4, /6 00223
185.1 1. 1715-07-14 Cantata Barmherziges Herze der ewigen Liebe (Trinity IV) satbSATB Ob Str Bc 37: 101 I/17.1: 1 text by Franck, S.; → BWV 185.2 00224
185.2 1. 1723-06-20 Cantata Barmherziges Herze der ewigen Liebe (Trinity IV) G min. satbSATB Tr Ob Str Bc 37: 101 I/17.1: 1 text by Franck, S.; after BWV 185.1 11368
186.2 1. 1723-07-11 Cantata Ärgre dich, o Seele, nicht (Trinity VII) satbSATB 2Ob Tai Bas Str Bc 37: 119 I/18: 15 text by Franck, S. (reworked); after BWV 186.1/1–/5 00225
186.1 1. 1716-12-13 Cantata Ärgre dich, o Seele, nicht (Advent III; incomplete) stbSATB 2Ob Odc Tai Bas Str Bc I/1 text by Franck, S.; → BWV 186.2/1, /3, /5, /8, /10 00226
187 1. 1726-08-04 Cantata Es wartet alles auf dich (Trinity VII) sabSATB 2Ob Str Bc 37: 155 I/18: 91 BWV 235/6, /4, /3, /5 00227
188 1. 1728-10-17 Cantata Ich habe meine Zuversicht (Trinity XXI) D min. satbSATB 2Ob Tai Str Org Bc 37: 193 I/25: 265 text by Picander; after BWV 1052R/3?; → BWV 1052/3 00228
190.1 1. 1724-01-01 Cantata Singet dem Herrn ein neues Lied (New Year; incomplete) atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc 37: 227 I/4: 1 BWV 190.2/1, /2, /3, /5 00230
190.2 1. 1730-06-25 Cantata Singet dem Herrn ein neues Lied (200th anniversary of the Augsb. Confess.; incomplete) atbSATB 3Tr Tmp 3Ob Str Bc (?) I/34 text by Picander; after BWV 190/1, /2, /3, /5 00231
191 1. 1743–1746 Cantata Gloria in excelsis Deo (Christmas) stSSATB 3Tr Tmp 2Fl 2Ob Str Bc 41: 1 I/2: 171 after BWV 232/4, /5, /8, /12 00232
192 1. autumn 1730? Cantata Nun danket alle Gott (incomplete) sbSATB 2Fl 2Ob Str Bc 41: 65 I/34: 107 text by Rinkart 00233
193.2 1. 1727-08-25 Cantata Ihr Tore zu Zion (council election; incomplete) saSA(TB) 2Ob Str (Bc) 41: 91 I/32.1: 201 after BWV 193.1/1, /7, /9 00234
193.1 1. 1727-08-03 Secular cantata Ihr Häuser des Himmels, ihr scheinenden Lichter (name day of Friedrich August II; incomplete) saSA(TB) 2Ob Str (Bc) I/36 text by Picander; → BWV 193.2/1, /3, /5 00235
194.3 1. 1724-06-04
1731-05-20
Cantata Höchsterwünschtes Freudenfest (Trinity; 1st Leipzig version) B♭ maj. stbSATB 3Ob Bas Str Bc 29: 99 I/31 after BWV 194.2; → BWV 194.4 00236
194.4 1. 1726-06-16 Cantata Höchsterwünschtes Freudenfest? (Trinity; 2nd Leipzig version) B♭ maj. stbSATB 3Ob Bas Str Bc 29: 99 I/31: 235 after BWV 194.3/12, /2, /3, /4, /5, /7, /10 00237
194.2 1. 1723-11-02 Cantata Höchsterwünschtes Freudenfest (Störmthal version: consecration of church and organ) B♭ maj. sabSATB 3Ob Bas Str Bc 29: 99 I/31: 123 after BWV 194.1/1, /3, /5, /7, /9; → BWV 194.3 00238
194.1 1. 1717–1723? Secular cantata model for church cantata versions of BWV 194 (incomplete) B♭ maj. 3Ob Str &? I/35 BWV 194.2/1, /3, /5, /8, /10 00239
195.3 1. c.1748–1749 Cantata Dem Gerechten muß das Licht (wedding; last version) satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc 131: 1 I/33: 171 after BWV 195.2 00242
195.1 1. 1727–1731 Cantata Dem Gerechten muß das Licht (wedding; 1st version, lost) SATB 3Tr Tmp 2Fl 2Ob Str Bc I/33 BWV 195.2 00240
195.2 1. c.1742 Cantata Dem Gerechten muß das Licht (wedding; 2nd version, incomplete) SATB &? I/33 after BWV 195.1, 30a/5, /1; → BWV 195.3 00241
196 1. 1708-06-05? Cantata Der Herr denket an uns (wedding) stbSATB Str Bc 131: 71 I/33: 1 text after Ps. 115: 12–15 00243
197.2 1. 1736–1737 Cantata Gott ist unsre Zuversicht (wedding) sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc 131: 95 I/33: 117 after BWV 197.1 00244
197.1 1. 1728-12-25 Cantata Ehre sei Gott in der Höhe (Christmas; incomplete) abSATB 2Fl Oba Bas Str Vc Bc 41: 109 I/2: 63 text by Picander; → BWV 197.2 00245
198 1. 1727-10-17 Secular cantata Laß, Fürstin, laß noch einen Strahl a.k.a. Trauer-Ode (funeral ceremony for Christiane Eberhardine) satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc 133: 1
44: 54
I/38: 179 text by Gottsched, J. C.; ↔ BWV 244a, 247 00246
199.2 1. 1720–1721 Cantata Mein Herze schwimmt im Blut (Trinity XI; Köthen version; incomplete) D min. s Ob Str Vdg Bc 41: 202 I/20: 48 text by Lehms; after BWV 199.1; → 199.3 00247
199.3 1. 1723-08-08 Cantata Mein Herze schwimmt im Blut (Trinity XI; Leipzig version) D min. s Ob Str Vc Bc I/20: 23 text by Lehms; after BWV 199.2 00248
199.1 1. 1714-08-12 Cantata Mein Herze schwimmt im Blut (Trinity XI; Weimar version) C min. s Ob Str Bc NBG 132 I/20: 1 text by Lehms; → BWV 199.2 00249
200 1. 1742–1743 (JSB) Aria Bekennen will ich seinen Namen (from a cantata for Purification?) a (2Vl) Bc I/28.1: 189 by Stölzel; arr. by Bach 00250
201 1. autumn 1729 Secular cantata Geschwinde, ihr wirbelnden Winde a.k.a. Der Streit zwischen Phoebus und Pan (dramma per musica) sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc 112: 1
44: 85
I/40: 117 text by Picander 00251
202 1. c.1718? Secular cantata Weichet nur, betrübte Schatten (wedding) G maj. s Ob Str Bc 112: 73 I/40: 1 in D-LEb Peters Ms. R 8 00252
203 1. c.1720? Secular cantata Amore traditore A min. b Hc 112: 91 I/41: 31 00253
204 1. 1726–1727 Secular cantata Ich bin in mir vergnügt a.k.a. Von der Vergnügsamkeit B♭ maj. s Fl 2Ob Str Bc 112: 103 I/40: 79 text by Hunold (reworked) 00254
205.1 1. 1725-08-03 Secular cantata Zerreißet, zersprenget, zertrümmert die Gruft a.k.a. Der zufriedengestellte Aeolus (dramma per musica for August Friedrich Müller) D maj. satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc 112: 137
44: 39
I/38: 1 text by Picander; → BWV 205.2/1–/7, /9–/11, /13, /15, 171/4, 216/7 00255
205.2 1. 1734-02-19 Secular cantata Blast Lärmen, ihr Feinde (dramma per musica; music lost but largely reconstructable; coronation of Augustus III) D maj. satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc I/37 after BWV 205.1/1–/7, /9–/11, /13, /15 00256
206.1 1. 1736-10-07
(1734?)
Secular cantata Schleicht, spielende Wellen (dramma per musica; 1st version: birthday of Augustus III) D maj. satbSATB 3Tr Tmp 3Fl 2Oba Str Bc 202: 1 I/36: 157 BWV 206.2 00257
206.2 1. 1740-08-03 Secular cantata Schleicht, spielende Wellen (dramma per musica; 2nd version: name day of Augustus III) D maj. satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str Bc I/36: 157 after BWV 206.1 00258
207.1 1. 1726-12-11 Secular cantata Vereinigte Zwietracht der wechselnden Saiten (dramma per musica; appointment of professor Gottlieb Kortte) D maj. satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc 202: 71 I/38: 97 after BWV 1046/3; → BWV 207.2/1, /3, /5, /7–/9 00259
207.2 1. 1735-08-03 Secular cantata Auf, schmetternde Töne der muntern Trompeten (dramma per musica; name day of Augustus III) D maj. satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc 202: 139
34: 345
I/37: 1 after BWV 207.1/1, /3, /5, /7–/9 00260
208.1 1. 1713-02-23 Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (1st version: birthday of Christian of Saxe-Weissenfels) F maj. sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) 29: 1 I/35: 1 text by Franck, S.; → BWV 208.2, 1040, 68/4, /2, 149/1 00261
208.2 1. c.1715 Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (2nd version: for Ernst August I of Saxe-Weimar) F maj. sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) 29: 1 I/35: 1 text by Franck, S.; after BWV 208.1; → BWV 208.3 00262
1040 1. 1713-02-23 Trio (a.k.a. (Canonic) Trio Sonata; postlude to the Hunting Cantata?) F maj. Vl Ob Bc 29: 230 I/35: 1 after BWV 208.1/13; =BWV 208.1/13a 01222
208.3 1. 1742-08-03 Secular cantata Was mir behagt, ist nur die muntre Jagd (3rd version: name day of Augustus III) F maj. sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)? I/37 text by Franck, S.; after BWV 208.2 00263
209 1. 1747? Secular cantata Non sa che sia dolore (farewell of Lorenz Albrecht Beck?) B min. s Fl Str Bc 29: 43 I/41: 43 00264
210.2 1. 1741-09-19 Secular cantata O holder Tag, erwünschte Zeit (wedding) A maj. s Fl Oba Str Hc Vne 29: 67 I/40: 35 after BWV 210.1/1–/2, /4, /8, /10 00265
210.1 1. 1729-01-12 Secular cantata O angenehme Melodei (incomplete; homage to Christian of Saxe-Weissenfels) A maj. s (Fl Oba Str Bc)? 29: 245 I/39: 141 BWV 210.2/1–/2, /4, /8, /10 00266
211 1. c.1734 Secular cantata Schweigt stille, plaudert nicht a.k.a. Coffee Cantata G maj. stb Fl Str Hc Bc 29: 139
44: 86
I/40: 193 text by Picander 00267
212 1. 1742-08-30 Secular cantata Mer hahn en neue Oberkeet a.k.a. Peasant Cantata (Cantate burlesque; homage to Carl Heinrich von Dieskau) G maj. sb Hn Fl Str Bc 29: 173
44: 132
I/39: 151 text by Picander 00268
213 1. 1733-09-05 Secular cantata Laßt uns sorgen, laßt uns wachen a.k.a. Hercules auf dem Scheidewege (dramma per musica; birthday of Frederick Christian of Saxony) satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc 34: 119 I/36: 1 text by Picander; → BWV 248 00269
214 1. 1733-12-08 Secular cantata Tönet, ihr Pauken! Erschallet, Trompeten! (birthday of queen Maria Josepha) D maj. satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc 34: 175 I/36: 89 text by Picander; → BWV 248 00270
215 1. 1734-10-05 Secular cantata Preise dein Glücke, gesegnetes Sachsen (anniversary of the election of Augustus III as king of Poland) D maj. stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc 34: 243 I/37: 85 text by Clauder 00271
216.1 1. 1728-02-05 Secular cantata Vergnügte Pleißenstadt (wedding; incomplete) sa &? I/40: 21 text by Picander; after BWV 205/13; → BWV 216.2/1, /3, /5, /7 00272
216.2 1. 1728–1731 Secular cantata Erwählte Pleißenstadt a.k.a. Apollo et Mercurius (incomplete) sa &? I/39 after BWV 216.1/1, /3, /5, /7 00273
2. Motets (see also: List of motets by Johann Sebastian Bach) Up ↑
225 2. 1726–1727
New Year?
Motet Singet dem Herrn ein neues Lied B♭ maj. 2SATB (+colla parte instr.?) 39: 3 III/1: 1 after Z 8244 (/2); text after Ps. 149: 1–3 (/1), by Gramann after Ps. 103 (/2), after Ps. 150: 2, 6 (/3)[20] 00282
226 2. 1729-10-20 Motet Der Geist hilft unser Schwachheit auf (funeral of Ernesti, J. H.) B♭ maj. 2SATB Str Vc 2Ob Tai Bas 39: 39, 143 III/1: 37
III/2.1: 18
III/2.2: 38
after Z 7445a (/2); text after Rom. 8: 26–27 (/1), by Luther (/2)[20] 00283
11182
227 2. c. 1723–1735 Motet Jesu, meine Freude E min. SSATB (+colla parte instr.?) 39: 59 III/1: 75
III/2.1: 27,
28, 22

III/2.2: 156, 168
after Z 8032 (odd mvts); text by Franck, J. (odd mvts), after Rom. 8: 1–2, 9–11 (even mvts)[20] 00284
11200
11201
11202
228 2. c. 1715 Motet Fürchte dich nicht A maj. 2SATB (+colla parte instr.?) 39: 85 III/1: 105 after Z 6461 (/2); text after Is. 41: 10 (/1), 43: 1 (/2), by Gerhardt (/2)[20] 00285
229 2. before 1731–1732 Motet Komm, Jesu, komm G min. 2SATB (+colla parte instr.) 39: 107 III/1: 125 text by Thymich[20] 00286
230 2. 1723–1739? Motet Lobet den Herrn, alle Heiden C maj. SATB Bc (+colla parte instr.?) 39: 127 III/1: 147 text after Ps. 117[20] 00287
231






see BWV 28/2a 00288
118.1 2. 1736–1737 Motet O Jesu Christ, meins Lebens Licht (funeral) B♭ maj. SATB 2Hn Cnt 3Tbn 24: 185 III/1: 163 text by Behm; → BWV 118.2[20] 00143
118.2 2. 1746–1747 Motet O Jesu Christ, meins Lebens Licht (funeral) B♭ maj. SATB 2Ob Tai Bas 2Hn Str Bc NBG 171 III/1: 171 text by Behm; after BWV 118.1[20] 11121
3. Masses, Mass movements, Magnificat (see also: List of Masses, Mass movements and Magnificats by Johann Sebastian Bach) Up ↑
232 3. Aug. 1748 – Oct. 1749 (compilation, completion) Mass a.k.a. Hohe Messe, Mass in B minor B min. ssatbSSAATB 3Tr Tmp Hn 2Fl 3Ob 2Oba 2Bas Vl Str Bc 6 II/1
rev 1
after BWV 232I e. v., II/1 e. v., III e. v., 171/1, 12/2, 120/2, Anh. 11/1, Anh. 196/3 00289
232I e. v. 3. 1733-07-27 Kyrie–Gloria Mass for the Dresden court (Mass in B Minor, Part I: Missa; early version) B min. ssatbSSATB 3Tr Tmp Hn 2Fl 2Oba 2Bas Vl Str Bc II/1a after BWV 29/1, 46/1; → BWV 191, 232I 00290
233 3. 1738–1739? Kyrie–Gloria Mass F maj. sabSATB 2Hn 2Ob Bas Str Bc 8: 1 II/2: 197 after BWV 233a, 102/3, /5, 40/1 00291
233a 3. 1708-04-06? Kyrie "Christe, du Lamm Gottes" F maj. SSATB Bc 41: 187 II/2: 285 text after Ordinarium Missae; → BWV 233/1 00292
234 3. c.1738 Kyrie–Gloria Mass A maj. sabSATB 2Fl Str Bc 8: 51 II/2: 1 after BWV 67/6, 138/5, 179/5, 79/2 00293
235 3. 1738–1739? Kyrie–Gloria Mass G min. atbSATB 2Ob Str Bc 8: 99 II/2: 127 after BWV 102/1, 72/1, 187/4, /3, /5, /1 00294
236 3. 1738–1739? Kyrie–Gloria Mass G maj. satbSATB 2Ob Str Bc 8: 155 II/2: 61 after BWV 179/1, /3, 79/1, /5, 138/5, 17/1 00295
1081 3. c.1747 – Aug. 1748 Credo intonation for Mass No. 5 in F major of G. B. Bassani's Acroama Missale F maj. SATB Bc II/2 BNB I/B/48 01267
237 3. 1723-06-24? Sanctus C maj. SATB 3Tr Tmp 2Ob Str Bc 111: 67 II/2: 311 00296
238 3. 1723-12-25
1736–1737
Sanctus D maj. SATB Cnt Str Bc 111: 79 II/2: 325 00297
240 3. 1742 (JSB) Sanctus G maj. SATB 2Ob Str Bc 111: 93 II/9: 3 00299
241 3. Jul. 1747 – Aug. 1748 (JSB) Sanctus of Missa superba D maj. 2SATB 2Oba 2Vl 3Va Bas Vc Vne Bc 41: 177 II/9: 45 by Kerll; arr. by Bach 00300
242 3. 1727–1732 (JSB) Christe eleison for a Kyrie-Gloria Mass in C minor by F. Durante G min. SA Bc 41: 197 II/2: 295 BWV Anh. 26/2 00301
243.2 3. 1733-07-02?
1732–1735
Magnificat (2nd version: Visitation?) D maj. ssatbSSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bas Vc Vne Bc 111: 1 II/3: 65 after BWV 243.1 00302
243.1 3. 1723-07-02
1723-12-25
Magnificat (1st version:Visitation, and with 4 laudes added: Christmas) E♭ maj. ssatbSSATB 3Tr Tmp 2Fl 2Ob Str Bc 111: 103 II/3: 1 BWV 243.2 00303
1082 3. 1740–1742 (JSB) Suscepit Israel from a Magnificat by A. Caldara E min. SATB 2Vl Bc II/9: 59 by Caldara (BNB I/C/1); arr. by Bach 01268
1083 3. 1745–1747 (JSB) Cantata Tilge, Höchster, meine Sünden sa 2Vl Str Vne Vc Bc I/41: 169 by Pergolesi; arr. by Bach; text after Ps. 51 01269
4. Passions, Oratorios (see also: List of Passions and Oratorios by Johann Sebastian Bach) Up ↑
244.2 4. 1736-03-30
1742
1743–1746
Passion St Matthew Passion (later versions; Good Friday) E min. 2satb2SATB 2Fl 4Fl 4Ob 4Oba 2Odc 2Str 2Vdg 2Bc 4
44: 58
II/5 text by Picander, Albert of Prussia, Decius, Gerhardt, Heermann, Heyden, Reusner, Rist; after BWV 244.1 00304
244a






see BWV 1143 00305
244.1 4. 1727-04-11
and/or
1729-04-15
Passion St Matthew Passion (early version; Good Friday) E min. satb2SATB 4Fl 4Ob 4Oba 2Odc 2Str Lu Bc II/5a
II/5b
text by Picander, Albert of Prussia, Decius, Gerhardt, Heermann, Keymann, Reusner, Rist; ↔ BWV 198, 244a; → BWV 244.2 00306
245.1 4. 1724-04-07 Passion St John Passion (1st version; Good Friday) satbSATB (2Fl?) 2Ob 2Odc Str 2Va Vdg Lu Bc 121
44: 26
II/4: 40 text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; → BWV 245.1–v4 00307
245.2 4. 1725-03-30 Passion St John Passion (2nd version; Good Friday) satbSATB 2Fl 2Ob 2Odc Str Vdg Bc 121 II/4: 167 text by Heyden, Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; after BWV 23/4, 245.1; → BWV 244/29, 245.3 00308
245.3 4. 1732-04-11 Passion St John Passion (3rd version; Good Friday) satbSATB 2Fl 2Ob Str Vdg Org Bc 121
44: 26
II/4: 206 text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; after BWV 245.1–.2; → BWV 245, inc. rev., v4 00309
245, inc. rev. 4. 1739 Passion St John Passion (incomplete revision) satbSATB Fl 2Ob Str Bc 121
44: 26
II/4 text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; after BWV 245.1–.3; → BWV 245, v4 11076
245, v4 4. 1749-04-04 Passion St John Passion (4th version; Good Friday) satbSATB 2Fl 2Ob 2Oba Odc Bas Str Vdg Hc Bc 121
44: 26
II/4 text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling; after BWV 245.1–inc. rev. 00310
246/40a 4. 1743–1745 (JSB) Chorale Aus der Tiefen rufe ich, No. 40 of St Luke Passion t Str Bc (?) II/9: 65 after BWV 246/40 00312
247 4. 1731-03-23
1744-04-03
Passion St Mark Passion (Good Friday; music lost but in part reconstructable) satbSATB 2Fl 2Ob 2Oba 2Vl 2Va (2Vdg 2Lu) Org Bc (?) II/5 text by Picander, Jonas, Reusner, Gerhardt, Rist, Kritzelmann [de], Schein, Stockmann, Franck, J., Homburg [de], Luther, Spee; after BWV 198/1, /5, /3, /8, /10 (or 244a/7), 54/1, 248/28?, /45, 7/2? 00313
1088 4. c.1750? Arioso So heb ich denn mein Auge sehnlich auf, No. 20 in Passion Oratorio Wer ist der, so von Edom kömmt (Good Friday) b 2Bas Bc (?) I/41: 125 01274
248I 4. 1734-12-25 Cantata Jauchzet, frohlocket, auf, preiset die Tage (Christmas Oratorio, Part I; Christmas) D maj. satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc 51: 2
44: 125
II/6 text by Picander?, Gerhardt, Luther; after BWV 214/1, /7, 213/9 00314
248II 4. 1734-12-26 Cantata Und es waren Hirten in derselben Gegend (Christmas Oratorio, Part II; Christmas 2) G maj. satbSATB 2Fl 2Oba 2Odc Str Bc 51: 50
44: 126
II/6 text by Picander?, Rist, Gerhardt; after BWV 214/5, 213/3 00314
248III 4. 1734-12-27 Cantata Herrscher des Himmels, erhöre das Lallen (Christmas Oratorio, Part III; Christmas 3) D maj. satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc 51: 94 II/6 text by Picander?, Gerhardt, Luther, Runge; after BWV 214/9, 213/11 00314
248IV 4. 1735-01-01 Cantata Fallt mit Danken, fallt mit Loben (Christmas Oratorio, Part IV; New Year) F maj. satbSATB 2Hn 2Ob Str Bc 51: 128 II/6 text by Picander?, Rist; after BWV 213/1, /5, /7 00314
248V 4. 1735-01-02 Cantata Ehre sei dir, Gott, gesungen (Christmas Oratorio, Part V; New Year I) A maj. satbSATB 2Oba Str Bc 51: 128 II/6 text by Picander?, Weissel, Franck, J.; after BWV 247/39b, 215/7 00314
248VI 4. 1735-01-06 Cantata Herr, wenn die stolzen Feinde schnauben (Christmas Oratorio, Part VI; Epiphany) D maj. satbSATB 3Tr Tmp 2Ob 2Oba Str Bc 51: 210 II/6 text by Picander?, Gerhardt, Werner; after BWV 248VIa 00314
248VIa 4. 1734 or earlier Cantata model for BWV 248VI D maj. satbSATB 3Tr Tmp 2Ob 2Oba Str Bc II/6 after BWV Anh. 10/1; → 248/54, /56–/57, /61–/64 00315
249.5 4. 1743–1746
1749-04-06
1750-03-26
Oratorio Kommt, eilet und laufet (Easter Oratorio; Easter) satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc 213 II/7: 1 text by Picander?; after BWV 249.3 00316
249.3 4. 1725-04-01
c.1738
Cantata Kommt, fliehet und eilet (Easter Oratorio, early versions: first version as cantata; Easter) satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Vl Str Bc II/7: 97 text by Picander?; after BWV 249.1; → BWV 249.5 00317
249.1 4. 1725-02-23 Secular cantata Entfliehet, verschwindet, entweichet, ihr Sorgen, a.k.a. Shepherd Cantata (birthday of Christian of Saxe-Weissenfels; music lost but in part reconstructable) satbSATB 3Tr Tmp Fl 2Fl 2Ob Str Bc I/35 text by Picander; → BWV 249.3/1–/3, /5, /7, /9, /11; 249.2 00318
249.2 4. 1726-08-25 Secular cantata Verjaget, zerstreuet, zerrüttet, ihr Sterne a.k.a. Die Feier des Genius (dramma per musica; birthday of Joachim Friedrich von Flemming [de]; music lost but in part reconstructable) I/39 text by Picander; after BWV 249.1/1–/3, /5, /7, /9, /11 00319
11 4. 1735-05-19 Oratorio Lobet Gott in seinen Reichen (Ascension Oratorio; Ascension) satbSATB 3Tr Tmp 2Fl 2Ob Str Bc 2: 1 II/8 text by Picander?, Rist, Sacer 00013
5. Four-part chorales (see also: List of chorale harmonisations by Johann Sebastian Bach) Up ↑
250 5. 1734–1738 chorale setting "Was Gott tut, das ist wohlgetan" (Three wedding chorales No. 1) SATB 2Hn Ob Oba Str Bc 131: 147 III/2.1: 3 text by Rodigast 00320
251 5. 1734–1738 chorale setting "Sei Lob und Ehr dem höchsten Gut" (Three wedding chorales No. 2) SATB 2Hn Ob Oba Str Bc 131: 148 III/2.1: 4 text by Schütz, J. J. 00321
252 5. 1734–1738 chorale setting "Nun danket alle Gott" (Three wedding chorales No. 3) SATB 2Hn Ob Oba Str Bc 131: 149 III/2.1: 5 text by Rinkart 00322
253 5. 1750 or earlier chorale setting "Ach bleib bei uns, Herr Jesu Christ" A maj. SATB 39: 177 III/2.2: 101 after Z 439; ↔ BWV 414; text by Calvisius 00323
254 5. 1750 or earlier chorale setting "Ach Gott, erhör mein Seufzen" D Dor. SATB 39: 177 III/2.2: 105 after Z 1831a; text by Schechs [wikisource:de] 00324
255 5. 1750 or earlier chorale setting "Ach Gott und Herr" C maj. SATB 39: 178 III/2.2: 24 after Z 4441a; text by Rutilius [de] 00325
256 5. 1750 or earlier chorale setting "Ach lieben Christen, seid getrost" A min. SATB 39: 178 III/2.2: 19 after Z 4441a; text by Gigas 00326
259 5. 1750 or earlier chorale setting "Ach, was soll ich Sünder machen" E min. SATB 39: 179 III/2.2: 23 after Z 3573b; text by Flittner [de] 00329
260 5. c. 1735 or earlier chorale setting "Allein Gott in der Höh sei Ehr" G maj. SATB 39: 180 III/2.1: 9
III/2.2: 147
after Z 4457; text by Decius after Gloria 00330
261 5. 1750 or earlier chorale setting "Allein zu dir, Herr Jesu Christ" B min. SATB 39: 180 III/2.2: 206 after Z 7292b; text by Hubert 00331
262 5. 1750 or earlier chorale setting "Alle Menschen müssen sterben" D maj. SATB 39: 181 III/2.2: 88 after Pachelbel; text by Albinus, Rosenmüller 00332
263 5. 1750 or earlier chorale setting "Alles ist an Gottes Segen" G maj. SATB 39: 181 III/2.2: 72 after Z 3842f 00333
264 5. 1750 or earlier chorale setting "Als der gütige Gott" G maj. SATB 39: 182 III/2.2: 91 after Z 1646; text by Weiße 00334
265 5. 1750 or earlier chorale setting "Als Jesus Christus in der Nacht" D Dor. SATB 39: 182 III/2.2: 102 after Z 258; text by Heermann 00335
266 5. 1750 or earlier chorale setting "Als vierzig Tag nach Ostern warn" E min. SATB 39: 182 III/2.2: 120 after Z 1743; text by Herman 00336
267 5. c. 1735 or earlier chorale setting "An Wasserflüssen Babylon" G maj. SATB 39: 183 III/2.2: 4 after Z 7663; text by Dachstein 00337
A Maj. III/2.1: 98
chorale setting "Ein Lämmlein geht und trägt G maj. 39: 183 after Z 7663; text by Gerhardt
A Maj. III/2.2: 180
268 5. 1750 or earlier chorale setting "Auf, auf, mein Herz" G maj. SATB 39: 184 III/2.2: 70 after Z 824; text by Birken 00338
269 5. 1750 or earlier chorale setting "Aus meines Herzens Grunde" G maj. SATB 39: 184 III/2.2: 2 after Z 5269; text by Niege [de] 00339
270 5. c. 1735 or earlier chorale setting "Befiehl du deine Wege" B min. SATB 39: 185 III/2.1: 47
III/2.2: 170
after Z 5385a; text by Gerhardt 00340
271 5. c. 1735 or earlier chorale setting "Befiehl du deine Wege" B min. SATB 39: 185 III/2.1: 97
III/2.2: 210
after Z 5385a; text by Gerhardt 00341
272 5. 1730–1761 chorale setting "Befiehl du deine Wege" D min. SATB 39: 186 III/2.2: 196 by Bach, C. P. E.?; after Z 5393; text by Gerhardt 00342
273 5. 1750 or earlier chorale setting "Christ, der du bist der helle Tag" G min. SATB 39: 186 III/2.2: 136 after Z 384; text by Alberus 00343
274 5. 1750 or earlier chorale setting "Christe, der du bist Tag und Licht" G min. SATB 39: 187 III/2.2: 145 after Z 343; text by Musculus after "Christe qui lux es" 00344
275 5. 1750 or earlier chorale setting "Christe, du Beistand" D Dor. SATB 39: 187 III/2.2: 122 after Z 993; text by Löwenstern 00345
276 5. 1750 or earlier chorale setting "Christ ist erstanden" D Dor. SATB 39: 188 III/2.2: 110 after Z 8584; text: "Christ ist erstanden" 00346
277 5. 1750 or earlier chorale setting "Christ lag in Todesbanden" D Dor. SATB 39: 189 III/2.2: 11 after Z 7012a; text by Luther 00347
278 5. c. 1735 or earlier chorale setting "Christ lag in Todesbanden" E min. SATB 39: 190 III/2.1: 92
III/2.2: 212
after Z 7012a; text by Luther 00348
279 5. c. 1725–1735 chorale setting "Christ lag in Todesbanden" E min. SATB 32: 154 III/2.1: 24
III/2.2: 155
after Z 7012a; ↔ BWV 158/4; text by Luther 00349
280 5. 1750 or earlier chorale setting "Christ unser Herr zum Jordan kam" D Dor. SATB 39: 190 III/2.2: 36 after Z 7246; text by Luther 00350
281 5. 1750 or earlier chorale setting "Christus, der ist mein Leben" F maj. SATB 39: 191 III/2.2: 6 after Z 132, Neu Leipziger GB, p 942[21] 00351
282 5. 1750 or earlier chorale setting "Christus, der ist mein Leben" G maj. SATB 39: 191 III/2.2: 184 after BWV 95/1 00352
283 5. 1750 or earlier chorale setting "Christus, der uns selig macht" A min. SATB 39: 192 III/2.2: 112 after Z 6283a; text by Weiße after "Patris sapientia" 00353
284 5. 1750 or earlier chorale setting "Christus ist erstanden, hat überwunden" C maj. SATB 39: 192 III/2.2: 113 after Z 6240b; text by Weiße 00354
285 5. 1750 or earlier chorale setting "Da der Herr Christ zu Tische saß" C min. SATB 39: 193 III/2.2: 110 after Z 2503; text by Herman 00355
286 5. 1750 or earlier chorale setting "Danket dem Herrn, denn er ist" A min. SATB 39: 193 III/2.2: 134 after Z 12; text by Horn [de] 00356
287 5. 1750 or earlier chorale setting "Dank sei Gott in der Höhe" F maj. SATB 39: 194 III/2.2: 182 after Z 5391; text by Mühlmann [de] 00357
288 5. c. 1735 or earlier chorale setting "Das alte Jahr vergangen ist" D Dor. SATB 39: 194 III/2.1: 11
III/2.2: 93
after Z 381; text by Steuerlein [de] 00358
289 5. 1750 or earlier chorale setting "Das alte Jahr vergangen ist" E min. SATB 39: 194 III/2.2: 183 after Z 381; text by Steuerlein [de] 00359
290 5. 1750 or earlier chorale setting "Das walt Gott Vater und Gott Sohn" F maj. SATB 39: 195 III/2.2: 132 after Z 673; text by Behm 00360
291 5. 1750 or earlier chorale setting "Das walt mein Gott" D min. SATB 39: 195 III/2.2: 42 after Z 4217; text by Förtsch [wikisource:de]? 00361
292 5. 1750 or earlier chorale setting "Den Vater dort oben" C maj. SATB 39: 196 III/2.2: 141 after Z 4795; text by Weiße 00362
293 5. 1750 or earlier chorale setting "Der du bist drei in Einigkeit" D Dor. SATB 39: 196 III/2.2: 89 after Z 335e; text by Luther after "O lux beata Trinitas" 00363
294 5. 1750 or earlier chorale setting "Der Tag, der ist so freudenreich" G maj. SATB 39: 197 III/2.2: 90 after Z 7870; text after "Dies est laetitiae" 00364
295 5. 1750 or earlier chorale setting "Des Heilgen Geistes reiche Gnad" D min. SATB 39: 197 III/2.2: 120 after Z 370b; text by Gesius after "Spiritus Sancti gratia" 00365
296 5. 1750 or earlier chorale setting "Die Nacht ist kommen" G Mix. SATB 39: 198 III/2.2: 136 after Z 5001; text by Herbert [de] 00366
297 5. 1750 or earlier chorale setting "Die Sonn hat sich mit ihrem Glanz gewendet" D Dor. SATB 39: 198 III/2.2: 137 after Z 923; ↔ BWV 447; text by Stegmann [de] 00367
298 5. 1750 or earlier chorale setting "Dies sind die heilgen zehn Gebot" C maj. SATB 39: 198 III/2.2: 72 after Z 1951; text by Luther 00368
299 5. 1725–1735 chorale setting "Dir, dir, Jehova, will ich singen" B maj. SATB 39: 199 III/2.1: 11
III/2.2: 121
Z 3068; text by Crasselius [de]; → BWV 452 00369
Notebook A. M. Bach (1725) No. 39: chorale setting "Dir, dir, Jehova, will ich singen" S(AT)B (V Bc) 432: 50 V/4: 126
300 5. 1750 or earlier chorale setting "Du großer Schmerzensmann" E min. SATB 39: 199 III/2.2: 94 after Z 5159a; text by Thebesius [de] 00370
301 5. 1750 or earlier chorale setting "Du, o schönes Weltgebäude" D min. SATB 39: 200 III/2.2: 80 after Z 6773; text by Franck, J. 00371
302 5. c. 1735 or earlier chorale setting "Ein feste Burg ist unser Gott" D maj. SATB 39: 200 III/2.1: 48
III/2.2: 14
after Z 7377; text by Luther after Ps. 46 00372
303 5. c. 1735 or earlier chorale setting "Ein feste Burg ist unser Gott" D maj. SATB 39: 201 III/2.1: 10
III/2.2: 148
after Z 7377; text by Luther after Ps. 46 00373
304 5. c. 1735 or earlier chorale setting "Eins ist not, ach Herr, dies Eine" D maj. SATB 39: 201 III/2.1: 36
III/2.2: 166
after Z 7127; text by Schröder 00374
305 5. 1750 or earlier chorale setting "Erbarm dich mein, o Herre Gott" A min. SATB 39: 202 III/2.2: 20 after Z 5851; text by Hegenwald after Ps. 51 00375
306 5. 1750 or earlier chorale setting "Erstanden ist der heilig Christ" F maj. SATB 39: 202 III/2.2: 100 after Z 288; text after "Surrexit Christus hodie" 00376
307 5. c. 1735 or earlier chorale setting "Es ist gewisslich an der Zeit" B maj. SATB 39: 203 III/2.1: 22
III/2.2: 155
after Z 4429a; text by Ringwaldt 00377
308 5. 1750 or earlier chorale setting "Es spricht der Unweisen Mund wohl" B maj. SATB 39: 204 III/2.2: 17 after Z 4436; text by Luther after Ps. 14 00378
309 5. 1750 or earlier chorale setting "Es stehn vor Gottes Throne" G Dor. SATB 39: 204 III/2.2: 95 after Z 4298; text by Helmbold 00379
310 5. 1750 or earlier chorale setting "Es wird schier der letzte Tag herkommen" E min. SATB 39: 205 III/2.2: 140 after Z 1423; text by Weiße 00380
311 5. 1750 or earlier chorale setting "Es woll uns Gott gnädig sein" B min. SATB 39: 205 III/2.2: 12 after Z 7247; text by Luther after Ps. 67 00381
312 5. c. 1735 or earlier chorale setting "Es woll uns Gott gnädig sein" A min. SATB 39: 206 III/2.1: 70
III/2.2: 202
after Z 7247; text by Luther after Ps. 67 00382
327 5. 1750 or earlier chorale setting "Vor deinen Thron tret ich hiermit" D maj. SATB 39: 213 III/2.2: 193 after Z 368; text by Hodenberg [de]? 00397
313 5. 1750 or earlier chorale setting "Für Freuden lasst uns springen" G min. SATB 39: 206 III/2.2: 93 after Z 2339; text by Peltsch [fr] 00383
314 5. c. 1735 or earlier chorale setting "Gelobt seist du, Jesu Christ" D maj. SATB 39: 207 III/2.1: 48
III/2.2: 171
after Z 1947; text by Luther 00384
315 5. c. 1735 or earlier chorale setting "Gib dich zufrieden und sei stille" E min. SATB 39: 207 III/2.1: 38
III/2.2: 161
after BWV 511; ↔ BWV 512, Z 7417a; text by Gerhardt 00385
316 5. 1750 or earlier chorale setting "Gott, der du selber bist das Licht" G min. SATB 39: 208 III/2.2: 133 after Z 5814; text by Rist 00386
317 5. 1750 or earlier chorale setting "Gott der Vater wohn uns bei" D maj. SATB 39: 208 III/2.2: 78 after Z 8507; text by Luther 00387
318 5. 1750 or earlier chorale setting "Gottes Sohn ist kommen" G maj. SATB 39: 209 III/2.2: 13 after Z 3294; text by Horn [de] 00388
F maj. III/2.2: 214
319 5. 1750 or earlier chorale setting "Gott hat das Evangelium" E min. SATB 39: 209 III/2.2: 102 after Z 1788; text by Alberus 00389
320 5. 1750 or earlier chorale setting "Gott lebet noch" F maj. SATB 39: 210 III/2.2: 138 after Z 7951; ↔ BWV 461; text by Zihn [de] 00390
321 5. 1750 or earlier chorale setting "Gottlob, es geht nunmehr zum Ende" B maj. SATB 39: 210 III/2.2: 108 after Z 2853; → Z 2855; text by Luther 00391
322 5. 1750 or earlier chorale setting "Gott sei gelobet und gebenedeiet" C maj. SATB 39: 211 III/2.2: 39 after Z 8078; text by Luther 00392
323 5. 1750 or earlier chorale setting "Gott sei uns gnädig und barmherzig" F♯ min. SATB 39: 212 III/2.2: 186 after German Magnificat; text after Ps. 67 00393
325 5. 1750 or earlier chorale setting "Heilig, heilig, heilig" F maj. SATB 39: 212 III/2.2: 138 after Z 8633a; ↔ Z 8634; text after Sanctus 00395
chorale setting "Sanctus, Sanctus Dominus Deus" after Z 8633a; ↔ Z 8634; text: Sanctus
326 5. 1750 or earlier chorale setting "Herr Gott, dich loben alle wir" B maj. SATB 39: 213 III/2.2: 96 after Z 368; text by Eber 00396
328 5. 1750 or earlier chorale setting "Herr Gott, dich loben wir" A min. SATB 39: 214 III/2.2: 117 after Z 8652; text by Luther after Te Deum 00398
329 5. 1750 or earlier chorale setting "Herr, ich denk an jene Zeit" B maj. SATB 39: 216 III/2.2: 123 after Z 4840; text by Mylius [de] 00399
330 5. 1750 or earlier chorale setting "Herr, ich habe missgehandelt" A min. SATB 39: 216 III/2.2: 21 after Z 3695; text by Franck, J. 00400
331 5. c. 1735 or earlier chorale setting "Herr, ich habe missgehandelt" A min. SATB 39: 217 III/2.1: 47
III/2.2: 171
after Z 3695; text by Franck, J. 00401
332 5. 1750 or earlier chorale setting "Herr Jesu Christ, dich zu uns wend" G maj. SATB 39: 217 III/2.2: 79 after Z 624; text by William of Saxe-Weimar 00402
333 5. 1750 or earlier chorale setting "Herr Jesu Christ, du hast bereit'" G min. SATB 39: 218 III/2.2: 133 after Z 4711; text by Kinner [de] 00403
334 5. c. 1735 or earlier chorale setting "Herr Jesu Christ, ich schrei zu dir" G min. SATB III/2.1: 43 after Z 4486 00404
chorale setting "Herr Jesu Christ, du höchstes Gut" 39: 218 III/2.2: 41 after Z 4486; text by Ringwaldt
335 5. c. 1735 or earlier chorale setting "Herr Jesu Christ, meins Lebens Licht" E min. SATB 39: 218 III/2.1: 60
III/2.2: 175
after Z 423; text by Behm 00405
chorale setting "O Jesu, du mein Bräutigam" III/2.2: 139 after Z 423; text by Hermann
336 5. 1750 or earlier chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" A maj. SATB 39: 219 III/2.2: 106 after Z 423; text by Eber 00406
337 5. 1750 or earlier chorale setting "Herr, nun lass in Friede" A min. SATB 39: 219 III/2.2: 107 after Z 3302; text by Behme [de] 00407
338 5. 1750 or earlier chorale setting "Herr, straf mich nicht in deinem Zorn, das bitt" A min. SATB 39: 220 III/2.2: 131 after Z 4606a; text after Ps. 6[22] 00408
339 5. 1750 or earlier chorale setting "Wer in dem Schutz des Höchsten ist" A maj. SATB 39: 220 III/2.2: 84 after Z 4438; text by Heyden 00409
chorale setting "Herr, wie du willt, so schicks mit mir" after Z 4438; text by Bienemann [de]
340 5. c. 1735 or earlier chorale setting "Herzlich lieb hab ich dich, o Herr" C maj. SATB 39: 221 III/2.1: 42
III/2.2: 164
after Z 8326; text by Schalling 00410
341 5. 1750 or earlier chorale setting "Heut ist, o Mensch, ein großer Trauertag" G Dor. SATB 39: 221 III/2.2: 96 after Z 8569/A; text by Löwenstern 00411
342 5. 1750 or earlier chorale setting "Heut triumphieret Gottes Sohn" A min. SATB 39: 222 III/2.2: 44 after Z 2585; text by Stolzhagen [de] 00412
343 5. 1750 or earlier chorale setting "Hilf, Gott, dass mirs gelinge" G Dor. SATB 39: 222 III/2.2: 112 after Z 4329f; text by Müller, H.[23] 00413
344 5. 1750 or earlier chorale setting "Hilf, Herr Jesu, lass gelingen" G Dor. SATB 39: 223 III/2.2: 89 after Z 3687a; text by Rist 00414
345 5. c. 1735 or earlier chorale setting "Ich bin ja, Herr, in deiner Macht" G min. SATB 39: 223 III/2.1: 13
III/2.2: 148
Z 5878a; text by Dach 00415
346 5. 1750 or earlier chorale setting "Ich dank dir, Gott, für deine Wohltat" C maj. SATB 39: 224 III/2.2: 132 after Z 8090; text by Freder [de] 00416
347 5. 1750 or earlier chorale setting "Ich dank dir, lieber Herre" A maj. SATB 39: 224 III/2.2: 2 after Z 5354a–b; text by Kolross 00417
348 5. c. 1735 or earlier chorale setting "Ich dank dir, lieber Herre" B maj. SATB 39: 225 III/2.1: 39
III/2.2: 162
after Z 5354a–b; text by Kolross 00418
349 5. 1750 or earlier chorale setting "Ich dank dir schon durch deinen Sohn" F maj. SATB 39: 225 III/2.2: 106 after Z 247b; text by Burchart [de] 00419
350 5. 1750 or earlier chorale setting "Ich danke dir, Herr Gott, in deinem Throne" G min. SATB 39: 226 III/2.2: 135 after Z 3199; text by Fabricius [de] 00420
351 5. 1750 or earlier chorale setting "Ich hab mein Sach Gott heimgestellt" G Dor. SATB 39: 226 III/2.2: 13 after Z 1679; text by Leon [de] 00421
366 5. 1750 or earlier chorale setting "Ihr Gestirn, ihr hohlen Lüfte" D min. SATB 39: 236 III/2.2: 92 after Z 3703; text by Franck, J. 00436
367 5. 1750 or earlier chorale setting "In allen meinen Taten" C maj. SATB 39: 236 III/2.2: 81 after Z 2276; text by Fleming[24] 00437
368 5. 1750 or earlier chorale setting "In dulci jubilo" F maj. SATB 39: 236 III/2.2: 83 after Z 4947 00438
352 5. 1750 or earlier chorale setting "Jesu, der du meine Seele" A min. SATB 39: 227 III/2.2: 22 after Z 6804; text by Rist 00422
353 5. c. 1735 or earlier chorale setting "Jesu, der du meine Seele" G min. SATB 39: 228 III/2.1: 26
III/2.2: 160
after Z 6804; text by Rist 00423
354 5. c. 1735 or earlier chorale setting "Jesu, der du meine Seele" B Dor. SATB 39: 228 III/2.1: 99
III/2.2: 211
after Z 6804; text by Rist 00424
355 5. 1750 or earlier chorale setting "Jesu, der du selbsten wohl" A maj. SATB 39: 229 III/2.2: 97 after Z 6335; text by Bapzien [de] 00425
356 5. 1750 or earlier chorale setting "Jesu, du mein liebstes Leben" G min. SATB 39: 230 III/2.2: 144 after Z 7891; text by Rist 00426
357 5. 1750 or earlier chorale setting "Jesu, Jesu, du bist mein" C Dor. SATB 39: 230 III/2.2: 144 BWV 470, Z 6446 00427
358 5. c. 1735 or earlier chorale setting "Jesu, meine Freude" D min. SATB 39: 231 III/2.1: 80
III/2.2: 204
after Z 8032; text by Franck, J. 00428
360 5. c. 1735 or earlier chorale setting "Jesu, meiner Seelen Wonne" B maj. SATB 39: 232 III/2.1: 73
III/2.2: 201
after Z 6551a; text by Janus 00430
359 5. 1750 or earlier chorale setting "Jesu, meiner Seelen Wonne" A maj. SATB 39: 232 III/2.2: 209 after BWV 154/3; text by Janus 00429
361 5. c. 1735 or earlier chorale setting "Jesu, meines Herzens Freud" B maj. SATB 39: 233 III/2.1: 34
III/2.2: 157
after Z 4797–4798; text by Flittner [de] 00431
362 5. c. 1735 or earlier chorale setting "Jesu, nun sei gepreiset" B maj. SATB 39: 234 III/2.1: 12
III/2.2: 149
after Z 8477a; text by Hermann 00432
364 5. 1750 or earlier chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" G Dor. SATB 39: 235 III/2.2: 99 after Z 1978; text by Luther 00434
363 5. 1750 or earlier chorale setting "Jesus Christus, unser Heiland, der von uns den Gottes Zorn wandt" E min. SATB 39: 234 III/2.2: 19 after Z 1576; text by Luther 00433
365 5. 1750 or earlier chorale setting "Jesus, meine Zuversicht" C maj. SATB 39: 235 III/2.2: 100 after Z 3432b; text by Louise Henriette of N 00435
369 5. 1750 or earlier chorale setting "Keinen hat Gott verlassen" E min. SATB 39: 237 III/2.2: 73 after Z 5395 00439
370 5. 1750 or earlier chorale setting "Komm, Gott Schöpfer, Heiliger Geist" C maj. SATB 39: 238 III/2.2: 105 after Z 295; text by Luther 00440
371 5. 1750 or earlier chorale setting "Kyrie, Gott Vater in Ewigkeit" A min. SATB 39: 238 III/2.2: 74 after Z 8600c 00441
372 5. 1750 or earlier chorale setting "Lass, o Herr, dein Ohr sich neigen" G Dor. SATB 39: 240 III/2.2: 128 after Z 6863; text by Opitz 00442
373 5. 1750 or earlier chorale setting "Liebster Jesu, wir sind hier" G maj. SATB 39: 240 III/2.2: 74, 190 after Z 3498b; text by Clausnitzer 00443
374 5. 1750 or earlier chorale setting "Lobet den Herren, denn er ist sehr" G Dor. SATB 39: 241 III/2.2: 134 after Z 975; text after Ps. 147 00444
375 5. c. 1735 or earlier chorale setting "Lobt Gott, ihr Christen, allzugleich" G maj. SATB 39: 241 III/2.1: 45
III/2.2: 164
after Z 198; text by Herman 00445
376 5. 1750 or earlier chorale setting "Lobt Gott, ihr Christen allzugleich" A maj. SATB 39: 242 III/2.2: 197 after Z 198; text by Herman 00446
377 5. 1750 or earlier chorale setting "Machs mit mir, Gott, nach deiner Güt" D maj. SATB 39: 242 III/2.2: 26 after Z 2383; text by Schein 00447
378 5. 1750 or earlier chorale setting "Mein Augen schließ ich jetzt" G maj. SATB 39: 243 III/2.2: 153 after Z 1067; text by Löwenstern 00448
379 5. 1750 or earlier chorale setting "Meinen Jesum lass ich nicht, Jesus" G maj. SATB 39: 243 III/2.2: 87 after Z 3448a 00449
380 5. c. 1735 or earlier chorale setting "Meinen Jesum lass ich nicht, weil" E maj. SATB 39: 244 III/2.1: 62
III/2.2: 178
after Z 3449; text by Keymann 00450
324 5. 1750 or earlier chorale setting "Meine Seele erhebet den Herren" E min. SATB 39: 212 III/2.2: 73 after German Magnificat; text by Luther after Lk. 1:46–55 00394
381 5. 1750 or earlier chorale setting "Meines Lebens letzte Zeit" E min. SATB 39: 244 III/2.2: 199 after Z 6380; ↔ BWV 488 00451
382 5. c. 1735 or earlier chorale setting "Mit Fried und Freud ich fahr dahin" G Dor. SATB 39: 245 III/2.1: 40
III/2.2: 28
after Z 3986; text by Luther 00452
383 5. 1750 or earlier chorale setting "Mitten wir im Leben sind" A min. SATB 39: 246 III/2.2: 124 after Z 8502; text by Luther after Media vita 00453
384 5. 1750 or earlier chorale setting "Nicht so traurig, nicht so sehr" C min. SATB 39: 247 III/2.2: 86 Z 3355; text by Gerhardt 00454
385 5. c. 1735 or earlier chorale setting "Nun bitten wir den Heiligen Geist" A maj. SATB 39: 247 III/2.1: 76
III/2.2: 22
after Z 2029a; text by Luther 00455
386 5. c. 1735 or earlier chorale setting "Nun danket alle Gott" A maj. SATB 39: 248 III/2.1: 101
III/2.2: 20
after Z 5142; text by Rinkart 00456
387 5. 1750 or earlier chorale setting "Nun freut euch, Gottes Kinder all" D Dor. SATB 39: 248 III/2.2: 104 after Z 364; text by Alberus 00457
388 5. 1750 or earlier chorale setting "Nun freut euch, lieben Christen gmein" G maj. SATB 39: 248 III/2.2: 103 after Z 4427; text by Luther 00458
389 5. c. 1735 or earlier chorale setting "Nun lob, mein Seel, den Herren" C maj. SATB 39: 249 III/2.1: 32
III/2.2: 159
after Z 8244; text by Gramann after Ps. 103 00459
390 5. c. 1735 or earlier chorale setting "Nun lob, mein Seel, den Herren" C maj. SATB 39: 250 III/2.1: 58
III/2.2: 176
after Z 8244; text by Gramann after Ps. 103 00460
391 5. 1750 or earlier chorale setting "Nun preiset alle Gottes Barmherzigkeit" G maj. SATB 39: 250 III/2.2: 131 after Z 4089a; text by Löwenstern 00461
392 5. 1734–1750 chorale setting "Nun ruhen alle Wälder" B maj. SATB 39: 251 III/2.2: 172 after BWV 97/9; text by Gerhardt 00462
396 5. 1750 or earlier chorale setting "Nun sich der Tag geendet hat" A min. SATB 39: 252 III/2.2: 142 after Z 212b; text by Krieger 00466
397 5. c. 1735 or earlier chorale setting "O Ewigkeit, du Donnerwort" F maj. SATB 39: 253 III/2.1: 23
III/2.2: 163
after Z 5820; ↔ BWV 513; text by Rist 00467
398 5. c. 1728–1729 chorale setting "O Gott, du frommer Gott" D maj. SATB 39: 254 III/2.2: 182 after Z 5206b; ↔ BWV 197a/7; text by Heermann 00468
399 5. 1750 or earlier chorale setting "O Gott, du frommer Gott" G maj. SATB 39: 254 III/2.2: 184 after Z 5148; text by Heermann 00469
400 5. 1750 or earlier chorale setting "O Herzensangst" E maj. SATB 39: 255 III/2.2: 99 Z 1003; text by Müller von Königsberg 00470
401 5. 1750 or earlier chorale setting "O Lamm Gottes, unschuldig" F maj. SATB 39: 255 III/2.2: 94 after Z 4361a; text by Decius after Agnus Dei 00471
402 5. 1750 or earlier chorale setting "O Mensch, bewein dein Sünde groß" E maj. SATB 39: 256 III/2.2: 114 after Z 8303; text by Heyden 00472
403 5. 1750 or earlier chorale setting "O Mensch, schau Jesum Christum an" G Dor. SATB 39: 257 III/2.2: 116 after Z 3994a–b; ↔ Z 3994c; text by Specht 00473
404 5. 1750 or earlier chorale setting "O Traurigkeit, o Herzeleid" A min. SATB 39: 257 III/2.2: 34 after Z 1915; text by Rist 00474
F min. III/2.2: 215
393 5. c. 1735 or earlier chorale setting "O Welt, sieh hier dein Leben" A maj. SATB 39: 251 III/2.1: 44
III/2.2: 163
after Z 2293b; text by Gerhardt 00463
394 5. c. 1735 or earlier chorale setting "O Welt, sieh hier dein Leben" A maj. SATB 39: 252 III/2.1: 96
III/2.2: 210
after Z 2293b; text by Gerhardt 00464
395 5. 1724–1750 chorale setting "O Welt, sieh hier dein Leben" A maj. SATB 39: 252 III/2.2: 208 after BWV 245/11; text by Gerhardt 00465
405 5. 1750 or earlier chorale setting "O wie selig seid ihr doch, ihr Frommen" D min. SATB 39: 258 III/2.2: 124 after Z 1583; ↔ BWV 495; text by Dach 00475
406 5. 1750 or earlier chorale setting "O wie selig seid ihr doch, ihr Frommen" D min. SATB 39: 258 III/2.2: 129 after Z 1581; text by Dach 00476
407 5. 1750 or earlier chorale setting "O wir armen Sünder" D maj. SATB 39: 258 III/2.2: 114 after Z 8187c; text by Bonnus [de] 00477
408 5. 1750 or earlier chorale setting "Schaut, ihr Sünder" G Dor. SATB 39: 259 III/2.2: 98 after Z 8569/B; text by Löwenstern 00478
409 5. 1750 or earlier chorale setting "Seelenbräutigam" A maj. SATB 39: 260 III/2.2: 82, 216 after Z 3255a–b; ↔ BWV 496; text by Drese 00479
410 5. 1750 or earlier chorale setting "Sei gegrüßet, Jesu gütig" G min. SATB 39: 260 III/2.2: 98 after Z 3889b; ↔ BWV 499; text by Keymann 00480
411 5. 1750 or earlier chorale setting "Singt dem Herrn ein neues Lied" G maj. SATB 39: 260 III/2.2: 146 after Z 6424; text by Löwenstern 00481
412 5. 1750 or earlier chorale setting "So gibst du nun, mein Jesu, gute Nacht" G Dor. SATB 39: 261 III/2.2: 119 after Z 849; ↔ BWV 501; text by Pfeiffer [de] 00482
413 5. 1750 or earlier chorale setting "Sollt ich meinem Gott nicht singen" D min. SATB 39: 262 III/2.2: 130 after Z 7886b; ↔ BWV 481; text by Gerhardt 00483
414 5. 1750 or earlier chorale setting "Uns ist ein Kindlein heut geborn" G maj. SATB 39: 262 III/2.2: 86 after Z 439; ↔ BWV 253 00484
415 5. 1750 or earlier chorale setting "Valet will ich dir geben" D maj. SATB 39: 263 III/2.2: 16 after Z 5404a; text by Herberger 00485
416 5. 1724-04-07 chorale setting "Vater unser im Himmelreich" D min. SATB 39: 263 III/2.1: 94
III/2.2: 27
after Z 2561; ↔ BWV 245.1/5; text by Luther after Mt 6:9–13 00486
417 5. c. 1735 or earlier chorale setting "Von Gott will ich nicht lassen" B min. SATB 39: 264 III/2.1: 92
III/2.2: 209
after Z 5264b; text by Helmbold 00487
418 5. 1750 or earlier chorale setting "Von Gott will ich nicht lassen" A min. SATB 39: 264 III/2.2: 192 after Z 5264b; text by Helmbold 00488
419 5. 1726–1761 (CPE) chorale setting "Helft mir Gotts Güte preisen" A min. SATB 39: 265 III/2.2: 64 by Bach, C. P. E.; after BWV 16/6; text by Eber 00489
chorale setting "Von Gott will ich nicht lassen" by Bach, C. P. E.; after BWV 16/6; text by Helmbold
257 5. c. 1735 or earlier chorale setting "Wär Gott nicht mit uns diese Zeit" A min. SATB 39: 178 III/2.1: 46
III/2.2: 170
after Z 4441a; text by Luther after Ps. 124 00327
420 5. 1750 or earlier chorale setting "Warum betrübst du dich, mein Herz" A min. SATB 39: 265 III/2.2: 84 after Z 1689a 00490
421 5. c. 1735 or earlier chorale setting "Warum betrübst du dich, mein Herz" A min. SATB 39: 266 III/2.1: 65
III/2.2: 178
after Z 1689a; ↔ BWV 1164/2 00491
422 5. c. 1735 or earlier chorale setting "Warum sollt ich mich denn grämen" G Mix. SATB 39: 266 III/2.1: 82
III/2.2: 204
after Z 6461; → Z 6462; text by Gerhardt 00492
423 5. 1750 or earlier chorale setting "Was betrübst du dich, mein Herze" G Dor. SATB 39: 267 III/2.2: 140 Z 6830; text by Herrmann [wikisource:de] 00493
424 5. 1750 or earlier chorale setting "Was bist du doch, o Seele, so betrübet" A min. SATB 39: 267 III/2.2: 108 after Z 1837; ↔ BWV 506; text by Schultt, R. F. [scores] 00494
425 5. 1750 or earlier chorale setting "Was willst du dich, o meine Seele, kränken" A min. SATB 39: 268 III/2.2: 142 after Z 7844; text by Werder [de] 00495
426 5. 1750 or earlier chorale setting "Weltlich Ehr und zeitlich Gut" C maj. SATB 39: 269 III/2.2: 122 after Z 4972; text by Weiße 00496
427 5. 1750 or earlier chorale setting "Wenn ich in Angst und Not" E maj. SATB 39: 269 III/2.2: 85 after Z 4233; text by Löwenstern 00497
428 5. 1750 or earlier chorale setting "Wenn mein Stündlein verhanden ist" G maj. SATB 39: 270 III/2.2: 187 after Z 4482a; text by Herman 00498
429 5. c. 1735 or earlier chorale setting "Wenn mein Stündlein verhanden ist" A maj. SATB 39: 270 III/2.1: 91
III/2.2: 29
after Z 4482a; text by Herman 00499
430 5. c. 1735 or earlier chorale setting "Wenn mein Stündlein verhanden ist" A maj. SATB 39: 271 III/2.1: 68
III/2.2: 201
after Z 4482a; text by Herman 00500
431 5. 1750 or earlier chorale setting "Wenn wir in höchsten Nöten sein" F maj. SATB 39: 272 III/2.2: 38 after Z 394; text by Eber 00501
432 5. 1750 or earlier chorale setting "Wenn wir in höchsten Nöten sein" G maj. SATB 39: 272 III/2.2: 146 after Z 394; text by Eber 00502
433 5. 1750 or earlier chorale setting "Wer Gott vertraut, hat wohl gebaut" G maj. SATB 39: 273 III/2.2: 78 after Z 8207; text by Magdeburg [de][24] 00503
434 5. c. 1735 or earlier chorale setting "Wer weiß, wie nahe mir mein Ende" A min. SATB 39: 273 III/2.1: 38 after Z 2778; text by Emilie Juliane of B-M 00504
chorale setting "Wer nur den lieben Gott lässt walten" III/2.2: 85 after Z 2778; text by Neumark
435 5. 1750 or earlier chorale setting "Wie bist du, Seele, in mir so gar betrübt" E min. SATB 39: 274 III/2.2: 143 after Z 4092; text by Zeutschner [choralwiki] 00505
436 5. c. 1735 or earlier chorale setting "Wie schön leuchtet der Morgenstern" E maj. SATB 39: 274 III/2.1: 45
III/2.2: 165
after Z 8359; text by Nicolai 00506
437 5. 1750 or earlier chorale setting "Wir glauben all an einen Gott" D Dor. SATB 39: 275 III/2.2: 76 after Z 7971; text by Luther after Creed 00507
258 5. 1750 or earlier chorale setting "Wo Gott der Herr nicht bei uns hält" B min. SATB 39: 179 III/2.2: 194 after Z 4441a; text by Jonas 00328
438 5. 1750 or earlier chorale setting "Wo Gott zum Haus nicht gibt sein Gunst" F maj. SATB 39: 276 III/2.2: 90 after Z 305; text by Kolross 00508
500a 5. 1726-04-19 chorale setting "So gehst du nun, mein Jesu, hin" (in Bach's Leipzig versions of St Mark Passion attributed to Keiser) SATB Str Bc II/9: 75 text by Nachtenhöfer [de]; ↔ BWV 500 00571
1084 5. 1726-04-19 chorale setting "O hilf Christe, Gottes Sohn" (in Bach's Leipzig versions of St Mark Passion attributed to Keiser) SATB Str Bc II/9: 76 text by Weiße; after BC D 5a/14 01270
1089 5. chorale setting "Da Jesus an dem Kreuze stund" SATB III/2.2: 216 text by Lilius [de] 01275
1122 5. c. 1735 or earlier chorale setting "Denket doch, ihr Menschenkinder" F maj. SATB III/2.1: 31 text by Hübner?[25] 01720
1123 5. c. 1735 or earlier chorale setting "Wo Gott zum Haus gibt nicht sein Gunst" G maj. SATB III/2.1: 40 after Z 305; text by Kolross[25] 01721
1124 5. c. 1735 or earlier chorale setting "Ich ruf zu dir, Herr Jesu Christ" E min. SATB III/2.1: 51 after Z 7400; text by Agricola, J.[25] 01722
1125 5. c. 1735 or earlier chorale setting "O Gott, du frommer Gott" D maj. SATB III/2.1: 79 after Z 5206b; text by Heermann[25] 01723
1126 5. chorale setting "Lobet Gott, unsern Herren" SATB III/2.2: 218 01724
6. Songs, Arias and Quodlibet (see also: List of songs and arias of Johann Sebastian Bach) Up ↑
439 6. 1735–1736 or earlier song "Ach, dass nicht die letzte Stunde" (Schemelli #831; tune #56) V Bc 39: 279 III/2.1: 210 Z 6721; text by Neumeister 00509
440 6. 1735–1736 or earlier song "Auf, auf! die rechte Zeit ist hier" (Schemelli #171; tune #11) V Bc 39: 279 III/2.1: 123 Z 705; text by Opitz 00510
441 6. c. 1735 or earlier chorale setting "Auf, auf, mein Herz, mit Freuden" F maj. SATB III/2.1: 67 after Z 5243; text by Gerhardt 00511
1735–1736 or earlier song "Auf, auf, mein Herz, mit Freuden" (Schemelli #320; tune #27) V Bc 39: 279 III/2.1: 152
442 6. 1735–1736 or earlier song "Beglückter Stand getreuer Seelen" (Schemelli #570; tune #39) V Bc 39: 280 III/2.1: 176 after Z 5970; text by Bonin [de] 00512
443 6. 1735–1736 or earlier song "Beschränkt, ihr Weisen dieser Welt" (Schemelli #689; tune #47) V Bc 39: 280 III/2.1: 192 Z 7765; text by Wegleiter [wikisource:de] 00513
444 6. 1735–1736 or earlier song "Brich entzwei, mein armes Herze" (Schemelli #303; tune #24) V Bc 39: 280 III/2.1: 146 after Z 7110–7111a; → Z 7111b; text by Trommer [scores] 00514
445 6. 1735–1736 or earlier song "Brunnquell aller Güter" (Schemelli #335; tune #29) V Bc 39: 281 III/2.1: 156 after Z 6252b; text by Franck, J. 00515
446 6. 1735–1736 or earlier song "Der lieben Sonnen Licht und Pracht" (Schemelli #39; tune #2) V Bc 39: 281 III/2.1: 106 after Z 5659; text by Scriver 00516
447 6. 1735–1736 or earlier song "Der Tag ist hin, die Sonne gehet nieder" (Schemelli #40; tune #3) V Bc 39: 281 III/2.1: 108 after Z 923; ↔ BWV 297; text by Rube [fr] 00517
448 6. 1735–1736 or earlier song "Der Tag mit seinem Lichte" (Schemelli #43; tune #4) V Bc 39: 282 III/2.1: 110 after Z 7512b; text by Gerhardt 00518
449 6. 1735–1736 or earlier song "Dich bet ich an, mein höchster Gott" (Schemelli #396; tune #31) V Bc 39: 282 III/2.1: 160 Z 2437; text by Olearius, J. G. [de][26] 00519
450 6. 1735–1736 or earlier song "Die bittre Leidenszeit beginnet abermal" (Schemelli #258; tune #17) V Bc 39: 282 III/2.1: 134 after Z 7429; text by Elmenhorst [de] 00520
451 6. 1735–1736 or earlier song "Die güldne Sonne" (Schemelli #13; tune #1) V Bc 39: 283 III/2.1: 104 after Z 8015; text by Gerhardt 00521
452 6. 1735–1736 or earlier song "Dir, dir, Jehova, will ich singen" (Schemelli #397; tune #32) V Bc 39: 284 III/2.1: 162 after BWV 299; → Z 3068; text by Crasselius [de] 00522
453 6. 1735–1736 or earlier song "Eins ist not! ach Herr, dies Eine" (Schemelli #112; tune #7) V Bc 39: 284 III/2.1: 116 Z 7129; text by Schröder [scores] 00523
454 6. 1735–1736 or earlier song "Ermuntre dich, mein schwacher Geist" (Schemelli #187; tune #12) V Bc 39: 284 III/2.1: 124 after Z 5741; text by Rist 00524
455 6. 1735–1736 or earlier song "Erwürgtes Lamm, das die verwahrten Siegel" (Schemelli #580; tune #43) V Bc 39: 285 III/2.1: 184 after Z 3138; text by Bonin [de] 00525
456 6. 1735–1736 or earlier song "Es glänzet der Christen inwendiges Leben" (Schemelli #572; tune #40) V Bc 39: 285 III/2.1: 178 after Z 6969; text by Richter 00526
457 6. 1735–1736 or earlier song "Es ist nun aus mit meinem Leben" (Schemelli #847; tune #57) V Bc 39: 286 III/2.1: 212 after Z 6969; text by Omeis [de] 00527
458 6. 1735–1736 or earlier song "Es ist vollbracht! Vergiss ja nicht dies Wort" (Schemelli #306; tune #25) V Bc 39: 286 III/2.1: 148 after Z 2692; text by Schmidt [scores] 00528
459 6. 1735–1736 or earlier song "Es kostet viel, ein Christ zu sein" (Schemelli #522; tune #38) V Bc 39: 286 III/2.1: 174 after Z 2727; text by Richter 00529
460 6. 1735–1736 or earlier song "Gib dich zufrieden und sei stille" (Schemelli #647; tune #45) V Bc 39: 288 III/2.1: 188 after Z 7415; text by Gerhardt 00530
461 6. 1735–1736 or earlier song "Gott lebet noch" (Schemelli #488; tune #37) V Bc 39: 288 III/2.1: 172 after Z 7951; ↔ BWV 320; text by Zihn [de] 00531
462 6. 1735–1736 or earlier song "Gott wie groß ist deine Güte" (Schemelli #360; tune #30) V Bc 39: 289 III/2.1: 158 text by Schemelli; → Z 7937 00532
463 6. 1735–1736 or earlier song "Herr, nicht schicke deine Rache" (Schemelli #78; tune #5) V Bc 39: 289 III/2.1: 112 after Z 6863; text by Opitz 00533
464 6. 1735–1736 or earlier song "Ich bin ja, Herr, in deiner Macht" (Schemelli #861; tune #58) V Bc 39: 290 III/2.1: 214 after Z 5869a; text by Dach 00534
465 6. 1735–1736 or earlier song "Ich freue mich in dir" (Schemelli #194; tune #13) V Bc 39: 290 III/2.1: 126 after Z 5138; text by Ziegler 00535
466 6. 1735–1736 or earlier song "Ich halte treulich still" (Schemelli #657; tune #46) V Bc 39: 290 III/2.1: 190 text by Till [scores]; → Z 5082 00536
467 6. 1735–1736 or earlier song "Ich lass dich nicht" (Schemelli #734; tune #51) V Bc 39: 291 III/2.1: 200 after Z 7455; text by Deßler [de] 00537
468 6. 1735–1736 or earlier song "Ich liebe Jesum alle Stund" (Schemelli #737; tune #52) V Bc 39: 291 III/2.1: 202 after Z 4731; → Z 4732 00538
469 6. 1735–1736 or earlier song "Ich steh an deiner Krippen hier" (Schemelli #195; tune #14) V Bc 39: 292 III/2.1: 128 Z 4663; text by Gerhardt 00539
476 6. 1735–1736 or earlier song "Ihr Gestirn, ihr hohlen Lüfte" (Schemelli #197; tune #15) V Bc 39: 294 III/2.1: 130 after Z 3703; text by Franck, J. 00546
471 6. 1735–1736 or earlier song "Jesu, deine Liebeswunden" (Schemelli #139; tune #10) V Bc 39: 292 III/2.1: 122 text by Wegleit. [wikisource:de]?; → Z 1302 00541
470 6. 1735–1736 or earlier song "Jesu, Jesu, du bist mein" (Schemelli #741; tune #53) V Bc 39: 292 III/2.1: 204 BWV 357; → Z 6446 00540
472 6. 1735–1736 or earlier song "Jesu, meines Glaubens Zier" (Schemelli #119; tune #8) V Bc 39: 293 III/2.1: 118 after Z 6453; text by Sacer 00542
473 6. 1735–1736 or earlier song "Jesu, meines Herzens Freud" (Schemelli #696; tune #48) V Bc 39: 293 III/2.1: 194 after Z 4797–4798; text by Flittner [de] 00543
474 6. 1735–1736 or earlier song "Jesus ist das schönste Licht" (Schemelli #463; tune #33) V Bc 39: 293 III/2.1: 164 after Z 6412; text by Richter 00544
475 6. 1735–1736 or earlier song "Jesus, unser Trost und Leben" (Schemelli #333; tune #28) V Bc 39: 294 III/2.1: 154 after Z 4918; text by Homburg [de] 00545
477 6. 1735–1736 or earlier song "Kein Stündlein geht dahin" (Schemelli #869; tune #60) V Bc 39: 294 III/2.1: 218 after 4243b; text by Franck, M.? 00547
478 6. 1735–1736 or earlier song "Komm, süßer Tod" (Schemelli #868; tune #59) V Bc 39: 295 III/2.1: 216 Z 4400 00548
479 6. 1735–1736 or earlier song "Kommt, Seelen, dieser Tag" (Schemelli #936; tune #67) V Bc 39: 295 III/2.1: 232 Z 5185; text by Löscher 00549
480 6. 1735–1736 or earlier song "Kommt wieder aus der finstern Gruft" (Schemelli #938; tune #68) V Bc 39: 296 III/2.1: 234 Z 4709; text by Löscher 00550
481 6. 1735–1736 or earlier song "Lasset uns mit Jesu ziehen" (Schemelli #281; tune #18) V Bc 39: 296 III/2.1: 136 after Z 7886b; ↔ BWV 413; text by Birken 00551
482 6. 1735–1736 or earlier song "Liebes Herz, bedenke doch" (Schemelli #467; tune #34) V Bc 39: 297 III/2.1: 166 after Z 6434; text by Koitsch [de] 00552
483 6. 1735–1736 or earlier song "Liebster Gott, wann werd ich sterben" (Schemelli #873; tune #61) E♭ maj. V Bc 39: 297 III/2.1: 220 after Z 6634; text by Neumann 00553
484 6. 1735–1736 or earlier song "Liebster Herr Jesu, wo bleibst du so lange" (Schemelli #874; tune #62) V Bc 39: 298 III/2.1: 222 Z 3969; text by Weselowius [scores] 00554
485 6. 1735–1736 or earlier song "Liebster Immanuel, Herzog der Frommen" (Schemelli #761; tune #54) V Bc 39: 298 III/2.1: 206 after Z 4932c; text by Fritsch 00555
488 6. 1735–1736 or earlier song "Meines Lebens letzte Zeit" (Schemelli #881; tune #63) V Bc 39: 299 III/2.1: 224 after Z 6380; ↔ BWV 381 00558
486 6. 1735–1736 or earlier song "Mein Jesu, dem die Seraphinen" (Schemelli #121; tune #9) V Bc 39: 298 III/2.1: 120 after Z 5988; text by Deßler [de] 00556
487 6. 1735–1736 or earlier song "Mein Jesu! was vor Seelenweh" (Schemelli #283; tune #19) V Bc 39: 299 III/2.1: 138 text by Schemelli?; → Z 8383 00557
489 6. 1735–1736 or earlier song "Nicht so traurig, nicht so sehr" (Schemelli #574; tune #41) V Bc 39: 300 III/2.1: 180 after Z 3342; text by Gerhardt? 00559
490 6. 1735–1736 or earlier song "Nur mein Jesus ist mein Leben" (Schemelli #700; tune #49) V Bc 39: 300 III/2.1: 196 after Z 8404c 00560
491 6. 1735–1736 or earlier song "O du Liebe meiner Liebe" (Schemelli #284; tune #20) V Bc 39: 300 III/2.1: 140 after Z 6693; text by Senitz [Wikidata][27] 00561
492 6. 1735–1736 or earlier song "O finstre Nacht, wenn wirst du doch vergehen" (Schemelli #891; tune #64) V Bc 39: 301 III/2.1: 226 Z 6171; text by Breithaupt [scores] 00562
493 6. 1735–1736 or earlier song "O Jesulein süß, o Jesulein mild" (Schemelli #203; tune #16) V Bc 39: 302 III/2.1: 132 after Z 2016a; text by Thilo [de] 00563
494 6. 1735–1736 or earlier song "O liebe Seele, zieh die Sinnen" (Schemelli #575; tune #42) V Bc 39: 302 III/2.1: 182 Z 7787 00564
495 6. 1735–1736 or earlier song "O wie selig seid ihr doch, ihr Frommen" (Schemelli #894; tune #65) V Bc 39: 302 III/2.1: 228 after Z 1583; ↔ BWV 405; text by Dach 00565
496 6. 1735–1736 or earlier song "Seelenbräutigam" (Schemelli #472; tune #35) V Bc 39: 303 III/2.1: 168 after Z 3255a–b; ↔ BWV 409; text by Drese 00566
497 6. 1735–1736 or earlier song "Seelenweide" (Schemelli #710; tune #50) V Bc 39: 303 III/2.1: 198 after Z 1286; text by Drese 00567
499 6. 1735–1736 or earlier song "Sei gegrüßet, Jesu gütig" (Schemelli #293; tune #22) V Bc 39: 304 III/2.1: 143 after Z 3889b; ↔ BWV 410; text by Keymann 00569
498 6. 1735–1736 or earlier song "Selig, wer an Jesum denkt" (Schemelli #292; tune #21) V Bc 39: 304 III/2.1: 142 Z 4846 00568
500 6. 1735–1736 or earlier song "So gehst du nun, mein Jesu hin" (Schemelli #296; tune #23) V Bc 39: 304 III/2.1: 144 after Z 7631b; ↔ BWV 500a; text by Nachtenhöfer [de] 00570
501 6. 1735–1736 or earlier song "So gibst du nun, mein Jesu, gute Nacht" (Schemelli #315; tune #26) V Bc 39: 304 III/2.1: 150 after Z 849; ↔ BWV 412; text by Pfeiffer [de] 00572
502 6. 1735–1736 or earlier song "So wünsch ich mir zu guter Letzt" (Schemelli #901; tune #66) V Bc 39: 305 III/2.1: 230 Z 5892; text by Rist 00573
503 6. 1735–1736 or earlier song "Steh ich bei meinem Gott" (Schemelli #945; tune #69) V Bc 39: 305 III/2.1: 236 after Z 5207; text by Herrnschmidt [de] 00574
504 6. 1735–1736 or earlier song "Vergiss mein nicht, dass ich dein nicht vergesse" (Schemelli #475; tune #36) V Bc 39: 306 III/2.1: 170 after Z 4779; text by Arnold 00575
505 6. 1735–1736 or earlier song "Vergiss mein nicht, ..., Mein allerliebster Gott" (Schemelli #627; tune #44) V Bc 39: 306 III/2.1: 186 text by Arnold; → Z 4233 00576
506 6. 1735–1736 or earlier song "Was bist du doch, o Seele, so betrübt" (Schemelli #779; tune #55) A min. V Bc 39: 307 III/2.1: 208 after Z 1837; ↔ BWV 424; text by Schultt, R. F. [scores] 00577
507 6. 1735–1736 or earlier song "Wo ist mein Schäflein, das ich liebe" (Schemelli #108; tune #6) V Bc 39: 308 III/2.1: 114 after Z 5958a; text by Schultt, J. P. [scores] 00578
508 6. 1718-11-16 (GHS)
after 1733–1734 (AMB)
Notebook A. M. Bach (1725) No. 25: aria "Bist du bei mir" E♭ maj. V Bc 432: 36
39: 309
V/4: 102 after Stölzel (Diomedes) 00579
509 6. 1725–1733 (AMB) Notebook A. M. Bach (1725) No. 41: aria "Gedenke doch, mein Geist, zurücke" V Bc 432: 52
39: 310
V/4: 128 00580
510 6. 1725–1733 Notebook A. M. Bach (1725) No. 12: song "Gib dich zufrieden und sei stille" F maj. V Bc 432: 30
39: 311
V/4: 91 00581
511 6. 1725–1733 Notebook A. M. Bach (1725) No. 13a: song "Gib dich zufrieden und sei stille" G min. V Bc 432: 31
39: 287
V/4: 91 text by Gerhardt; → BWV 512 00582
512 6. 1725–1733 Notebook A. M. Bach (1725) No. 13b: song "Gib dich zufrieden und sei stille" E min. V Bc 432: 31
39: 287
V/4: 91 after BWV 511; ↔ BWV 315, Z 7417a; text by Gerhardt 00583
513 6. 1725–1733 (AMB) Notebook A. M. Bach (1725) No. 42: song "O Ewigkeit, du Donnerwort" V Bc 432: 52
39: 301
V/4: 129 BWV 397; text by Rist 00584
514 6. 1725–1733 (AMB) Notebook A. M. Bach (1725) No. 35: song "Schaffs mit mir, Gott" V Bc 432: 48
39: 303
V/4: 125 text by Schmolck 00585
515 6. after 1733–1734 Notebook A. M. Bach (1725) No. 20a: aria "So oft ich meine Tobackspfeife" D min. V Bc 432: 34 V/4: 98 by Bach, G. H.?; → BWV 515a 00586
515a 6. after 1733–1734 Notebook A. M. Bach (1725) No. 20b: aria "So oft ich meine Tobackspfeife" G min. V Bc 432: 34
39: 309
V/4: 98 after BWV 515 00587
516 6. after 1733–1734 (AMB) Notebook A. M. Bach (1725) No. 33: aria "Warum betrübst du dich" V Bc 432: 46
39: 307
V/4: 121 00588
517 6. after 1733–1734 (AMB) Notebook A. M. Bach (1725) No. 40: song "Wie wohl ist mir, o Freund der Seelen" V Bc 432: 51
39: 307
V/4: 128 text by Deßler [de] 00589
518 6. after 1725 Notebook A. M. Bach (1725) No. 37: aria "Willst du dein Herz mir schenken" a.k.a. "Aria di G(i)ovannini" V Bc 432: 49
39: 311
V/4: 126 00590
519 6. c.1736? Five Hymns from SBB Bach P 802 No. 1: "Hier lieg ich nun, o Vater aller Gnaden" V Bc by Krebs, J. L.?; in Spitta III, pp. 401–403 00591
520 6. c.1736? Five Hymns from SBB Bach P 802 No. 2: "Das walt mein Gott, Gott Vater, Sohn und heilger Geist" V Bc by Krebs, J. L.?; in Spitta III, pp. 401–403 00592
521 6. c.1736? Five Hymns from SBB Bach P 802 No. 3: "Gott, mein Herz dir Dank zusendet" V III/3 by Krebs, J. L.?; in Spitta III, pp. 401–403 00593
522 6. c.1736? Five Hymns from SBB Bach P 802 No. 4: "Meine Seele, lass es gehen, wie es in der Welt jetzt geht" V by Krebs, J. L.?; in Spitta III, pp. 401–403 00594
523 6. c.1736? Five Hymns from SBB Bach P 802 No. 5: "Ich gnüge mich an meinem Stande" V by Krebs, J. L.?; in Spitta III, pp. 401–403 00595
524 6. 1707 – July 1708 Quodlibet (incomplete; wedding?) SATB (SBBB) Bc NBG 322 I/41: 69 00596
7. Works for organ (see also: List of organ compositions by Johann Sebastian Bach) Up ↑
525 7. c.1730 Trio Sonata No. 1/6 E♭ maj. Organ 15: 3 IV/7: 1 BWV 525a 00597
526 7. c.1730 Trio Sonata No. 2/6 C min. Organ 15: 13 IV/7: 14 00598
527 7. c.1730 Trio Sonata No. 3/6 (+e. v. for /1) D min. Organ 15: 26 IV/7: 28 BWV 1044/2 00599
528 7. c.1730 Trio Sonata No. 4/6 (+e. v. for /2, /3) E min. Organ 15: 40 IV/7: 44 after BWV 76/8 00600
529 7. c.1730 Trio Sonata No. 5/6 (+e. v. for /2) C maj. Organ 15: 50 IV/7: 56 00601
530 7. c.1730 Trio Sonata No. 6/6 G maj. Organ 15: 66 IV/7: 76 00602
531 7. c.1700–1703 Prelude and Fugue C maj. Organ 15: 81 IV/5: 3 in Möllersche Handschrift 00603
532.2 7. c.1708–1712 Prelude and Fugue D maj. Organ 15: 88 IV/5: 58 after BWV 912/1, 532.1 00604
532.1 7. Fugue (early version) D maj. Organ IV/6: 95 BWV 532.2/2 00605
533 7. c.1704 Prelude and Fugue ("Cathedral") E min. Organ 15: 100 IV/5: 90 BWV 533a 00606
533a 7. Prelude and Fugue E min. Keyboard IV/6: 106 BWV 533 00607
534 7. c.1712–1717 Prelude and Fugue F min. Organ 15: 104 IV/5: 130 00608
535 7. after 1717 Prelude and Fugue G min. Organ 15: 112 IV/5: 157 after BWV 535a 00609
535a 7. c.1702–1704 Prelude and Fugue (incomplete) G min. Organ IV/6: 109 BWV 535; in Möllersche Handschrift 00610
536 7. 1708–1717 Prelude and Fugue A maj. Organ 15: 120 IV/5: 180 BWV 152/1; → 536a 00611
537 7. 1729–1750 Fantasia and Fugue C min. Organ 15: 129 IV/5: 47 00613
538 7. 1712–1717 Toccata and Fugue ("Dorian") D min. Organ 15: 136 IV/5: 76 00614
539 7. 1724–1750? Prelude and Fugue D min. Organ 15: 148 IV/5: 70 after BWV 1001/2, 1000 00615
540 7. c.1712–1717? Toccata and Fugue F maj. Organ 15: 154 IV/5: 112 00616
541
528/3
7. c.1712–1717? Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement) G maj. Organ 15: 169 IV/5: 146 BWV 528/3 00617
542 7. c.1714–1720? Fantasia and Fugue ("Great"; independent compositions?; fugue also in F minor) G min. Organ 15: 177 IV/5: 167 00618
543 7. after c.1730 Prelude and Fugue A min. Organ 15: 189 IV/5: 186 after BWV 543/1a 00619
543/1a 7. bef. c.1725 Prelude A min. Organ IV/6: 121 BWV 543/1 00620
544 7. 1725–1728 Prelude and Fugue B min. Organ 15: 199 IV/5: 198 00621
545
529/2
7. 1708–1717
after 1722
Prelude and Fugue (middle movement BWV 529/2 e. v. removed after 1722) C maj. Organ 15: 212 IV/5: 10 after BWV 545a, b; → 529/2 00622
545a 7. 1708–1717 Prelude and Fugue (early version) C maj. Organ IV/6: 77 BWV 545b, 545 00623
546 7. 1708–1750 Prelude and Fugue C min. Organ 15: 218 IV/5: 35 00625
547 7. 1719–1750 Prelude and Fugue C maj. Organ 15: 228 IV/5: 20 00626
548 7. 1725–1728 Prelude and Fugue ("Wedge") E min. Organ 15: 236 IV/5: 94 00627
549 7. 1705–1750 Prelude and Fugue C min. Organ 38: 3 IV/5: 30 after BWV 549a 00628
549a 7. c.1701 Prelude (or: Fantasia) and Fugue D min. Organ IV/6: 101 BWV 549; in Möllersche Handschrift 00629
550 7. 1706–1708 Prelude and Fugue G maj. Organ 38: 9 IV/5: 138 00630
551 7. c.1699 Prelude and Fugue A min. Organ 38: 17 IV/6: 63 00631
552 7. 1739 Prelude and Fugue ("St Anne") from Clavier-Übung III E♭ maj. Organ 3: 173, 254 IV/4: 2, 105 00632
562 7. 1720–c.1748 Fantasia and Fugue (unfinished fugue added c.1747–1748) C min. Organ 38: 64, 209
44: 4
IV/5: 54 00642
563 7. c.1704 Fantasia and Imitatio C maj. Organ 38: 59 IV/6: 68 in Andreas-Bach-Buch 00643
564 7. bef. c.1712 Toccata, Adagio and Fugue C maj. Organ 15: 253 IV/6: 3 00644
565 7. c.1704? Toccata and Fugue D min. Organ 15: 267 IV/6: 31 00645
566 7. 1700–1750 Prelude and Fugue (earliest manuscripts: C major; /1 as Toccata in BGA) E maj.
C maj.
Organ 15: 276 IV/6: 40 00646
568 7. c.1700–1705? Prelude G maj. Organ 38: 85 IV/6: 51 00648
569 7. 1703–c.1704 Prelude A min. Organ 38: 89 IV/6: 59 00649
1121 7. 1706–1710 Fantasia C min. Organ IV/11: 54 in Andreas-Bach-Buch; was Anh. 205 01516
570 7. c.1698–1704 Fantasia C maj. Organ 38: 62 IV/6: 16 in Andreas-Bach-Buch 00650
572 7. 1708–c.1712 Fantasia, a.k.a. Pièce d'Orgue (+reworked version) G maj. Organ 38: 75 IV/7: 130, 144 00652
573 7. c.1722–1725 Notebook A. M. Bach (1722) No. 6 Fantasia (incomplete?) C maj. Keyboard 38: 209
432: 3
V/4: 39
IV/6: 18
00653
574 7. after c.1708? Fugue on a theme by Legrenzi C min. Organ 38: 94 IV/6: 19 after BWV 574b; ↔ 574a 00654
574a 7. after c.1708? Fugue on a theme by Legrenzi (variant) C min. Organ 38: 205 IV/6: 82 after BWV 574b; ↔ 574 00655
574b 7. c.1707–1713 or earlier Fugue on a theme by Legrenzi (early version) C min. Organ IV/6: 88 after Legrenzi (theme); → BWV 574a, 574; in Andreas-Bach-Buch 00656
575 7. 1708–1717? Fugue C min. Organ 38: 101 IV/6: 26 00657
578 7. c.1713 or earlier Fugue ("Little") G min. Organ 38: 116 IV/6: 55 in Andreas-Bach-Buch 00660
579 7. 1708–1717? Fugue on a theme by Corelli B min. Organ 38: 121 IV/6: 71 after Corelli (theme) 00661
582 7. bef. 1707
1707–1708
Passacaglia (and Fugue) C min. Organ 15: 289 IV/7: 98 in Andreas-Bach-Buch 00664
583 7. c.1730 or earlier? Trio D min. Organ 38: 143 IV/7: 94 00665
585 7. c.1726–1727 (JSB) Trio C min. Organ 38: 219 IV/8: 73 after Fasch J. F., FaWV N:c2/1, /2; arr. by Bach 00667
586 7. bef. c.1740 Trio G maj. Organ IV/8: 78 after Telemann? 00668
587 7. after 1726 Aria F maj. Organ 38: 222 IV/8: 82 after Couperin, Les NationsIII/4 00669
588 7. c.1704–1707 or earlier Canzona D min. Organ 38: 126 IV/7: 118 in Möllersche Handschrift 00670
589 7. 1700–1720? Alla breve D maj. Organ 38: 131 IV/7: 114 00671
590 7. bef. c.1727 Pastorella (/1 incomplete?) F maj. Organ 38: 135 IV/7: 122 00672
592 7. c.1714–1717 Concerto for solo organ G maj. Organ 38: 149 IV/8: 56 after J. E. of Saxe-Weimar, Concerto a 8; → BWV 592a 00674
592a 7. c.1714–1717 Concerto for solo harpsichord G maj. Keyboard 42: 282 V/11: 150 after BWV 592 00675
593 7. c.1714–1717 Concerto for solo organ A min. Organ 38: 158 IV/8: 16 after Vivaldi, Op. 3 No. 8 (RV 522) 00676
594 7. c.1714–1717 Concerto for solo organ C maj. Organ 38: 171 IV/8: 30 after Vivaldi, RV 208, Grosso Mogul 00677
595 7. c.1714–1717 Concerto for solo organ C maj. Organ 38: 196 IV/8: 65 after BWV 984/1 00678
596 7. c.1714–1717 Concerto for solo organ (arrangement previously attributed to W. F. Bach) D min. Organ IV/8: 3 after Vivaldi, Op. 3 No. 11 (RV 565) 00679
599 7. 1713–1715 or earlier chorale setting "Nun komm, der Heiden Heiland" (Orgelbüchlein No. 1) A min. Organ 252: 3 IV/1: 3 after Z 1174 00682
600 7. 1713–1715 or earlier chorale setting "Gott durch deine Güte" (Orgelbüchlein No. 2) F maj. Organ 252: 4 IV/1: 4 after Z 3294 00683
chorale setting "Gottes Sohn ist kommen" (Orgelbüchlein No. 2)
601 7. 1713–1715 or earlier chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Orgelbüchlein No. 3; also in Neumeister Collection) A maj. Organ 252: 5 IV/1: 6 after Z 4297a 00684
chorale setting "Herr Gott, nun sei gepreiset" (Orgelbüchlein No. 3; also in Neumeister Collection)
602 7. 1713–1715 or earlier chorale setting "Lob sei dem allmächtigen Gott" (Orgelbüchlein No. 4) D min. Organ 252: 6 IV/1: 7 after Z 339 00685
603 7. 1713–1715 or earlier chorale setting "Puer natus in Bethlehem" (Orgelbüchlein No. 5) G min. Organ 252: 6 IV/1: 8 after Z 192b 00686
604 7. 1713–1715 or earlier chorale setting "Gelobet seist du, Jesu Christ" (Orgelbüchlein No. 6) G maj. Organ 252: 7 IV/1: 11 after Z 1947 00687
605 7. 1713–1715 or earlier chorale setting "Der Tag, der ist so freudenreich" (Orgelbüchlein No. 7) G maj. Organ 252: 8 IV/1: 11 after Z 7870 00688
606 7. 1713–1715 or earlier chorale setting "Vom Himmel hoch, da komm ich her" (Orgelbüchlein No. 8) D maj. Organ 252: 9 IV/1: 13 after Z 346 00689
607 7. 1713–1715 or earlier chorale setting "Vom Himmel kam der Engel Schar" (Orgelbüchlein No. 9) G min. Organ 252: 10 IV/1: 14 after Z 192a 00690
608 7. 1713–1715 or earlier chorale setting "In dulci jubilo" (Orgelbüchlein No. 10) A maj. Organ 252: 12 IV/1: 16 after Z 4947 00691
609 7. 1713–1715 or earlier chorale setting "Lobt Gott, ihr Christen allzugleich" (Orgelbüchlein No. 11) G maj. Organ 252: 13 IV/1: 18 after Z 198 00692
610 7. 1713–1715 or earlier chorale setting "Jesu, meine Freude" (Orgelbüchlein" No. 12) C min. Organ 252: 14 IV/1: 19 after Z 8032 00693
611 7. 1713–1715 or earlier chorale setting "Christum wir sollen loben schon" (Orgelbüchlein No. 13) E min. Organ 252: 15 IV/1: 20 after Z 297c 00694
612 7. 1713–1715 or earlier chorale setting "Wir Christenleut" (Orgelbüchlein No. 14) G min. Organ 252: 16 IV/1: 22 after Z 2072 00695
613 7. after 1724? chorale setting "Helft mir Gotts Güte preisen" (Orgelbüchlein No. 15) B min. Organ 252: 18 IV/1: 24 after Z 5267 00696
614 7. 1713–1715 or earlier chorale setting "Das alte Jahr vergangen ist" (Orgelbüchlein No. 16) A min. Organ 252: 19 IV/1: 25 after Z 381c 00697
615 7. 1713–1715 or earlier chorale setting "In dir ist Freude" (Orgelbüchlein No. 17) G maj. Organ 252: 20 IV/1: 27 after Z 8537 00698
616 7. 1713–1715 or earlier chorale setting "Mit Fried und Freud ich fahr dahin" (Orgelbüchlein No. 18) D min. Organ 252: 24 IV/1: 30 after Z 3986 00699
617 7. 1713–1715 or earlier chorale setting "Herr Gott, nun schleuß den Himmel auf" (Orgelbüchlein No. 19) A min. Organ 252: 26 IV/1: 32 after Z 7641b 00700
618 7. 1713–1715 or earlier chorale setting "O Lamm Gottes, unschuldig" (Orgelbüchlein No. 20) F maj. Organ 252: 28 IV/1: 34 after Z 4361a 00701
619 7. 1713–1715 or earlier chorale setting "Christe, du Lamm Gottes" (Orgelbüchlein No. 21) F maj. Organ 252: 30 IV/1: 36 after Z 58 00702
620 7. after 1724? chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22) A min. Organ 252: 30 IV/1: 37 after BWV 620a 00703
620a 7. 1713–1715 or earlier chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22, e. v.) A min. Organ 252: 149 IV/1: 78 after Z 6283b; → BWV 620 00704
621 7. 1713–1715 or earlier chorale setting "Da Jesus an dem Kreuze stund" (Orgelbüchlein No. 23) A min. Organ 252: 32 IV/1: 39 after Z 1706 00705
622 7. 1713–1715 or earlier chorale setting "O Mensch, bewein dein Sünde groß" (Orgelbüchlein No. 24) E♭ maj. Organ 252: 33 IV/1: 40 after Z 8303; → BWV 622 (var.) 00706
622 (var.) 7. 1716–1789 chorale setting "O Mensch, bewein dein Sünde groß" (variant) Organ after BWV 622 00707
623 7. 1713–1715 or earlier chorale setting "Wir danken dir, Herr Jesu Christ" (Orgelbüchlein No. 25) G maj. Organ 252: 35 IV/1: 42 after Z 423 00708
624 7. 1713–1715 or earlier chorale setting "Hilf Gott, dass mir's gelinge" (Orgelbüchlein No. 26) G min. Organ 252: 36 IV/1: 44 after Z 4329 00709
625 7. 1713–1715 or earlier chorale setting "Christ lag in Todesbanden" (Orgelbüchlein No. 27) D min. Organ 252: 38 IV/1: 46 after Z 7012a 00710
626 7. 1713–1715 or earlier chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" (Orgelbüchlein No. 28) A min. Organ 252: 39 IV/1: 48 after Z 1978 00711
627 7. 1713–1715 or earlier chorale setting "Christ ist erstanden" (Orgelbüchlein No. 29) D min. Organ 252: 40 IV/1: 49 after Z 8584 00712
628 7. 1713–1715 or earlier chorale setting "Erstanden ist der heilge Christ" (Orgelbüchlein No. 30) D maj. Organ 252: 44 IV/1: 54 after Z 1747a 00713
629 7. 1713–1715 or earlier chorale setting "Erschienen ist der herrliche Tag" (Orgelbüchlein No. 31) D min. Organ 252: 45 IV/1: 55 after Z 1743 00714
630 7. 1713–1715 or earlier chorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32) D min. Organ 252: 46 IV/1: 56 after BWV 630a 00715
630a 7. bef. 1716 chorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32, e. v.) Organ IV/1: 80 after Z 2585; → BWV 630 00716
631 7. 1723–1750 chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33) D min. Organ 252: 47 IV/1: 58 after BWV 631a 00717
631a 7. 1713–1715 or earlier chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33, e. v.) G maj. Organ 252: 150 IV/1: 82 after Z 295; → BWV 631 00718
632 7. 1713–1715 or earlier chorale setting "Herr Jesu Christ, dich zu uns wend" (Orgelbüchlein No. 34) F maj. Organ 252: 48 IV/1: 59 after Z 624 00719
633 7. 1713–1715 or earlier chorale setting "Liebster Jesu, wir sind hier" distinctus (Orgelbüchlein No. 36) A maj. Organ 252: 49 IV/1: 61 after BWV 634 00720
634 7. 1713–1715 or earlier chorale setting "Liebster Jesu, wir sind hier" (Orgelbüchlein No. 35) A maj. Organ 252: 50 IV/1: 60 after Z 3498b; → BWV 633 00721
635 7. 1713–1715 or earlier chorale setting "Dies sind die heilgen zehn Gebot" (Orgelbüchlein No. 37) C maj. Organ 252: 50 IV/1: 62 after Z 1951 00722
636 7. 1713–1715 or earlier chorale setting "Vater unser im Himmelreich" (Orgelbüchlein No. 38) D min. Organ 252: 52 IV/1: 64 after Z 2561 00723
637 7. 1713–1715 or earlier chorale setting "Durch Adams Fall ist ganz verderbt" (Orgelbüchlein No. 39) A min. Organ 252: 53 IV/1: 65 after Z 7549 00724
638 7. 1713–1715 or earlier chorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40) D maj. Organ 252: 54 IV/1: 66 after BWV 638a 00725
638a 7. bef. c.1715 chorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40, e. v.) Organ IV/1: 83 after Z 4430; → BWV 638 00726
639 7. 1713–1715 or earlier chorale setting "Ich ruf zu dir, Herr Jesu Christ" (Orgelbüchlein No. 41; also in Neumeister Collection) F min. Organ 252: 55 IV/1: 68 after Z 7400; → BWV Anh. 73 00727
640 7. 1713–1715 or earlier chorale setting "In dich hab ich gehoffet, Herr" (Orgelbüchlein No. 42) E min. Organ 252: 56 IV/1: 70 after Z 2459 00728
641 7. 1713–1715 or earlier chorale setting "Wenn wir in höchsten Nöten sein" (Orgelbüchlein No. 43) G maj. Organ 252: 57 IV/1: 71 after Z 394 00729
642 7. 1713–1715 or earlier Chorale prelude Wer nur den lieben Gott lässt walten (Orgelbüchlein No. 44) A min. Organ 252: 58 IV/1: 72 after Z 2778 00730
643 7. 1713–1715 or earlier chorale setting "Alle Menschen müssen sterben" (Orgelbüchlein No. 45) G maj. Organ 252: 59 IV/1: 74 after Z 6779a 00731
644 7. 1713–1715 or earlier chorale setting "Ach wie nichtig, ach wie flüchtig" (Orgelbüchlein No. 46) G min. Organ 252: 60 IV/1: 75 after Z 1887a 00732
645 7. 1748–1749 chorale setting "Wachet auf, ruft uns die Stimme" (Schübler Chorales No. 1) E♭ maj. Organ 252: 63 IV/1: 86 after BWV 140/4 00733
646 7. 1748–1749 chorale setting "Wo soll ich fliehen hin" (Schübler Chorales No. 2) E min. Organ 252: 66 IV/1: 90 after Z 2164 00734
chorale setting "Auf meinen lieben Gott" (Schübler Chorales No. 2)
647 7. 1748–1749 chorale setting "Wer nur den lieben Gott lässt walten" (Schübler Chorales No. 3) C min. Organ 252: 68 IV/1: 92 after BWV 93/4 00735
648 7. 1748–1749 chorale setting "Meine Seele erhebt den Herren" (Schübler Chorales No. 4) D min. Organ 252: 70 IV/1: 94 after BWV 10/5 00736
649 7. 1748–1749 chorale setting "Ach bleib bei uns, Herr Jesu Christ" (Schübler Chorales No. 5) B♭ maj. Organ 252: 71 IV/1: 95 after BWV 6/3 00737
650 7. 1748–1749 chorale setting "Kommst du nun, Jesu, vom Himmel herunter" (Schübler Chorales No. 6) G maj. Organ 252: 74 IV/1: 98 after BWV 137/2 00738
651 7. 1747–1748 chorale setting "Komm, heiliger Geist" (Fantasia; Leipzig Chorales 1/18) F maj. Organ 252: 79 IV/2: 3 after BWV 651a 00739
651a 7. 1708–1717 chorale setting "Komm, heiliger Geist, Herre Gott" (Fantasia; e. v.: Weimar) Organ 252: 151 IV/2: 117 after Z 7445a; → BWV 651 00740
652 7. 1747–1748 chorale setting "Komm, heiliger Geist, Herre Gott" (alio modo; Leipzig Chorales 2/18) G maj. Organ 252: 86 IV/2: 13 after BWV 652a 00741
652a 7. 1708–1717 chorale setting "Komm, heiliger Geist, Herre Gott" (e. v.: Weimar) Organ IV/2: 121 after Z 7445a; → BWV 652 00742
653 7. 1747–1748 chorale setting "An Wasserflüssen Babylon" (Leipzig Chorales 3/18) G maj. Organ 252: 92 IV/2: 22 after BWV 653a 00743
653a 7. 1708–1717 chorale setting "An Wasserflüssen Babylon" (alio modo; 2nd v.: Weimar) Organ 252: 157 IV/2: 133 after BWV 653b; → BWV 653 00744
653b 7. 1708–1717 chorale setting "An Wasserflüssen Babylon" (à 5; 1st v.: Weimar) Organ 40: 49 IV/2: 130 after Z 7663; → BWV 653a 00745
654 7. 1747–1748 chorale setting "Schmücke dich, o liebe Seele" (Leipzig Chorales 4/18) E♭ maj. Organ 252: 95 IV/2: 26 after BWV 654a 00746
654a 7. 1708–1717 chorale setting "Schmücke dich, o liebe Seele" (e. v.: Weimar) Organ IV/2: 136 after Z 6923; → BWV 654 00747
655 7. 1747–1748 chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; Leipzig Chorales 5/18) G maj. Organ 252: 98 IV/2: 31 after BWV 655a; ↔ 655 var. 1–4; → 655bc 00748
655 var. 1 7. 1708–1798 chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 1) Organ after Z 624; ↔ BWV 655(a), var. 2–4 00749
655 var. 2 7. 1708–1798 chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 2) F maj. Organ after Z 624; ↔ BWV 655(a), var. 1, 3–4 00750
655 var. 3 7. 1708–1798 chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 3) F maj. Organ after Z 624; ↔ BWV 655(a), var. 1–2, 4 00751
655 var. 4 7. 1708–1798 chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 4) F maj. Organ after Z 624; ↔ BWV 655(a), var. 1–3 00752
655a 7. 1708–1717 chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; e. v.: Weimar) Organ 252: 162 IV/2: 140 after Z 624; ↔ BWV 655 var. 1–4; → 655 00753
656 7. 1747–1748 chorale setting "O Lamm Gottes, unschuldig" (Leipzig Chorales 6/18) A maj. Organ 252: 102 IV/2: 38 after BWV 656a 00756
656a 7. 1708–1717 chorale setting "O Lamm Gottes, unschuldig" (e. v.: Weimar) Organ 252: 166 IV/2: 146 after Z 4361b; → BWV 656 00757
657 7. 1708–1717 Chorale prelude Nun danket alle Gott (Leipzig Chorales 7/18) G maj. Organ 252: 108 IV/2: 46 after Z 5142 00758
658 7. 1747–1748 chorale setting "Von Gott will ich nicht lassen" (Leipzig Chorales 8/18) F min. Organ 252: 112 IV/2: 51 after BWV 658a 00759
658a 7. 1708–1717 chorale setting "Von Gott will ich nicht lassen" (Fantasia; e. v.: Weimar) Organ 252: 170 IV/2: 154 after Z 5264bBWV 658 00760
659 7. 1747–1748 chorale setting "Nun komm, der Heiden Heiland" (Leipzig Chorales 9/18) G min. Organ 252: 114 IV/2: 55 after BWV 659a 00761
659a 7. 1708–1717 chorale setting "Nun komm, der Heiden Heiland" (Fantasia; e. v.: Weimar) Organ 252: 172 IV/2: 157 after Z 1174; → BWV 659 00762
660 7. 1747–1748 chorale setting "Nun komm, der Heiden Heiland" (Trio; Leipzig Chorales 10/18) G min. Organ 252: 116 IV/2: 59 after BWV 660a 00763
660a 7. 1708–1717 chorale setting "Nun komm, der Heiden Heiland" (Trio; e. v.: Weimar) Organ 252: 174 IV/2: 160 after Z 1174; → BWV 660, 660b 00764
660b 7. 1708–1719 chorale setting "Nun komm, der Heiden Heiland" (arrangement) Organ 252: 176 by Krebs, J. T. (arr.)?; after BWV 660a 00765
661 7. 1747–1748 chorale setting "Nun komm, der Heiden Heiland" (Leipzig Chorales 11/18) G min. Organ 252: 118 IV/2: 62 after BWV 661a 00766
661a 7. 1708–1717 chorale setting "Nun komm, der Heiden Heiland" (e. v.: Weimar) Organ 252: 178 IV/2: 164 after Z 1174; → BWV 661 00767
662 7. 1747–1748 chorale setting "Allein Gott in der Höh sei Ehr" (Leipzig Chorales 12/18) A maj. Organ 252: 122 IV/2: 67 after BWV 662a 00768
662a 7. 1708–1717 chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar) Organ IV/2: 168 after Z 4457; → BWV 662 00769
663 7. 1747–1748 chorale setting "Allein Gott in der Höh sei Ehr" (Leipzig Chorales 13/18) G maj. Organ 252: 125 IV/2: 72 after BWV 663a 00770
663a 7. 1708–1717 chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar) Organ 252: 180 IV/2: 172 after Z 4457; → BWV 663 00771
664 7. 1747–1748 chorale setting "Allein Gott in der Höh sei Ehr" (Trio; Leipzig Chorales 14/18) A maj. Organ 252: 130 IV/2: 79 after BWV 664ab 00772
664a 7. 1708–1717 chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; fair copy) Organ 252: 183 IV/2 after BWV 664b; → BWV 664 00773
664b 7. 1708–1717 chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; sketch) Organ IV/2: 179 after Z 4457; → BWV 664(a) 00774
665 7. 1747–1748 chorale setting "Jesus Christus, unser Heiland" (Leipzig Chorales 15/18) E min. Organ 252: 136 IV/2: 87 after BWV 665a 00775
665a 7. 1708–1717 chorale setting "Jesus Christus, unser Heiland" (e. v.: Weimar) Organ 252: 188 IV/2: 187 after Z 1576; → BWV 665 00776
666 7. 1708–1748 chorale setting "Jesus Christus, unser Heiland" (alio modo; Leipzig Chorales 16/18) E min. Organ 252: 140 IV/2: 91 after BWV 666a 00777
666a 7. 1708–1717 chorale setting "Jesus Christus, unser Heiland" (alio modo; e. v.: Weimar) Organ IV/2: 191 after Z 1576; → BWV 666 00778
667 7. 1747–1748 chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Leipzig Chorales 17/18) C maj. Organ 252: 142 IV/2: 94 after BWV 667a 00779
667a 7. 1708–1717 chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar) Organ IV/2 after BWV 667b; → BWV 667 00780
667b 7. 1708–1717 chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar; sketch) Organ IV/2: 194 after Z 295; → BWV 667(a) 00781
668 7. 1747–1748 chorale setting "Vor deinen Thron tret ich hiermit" (fragment; Leipzig Chorales 18/18) G maj. Organ 252: 145 IV/2: 113 after BWV 668a 00782
668a 7. 1708–1748 chorale setting "Wenn wir in höchsten Nöten" (e. v.) Organ IV/2: 212 after Z 394; → BWV 668 00783
669 7. 1739 chorale setting "Kyrie, Gott Vater in Ewigkeit" from Clavier-Übung III Organ 3: 184 IV/4: 16 after Z 8600 00784
670 7. 1739 chorale setting "Christe, aller Welt Trost" from Clavier-Übung III Organ 3: 186 IV/4: 18 after Z 8600 00785
671 7. 1739 chorale setting "Kyrie, Gott heiliger Geist" from Clavier-Übung III Organ 3: 190 IV/4: 20 after Z 8600 00786
672 7. 1739 chorale setting "Kyrie, Gott Vater in Ewigkeit" from Clavier-Übung III Org/man. 3: 194 IV/4: 27 after Z 8600 00787
673 7. 1739 chorale setting "Christe, aller Welt Trost" from Clavier-Übung III Org/man. 3: 194 IV/4: 28 after Z 8600 00788
674 7. 1739 chorale setting "Kyrie, Gott heiliger Geist" from Clavier-Übung III Org/man. 3: 196 IV/4: 29 after Z 8600 00789
675 7. 1739 chorale setting "Allein Gott in der Höh sei Ehr" from Clavier-Übung III Organ 3: 197 IV/4: 30 after Z 4457 00790
676 7. 1739 chorale setting "Allein Gott in der Höh sei Ehr" from Clavier-Übung III Organ 3: 199 IV/4: 33 after Z 4457; → BWV 676a 00791
677 7. 1739 chorale setting "Allein Gott in der Höh sei Ehr" (Fughetta) from Clavier-Übung III Org/man. 3: 205 IV/4: 41 after Z 4457 00793
678 7. 1739 chorale setting "Dies sind die heiligen zehen Gebot" from Clavier-Übung III Organ 3: 206 IV/4: 42 after Z 1951 00794
679 7. 1739 chorale setting "Dies sind die heiligen zehen Gebot" (Fughetta) from Clavier-Übung III Org/man. 3: 210 IV/4: 49 after Z 1951 00795
680 7. 1739 chorale setting "Wir gläuben all an einen Gott" from Clavier-Übung III Organ 3: 212 IV/4: 52 after Z 7971 00796
681 7. 1739 chorale setting "Wir gläuben all an einen Gott" (Fughetta) from Clavier-Übung III Org/man. 3: 216 IV/4: 57 after Z 7971 00797
682 7. 1739 chorale setting "Vater unser im Himmelreich" from Clavier-Übung III Organ 3: 217 IV/4: 58 after Z 2561 00798
683 7. 1739 chorale setting "Vater unser im Himmelreich" from Clavier-Übung III Org/man. 3: 223 IV/4: 66 after Z 2561; → BWV 683a 00799
684 7. 1739 chorale setting "Christ unser Herr zum Jordan kam" from Clavier-Übung III Organ 3: 224 IV/4: 68 after Z 7246 00801
685 7. 1739 chorale setting "Christ unser Herr zum Jordan kam" from Clavier-Übung III Org/man. 3: 228 IV/4: 73 after Z 7246 00802
686 7. 1739 chorale setting "Aus tiefer Not schrei ich zu dir" from Clavier-Übung III Organ 3: 229 IV/4: 74 after Z 4437 00803
687 7. 1739 chorale setting "Aus tiefer Not schrei ich zu dir" from Clavier-Übung III Org/man. 3: 232 IV/4: 78 after Z 4437 00804
688 7. 1739 chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" from Clavier-Übung III Organ 3: 234 IV/4: 81 after Z 1576 00805
689 7. 1739 chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" (Fugue) from Clavier-Übung III Org/man. 3: 239 IV/4: 89 after Z 1576 00806
690 7. c.1700–1717 chorale setting "Wer nur den lieben Gott lässt walten" (Kirnberger collection No. 1) Organ 40: 3 IV/3: 98 after Z 2778 00807
691 7. c.1720 or earlier Notebook A. M. Bach (1725) No. 11 chorale setting "Wer nur den lieben Gott lässt walten" (WFB No. 3; Kirnb. coll. No. 2) Organ 40: 4
432: 30
451: 214
V/5: 6
V/4: 90
IV/3: 98
after Z 2778; → BWV 691a 00808
694 7. c.1700–1717 chorale setting "Wo soll ich fliehen hin" (Kirnb. coll. No. 5) Organ 40: 6 IV/3: 103 after Z 2164 00813
695 7. c.1700–1717 chorale setting "Christ lag in Todesbanden" (Fantasia; Kirnb. coll. No. 6) Organ 40: 10 IV/3: 20 after Z 7012a; → BWV 695a 00814
695a 7. 1700–1789 chorale setting "Christ lag in Todesbanden" (variant) Organ 40: 153 after BWV 695 00815
696 7. c.1700–1717 chorale setting "Christum wir sollen loben schon" (Fughetta; Kirnb. coll. No. 7) Organ 40: 13 IV/3: 23 after Z 297c 00816
chorale setting "Was fürchtest du Feind, Herodes, sehr" (Fughetta; Kirnb. coll. No. 7)
697 7. c.1700–1717 chorale setting "Gelobet seist du, Jesu Christ" (Fughetta; Kirnb. coll. No. 8) Organ 40: 14 IV/3: 32 after Z 1947 00817
698 7. c.1700–1717 chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Fughetta; Kirnb. coll. No. 9) Organ 40: 15 IV/3: 35 after Z 4297a 00818
699 7. c.1700–1717 chorale setting "Nun komm, der Heiden Heiland" (Fughetta; Kirnb. coll. No. 10) Organ 40: 16 IV/3: 73 after Z 1174 00819
700 7. c.1699 chorale setting "Vom Himmel hoch da komm ich her" (Kirnb. coll. No. 11) Organ 40: 17 IV/3: 92 after Z 346 00820
701 7. c.1700–1717 chorale setting "Vom Himmel hoch da komm ich her" (Fughetta; Kirnb. coll. No. 12) Organ 40: 19 IV/3: 96 after Z 346 00821
702 7. c.1700–1717 chorale setting "Das Jesulein soll doch mein Trost" (Fughetta; Kirnb. coll. No. 13) Organ 40: 20 IV/3: 45 after Z 7597 00822
703 7. c.1700–1717 chorale setting "Gottes Sohn ist kommen" (Fughetta; Kirnb. coll. No. 14) Organ 40: 21 IV/3: 34 after Z 3294 00823
704 7. c.1700–1717 chorale setting "Lob sei dem allmächtigen Gott" (Fughetta; Kirnb. coll. No. 15) Organ 40: 22 IV/3: 62 after Z 339 00824
705 7. c.1700–1717 chorale setting "Durch Adams Fall ist ganz verderbt" (Kirnb. coll. No. 16) Organ 40: 23 IV/10: 47 after Z 7549 00825
706/1
706/2
7. c.1700–1717 chorale setting "Liebster Jesu, wir sind hier" (/2 = alio modo; Kirnb. coll. No. 17) Organ 40: 25 IV/3: 59 after Z 3498b 00826
707 7. c.1700–1717 chorale setting "Ich hab mein Sach Gott heimgestellt" (Kirnb. coll. No. 18) Organ 40: 26 IV/10: 87 after Z 1679 00827
708 7. 1700–1789 chorale setting "Ich hab mein Sach Gott heimgestellt" (alio modo; Kirnb. coll. No. 19) Organ 40: 30 IV/10: 86 after Z 1679 00828
708a 7. 1700–1789 chorale setting "Ich hab mein Sach Gott heimgestellt" Organ 40: 152 IV/10: 86 after Z 1679 00829
709 7. c.1700–1717 chorale setting "Herr Jesu Christ, dich zu uns wend" (Kirnb. coll. No. 20) Organ 40: 30 IV/3: 43 after Z 624 00830
710 7. c.1700–1717 chorale setting "Wir Christenleut habn jetzund Freud" (Kirnb. coll. No. 21) Organ 40: 32 IV/3: 100 after Z 2072 00831
711 7. c.1700–1717 chorale setting "Allein Gott in der Höh sei Ehr" (bicinium; Kirnb. coll. No. 22) Organ 40: 34 IV/3: 11 after Z 4457 00832
712 7. c.1708 chorale setting "In dich hab ich gehoffet, Herr" (Kirnb. coll. No. 23) Organ 40: 36 IV/3: 48 after Z 2461 00833
713 7. c.1700–1717 chorale setting "Jesu, meine Freude" (Kirnb. coll. No. 24) Org/man. 40: 38 IV/3: 54 after Z 8032; → BWV 713a 00834
713a 7. 1700–1789 chorale setting "Jesu, meine Freude" (Fantasia; variant) Organ 40: 155 IV/10: 93 after BWV 713 00835
714 7. 1708–1717 chorale setting "Ach Gott und Herr" (Neumeister Chorales No. 13) Organ 40: 43 IV/9: 26
IV/3: 3
after Z 2050, 2052 00836
715 7. 1703–1717 chorale setting "Allein Gott in der Höh sei Ehr" Organ 40: 44 IV/3: 14 after Z 4457 00837
716 7. c.1700–1717 chorale setting "Allein Gott in der Höh sei Ehr" (Fantasia) Organ 40: 45 IV/10: 14 after Z 4457 00838
717 7. 1708–1717 chorale setting "Allein Gott in der Höh sei Ehr" Organ 40: 46 IV/3: 8 after Z 4457 00839
718 7. c.1700–1717 chorale setting "Christ lag in Todesbanden" Organ 40: 52 IV/3: 16 after Z 7012a 00840
719 7. c.1704 chorale setting "Der Tag, der ist so freudenreich" (Neumeister Chorales No. 1) Organ 40: 55 IV/9: 2, 72 after Z 7870 00841
720 7. 1709? chorale setting "Ein feste Burg ist unser Gott" Organ 40: 57 IV/3: 24 after Z 7377; by Bach, J. Michael? 00842
721 7. c.1704 chorale setting "Erbarm dich mein, o Herre Gott" Organ 40: 60 IV/3: 28 after Z 5851 00843
722 7. 1708–1717 chorale setting "Gelobet seist du, Jesu Christ" Organ 40: 62 IV/3: 31 after BWV 722a 00844
722a 7. 1709? chorale setting "Gelobet seist du, Jesu Christ" (sketch) Organ 40: 158 IV/3: 30 after Z 1947; → BWV 722 00845
723 7. c.1700–1717 chorale setting "Gelobet seist du, Jesu Christ" (also in Neumeister Collection) Organ 40: 63 after Z 1947; by Bach, J. Michael? 00846
724 7. c. 1699 chorale setting "Gott durch deine Güte" Organ 40: 65 IV/3: 33 after Z 3294; in Andreas-Bach-Buch 00847
chorale setting "Gottes Sohn ist kommen"
725 7. c.1700–1717 chorale setting "Herr Gott, dich loben wir" Organ 40: 66 IV/3: 36 after Z 8652 00848
726 7. 1708–1717 chorale setting "Herr Jesu Christ, dich zu uns wend" Organ 40: 72 IV/3: 45 after Z 624 00849
727 7. 1708–1717 chorale setting "Herzlich tut mich verlangen" Organ 40: 73 IV/3: 46 after Z 5385a 00850
728 7. 1722–1723 or earlier Notebook A. M. Bach (1722) No. 8 chorale setting "Jesus, meine Zuversicht" Organ 432: 5
40: 74
V/4: 41
IV/3: 58
after Z 3432b 00851
729 7. 1708–1717 chorale setting "In dulci jubilo" Organ 40: 74 IV/3: 52 after BWV 729a 00852
729a 7. 1708–1717 chorale setting "In dulci jubilo" (sketch) Organ 40: 158 IV/3: 50 after Z 4947; → BWV 729 00853
730 7. 1708–1717 chorale setting "Liebster Jesu, wir sind hier" Organ 40: 76 IV/3: 60 after Z 3498b 00854
731 7. 1708–1717 chorale setting "Liebster Jesu, wir sind hier" Organ 40: 77 IV/3: 61 after Z 3498b 00855
732 7. 1708–1717 chorale setting "Lobt Gott, ihr Christen, allzugleich" Organ 40: 78 IV/3: 64 after BWV 732a 00856
732a 7. 1708–1717 chorale setting "Lobt Gott, ihr Christen, allzugleich" (draft) Organ 40: 159 IV/3: 63 after Z 198; → BWV 732 00857
733 7. 1708–1717 chorale setting "Meine Seele erhebt den Herren" (fugue) Organ 40: 79 IV/3: 65 after Magnificat peregrini toni; by Krebs, J. L.? 00858
734 7. 1708–1717 chorale setting "Nun freut euch, lieben Christen g'mein" Organ 40: 160 IV/3: 70 after Z 4429a; → BWV 734a 00859
734a 7. 1708–1789 chorale setting "Es ist gewisslich an der Zeit" Organ 40: 84 IV/10 after BWV 734; arr. by Scholz? 00860
735 7. c.1700–1717 chorale setting "Valet will ich dir geben" (Fantasia) Organ 40: 86 IV/3: 77 after BWV 735a 00861
735a 7. c.1706 chorale setting "Valet will ich dir geben" (early version) Organ 40: 161 IV/3: 81 after Z 5404a; → BWV 735 00862
736 7. 1713–1717 chorale setting "Valet will ich dir geben" Org (V Bc) 40: 90 IV/3: 84 after Z 5404a 00863
737 7. c.1704 chorale setting "Vater unser im Himmelreich" (Neumeister Chorales No. 18) Organ 40: 96 IV/9: 36
IV/3: 90
after Z 2561 00864
738 7. 1708–1717 chorale setting "Vom Himmel hoch, da komm ich her" Organ 40: 97 IV/3: 94 after BWV 738a 00865
738a 7. 1708–1717 chorale setting "Vom Himmel hoch, da komm ich her" (sketch) Organ 40: 159 IV/3: 94 after Z 346; → BWV 738 00866
739 7. c.1704 chorale setting "Wie schön leuchtet der Morgenstern" Organ 40: 99 IV/10: 2 after Z 8359 00867
740 7. 1700–1780 chorale setting "Wir glauben all an einen Gott" Organ 40: 103 after Z 4000; by Krebs, J. L.? (Krebs‑WV 554c) 00868
741 7. c.1701 chorale setting "Ach Gott, vom Himmel sieh darein" Organ 40: 167 IV/3: 4 after Z 4431 00869
742 7. c.1704 chorale setting "Ach Herr, mich armen Sünder" [scores] (Neumeister Chorales No. 14) Organ IV/9: 28 after Z 5385a 00870
743 7. c.1700–1717 chorale setting "Ach, was ist doch unser Leben" [scores] Organ IV/10: 11 after Z 1208b 00871
744 7. c.1700–1717 chorale setting "Auf meinen lieben Gott" Organ 40: 170 IV/10: 20 after Z 2164; by Krebs, J. L.? (Krebs‑WV 517) 00872
745 7. 1700–1788 chorale setting "Aus der Tiefe rufe ich" Organ 40: 171 IV/10: 22 after Z 1217; by Bach, C. P. E.? 00873
747 7. c.1700–1717 chorale setting "Christus, der uns selig macht" [scores] Organ IV/10: 38 after Z 6283b 00875
749 7. c.1700–1717 chorale setting "Herr Jesu Christ, dich zu uns wend" [scores] Organ IV/10: 80 after Z 624; by Bach, J. Christoph or Telemann? 00878
750 7. c.1700–1703 chorale setting "Herr Jesu Christ, meins Lebens Licht" [scores] Organ IV/10: 81 00879
752 7. c.1700–1717 chorale setting "Jesu, der du meine Seele" [scores] Organ after Z 6779a 00881
753 7. c.1720 chorale setting "Jesu, meine Freude" (unfinished; WFB No. 5) Organ 40: 163
451: 214
V/5: 8 after Z 8032 00882
754 7. c.1700–1717 chorale setting "Liebster Jesu, wir sind hier" [scores] Organ after Z 3498b 00883
755 7. c.1700–1717 chorale setting "Nun freut euch, lieben Christen g'mein" [scores] Organ after Z 4429a 00884
756 7. c.1700–1717 chorale setting "Nun ruhen alle Wälder" [scores] Organ after Z 2293b 00885
757 7. c.1700–1717 chorale setting "O Herre Gott, dein göttlichs Wort" [scores] Organ after Z 5690 00886
758 7. c.1700–1717 chorale setting "O Vater, allmächtiger Gott" Organ 40: 179 IV/11: 69 after Z 8603b 00887
762 7. c.1700–1717 chorale setting "Vater unser im Himmelreich" [scores] Organ IV/10: 142 after Z 2561 00891
763 7. c.1700–1717 chorale setting "Wie schön leucht uns der Morgenstern" [scores] Organ after Z 8359 00892
764 7. c.1704–1705 chorale setting "Wie schön leuchtet der Morgenstern" Organ 40: 164 IV/10: 6 after Z 8359 00893
765 7. c.1706 chorale setting "Wir glauben all an einen Gott" Organ 40: 187 after Z 7971 00894
1085 7. c.1700–1717 chorale setting "O Lamm Gottes unschuldig" [scores] Organ IV/3: 76 after Z 4361 01683
1090 7. c.1704 chorale setting "Wir Christenleut" (Neumeister Chorales No. 2) Organ IV/9: 4 after Z 2072 01276
1091 7. c.1699 chorale setting "Das alte Jahr vergangen ist (Neumeister Chorales No. 3) Organ IV/9: 6 after Z 381c 01277
1092 7. c.1701 chorale setting "Herr Gott, nun schleuß den Himmel auf" (Neumeister Chorales No. 4) Organ IV/9: 8 after Z 7641b 01278
1093 7. c.1704 chorale setting "Herzliebster Jesu, was hast du verbrochen" (Neumeister Chorales No. 5) Organ IV/9: 10 after Z 983 01279
1094 7. c.1699 chorale setting "O Jesu, wie ist dein Gestalt" (Neumeister Chorales No. 6) Organ IV/9: 12 after Z 8360 01280
1095 7. c.1704 chorale setting "O Lamm Gottes unschuldig" (Neumeister Chorales No. 7) Organ IV/9: 14 after Z 4361a 01281
1097 7. c.1699 chorale setting "Ehre sei dir Christe, der du leidest Not" (Neumeister Chorales No. 9) Organ IV/9: 18 after Z 8187h 01283
1098 7. c.1704 chorale setting "Wir glauben all an einen Gott" (Neumeister Chorales No. 10) Organ IV/9: 20 after Z 7971 01284
1099 7. c.1701 chorale setting "Aus tiefer Not schrei ich zu dir" (Neumeister Chorales No. 11) Organ IV/9: 22 after Z 4438 01285
1100 7. c.1704 chorale setting "Allein zu dir, Herr Jesu Christ" (Neumeister Chorales No. 12) Organ IV/9: 24 after Z 7292b 01286
1101 7. c.1704 chorale setting "Durch Adams Fall ist ganz verderbt" (Neumeister Chorales No. 15) Organ IV/9: 30 after Z 7549 01287
1102 7. c.1706 chorale setting "Du Friedefürst, Herr Jesu Christ" (Neumeister Chorales No. 16) Organ IV/9: 33 after Z 4373 01288
1103 7. 1699–1709 chorale setting "Erhalt uns Herr, bei deinem Wort" (Neumeister Chorales No. 17) Organ IV/9: 35 after Z 350 01289
1104 7. 1699–1709 chorale setting "Wenn dich Unglück tut greifen an" (Neumeister Chorales No. 19) Organ IV/9: 38 after Z 499 01290
1105 7. c.1701 chorale setting "Jesu, meine Freude" (Neumeister Chorales No. 20) Organ IV/9: 39 after Z 8032 01291
1106 7. c.1704 chorale setting "Gott ist mein Heil, mein Hilf und Trost" (Neumeister Chorales No. 21) Organ IV/9: 40 after Z 4421 01292
1107 7. c.1704 chorale setting "Jesu, meines Lebens Leben" (Neumeister Chorales No. 22) Organ IV/9: 42 after Z 6794 01293
1108 7. c.1704 chorale setting "Als Jesus Christus in der Nacht" (Neumeister Chorales No. 23) Organ IV/9: 44 after Z 258 01294
1109 7. 1699–1709 chorale setting "Ach Gott, tu dich erbarmen" (Neumeister Chorales No. 24) Organ IV/9: 46 after Z 7228c 01295
1110 7. c.1704 chorale setting "O Herre Gott, dein göttlich Wort" (Neumeister Chorales No. 25) Organ IV/9: 48 after Z 5690 01296
1111 7. c.1701 chorale setting "Nun lasset uns den Leib begraben" (Neumeister Chorales No. 26) Organ IV/9: 50 after Z 352 01297
1112 7. c.1699 chorale setting "Christus, der ist mein Leben" (Neumeister Chorales No. 27) Organ IV/9: 52 after Z 132 01298
1113 7. c.1699 chorale setting "Ich hab mein Sach Gott heimgestellt" (Neumeister Chorales No. 28) Organ IV/9: 54 after Z 1679 01299
1114 7. c.1701 chorale setting "Herr Jesu Christ, du höchstes Gut" (Neumeister Chorales No. 29) Organ IV/9: 56 after Z 4486 01300
1115 7. c.1701 chorale setting "Herzlich lieb hab ich dich, o Herr" (Neumeister Chorales No. 30) Organ IV/9: 58 after Z 8326 01301
1116 7. c.1701 chorale setting "Was Gott tut, das ist wohlgetan" (Neumeister Chorales No. 31) Organ IV/9: 60 after Z 5629 01302
1117 7. c.1701 chorale setting "Alle Menschen müssen sterben" (Neumeister Chorales No. 32) Organ IV/9: 62 after Z 6779a 01303
1118 7. c.1701 chorale setting "Werde munter, mein Gemüte" (Neumeister Chorales No. 34) Organ IV/9: 66 after Z 6551 01304
1119 7. c.1699 chorale setting "Wie nach einer Wasserquelle" (Neumeister Chorales No. 35) Organ IV/9: 68 after Z 1294 01305
1120 7. c.1704 chorale setting "Christ, der du bist der helle Tag" (Neumeister Chorales No. 36) Organ IV/9: 70 after Z 384 01306
957 7. c.1701 chorale setting "Machs mit mir, Gott, nach deiner Güt" (Neumeister Chorales No. 33; a.k.a. Fugue = first half in later arr.) G maj. Organ 42: 203 IV/9: 64, 74 after Z 2383 01134
766 7. c.1706 chorale setting "Christ, der du bist der helle Tag" Organ 40: 107 IV/1: 114 after Z 384 00895
767 7. c.1708 chorale setting "O Gott, du frommer Gott" Organ 40: 114 IV/1: 122 after Z 5138 00896
768 7. 1708–1717 or earlier chorale setting "Sei gegrüßet, Jesu gütig" Organ 40: 122 IV/1: 132, 152 after Z 3889b 00897
769 7. c.1747–1748 chorale setting "Vom Himmel hoch da komm ich her'" (canonic variations; print version) Organ 40: 137 IV/2: 197 after Z 346; → BWV 769a 00898
769a 7. c.1747–1748 chorale setting "Vom Himmel hoch da komm ich her" (canonic variations; autograph) Organ IV/2: 98 after BWV 769 00899
770 7. c.1704 chorale setting "Ach, was soll ich Sünder machen" Organ 40: 189 IV/1: 104 after Z 3574 00900
8. Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach) Up ↑
772 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 1 – Invention No. 1 = WFB No. 32: Preamb. 1 C maj. Keyboard 3: 1
451: 221
V/5: 48
V/3: 2
BWV 772a[28] 00902
772a 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 1a – Invention No. 1a C maj. Keyboard 3: 342 V/3: 4 after BWV 772[29] 00903
773 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 2 – Invention No. 2 = WFB No. 46: Preamb. 15 C min. Keyboard 3: 2
451: 223
V/5: 76
V/3: 6
[28] 00904
774 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 3 – Invention No. 3 = WFB No. 45: Preamb. 14 D maj. Keyboard 3: 3
451: 223
V/5: 74
V/3: 8
[28] 00905
775 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 4 – Invention No. 4 = WFB No. 33: Preamb. 2 D min. Keyboard 3: 4
451: 221
V/5: 50
V/3: 10
[28] 00906
776 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 5 – Invention No. 5 = WFB No. 44: Preamb. 13 E♭ maj. Keyboard 3: 6
451: 222
V/5: 72
V/3: 12
[28] 00907
777 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 6 – Invention No. 6 = WFB No. 43: Preamb. 12 E maj. Keyboard 3: 7
451: 222
V/5: 70
V/3: 14
[28] 00908
778 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 7 – Invention No. 7 = WFB No. 34: Preamb. 3 E min. Keyboard 3: 9
451: 221
V/5: 52
V/3: 16
[28] 00909
779 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 8 – Invention No. 8 = WFB No. 35: Preamb. 4 F maj. Keyboard 3: 10
451: 221
V/5: 54
V/3: 18
[28] 00910
780 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 9 – Invention No. 9 = WFB No. 42: Preamb. 11 F min. Keyboard 3: 11
451: 222
V/5: 68
V/3: 20
[28] 00911
781 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 10 – Invention No. 10 = WFB No. 36: Preamb. 5 G maj. Keyboard 3: 12
451: 221
V/5: 56
V/3: 22
[28] 00912
782 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 11 – Invention No. 11 = WFB No. 41: Preamb. 10 G min. Keyboard 3: 13
451: 222
V/5: 66
V/3: 24
[28] 00913
783 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 12 – Invention No. 12 = WFB No. 40: Preamb. 9 A maj. Keyboard 3: 14
451: 222
V/5: 64
V/3: 26
[28] 00914
784 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 13 – Invention No. 13 = WFB No. 37: Preamb. 6 A min. Keyboard 3: 15
451: 221
V/5: 58
V/3: 28
[28] 00915
785 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 14 – Invention No. 14 = WFB No. 39: Preamb. 8 B♭ maj. Keyboard 3: 16
451: 222
V/5: 62
V/3: 30
[28] 00916
786 8. 1720-01-22
1725-01-22
Inventions and Sinfonias No. 15 – Invention No. 15 = WFB No. 38: Preamb. 7 B min. Keyboard 3: 18
451: 222
V/5: 60
V/3: 32
[28] 00917
787 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 16 – Sinfonia No. 1 = WFB No. 49: Fantasia 1 C maj. Keyboard 3: 19
451: 227
V/5: 90
V/3: 34
[28] 00918
788 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 17 – Sinfonia No. 2 = WFB No. 63: Fantasia 15 C min. Keyboard 3: 20
451: 231
V/5: 118
V/3: 36
[28] 00919
789 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 18 – Sinfonia No. 3 = WFB No. 62: Fantasia 14 D maj. Keyboard 3: 22
451: 230
V/5: 116
V/3: 38
[28] 00920
790 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 19 – Sinfonia No. 4 = WFB No. 50: Fantasia 2 D min. Keyboard 3: 23
451: 227
V/5: 92
V/3: 40
[28] 00921
791 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 20 – Sinfonia No. 5 = WFB No. 61: Fantasia 13 E♭ maj. Keyboard 3: 24
451: 230
V/5: 114
V/3: 42
BWV 791a[28] 00922
791a 8. 1723 Sinfonias and Inventions No. 20a – Sinfonia No. 5a E♭ maj. Keyboard V/3: 44, 80 after BWV 791[30] 00923
792 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 21 – Sinfonia No. 6 = WFB No. 60: Fantasia 12 E maj. Keyboard 3: 26
451: 229
V/5: 112
V/3: 46
[28] 00924
793 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 22 – Sinfonia No. 7 = WFB No. 51: Fantasia 3 E min. Keyboard 3: 28
451: 227
V/5: 94
V/3: 48
[28] 00925
794 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 23 – Sinfonia No. 8 = WFB No. 52: Fantasia 4 F maj. Keyboard 3: 29
451: 227
V/5: 96
V/3: 50
[28] 00926
795 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 24 – Sinfonia No. 9 = WFB No. 59: Fantasia 11 F min. Keyboard 3: 30
451: 229
V/5: 110
V/3: 52
[28] 00927
796 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 25 – Sinfonia No. 10 = WFB No. 53: Fantasia 5 G maj. Keyboard 3: 32
451: 228
V/5: 98
V/3: 54
[28] 00928
797 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 26 – Sinfonia No. 11 = WFB No. 58: Fantasia 10 G min. Keyboard 3: 34
451: 229
V/5: 108
V/3: 56
[28] 00929
798 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 27 – Sinfonia No. 12 = WFB No. 57: Fantasia 9 A maj. Keyboard 3: 36
451: 229
V/5: 106
V/3: 58
[28] 00930
799 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 28 – Sinfonia No. 13 = WFB No. 54: Fantasia 6 A min. Keyboard 3: 38
451: 228
V/5: 100
V/3: 60
[28] 00931
800 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 29 – Sinfonia No. 14 = WFB No. 56: Fantasia 8 B♭ maj. Keyboard 3: 40
451: 228
V/5: 104
V/3: 62
[28] 00932
801 8. 1720-01-22
1725-01-22
Sinfonias and Inventions No. 30 – Sinfonia No. 15 = WFB No. 55: Fantasia 7 B min. Keyboard 3: 41
451: 228
V/5: 102
V/3: 64
[28] 00933
802 8. 1739 Duet No. 1 from Clavier-Übung III E min. Organ 3: 242 IV/4: 92 00934
803 8. 1739 Duet No. 2 from Clavier-Übung III F maj. Organ 3: 245 IV/4: 96 00935
804 8. 1739 Duet No. 3 from Clavier-Übung III G maj. Organ 3: 248 IV/4: 99 00936
805 8. 1739 Duet No. 4 from Clavier-Übung III A min. Organ 3: 251 IV/4: 102 00937
806 8. 1714–1723 English Suites, No. 1 A maj. Keyboard 451: 3
132: 3
V/7: 2 00938
806a 8. 1714–1717 English Suites, No. 1a A maj. Keyboard V/7: 116 00939
807 8. 1725 or earlier English Suites, No. 2 A min. Keyboard 451: 16
132: 16
V/7: 20 00940
808 8. 1725 or earlier English Suites, No. 3 G min. Keyboard 451: 30
132: 30
V/7: 38 00941
809 8. 1725 or earlier English Suites, No. 4 F maj. Keyboard 451: 41
132: 41
V/7: 54 00942
810 8. 1725 or earlier English Suites,