|Born||June 25, 1958|
Houston, Texas, U.S.
|Associated acts||Richard Chartier, Sparkle Division|
William James Basinski was born in 1958 in Houston, Texas. He was raised in a Catholic family, and states that he had his first "really mystical, wonderful, magical" musical experiences as an infant at Houston's St. Anne Church. His father was a scientist contracted to NASA, which caused the family to move often. Basinski says he knew that he was gay from an early age. 
A classically trained clarinetist, Basinski studied jazz saxophone and composition at North Texas State University in the late 1970s. In 1978, inspired by minimalists such as Steve Reich and Brian Eno, he began developing his own vocabulary using tape loops and old reel-to-reel tape decks. He developed his meditative, melancholy style experimenting with short looped melodies played against themselves creating feedback loops.
His first release was Shortwavemusic. Although created in 1983, it was first released on vinyl in a small edition in 1998 by Carsten Nicolai's Raster-Noton sub-label. This was followed by Watermusic, self-released in 2000 on Basinski's 2062 Records. Another 2-disc work was Variations: A Movement in Chrome Primitive, 1980: it was finally released in 2004 by David Tibet on the Durtro/Die Stadt label. At the time this work was created, Basinski was experimenting with compositions for piano and tape loops.
Throughout the 1980s, Basinski created a vast archive of experimental works using tape loop and delay systems, found sounds, and shortwave radio static. He was a member of many bands including Gretchen Langheld Ensemble and House Afire. In 1989, he opened his own performance space, "Arcadia" at 118 N. 11th Street. On one occasion, he opened for David Bowie, playing saxophone with rockabilly band The Rockats.  Basinski would later dedicate a track from A Shadow in Time to Bowie.
In August and September 2001, he set to work on what would become his most recognizable piece, the four-volume album The Disintegration Loops. The recordings were based on old tape loops which had degraded in quality. While attempting to salvage the recordings in a digital format, the tapes slowly crumbled and left a timestamp history of their demise.
- Shortwavemusic (1998, Raster-Noton)
- Watermusic (2000, 2062 Records)
- The Disintegration Loops (2002, 2062 Records)
- The River (2002, Raster-Noton)
- The Disintegration Loops II (2003, 2062 Records)
- Watermusic II (2003, 2062 Records)
- Melancholia (2003, 2062 Records)
- The Disintegration Loops III (2003, 2062 Records)
- A Red Score in Tile (2003, Three Poplars)
- The Disintegration Loops IV (2003, 2062 Records)
- Variations: A Movement in Chrome Primitive (2004, Durtro/Die Stadt)
- Untitled (2004, Spekk) (with Richard Chartier)
- Silent Night (2004, 2062 Records)
- The Garden of Brokenness (2006, 2062 Records)
- Variations for Piano and Tape (2006, 2062 Records)
- El Camino Real (2007, 2062 Records)
- 92982 (2009, 2062 Records)
- Vivian & Ondine (2009, 2062 Records)
- Aurora Liminalis (2013, Line) (with Richard Chartier)
- Nocturnes (2013, 2062 Records)
- Cascade (2015, 2062 Records)
- The Deluge (2015, 2062 Records)
- Divertissement (2015, Important Records) (with Richard Chartier)
- A Shadow in Time (2017, 2062 Records)
- Selva Oscura (2018, Temporary Residence Limited) (with Lawrence English)
- On Time Out of Time (2019, Temporary Residence Limited)
- Hymns of Oblivion (2020, self-released)
- Lamentations (2020, Temporary Residence Limited)
- The Disintegration Loops (2012, Temporary Residence Limited)
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- "William Basinski | Biography & History". AllMusic.
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- Gotrich, Lars (November 15, 2012). "Divinity From Dust: The Healing Power Of 'The Disintegration Loops'". NPR.
- Beaumont-Thomas, Ben (10 April 2019). "'I wanted to be David Bowie': music maverick William Basinski". The Guardian.
- Beaumont-Thomas, Ben (April 10, 2019). "'I wanted to be David Bowie': music maverick William Basinski". Theguardian.com.
- Catalano, Nicola (2004). "William Basinski + Richard Chartier interview". spekk. Retrieved 17 July 2012.
- "William Basinski". Flaunt. Retrieved 16 August 2014.
- Tangari, Joe (8 April 2004). "The Disintegration Loops I-IV - Review". Pitchfork. Retrieved 27 July 2011.
- Simmons, Ian. "The Disintegration Loops - Review". nthposition. Archived from the original on 13 April 2009. Retrieved 27 July 2011.
- Mason, James. "Disintegration Loops 3 - Review". AllMusic. Retrieved 27 July 2011.
- Levaux, Christophe (2014). "William Basinski, The Disintegration Loops. De l'érosion de l'espace sonore. L'antithèse totaliste". Revue et corrigée (101): 24–27.