In the myth and folklore of the Near East and Europe, Abyzou (Akkadian: 𒁹 𒄷 𒈫 𒁇 Dap.bi.zu) is the name of a female demon. Abyzou was blamed for miscarriages and infant mortality and was said to be motivated by envy (Greek: φθόνος phthonos), as she herself was infertile. In the Coptic Egypt she is identified with Alabasandria, and in Byzantine culture with Gylou, but in various texts surviving from the syncretic magical practice of antiquity and the early medieval era she is said to have many or virtually innumerable names.
Abyzou (also spelled Abizou, Obizu, Obizuth, Obyzouth, Byzou etc.) is pictured on amulets with fish- or serpent-like attributes. Her fullest literary depiction is the compendium of demonology known as the Testament of Solomon, dated variously by scholars from as early as the 1st century AD to as late as the 4th.
A.A. Barb connected Abyzou and similar female demons to the story of the primeval sea, Abzu, in ancient Mesopotamian religion. Barb argued that although the name "Abyzou" appears to be a corrupted form of the Greek ἄβυσσος ábyssos "abyss", the Greek itself was borrowed from Akkadian Apsu or Sumerian Abzu.
The primeval sea was originally an androgyne or asexual, later dividing into the male Abzu (fresh water) and the female Tiamat (seawater, appearing as the Tehom in the Book of Genesis). The female demons, among whom Lilith is the best-known, are often said to have come from the primeval sea. In ancient Greek religion, female sea monsters that combine allure and deadliness may also derive from this tradition, including the Gorgons (who were daughters of the old sea god Phorcys), sirens, harpies, and even water nymphs and Nereids.
In the Septuagint, the Greek version of the Hebrew Bible, the word Abyssos is treated as a noun of feminine grammatical gender, even though Greek nouns ending in -os are typically masculine. Abyssos is equivalent in meaning to Abzu as the dark chaotic sea before Creation. The word also appears in the Christian New Testament, occurring six times in the Book of Revelation, where it is conventionally translated not as "the deep" but as "the bottomless pit" of Hell. Barb argues that in essence the Sumerian Abzu is the "grandmother" of the Christian Devil.
The Testament of SolomonEdit
In the late antique Testament of Solomon, Abyzou (as Obizuth) is described as having a "greenish gleaming face with dishevelled serpent-like hair"; the rest of her body is covered by darkness. The speaker ("King Solomon") encounters a series of demons, binds and tortures each in turn, and inquires into their activities; then he metes out punishment or controls them as he sees fit. Put to the test, Abyzou says that she does not sleep, but rather wanders the world looking for women about to give birth; given the opportunity, she will strangle newborns. She claims also to be the source of many other afflictions, including deafness, eye trouble, obstructions of the throat, madness, and bodily pain. Solomon orders that she be chained by her own hair and hung up in front of the Temple in public view. The writer of the Testament appears to have been thinking of the gorgoneion, or the icon of the Medusa's head, which often adorned Greek temples and occasionally Jewish synagogues in late antiquity.
Envy is a theme in the Testament, and during his interrogation by the king, Beelzebub himself asserts that he inspires envy among humans. Among the succession of demons bound and questioned, the personification of Envy is described as headless, and motivated by the need to steal another's head: "I grasp in an instant a man's head ... and put it on myself." As with Envy's Sisyphean efforts to replace his head, Abyzou (Obizuth) cannot rest until she steals a child each night.
On medical amuletsEdit
On the inscribed healing amulets of the Near Eastern and Graeco-Roman magico-medical tradition, illness or affliction is often personified and addressed directly; the practitioner may be instructed to inscribe or chant a phrase that orders the ailment to depart: for example, "Flee, Fever!" The ailment may also be conceived of as caused by a demon, who must be identified correctly by name and commanded to depart. In this mode, magico-healing practice bears comparison to exorcism.
Abyzou is depicted and named on several early Byzantine bronze amulets. With her hands tied behind her back, she kneels as she is whipped by a standing figure, identified as Solomon or Arlaph, called Afarof in the Testament of Solomon and identified with the archangel Raphael. On one amulet, the figure is labeled as Arlaph, but an inscription reads "The Seal of Solomon [is] with the bearer; I am Noskam." The reverse inscription is written within an ouroboros, the symbol of a snake biting its tail to form a circle: "Flee, flee, Abyzou, [from] Sisinios and Sisinnia; the voracious dog dwells here." (Saint Sisinnios sometimes takes the Solomon role on Christian amulets.) Although Abyzou is regarded mainly as a threat to child-bearing women and to infants, some of the names of those seeking protection from her on extant amulets are masculine.
Medieval amulets show a variation on this iconography, with Abyzou trampled underfoot by a horseman. The rider is identified again either as Solomon or Arlaph; one example depicts the rider as Sisinnios, with the demon named as both Abizou and Anabardalea, and an angel named Araph (for Arlaph) standing by with one raised wing. The medieval lead amulets that show the rider subduing the female often have a main image that resembles a gorgoneion and is likely a womb symbol (hystera).
The names of AbyzouEdit
In one magic-related text, the archangel Michael confronts Abyzou and compels her to tell him the 40 names that can control her. In magico-religious practice, the knowledge of the secret name of a deity, divine force, or demon offers power over that entity.
In the Testament of Solomon, the demon herself declares that she has ten-thousands of names and forms, and that Raphael is her antithesis. She says that if her name is written on a scrap of papyrus when a woman is about to give birth, "I shall flee from them to the other world."
Gyllou, Gylou, GelloEdit
The female childbirth demon appears frequently in magical texts under her Babylonian name Gyllou or Gylou. In one Greek tale set in the time of "Trajan the King", Gyllou under torture reveals her "twelve and a half names":
My first and special name is called Gyllou; the second Amorphous; the third Abyzou; the fourth Karkhous; the fifth Brianê; the sixth Bardellous; the seventh Aigyptianê; the eighth Barna; the ninth Kharkhanistrea; the tenth Adikia; ... the twelfth Myia; the half Petomene.
In medieval texts, one of Gylou's twelve and a half names is given as Anabardalea, a name also associated with Abyzou.
Antaura is a female demon who causes migraine headaches. She is known primarily from a 2nd/3rd century silver lamella (inscribed metal leaf) found at the Roman military settlement Carnuntum in present-day Austria. Antaura, whose name means something like "Contrary Wind", is said to come out of the sea. In the inscription, she is confronted by the Ephesian Artemis, who plays the role assigned to the male figures Solomon, Arlaph, and Sisinnios in Jewish and Christian magic.
At the monastery of St. Apollo in Bawit, Egypt, a wall painting depicts the childbirth demon under the name Alabasandria (or Alabasdria) as she is trampled under the hooves of a horse. The rider wears a belted tunic and trousers in the Parthian manner, and an inscription, now faded, was read at the time of its discovery as Sisinnios. This central image is surrounded by other figures, including a centaur, the piercing of the evil eye, and the demon's daughter, winged and reptile-tailed, identified by an inscription.
In popular cultureEdit
- In the 2012 horror film The Possession, Abyzou is the name of the Dybbuk that haunts one of the main characters, Emily "Em" Brenek.
- In "The Sisters Mills", an episode of the Fox fantasy series Sleepy Hollow, Abyzou is featured as the primary antagonist. Here she is the origin of the myth of the Tooth Fairy.
- In the 2018 horror film Slender Man (film), Abyzou is briefly seen in Wren's research of the titular horror figure.
- In the 2021 horror film “The Seventh Day”, Abyzou is the lady helping feed the less fortunate.
For similar or related figures, see:
- Mary Margaret Fulgum, "Coins Used as Amulets in Late Antiquity," in Between Magic and Religion: Interdisciplinary Studies in Ancient Mediterranean Religion and Society (Rowman & Littlefield, 2001), p. 142
- A.A. Barb, "Antaura. The Mermaid and the Devil's Grandmother: A Lecture," Journal of the Warburg and Courtauld Institutes 29 (1966), p. 5; "at least to the 2nd century," Sara Iles Johnston, Religions of the Ancient World (Harvard University Press, 2004), p. 122 online; "probably dates to the third century," James H. Charlesworth, "Jewish Interest in Astrology," Aufstieg und Niedergang der römischen Welt II 20.2 (1987) pp. 935–936 online. et al.
- Based on a popular etymology that saw in the word Greek bythos ("depth") with an alpha privative to mean "without depth" or "bottomless"; Liddell and Scott, A Greek–English Lexicon (Oxford: Clarendon Press 1843, 1985 printing), p. 4, gives no etymology for ἄβυσσος.
- A.A. Barb, "Antaura. The Mermaid and the Devil's Grandmother: A Lecture," Journal of the Warburg and Courtauld Institutes 29 (1966), p. 6
- Barb, "Antaura," pp. 10–12.
- Testament of Solomon 58–59, translation and introduction by F.C. Conybeare, Jewish Quarterly Review 11 (1898), p. 30 online.
- Barb, "Antaura," p. 9.
- Barb, "Antaura," p. 5; for online texts of the Testament, see "Selected bibliography" below.
- Fr. George R.A. Aquaro, Death by Envy: The Evil Eye and Envy in the Christian Tradition (iUniverse, 2004), p. 99 online.
- Testament of Solomon 27, p. 22 in Conybeare.
- Testament of Solomon 43–44, p. 26 in Conybeare.
- For an example of a course of treatment employing a "flee" charm, see article on Medicina Plinii.
- Roy Kotansky, "Incantations and Prayers on Inscribed Greek Amulets," in Magika Hiera: Ancient Greek Magic and Religion, edited by Christopher A. Faraone and Dirk Obbink (Oxford University Press, 1991), pp. 113–114 and 119; on exorcism of the childbirth demon, Vasilakē, Maria (2005). Images of the Mother of God: Perceptions of the Theotokos in Byzantium. Ashgate Pub. p. 256. ISBN 978-0-7546-3603-8.
- Walter, Christopher (2003). The Warrior Saints in Byzantine Art and Tradition. Ashgate. pp. 241–2. ISBN 978-1-84014-694-3.
- Jeffrey Spier, "Medieval Byzantine Magical Amulets and Their Tradition," Journal of the Warburg and Courtauld Institutes 56 (1993), pp. 37–38, full text available online. Archived 2009-08-24 at the Wayback Machine
- Fulgum, "Coins Used as Amulets in Late Antiquity," p. 142; Spier, "Medieval Byzantine Magical Amulets," pp. 38–40.
- Sergio Giannobile and D.R. Jordan, "A Lead Phylactery from Colle san Basilio (Sicily)," Greek, Roman, and Byzantine Studies 46 (2006), p. 80, citing Cod.Marc.gr.app. II 163 in F. Pradel, Griechische und süditalienische Gebete, Beschwörungen und Rezepte des Mittelalters, RGVV 3.3 (1907) 23–24 online for the relevant passage in Greek.
- The secrecy surrounding the correct names of gods extended to prayer formularies in general and was characteristic of Ancient Egyptian religion, mystery religions, early Christianity and Judaism, and other religions of antiquity. See Matthias Klinghardt, "Prayer Formularies for Public Recitation: Their Use and Function in Ancient Religion," Numen 46 (1999) 1–52, and for an example of dire consequences attending on the revelation of a secret name, see article on Quintus Valerius Soranus.
- Barb, "Antaura,"p. 5; Spier, "Medieval Byzantine Magical Amulets and Their Tradition," p. 12.
- Barb, "Antaura," p. 5.
- There is a gap in the original text.
- Joseph Naveh and Shaul Shaked, Amulets and Magic Bowls: Aramaic Incantations of Late Antiquity (Jerusalem: Magnes Press, 1985), pp. 114–115.
- Spier, "Medieval Byzantine Magical Amulets," p. 38.
- Sappho, frg. 178 in Poeta Lesbiorum fragmenta, edited by Edgar Lobel and Denys Page (Oxford 1955), p. 101; Karen Hartnup, On the Beliefs of the Greeks: Leo Allatios and Popular Orthodoxy (Brill, 2004), pp. 35, 85–86, 149–150, limited preview online.
- Perdrizet, Paul (1922), Negotium Perambulans in Tenebris, études de démonologie gréco-orientale, Lib. Istra, pp. 14, 25–26
- Barb, "Antaura," especially pp. 2–5; Georg Luck, Arcana Mundi: Magic and the Occult in the Greek and Roman Worlds. A Collection of Ancient Texts (The Johns Hopkins University Press, 1985, 2nd ed. 2006), p. 281 online; Roy Kotansky, "Jesus and the Lady of the Abyss (Mark 2:25–34): Hieros gamos, Cosmogony, and the Elixir of Life," in Antiquity and Humanity: Essays on Ancient Religion and Philosophy Presented to Hans Dieter Betz on His 70th Birthday (Mohr Siebeck, 2001), p. 100, note 49 online; Roy Kotansky, "An Early Christian Gold lamella for Headache," in Magic and Ritual in the Ancient World (Brill, 2001), pp. 41–42 online; Vivian Nutton, Ancient Medicine (Routledge, 2004), p. 274 online. Full discussion of this amulet in Roy Kotansky, Greek Magical Amulets: The Inscribed Gold, Silver, Copper, and Bronze Lamellae: Text and Commentary (Opladen : Westdeutscher Verlag, 1994), 1.270–300 (nos. 52.93–95), esp. 279, 295–96.
- Christopher Walter, The Warrior Saints in Byzantine Art and Tradition (Ashgate Publishing, 2003), p. 241 online.
- Barb, A.A. "Antaura. The Mermaid and the Devil's Grandmother: A Lecture." Journal of the Warburg and Courtauld Institutes 29 (1966) 1–23.
- Conybeare, F.C. "The Testament of Solomon," translation and introduction. Jewish Quarterly Review 11 (1898) 1– 46 online, full text available and downloadable.
- Fulgum, Mary Margaret. "Coins Used as Amulets in Late Antiquity." In Between Magic and Religion (Rowman & Littlefield, 2001), pp. 139–148 limited preview online.
- Spier, Jeffrey. "Medieval Byzantine Magical Amulets and Their Tradition." Journal of the Warburg and Courtauld Institutes 56 (1993) 25–62, online.