Axel Johannes Salto (born 17 November 1889 in Copenhagen, died 21 March 1961 in Frederiksberg) was a Danish ceramic artist of international fame. His works also include painting, graphic design and illustrations for books, jewelry and textiles. As author and founder of the art magazine Klingen (1917-1919), Salto was also an important contributor to the art debate in Denmark. He made his debut as an artist in 1911, but his primary career as a ceramist took off at the 1925 Paris Exhibition.
Axel Johannes Salto
|Died||21 March 1961 (aged 71)|
Prince Eugen Medal
He was the son of Director H.C. Salto, married to Kamma Salto and father of Naja Salto.
He graduated from Frederiksberg Latin- og Realskole in 1907 and was a student of Holger Grønvold at Det tekniske Selskabs Skole from 1907. Salto then studied at the Royal Danish Academy of Fine Arts from 1909 to 1914 under Peter Rostrup Bøyesen.
In 1921, Salto founded the group De Fire (The Four), consisting of Svend Johansen, Vilhelm Lundstrøm and Karl Larsen. The group spent a large part of the 1920s in Paris, where they lived and worked together. The four artists first exhibited at the turn of the year 1920/1921 and continued regularly until 1928. The group profiled itself as modern, young and progressive, and its exhibitions were surrounded by debate and controversy.
Throughout the 1920s, his artistic focus shifted from painting to ceramics and he made about 3,000 different stoneware works from 1923 to 1950. A large part of these were made in the Carl Halier ceramic workshop in Frederiksberg. Among Salto's first works was the polycrome porcelain (Bing & Grøndahl, 1923–25), which was presented in the Danish Pavilion at the World Exhibition in 1925 (Exposition Internationale des Arts décoratifs et industriels modernes). Then followed stoneware in collaboration with Carl Halier (1929–30) and Saxo ceramics (1931–32). From the mid-1930s he worked mainly with The Royal Porcelain factory in Copenhagen.
Salto developed his ceramic stoneware works throughout his career and experimented with unusually rich glazes and organic shapes. He is mainly known for his three main styles characterized by ornamental simplification. 1) The rifled style, based on simple repetitive patterns. 2) The buttoned style, inspired by chestnuts and eucalyptus fruit. 3) The budding style, a reflection of naturally growing plants. Salto used Chinese and classic glazes such as solfatara and sung, among others.
From 1951 to 1959, Salto led the renewal of Sonnes Frize at Thorvaldsens Museum.
Axel Salto worked with the Danish master book binder August Sandgren, where they designed different papers for bookbinding.
After the trip to Paris in 1916 and the meeting with Pablo Picasso, Salto founded the Danish art magazine Klingen (The Blade) - published from 1917 to 1919. Salto was both editor and contributor. Although the magazine was only published for two years, it became important as a forum for modernism art as well as the new ideas of the time, with articles by Otto Gelsted, Poul Henningsen and Harald Giersing, and original artwork by Vilhelm Lundstrøm, Olaf Rude, William Scharff and Axel Salto himself.
Salto is buried at Frederiksberg Older Cemetery.
- Salto's Keramik (1930). Tekst: Axel Salto. Illustrations: Axel Salto. 130 pages. OCLC number: 62351142.
- Salto's Træsnit (1940). Tekst by Axel Salto and Paul la Cour. Illustrations: Axel Salto. 48 pages. OCLC number: 462552040. Published by A/S Det Hoffenbergske Etablissement.
- Den spirende Stil (1949). Text by Axel Salto. Illustrations: Axel Salto. 130 pages. OCLC number: 62351142. Published by Grafisk Cirkel.
- Axel Salto: Grafiker, keramiker och textilkonstnar (1949). Tekst by Axel Salto, Björn Lundegård, Pierre Lübecker, Nils Lindhagen, Nils Palmgren. Published by Folkrörelsernas Konstfrämjande, Stockholm.