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Archives of Traditional Music

The Indiana University Archives of Traditional Music holds over 100,000 audio and video individual recordings across over 3500 collections of field, broadcast, and commercial recordings. Its holdings are primarily focused on audiovisual recordings relating to research in the academic disciplines of ethnomusicology, folklore, anthropology, linguistics, and various area studies.

Archives of Traditional Music
olive green square; the top half is alternating diagonal darker and light olive green wavy lines, the lower half contains the words Archives of Traditional Music written in light olive against a darker olive background
Panoramic view of Morrison Hall
Morrison Hall, current home of the Archives
Established1954; 64 years ago (1954)
LocationBloomington, IN, U.S.
Coordinates39°09′55″N 86°31′11″W / 39.16528°N 86.51972°W / 39.16528; -86.51972Coordinates: 39°09′55″N 86°31′11″W / 39.16528°N 86.51972°W / 39.16528; -86.51972
BranchesN/A
Collection
SizeMore than 100,000 recordings including nearly 7000 wax cylinders, 4600 lacquer discs, 2625 aluminum discs, 250 wires, 18,000 open reel tapes, 7500 audiocassettes, 911 films, and 1500 video recordings. The Archives holds over 2700 collections of field recordings and over 24,300 commercial recordings.[1]
Access and use
CirculationArchives do not publicly circulate
Population served48,514 faculty, staff, and students at Indiana University Bloomington, additional scholars, and members of the public
Other information
DirectorAlan Burdette
Websiteindiana.edu/~libarchm/

Contents

HistoryEdit

The archive was initiated by George Herzog at Columbia University in 1936. It was modeled on the Berliner Phonogramm-Archiv, where Herzog had worked as an assistant to Erich M. von Hornbostel from 1921–1924. Herzog brought the nascent archive to Indiana University in 1948 when he was appointed as professor in the Department of Anthropology. The archive was formally established at Indiana University in 1954 under its second director, George List, as the Archives of Folk and Primitive Music. Its present name, the Archives of Traditional Music, was adopted in 1964 when it became a division of the Folklore Institute.[2]

DirectorsEdit

Date Name Notes
1948–1954 George Herzog
1954–1977 George List
1977–1981 Frank Gillis
1981–1982 Ronald Smith Acting Director
1982–1988 Anthony Seeger
1988–1995 Ruth M. Stone
1995–2000 Gloria J. Gibson
2000–2002 Ruth M. Stone Interim Director
2002–2007 Daniel Reed
2007–Present Alan Burdette

FacilitiesEdit

 
A shelf in the vault
  • Listening Library
  • Reading Room
  • Hoagy Carmichael Room
  • Studios
  • Vault: A 2,138 square foot temperature- and humidity-controlled storage space. Many formats of materials are kept in the vault, including 7000 wax cylinders, 4600 lacquer discs, 2625 aluminum discs, 250 wires, 18,000 open reel tapes, 7500 audiocassettes, 911 films, and 1500 video recordings. Nearly half of the recordings are unique field recordings that document the expressive culture and languages of peoples around the world.

Holdings on the National Recording RegistryEdit

Year Inducted Title Composer/Recorder Year Recorded Notes
2017 Standing Rock Reservation Recordings Yanktonai-Dakota singers recorded by George Herzog 1928 Field recordings on 195 phonograph cylinders
2013 Songs sung by Kwakwaka'wakw (Kwakiutl) Chief Dan Cranmer Franz Boas and George Herzog, Interviewers 1938 Field recordings on 22 aluminum discs
2006 Interviews with William "Billy" Bell, representing the Edward D. Ives Collection William "Billy" Bell recorded by Edward D. ("Sandy") Ives 1928 Field recordings on 28 open reel tapes; (other recordings also held at Maine Folklife Center, University of Maine)
2005 Listen to the Lambs (single) Hampton Quartette, recorded by Natalie Curtis Burlin 1917 Field recording in a collection of 15 phonograph cylinders
2004 Stardust (single) Hoagy Carmichael 1927 Pop, pre-1955; manuscript held in the archive
2004 Rosina Cohen oral narrative from the Lorenzo Dow Turner Collection Rosina Cohen, Lorenzo D. Turner 1932 Field recording in a collection of 154 aluminum disc recordings from the U.S. Sea Islands
2003 Johnson (Guy B.) Cylinder recordings of African-American music Guy B. Johnson 1920s Field recordings on 8 phonograph cylinders

PreservationEdit

Following insights gained through the Sound Directions Project about a looming crisis in time-based media preservation, staff at the ATM pursued a collaborative strategy for saving its media holdings. In 2008, they participated in a small coalition of archivists and librarians at Indiana University that began a survey of the audio-visual materials held on the Bloomington Campus. The survey was prompted by the recognition that the university held a large amount of time-based media in danger of deterioration and playback obsolescence. This survey revealed that the Bloomington campus held more than a half-million audiovisual recordings across eighty units and that large portions of the University's holdings were at risk for loss. Following the publication of a survey report in 2009, the Office of the Vice Provost for Research funded a preservation planning document under the aegis of what was known as the Media Preservation Initiative (MPI).[3] Based on the recommendations of the planning document, Indiana University President Michael McRobbie announced a 15 million dollar commitment to the preservation of audio and video recordings on the Bloomington campus. The resulting endeavor was renamed the Media Preservation and Digitization Initiative (MDPI) which formed a partnership with Memnon Archiving Services to digitally preserve 280,000 audio and video recordings by 2020.[4] In 2017, 12,000 films from Indiana University's Moving Image Archives and other campus collections, including the Archives of Traditional Music were added to the efforts of MDPI. As the largest holder of unique and rare audiovisual recordings at Indiana University, nearly all of the archives' 100,000 recordings will be digitized by 2020 through this initiative. MDPI was the first – and as of 2018 the only – university-based media preservation effort in the United States on this scale.

ProjectsEdit

Archive of Historical and Ethnographic Yiddish MemoriesEdit

The AHEYM Project has collected nearly 400 interviews related to Jewish life before, during, and after World War II. Conducted primarily in Yiddish, the interviewees come from small towns throughout Ukraine, Moldova, Romania, Hungary and Slovakia. The current online exhibit cover daily life, foodways, Jewish life between the wars, religion, World War II and the Holocaust, and Jewish life after World War II. The archive can be explored by location, person, or subject.[5] Preservation and cataloging of AHEYM Project recordings was funded by the National Endowment for the Humanities.

Ethnographic Video for Instruction and Analysis (EVIA) Digital ArchiveEdit

The EVIA Digital Archive is a project created to host a digital archive of ethnographic videos for educational use. The projected originated from a collaboration between Indiana University and University of Michigan.[6]

Ethnomusicology MultimediaEdit

EM publishes books and supplemental audiovisual material on Ethnomusicology in order to aid scholars in research. EM offers access to Annotation Management System (AMS), which allows authors to upload audiovisual material and link it to content in their text. EM is a joint project between Indiana and Temple Universities.[7]

Hoagy Carmichael OnlineEdit

The Hoagy Carmichael Project at Indiana University was a project funded by IMLS between 1999 and 2000 to digitize and preserve the extensive collection of items related to Hoagy Carmichael that are housed at Indiana University. This early digital collection website aimed to present in its entirety the complete Carmichael collection. The collection contains sound recordings, letters, photographs, lyric sheets, correspondence, as well as personal effects. It offers a biography and a virtual tour of the Carmichael Room located at the Archives of Traditional Music.[8]

Liberian Collections ProjectEdit

The Liberian Collection was established in 2002. The Archives of Traditional Music is home to the audiovisual part of the collection.[9]

Sound DirectionsEdit

The Sound Directions Project was a joint project between Indiana University’s Archives of Traditional Music and Harvard University’s Archive of World Music and funded by the National Endowment for the Humanities between 2005 and 2011. Phase 1 consisted of testing and determining the best practices and workflows for digital audio preservation. The following two phases focused on the preservation of archive holdings and on the development of software tools for media assessment and technical metadata collection.[10]

PublicationsEdit

  • ReSound (quarterly) ISSN 0749-2472; OCLC: 10204552. Issues are available online at IU ScholarWorks
  • Folklore and Folk Music Archivist ISSN 0430-8840; OCLC: 1569577. Issues are available online at IU ScholarWorks

ReferencesEdit

  1. ^ "Collections". Archives of Traditional Music. Retrieved 2018-03-22.
  2. ^ Archives of Traditional Music Folklore Institute. Bloomington, IN: Indiana University Archives of Traditional Music Folklore Institute. 1970. p. 1.
  3. ^ "MPI". Indiana University Archive of Traditional Music. Retrieved 2018-04-05.
  4. ^ "MDPI". Media and Digitization and Preservation Initiative. Retrieved 2018-04-05.
  5. ^ "AHEYM - The Archives of Historical and Ethnographic Yiddish Memories - Home - Indiana University". www.iub.edu.
  6. ^ "EVIA Digital Archive Project". Ethnographic Video for Instruction and Analysis (EVIA) Digital Archive. Retrieved 2018-04-25.
  7. ^ "About Ethnomusicology Online". ethnomultimedia.org.
  8. ^ "Overview of the Hoagy Carmichael Collection". www.dlib.indiana.edu.
  9. ^ Djenno, Mireille. "Library Research Guides: African Studies Research Guide: Liberian Collections". guides.libraries.indiana.edu.
  10. ^ "Sound Directions: Digital Audio Preservation and Access for Global Audio Heritage". www.dlib.indiana.edu.

External linksEdit