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Wonder Bar is a 1934 American pre-Code film adaptation of a Broadway musical of the same name directed by Lloyd Bacon with musical numbers created by Busby Berkeley.[2]
Wonder Bar | |
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![]() Al Jolson | |
Directed by | Lloyd Bacon Busby Berkeley |
Written by | Play: Geza Herczeg Karl Farkas Robert Katscher Screenplay: Earl Baldwin |
Starring | Al Jolson Kay Francis Dolores del Río Ricardo Cortez Dick Powell Guy Kibbee |
Cinematography | Sol Polito |
Edited by | George Amy |
Music by | Harry Warren (music) Al Dubin (lyrics) |
Production company | |
Distributed by | Warner Bros. |
Release date |
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Running time | 84 minutes |
Country | United States |
Language | English |
Budget | $675,000 (est.)[1] |
Box office | $2,035,000[1] |
![](http://upload.wikimedia.org/wikipedia/commons/thumb/8/8d/Ruby_Keeler_Al_Jolson_1934.jpg/275px-Ruby_Keeler_Al_Jolson_1934.jpg)
It stars Al Jolson, Kay Francis, Dolores del Río, Ricardo Cortez, Dick Powell, Guy Kibbee, Ruth Donnelly, Hugh Herbert, Louise Fazenda, Fifi D'Orsay, Merna Kennedy, Henry O'Neill, Robert Barrat, Henry Kolker, and Spencer Charters in the main roles. For its time, Wonder Bar was considered risqué, barely passing the censors at the Hays Office.[3] The title is a pun on "wunderbar", which is German for "wonderful".
Plot
editWonder Bar is set in a Parisian nightclub, with the stars playing the 'regulars' at the club. The movie revolves around two main story points, a romance and a more serious conflict with death, and several minor plots. All of the stories are enlivened from time to time by extravagant musical numbers. The more serious story revolves around Captain Von Ferring (Robert Barrat), a German military officer. Ferring has gambled on the stock market and lost, now broke after dozens of failed investments, he is at the Wonder Bar to try and pull a one-night stand before killing himself the following day. Al Wonder (Al Jolson) knows about Ferring's plan.
Meanwhile, an elaborate romance is unfolding. The bar's central attraction is the Latin lounge dancing group led by Inez (Dolores del Río). Al Wonder has a secret attraction to Inez, who has a burning passion for Harry (Ricardo Cortez). However, Harry is two-timing her with Liane (Kay Francis), who is married to the famous French banker Renaud (Henry Kolker). The story comes to a climax when Inez finds out that Harry and Liane plan to run away together and head to the United States. Inez, in a haze of jealousy, kills Harry.
Subplots are much lighter in nature. They involve several drunken routines by two businessmen (Hugh Herbert and an uncredited Hobart Cavanaugh) and Al Wonder's various narrations as emcee of the floor show and manager of the club.[4]
Cast
edit- Al Jolson as Al Wonder
- Kay Francis as Liane
- Dolores del Río as Inez
- Ricardo Cortez as Harry
- Dick Powell as Tommy
- Guy Kibbee as Simpson
- Ruth Donnelly as Mrs. Simpson
- Hugh Herbert as Pratt
- Louise Fazenda as Mrs. Pratt
- Fifi D'Orsay as Mitzi
- Merna Kennedy as Claire
- Henry O'Neill as Richard - the Maitre'd
- Robert Barrat as Captain Hugo Von Ferring
- Henry Kolker as Mr. R.H. Renaud
- Spencer Charters as Pete
Pre-Code uncensored scenes
editTwo scenes stand above the rest. One was the blackface minstrel show finale, "Goin' to Heaven on a Mule" (featuring Jolson and Hal Le Roy), full of racial stereotypes. The other involved a handsome man, asking a dancing couple if he could cut in. The female partner, expecting his attention, agrees, only to see him dance with her male partner. Jolson then flaps his wrist and says, "Boys will be boys! Woo!" This scene almost caused the Production Code to reject the film, and was featured in the opening scenes of the documentary film The Celluloid Closet (1995).
Production
editThe various scenes of Wonder Bar are permeated by musical numbers which were designed and directed by Busby Berkeley. The music was first written for the Broadway stage by Geza Herczeg, Karl Farkas and Robert Katscher , and was adapted for the big screen by Earl Baldwin. Most of the musical numbers were typically 1930s; big-band led by an entertaining band director (Al), with lavish costumes packed with showgirls (the trailers promised 'over 250 of the world's most beautiful women').
Reception
editThe film was one of Warners biggest hits of the year. According to Warner Bros records it earned $1,264,000 domestically and $771,000 internationally.[1]
See also
editReferences
edit- ^ a b c Warner Bros financial information in The William Schaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1–31 p. 15 DOI: 10.1080/01439689508604551
- ^ Mordaunt Hall (1 March 1934). "Al Jolson, Kay Francis and Dolores del Río in a Pictorial Version of the Play, "Wonder Bar."". The New York Times.
- ^ "Movies - Movie Times - Movie Tickets - Movie Theaters - Moviefone". Moviefone. Retrieved 22 September 2017.
- ^ Green, Stanley (1999) Hollywood Musicals Year by Year (2nd ed.), pub. Hal Leonard Corporation ISBN 0-634-00765-3 page 30
External links
edit- Wonder Bar at the AFI Catalog of Feature Films
- Wonder Bar at IMDb
- Wonder Bar at the TCM Movie Database
- Wonder Bar at AllMovie