Agnès Sorel (1422 – 9 February 1450), known by the sobriquet Dame de beauté (Lady of Beauty), was a favourite, and chief mistress, of King Charles VII of France, by whom she bore four daughters. She is considered the first officially recognized royal mistress. She was the subject of several contemporary paintings and works of art, including Jean Fouquet's Virgin and Child Surrounded by Angels.
Agnès Sorel as Madonna Lactans
|Died||9 February 1450 (aged 28)|
|Occupation||Maid of Honour|
|Known for||Royal mistress|
|Partner(s)||Charles VII of France|
|Children||Charlotte de Valois |
Marie de Valois
Jeanne de Valois
|Parent(s)||Jean Soreau |
Catherine de Maignelais
Life in the royal courtEdit
Born in 1422, the daughter of Jean Soreau and Catherine de Maignelais, Sorel was 20-21 years old when she was first introduced to King Charles. At that time, she was holding a position in the household of Rene I of Naples, as a maid of honour to his consort Isabella, Duchess of Lorraine. Sorel then went on to serve as the lady-in-waiting for Marie d'Anjou, Charles VII of France's wife and Isabella's sister in law. She would soon become his mistress. The King gave her the Château de Loches (where he had been persuaded by Joan of Arc to be crowned King of France) as her private residence.
Soon, her presence was felt at the royal court in Chinon where her company was alleged to have brought the king out of a protracted depression. She had a very strong influence on the king, and that, in addition to her extravagant tastes, earned her powerful enemies at court. Sorel would become the first officially recognized royal mistress.
Sorel generated scandal at court, particularly for championing the fashion of her wearing of low-cut gowns. This behavior was both imitated and scorned. Jean Juvénal des Ursins, the archbishop of Reims, counseled the king to correct such fashions as "front openings through which one sees the teats, nipples, and breasts of women" (ouvertures de par devant, par lesquelles on voit les tetins, tettes et seing des femmes).
Children and deathEdit
Agnès gave birth to four daughters fathered by the King:
- Marie possibly born the summer of 1444,
- Charlotte, m. Jacques de Brézé (their son, Louis de Brézé, seigneur d'Anet, in turn married Diane de Poitiers, herself ultimately a famous royal mistress.)
While pregnant with their fourth child, she journeyed from Chinon in midwinter to join Charles on the campaign of 1450 in Jumièges, wanting to be with him as moral support. There, she suddenly became ill, and after giving birth, she and her daughter died on 9 February 1450. She was 28 years old. While the cause of death was originally thought to be dysentery, French forensic scientist Philippe Charlier suggested in 2005 that Agnès died of mercury poisoning. He offered no opinion about whether she was murdered. Mercury was sometimes used in cosmetic preparations or to treat worms, and such use might have brought about her death. She was interred in the Church of St. Ours, in Loches. Her heart was buried in the Benedictine Abbey of Jumièges.
Charles' son, the future King Louis XI, had been in open revolt against his father for the previous four years. It has been speculated that he had Agnès poisoned in order to remove what he may have considered her undue influence over the king. It was also speculated that French financier, noble and minister Jacques Cœur poisoned her, though that theory is widely discredited as having been an attempt to remove Coeur from the French court.
Her cousin Antoinette de Maignelais took her place as mistress to the king after her death.
Sorel plays a main part in Voltaire's La Pucelle. Two Russian operas from the late 19th century also portray her, along with Charles VII: Pyotr Tchaikovsky's The Maid of Orleans and César Cui's The Saracen. She is also a featured figure on Judy Chicago's installation piece The Dinner Party, being represented as one of the 999 names on the Heritage Floor. Two garments use Sorel's name in their descriptors, Agnes Sorel bodice, Agnes Sorel corsage and a fashion style named after her as well, Agnes Sorel style, which is described as a "princess" style of dressing.
- Charlier, Philippe (14 February 2006). "Europe , Joan of Arc 'relics' to be tested". BBC News. Retrieved 26 April 2011.
- Cumming, Valerie; Cunnington, C.W.; Cunnington, P. E. (1 September 2010). The Dictionary of Fashion History. Berg. ISBN 978-1-84788-738-2. Retrieved 10 January 2012.
- Delany, Sheila (1998). Impolitic Bodies: Poetry, Saints, and Society in Fifteenth-Century England. Oxford University Press. ISBN 0-19-510988-0.
- Le Maho, Jacques (2012). Jumieges Abbey. editions du patrimoine. ISBN 2-85822-397-1.
- Monks, Peter Rolf (1990). The Brussels Horloge de Sapience: Iconography and Text of Brussels. Brill.
- Sackler, Elizabeth A. (2007). "Agnes Sorel". Elizabeth A. Sackler Center for Feminist Art: The Dinner Party: Heritage Floor:Agnes Sorel. Brooklyn Museum. Retrieved 26 December 2011.
- Vale, Malcolm Graham Allan (1974). Charles the Seventh. Yale University Press.
- Wellman, Kathleen (2013). Queens and Mistresses of Renaissance France. Yale University Press.
|Wikimedia Commons has media related to Agnès Sorel.|
- Autheman, Marc. (2008). Agnès Sorel: l'inspiratrice. ISBN 978-2-84114-952-0
- Desmondes, Tim. (2009). Agnes Sorel: The Breast And Crotch That Changed History. Austin: The Nazca Plains Corporation. ISBN 1-934625-71-X
- D'Orliac, Jehanne. (1931). The Lady of Beauty: Agnes Sorel. First Royal Favourite of France. J.B. Lippincott Company. Translated by M.C. Darnton
- Duquesne. (1909). Vie et Aventures galantes de la belle Sorel. Paris
- Goldsmid, Edmund. (2010). A King's Mistress: Or, Charles Vii. & Agnes Sorel and Chivalry in the Xv. Century, Volumes 1–2. Charleston: Nabu Press. ISBN 1-146-95205-8