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Soylent Green is a 1973 American dystopian thriller film directed by Richard Fleischer and starring Charlton Heston and Leigh Taylor-Young. Edward G. Robinson appears in his final film. Loosely based on the 1966 science fiction novel Make Room! Make Room! by Harry Harrison, it combines both police procedural and science fiction genres; the investigation into the murder of a wealthy businessman and a dystopian future of dying oceans and year-round humidity due to the greenhouse effect, resulting in suffering from pollution, poverty, overpopulation, euthanasia and depleted resources.[2]

Soylent Green
Soylent green.jpg
Theatrical release poster by John Solie
Directed byRichard Fleischer
Produced byWalter Seltzer
Russell Thacher
Screenplay byStanley R. Greenberg
Based onMake Room! Make Room!
by Harry Harrison
StarringCharlton Heston
Leigh Taylor-Young
Edward G. Robinson
Music byFred Myrow
CinematographyRichard H. Kline
Edited bySamuel E. Beetley
Distributed byMetro-Goldwyn-Mayer
Release date
  • April 19, 1973 (1973-04-19) (US)
Running time
97 minutes
CountryUnited States
LanguageEnglish
Box office$3,600,000 (rentals)[1]

In 1973 it won the Nebula Award for Best Dramatic Presentation and the Saturn Award for Best Science Fiction Film.

Contents

PlotEdit

In the year 2022, as a consequence of the Industrial Revolution, 40 million people live in New York City, and there is a shortage of water, food and housing. Only the city's elite can afford clean water and natural food, and even then at horrendously high prices. The homes of the elite usually include concubines who are referred to as "furniture" and serve the tenants as slaves. Within the city lives New York City Police Department detective Frank Thorn with his aged friend and police analyst Solomon "Sol" Roth. Roth remembers the world when it had animals and real food, and possesses a small library of reference materials to assist Thorn. Thorn is tasked with investigating the murder of the wealthy and influential William R. Simonson, and quickly learns that Simonson had been assassinated and was a board member of Soylent Industries.

Soylent Industries, which derives its name from a combination of "soy" and "lentil", controls the food supply of half of the world and sells the artificially produced wafers, including "Soylent Red" and "Soylent Yellow". Their latest product is the far more flavorful and nutritious "Soylent Green", which is allegedly made from plankton and is in short supply. As a result of the weekly supply bottlenecks, the hungry masses regularly riot, and they are brutally removed from the streets by means of police vehicles that scoop the rioters with large shovels and dump them within the vehicle's container. With the help of the concubine Shirl, with whom Thorn begins a relationship, the investigation leads to a priest that Simonson visited and confessed to shortly before his death. The priest is only able to hint toward a gruesome truth before he himself is murdered. By order of the governor, Thorn is instructed to end the investigation, but he presses on. He is attacked during a riot, but the assassin loses him and gets himself killed.

Roth brings two volumes of oceanographic reports Thorn had procured from Simonson's apartment to an information center for investigation. The center's researchers confirm that the oceans no longer produce the plankton from which Soylent Green is reputedly made, and infer that it is produced from human remains, the only conceivable supply of protein matching the known production. They also deduce that Simonson was murdered by the corporation because he had found this out from the reports and his influence inside the corporation. Roth is so disgusted with his life in a degraded world that he decides to "return to the home of the God" and seeks assisted suicide at a government clinic. Thorn finds a message left by Roth and rushes to stop him, but arrives too late. Roth and Thorn are mesmerized by the euthanasia process's visual and musical montage – long-gone forests, wild animals, rivers and ocean life. Before dying, Roth tells Thorn his discovery and begs him to expose the truth. Thorn boards a human disposal truck to a recycling plant, where he sees the human corpses converted into Soylent Green. He is spotted and kills his attackers, but is himself wounded. As Thorn is tended to by paramedics, he urges his police chief to spread the truth he had discovered and initiate proceedings against the company. While being taken away, Thorn shouts out to the surrounding crowd, "Soylent Green is people!"

CastEdit

ProductionEdit

The screenplay was based on Harry Harrison's novel Make Room! Make Room! (1966), which is set in the year 1999 with the theme of overpopulation and overuse of resources leading to increasing poverty, food shortages, and social disorder. Harrison was contractually denied control over the screenplay and was not told during negotiations that Metro-Goldwyn-Mayer was buying the film rights.[3] He discussed the adaptation in Omni's Screen Flights/Screen Fantasies (1984),[3][4] noting, the "murder and chase sequences [and] the 'furniture' girls are not what the film is about — and are completely irrelevant", and answered his own question, "Am I pleased with the film? I would say fifty percent".[3]

While the book refers to "soylent steaks", it makes no reference to "Soylent Green", the processed food rations depicted in the film. The book's title was not used for the movie on grounds that it might have confused audiences into thinking it a big-screen version of Make Room for Daddy.[5]

This was the 101st and last movie in which Edward G. Robinson appeared; he died of bladder cancer twelve days after the completion of filming, on January 26, 1973. Robinson had previously worked with Heston in The Ten Commandments (1956) and the make-up tests for Planet of the Apes (1968). In his book The Actor's Life: Journal 1956-1976, Heston wrote "He knew while we were shooting, though we did not, that he was terminally ill. He never missed an hour of work, nor was late to a call. He never was less than the consummate professional he had been all his life. I'm still haunted, though, by the knowledge that the very last scene he played in the picture, which he knew was the last day's acting he would ever do, was his death scene. I know why I was so overwhelmingly moved playing it with him."[6]

The film's opening sequence, depicting America becoming more crowded with a series of archive photographs set to music, was created by filmmaker Charles Braverman. The "going home" score in Roth's death scene was conducted by Gerald Fried and consists of the main themes from Symphony No. 6 ("Pathétique") by Tchaikovsky, Symphony No. 6 ("Pastoral") by Beethoven, and the Peer Gynt Suite ("Morning Mood" and "Åse's Death") by Edvard Grieg.

A custom cabinet unit of the early arcade game Computer Space was used in Soylent Green and is considered to be the first video game appearance in a movie.[7]

Critical responseEdit

The film was released April 19, 1973.[8] Time called it "intermittently interesting", noting that "Heston forsak[es] his granite stoicism for once", and asserting the film "will be most remembered for the last appearance of Edward G. Robinson.... In a rueful irony, his death scene, in which he is hygienically dispatched with the help of piped-in light classical music and movies of rich fields flashed before him on a towering screen, is the best in the film."[9] New York Times critic A. H. Weiler wrote "Soylent Green projects essentially simple, muscular melodrama a good deal more effectively than it does the potential of man's seemingly witless destruction of the Earth's resources"; Weiler concludes "Richard Fleischer's direction stresses action, not nuances of meaning or characterization. Mr. Robinson is pitiably natural as the realistic, sensitive oldster facing the futility of living in dying surroundings. But Mr. Heston is simply a rough cop chasing standard bad guys. Their 21st-century New York occasionally is frightening but it is rarely convincingly real."[8] Roger Ebert gave the film three stars out of four, calling it "a good, solid science-fiction movie, and a little more."[10] Gene Siskel gave the film one-and-a-half stars out of four and called it "a silly detective yarn, full of juvenile Hollywood images. Wait 'til you see the giant snow shovel scoop the police use to round up rowdies. You may never stop laughing."[11] Arthur D. Murphy of Variety wrote, "The somewhat plausible and proximate horrors in the story of 'Soylent Green' carry the Russell Thacher-Walter Seltzer production over its awkward spots to the status of a good futuristic exploitation film."[12] Charles Champlin of the Los Angeles Times called it "a clever, rough, modestly budgeted but imaginative work."[13] Penelope Gilliatt of The New Yorker was negative, writing, "This pompously prophetic thing of a film hasn't a brain in its beanbag. Where is democracy? Where is the popular vote? Where is women's lib? Where are the uprising poor, who would have suspected what was happening in a moment?"[14]

As of July 2019, Soylent Green has a 71% rating on Rotten Tomatoes, based on 38 reviews.[15]

Awards and honorsEdit

Home mediaEdit

Soylent Green was released on Capacitance Electronic Disc by MGM/CBS Home Video and later on laserdisc by MGM/UA in 1992 (ISBN 0792813995, OCLC 31684584).[16] In November 2007, Warner Home Video released the film on DVD concurrent with the DVD releases of two other science fiction films; Logan's Run (1976) and Outland (1981).[17] A Blu-ray Disc release followed on March 29, 2011.

See alsoEdit

  • Survival film, about the film genre, with a list of related films
  • Soylent, a brand of meal replacement products whose creator was inspired by the book and film to use that name
  • Cloud Atlas, a 2012 film also depicting a future society where workers are fed with human remains
  • Carbon Silicon, a British band who performed the song "Soylent Green", with lyrics alluding to the movie and ending with the singer's desire to go home and watch the movie.
  • Soilent Green, an American Extreme Metal band, formed in 1988 on the outskirts of New Orleans, Louisiana.

ReferencesEdit

  1. ^ "Big Rental Films of 1973", Variety, January 9, 1974 p 19
  2. ^ Shirley, John (September 23, 2007). "Locus Online: John Shirley on Soylent Green". Locus Online. Retrieved November 17, 2016.
  3. ^ a b c Jeff Stafford. "Soylent Green (1973)". Turner Classic Movies. Retrieved June 12, 2011.
  4. ^ Danny Peary, ed. (1984). Omni's Screen Flights/Screen Fantasies. ISBN 0-385-19202-9.
  5. ^ Harry Harrison (1984). "A Cannibalised Novel Becomes Soylent Green". Omni's Screen Flights/Screen Fantasies. Ireland On-Line. Retrieved September 7, 2009.
  6. ^ Charlton Heston (1978). Hollis Alpert (ed.). The Actor's Life: Journal 1956-1976. E.P. Dutton. p. 395. ISBN 0525050302.
  7. ^ Goldberg, Marty; Vendel, Curt (2012). Atari Inc: Business is Fun. Syzygy Press. p. 45. ISBN 9780985597405. Retrieved May 16, 2018.
  8. ^ a b A.H. Weiler (April 20, 1973). "Soylent Green (1973)". The New York Times. Retrieved June 12, 2011.
  9. ^ "Cinema: Quick Cuts". Time. April 30, 1973. Retrieved June 12, 2011.
  10. ^ Ebert, Roger (April 27, 1973). "Soylent Green". RogerEbert.com. Retrieved December 10, 2018.
  11. ^ Siskel, Gene (May 1, 1973). "Scorpio & Soylent". Chicago Tribune. Section 2, p. 5.
  12. ^ Murphy, Arthur D. (April 18, 1973), "Soylent Green". Variety. 22.
  13. ^ Champlin, Charles (April 18, 1973). "Grim Future in 'Soylent Green'". Los Angeles Times. Part IV, p. 1.
  14. ^ Gilliatt, Penelope (April 28, 1973). "The Current Cinema". The New Yorker. 131.
  15. ^ "Soylent Green (1973) - Rotten Tomatoes". Rotten Tomatoes. Retrieved April 8, 2019.
  16. ^ "Soylent green / Metro-Goldwyn-Mayer, Inc". Miami University Libraries. Retrieved June 12, 2011.
  17. ^ "The Future Is Then". New York Sun. November 27, 2007. Retrieved June 12, 2011.

External linksEdit