Astria Suparak is an American artist and curator from Los Angeles, California. Suparak has curated events and exhibitions for Eyebeam, The Kitchen, PS1, Yerba Buena Center for the Arts, Museo Tamayo (Mexico City), Anthology Film Archives, Liverpool Biennial and Yale University and a number of alternative venues.[1]

Suparak was director of the Warehouse Gallery (Syracuse University) from 2006 to 2007 and the Pratt Film Series (Pratt Institute) from 1998 to 2000. Suparak was the director of Miller Gallery at Carnegie Mellon University where she curated a number of exhibitions including The Yes Men’s first retrospective exhibition "Keep It Slick: Infiltrating Capitalism with The Yes Men"[2] and "Alien She,"[3] an exhibition on the impact of punk feminist movement Riot Grrrl on contemporary culture.

Selected works edit

Asian futures, without Asian (2020 - Current) edit

Asian futures, without Asians is a series of new multimedia presentation by Suparak, which asks: “What does it mean when so many white filmmakers envision futures inflected by Asian culture, but devoid of actual Asian people?” The work is a one-hour long illustrated lecture that examines nearly 50 years of American science fiction cinema through the lens of Asian appropriation and whitewashing. The research-creation project examines how Asian cultures have been mixed and matched to create an interchangeable “Asian-ness” within futuristic sci-fi.[4][5]

The performance lecture is includes images from dozens of futuristic movies and TV shows where she discusses the implications of not only borrowing heavily from Asian cultures, but at the same time decontextualizing and misrepresenting them. Her work also address the exclusion of Asian bodies in the imagination of high tech futures with Asian characteristics and architecture. She explores troupes such as Anglicized names, chopsticks, bastardization of traditional garments and head gears or hair styles and usage of Asian inspired architectures and interior spaces. Some films that Suparak criticizes in the work includes Blade Runner, Flash Gordon, Star Trek, 2001: A Space Odyssey, Soylent Green, Logan’s Run, and the Star Wars franchise.[4][6][5][7]

The work has been presented at MoMa, Jacob Lawrence Gallery (University of Washington),[8] The Wattis Institute (San Francisco) (presented with the launch of the publication, Why are they so afraid of the lotus? ISBN 978-3-95679-569-5, ICA LA (Los Angeles) (co-presented by GYOPO), Bard College (Annandale-On-Hudson, NY), George Mason University (Fairfax, VA), Centre A: Vancouver International Centre for Contemporary Asian Art (Vancouver, BC) and Spike Island,Reed College (Portland, OR)

Other projects edit

References edit

  1. ^ Cornell, Lauren. "Interview with Astria Suparak". Rhizome. 2008. Retrieved 23 April 2013.
  2. ^ Olivas, Yvonne. "Desire in Syracuse: the 'Come On' Controversy". Fanzine 07.11.07. Retrieved 23 April 2013.
  3. ^ Brooks, Katherine (28 September 2013). "First Riot Grrrl Exhibition Explores The Lasting Impact Of The Punk Feminist Movement". Huffington Post 10.09.13. Retrieved 9 October 2013.
  4. ^ a b Brown, Evan Nicole (2021-11-16). "How Sci-Fi Films Use Asian Characters to Telegraph the Future While Also Dehumanizing Them". The Hollywood Reporter. Retrieved 2022-03-27.
  5. ^ a b D’Souza, Aruna (2021-04-18). "Asian-American Artists, Now Activists, Push Back Against Hate". The New York Times. ISSN 0362-4331. Retrieved 2022-03-27.
  6. ^ "Essential Arts: A largely Latino-free Oscars in L.A.'s Mexican heart". Los Angeles Times. 2021-05-01. Retrieved 2022-03-27.
  7. ^ "Episode 193: Asian Futures Without Asians". Imaginary Worlds. Retrieved 2022-03-27.
  8. ^ "'Outsize, empty, mute Asians': 'Virtually Asian' video essay critiques portrayals of Asians in popular sci-fi". NextShark. 2021-11-22. Retrieved 2022-03-27.
  9. ^ "Everything About Some Kind of Loving". Joanie4Jackie.com. Archived from the original on 2007-09-28. Retrieved 2007-08-11.

External links edit