Violeta Ayala (born Violeta Michelle Ayala Grageda; 16 February 1978) is a Bolivian-Australian Quechua[1] filmmaker, artist[2] and technologist.[3] Her credits include Prison X – The Devil & The Sun (2021)[4][5] and the documentaries La Lucha (2023),[6] Cocaine Prison (2017),[7] The Fight (2017),[8] The Bolivian Case (2015),[9] and Stolen (2009).[10]
Violeta Ayala | |
---|---|
Born | Violeta Michelle Ayala Grageda 16 February 1978 Cochabamba, Bolivia |
Occupation(s) | Film director, producer, writer, artist |
Spouse | |
Children | 1 |
Early life and education
editAyala was born in Cochabamba, Bolivia in 1978, the daughter of Fanny Grageda and Efrain Ayala. Ayala's maternal grandfather was the political Quechua leader Vitaliano Grageda,[11][12] He was one of the founders and a former Secretary General of the Confederation of Peasant Workers of Bolivia.[13] Vitaliano Grageda was an active member of The Communist Party of Bolivia.
Her mother was a biochemist and had a pharmacy, her father immigrated to Sydney, Australia when Ayala was a child.[14] She has two half-brothers from her mother's subsequent relationship with doctor Roly Elias. She grew up in the south part of Cochabamba, one of the city's poorest areas.[15] Following her mother's death in 1995, Ayala immigrated to Australia.
Ayala is a graduate of Charles Sturt University where she majored in Broadcast Journalism.
Film career
editIn 2006 Ayala began her collaboration with Dan Fallshaw on Between the Oil and the Deep Blue Sea, a documentary set in Mauritania, about corruption in the oil industry, that follows the investigations of mathematician Yahyia Ould Hamidoune against Woodside Petroleum. On the same subject Ayala co-wrote Slick Operator[16] an article published in the front page of The Sydney Morning Herald.
Ayala's feature directorial debut, the highly controversial documentary Stolen (2009),[17] premiered internationally at the Toronto International Film Festival in September 2009.[18]
In 2015 Ayala made The Bolivian Case, a feature about a high profile case concerning three Norwegian teenage girls caught with 22 kg of cocaine in an airport in Bolivia. The film was shot in Cochabamba and Oslo, premiered in the Special Presentation Program[19] at Toronto's Hot Docs Canadian International Documentary Festival in May 2015,[20] has won an audience award at the Sydney Film Festival[21] and was shortlisted for Platino Awards[22] and Premios Fénix.[23]
Ayala's short film The Fight (2017) focused on a protest by a group of people with disabilities that march across the Andes in wheelchairs and on foot for 35 days to the seat of the government in La Paz, asking to speak to President Evo Morales about a disability pension and were repressed by the police.[24][25][26] The film was released worldwide by The Guardian in May 2017[27] and has won a Walkley Award,[28] the Deutsche Welle Doc Dispatch Award at the Sheffield Doc/Fest,[29] as well as a nomination for an IDA Documentary Award[30] and was a finalist for the Rory Peck Sony Impact Award.[31]
Ayala is an alumnus of the Film Independent Documentary Lab,[32] the Berlinale Talent Campus, HotDocs Forum, Britdoc Good Pitch, IFP[33] and a Sundance[34] and Tribeca Film Institute fellow.[35]
Ayala's documentary Cocaine Prison was filmed inside San Sebastian prison in Cochabamba, by the inmates themselves,[36] giving a unique perspective on the foot soldiers of the drug trade.[37][38][39] Cocaine Prison premiered at the Toronto International Film Festival in September 2017[40] and has won the audience award at the Rencontres Cinémas d'Amérique Latine de Toulouse.[41]
In 2018, Ayala received a Jaime Escalante Medal in a ceremony organized by the Embassy of Bolivia in Washington, D.C.[42]
In 2020, Ayala was invited to join the Academy of Motion Picture Arts and Sciences.[43]
In 2021, Ayala's Prison X a virtual reality animated experience premiered at the Sundance Film Festival.[44][45][46][47]
In 2023, La Lucha, premiered at the Blackstar Film Festival[48] and SXSW Sydney.[49] The documentary follows La Caravana, a significant disability rights protest in Bolivia, and its role in establishing a monthly pension for people with disabilities.[50]
Art projects
editAyala created Las Awichas (grandmothers in Aymara), a series of digital portraits with AI in honour of her female ancestors. The exhibition opened on 9/21/2022 at the Martadero [51][52][53]
In July 2023, it was announced that Violeta Ayala's project Las Awichas was selected for the new GLOW3 exhibition in London.[54] Las Awichas opened as a new commission at The Strand and KCL Bush House Arcade from March to April 2024, including the series of digital portraits, Augmented Reality experiences, 3D printed animals, and hand-woven art[55][56][57]
Personal life
editAyala has lived in Australia and the United States and has dual Bolivian-Australian nationality.
She is married to filmmaker Dan Fallshaw, with whom she has a child, born in June 2016.[58]
Controversy
editIn 2020, during the COVID-19 lockdown in Sydney, Ayala publicly supported the rent strike movement. Ayala's statement "People are losing their lives and livelihoods, we can’t see our loved ones, our five-year-old doesn’t go to school and the real estate agent says it’s business as usual?"[59]
In 2022, Ayala criticized the Sundance Festival for hosting the movie Jihad Rehab, which interviewed former Guantánamo Bay prisoners. Ayala wrote on twitter that "an entirely white team" was "behind a film about Yemeni and South Arabian men." However, the film had a Yemeni-American executive producer and a Saudi co-producer.[60]
Filmography
edit- Proyecto Vila-Vila (2005, Documentary)
- Between The Oil and The Deep Blue Sea (2005, Documentary)
- Stolen (2009, Documentary)
- The Bolivian Case (2015, Documentary)
- The Fight (2017, Short Documentary)
- Cocaine Prison (2017, Documentary)
- Prison X (2021, VR Animation)
- La Lucha (2023, Documentary)
Awards
editYear | Award | Category | Work | Result |
---|---|---|---|---|
2018 | Toulouse Latin America Film Festival
(France) |
Audience Award | Cocaine Prison | Winner |
Artículo 31 Film Festival (Spain) | Desalambre Award | The Fight | Winner | |
Tempo Documentary Festival (Sweden) | Stefan Jarl International Documentary Award | Cocaine Prison | Nominated | |
2017 | Ida Awards (United States) | Best Short | The Fight | Nominated |
Walkley Award (Australia) | Best Cinematography | The Fight | Winner | |
Rory Peck Awards (United Kingdom) | Sony Impact Award | The Fight | Finalist | |
Camden International Film Festival (United States) | Best Documentary Feature | Cocaine Prison | Nominated | |
Festival Internacional De Cine De Oruro Diablo De Oro | Best Documentary | The Fight | Winner | |
Festival Internacional De Cine De Oruro Diablo De Oro (Bolivia) | Best Documentary | The Bolivian Case | Nominated | |
Sheffield Doc/Fest (United Kingdom) | Doc Dispatch Award | The Fight | Winner | |
Festival Internacional De Cine De Los Derechos Humanos De Bolivia – El Séptimo Ojo Es Tuyo (Bolivia) | Best Documentary | The Fight | Winner | |
2016 | Ibermedia (Spain) | Distribution Award | The Bolivian Case | Winner |
Premios Platino (Uruguay) | Best Documentary | The Bolivian Case | Shortlisted | |
Premios Fenix (Mexico) | Best Documentary | The Bolivian Case | Shortlisted | |
2015 | Sydney Film Festival (Australia) | Audience Award | The Bolivian Case | 3rd Runner-up |
2010 | Pan African Film Festival in Los Angeles (United States) | Best Documentary | Stolen | Winner |
Art of the Document Film Festival in Warsaw (Poland) | Best Documentary | Stolen | Winner | |
Anchorage International Film Festival (United States) | Golden Oosikar Best Documentary | Stolen | Winner | |
African Film Festival (Nigeria) | Best Documentary | Stolen | Winner | |
Amnesty International Film Festival (Canada) | Audience Award | Stolen | Winner | |
Festival Internacional De Cine De Cuenca (Ecuador) | Best Film | Stolen | Winner | |
Rincon International Film Festival (Puerto Rico) | Best International Feature | Stolen | Winner | |
Rivers Edge International Film Festival (United States) | Best Film | Stolen | Winner | |
Documentary Edge Film Festival (New Zealand) | Best Documentary | Stolen | Special Jury Mention | |
Documentary Edge Film Festival (New Zealand) | Best Editing | Stolen | Winner | |
Xv International Tv Festival Bar (Montenegro) | Silver Olive | Stolen | Winner | |
Ojai Film Festival (United States) | Best Documentary | Stolen | Special Jury Mention | |
One World Human Rights Film Festival (Bratislava) | Audience Award | Stolen | Winner | |
It's All True Film Festival (Brazil) | Best International Documentary | Stolen | Nominated | |
2009 | Sydney Film Festival | Best Documentary | Stolen | Nominated |
References
edit- ^ "Violeta Ayala". Brown Girls Doc Mafia. Retrieved 16 January 2021.
- ^ London, King's College. "Artists announced for major new GLow3 exhibition". King's College London. Retrieved 25 December 2023.
- ^ kentbye. "#1254: Using AI to Upskill Creative Sovereignty with XR Artist Violeta Ayala – Voices of VR Podcast". Retrieved 25 December 2023.
- ^ "2021 Sundance Film Festival". fpg.festival.sundance.org. Retrieved 21 December 2020.
- ^ Spangler, Todd (15 December 2020). "Sundance 2021: New Frontier Program Unveils 14 Selections, Presented (Of Course) in Virtual Spaces". Variety. Retrieved 21 December 2020.
- ^ "La Lucha (The Fight)". BlackStar. Retrieved 24 December 2023.
- ^ Ayala, Violeta (16 September 2017), Cocaine Prison, Mario Bernal, Daisy Torres, Hernan Torres, retrieved 22 May 2018
- ^ Ayala, Violeta; Fallshaw, Dan, The Fight, retrieved 22 May 2018
- ^ Ayala, Violeta (29 April 2015), The Bolivian Case, retrieved 22 May 2018
- ^ Ayala, Violeta; Fallshaw, Dan, Stolen, IMDb, retrieved 22 May 2018 [unreliable source?]
- ^ Redaccion Central. "Fallece Vitaliano Grágeda, dirigente de gran compromiso social de la Csutcb". Lostiempos.com. Los Tiempos. Retrieved 12 May 2019.
- ^ "Bolivia Daily Life". Getty Images. Retrieved 22 May 2018.
- ^ "Violeta Ayala, con el cine como arma – Diario Pagina Siete" (in Spanish). Retrieved 22 May 2018.
- ^ "Violeta Ayala, la cineasta boliviana que ayuda a las personas con discapacidad". ANF. Agencia de Noticias Fides. Retrieved 29 March 2016.
- ^ MACFARLANE. "Meet Violeta Ayala, the Indigenous Director Who Gave Cameras to Bolivian Inmates for 'Cocaine Prison'". Remezcla. Remezcla. Retrieved 17 October 2017.
- ^ Kate Askew and Violeta Ayala. "Slick Operator". Sydney Morning Herald. Retrieved 19 December 2010.
- ^ Richard Kuipers (11 June 2009). "Stolen". Variety. Retrieved 21 June 2009.
- ^ Richard (18 August 2009). "TIFF Talk: Additional Documentaries Announced". TIFF Talk. Retrieved 15 May 2018.
- ^ Gupta, Shipra Harbola (26 February 2015). "Hot Docs Announces 17 Special Presentation Screenings". IndieWire. Retrieved 15 May 2018.
- ^ "Bolivian Case – Hot Docs". www.hotdocs.ca. Retrieved 15 May 2018.
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- ^ Ayala, Violeta; Fallshaw, Dan; Phillips, Charlie; Poulton, Lindsay. "Fighting for a pension: disability rights protesters in Bolivia face police barricades – video". the Guardian. Retrieved 16 May 2018.
- ^ Why are these protesters hanging from a bridge? – CNN Video, retrieved 15 May 2018
- ^ Ayala, Violeta; Fallshaw, Dan; Phillips, Charlie; Poulton, Lindsay. "Fighting for a pension: disability rights protesters in Bolivia face police barricades – video". the Guardian. Retrieved 16 May 2018.
- ^ Meade, Amanda (29 November 2017). "Guardian wins Walkley for film on Bolivian disability rights campaign". the Guardian. Retrieved 15 May 2018.
- ^ "'City of Ghosts' wins top prize at Sheffield Doc/Fest 2017". Screen. Retrieved 15 May 2018.
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- ^ Wissot, Lauren. ""I'm Tired of this Appropriation of Stories by Filmmakers from the West:": Violeta Ayala and Dan Fallshaw on Cocaine Prison | Filmmaker Magazine". Filmmaker Magazine. Retrieved 15 May 2018.
- ^ "EDN: Sundance Documentary Film Program announce grants". edn.network (in Ukrainian). Retrieved 15 May 2018.
- ^ Indiewire staff (28 April 2011). "TFI Names Winners & Grants for Tribeca All Access & More". IndieWire. Retrieved 28 April 2011.
- ^ "'Everything in this conflict is about control': Violeta Ayala Talks 'Cocaine Prison' – Point of View Magazine". povmagazine.com. Retrieved 22 May 2018.
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- ^ "Bolivian Director Violeta Ayala on COCAINE PRISON and Demystifying the Narco Representation". Cinema Tropical. Retrieved 16 May 2018.
- ^ "'Cocaine Prison' Aims to Humanize the Drug Trade by Giving Inmates Video Cameras". Video. Retrieved 22 May 2018.
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- ^ "ACADEMY INVITES 819 TO MEMBERSHIP". Academy of Motion Picture Arts and Sciences. 30 June 2020. Retrieved 10 July 2020.
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- ^ Prensa (19 September 2022). ""BIDA FAIR", el festival de arte digital que presentará una serie de piezas artísticas desarrolladas desde una perspectiva virtual » mARTadero". mARTadero (in Spanish). Retrieved 25 December 2023.
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- ^ London, King's College. "Las Awichas, 2024 © Violeta Ayala". King's College London. Retrieved 29 May 2024.
- ^ London, King's College. "Groundbreaking digital art by women in tech showcased at King's". King's College London. Retrieved 29 May 2024.
- ^ "GLOW: Spotlight on VR". XRMust. Retrieved 29 May 2024.
- ^ Wissot. ""I'm Tired of this Appropriation of Stories by Filmmakers from the West:": Violeta Ayala and Dan Fallshaw on Cocaine Prison". Filmmaker Magazine. Filmmaker Magazine. Retrieved 11 September 2017.
- ^ "Australia's coronavirus lockdown has renters and landlords in a bind". SBS News. Retrieved 25 December 2023.
- ^ Powell, Michael (25 September 2022). "Sundance Liked Her Documentary on Terrorism, Until Muslim Critics Didn't". The New York Times. ISSN 0362-4331. Retrieved 25 September 2022.