William Bowers (January 17, 1916 in Las Cruces – March 27, 1987 in Woodland Hills, California) was a reporter in Long Beach, California and Life magazine reporter before becoming a screenwriter. He specialized in writing comedy westerns, and also turned out several thrillers.
|Born||January 17, 1916|
Las Cruces, New Mexico, United States
|Died||March 27, 1987 (aged 71)|
Woodland Hills, California, United States
Bowers' first play was Where Do We Go From Here? that ran for 15 performances in 1968
Bowers signed with RKO. His first credited screenplay was My Favorite Spy for Kay Kyser in 1942. Also at that studio Bowers helped write the musical comedy Seven Days' Leave (1942), which was a huge hit, and The Adventures of a Rookie (1943) with the team of Carney and Brown. He also did Higher and Higher (1943), Frank Sinatra's first movie.
During World War II Bowers served in the United States Army Air Forces where he met Arch Hall Sr.. Bowers later wrote a screenplay based on his experiences, The Last Time I Saw Archie, where Jack Webb played Bowers.
For Columbia he helped write The Notorious Lone Wolf (1946) and at Warner Bros did the Cole Porter biopic Night and Day (1946). For Republic Pictures he provided the story for The Fabulous Suzanne (1946) and he worked on Paramount's Ladies' Man (1947) for Eddie Bracken.
At Universal Bowers wrote The Web (1947), a noir, and Deanna Durbin's second last film Something in the Wind (1947). He provided the story for the Abbott and Costello comedy The Wistful Widow (1948) and wrote the Yvonne de Carlo-Dan Duryea Westerns Black Bart, Highwayman (1948) and River Lady (1948). He did some uncredited work on United Artists' Pitfall (1948).
A play he wrote entitled West of Tomorrow was filmed by 20th Century Fox as Jungle Patrol. Bowers did some uncredited work on Criss Cross (1949) and provided the story for the de Carlo vehicle, The Gal Who Took the West (1949). He did some script work on Abandoned (1949).
Bowers wrote Convicted (1950) for Columbia, Mrs. O'Malley and Mr. Malone (1951) for MGM, Cry Danger (1951) for Robert Parrish at RKO, The Mob (1951) for Parrish at Columbia, and The San Francisco Story (1952) for Parrish at RKO.
He did Assignment: Paris (1952) for Parrish at Columbia and Split Second (1953) for Dick Powell at RKO. He did "The Girl on the Park Bench" (1953) for Powell's Four Star Theatre and some work on Beautiful But Dangerous (1954) for RKO.
At Columbia he did Tight Spot (1955) and 5 Against the House (1955) for Phil Karlson. Bowers wrote "Prosper's Old Mother" (1955) and "It's Sunny Again" (1956) for General Electric Theatre and "Shoot the Moon" (1956) for Jane Wyman Presents The Fireside Theatre. At Fox he did a musical The Best Things in Life Are Free (1956).
At MGM he wrote The Sheepman (1958) which earned him a second Oscar nomination. He stayed on at MGM to do The Law and Jake Wade (1958), and Imitation General (1959). Bowers wrote a Bob Hope comedy for company, Alias Jesse James (1959) and did two films for Jack Webb, Deadline Midnight (1959) and The Last Time I Saw Archie (1961).
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He wrote a TV movie for Burt Kennedy, Sidekicks (1974). He focused on TV movies: The Gun and the Pulpit (1974), Mobile Two (1975) (which he produced) Kate Bliss and the Ticker Tape Kid (1978), Shame, Shame on the Bixby Boys (1978), The Wild Wild West Revisited (1979), and More Wild Wild West (1980).
- "William Bowers". The New York Times. April 7, 1987.
- p.3 Weaver, Tom Richard Alden Interview I Talked with a Zombie: Interviews with 23 Veterans of Horror and Sci-fi Films and Television McFarland, 2009
- p. 217 Erickson, Hal Military Comedy Films: A Critical Survey and Filmography of Hollywood Releases Since 1918 McFarland, 7 Aug 2012