Vimāna are mythological flying palaces or chariots described in Hindu texts and Sanskrit epics. The "Pushpaka Vimana" of Ravana (who took it from Kubera; Rama returned it to Kubera) is the most quoted example of a vimana. Vimanas are also mentioned in Jain texts.

The Pushpaka vimana flying in the sky.

Etymology edit

 
Sculpture of the Pushpaka vimana, as a temple flying in the sky.

The Sanskrit word vimāna (विमान) literally means "measuring out, traversing" or "having been measured out". Monier Monier-Williams defines vimāna as "a car or a chariot of the gods, any self-moving aerial car sometimes serving as a seat or throne, sometimes self-moving and carrying its occupant through the air; other descriptions make the Vimana more like a house or palace, and one kind is said to be seven stories high", and quotes the Pushpaka Vimana of Ravana as an example. It may denote any car or vehicle, especially a bier or a ship as well as a palace of an emperor, especially with seven stories.[1] Nowadays, vimāna, vimān or biman means "aircraft" in Indian languages. For example in the town name Vimanapura (a suburb of Bangalore) and Vimannagar, a town in Pune. In another context, Vimana is a feature in Hindu temple architecture.

Vedas edit

 
Pushpaka vimana depicted three times, twice flying in the sky and once landed on the ground.

The predecessors of the flying vimanas of the Sanskrit epics are the flying chariots employed by various gods in the Vedas: the Sun (see Sun chariot) and Indra and several other Vedic deities are transported by flying wheeled chariots pulled by animals, usually horses.

The existing Rigveda versions do not mention vimanas, but verses from, RV 1.164.47-48, also known as The Riddle Hymn, were taken as evidence for a spacecraft by Indian philosopher and social leader Dayananda Saraswati who believed in the infallible authority of the Vedas.

47. kr̥ṣṇáṃ niyā́naṃ hárayaḥ suparṇā apó vásānā dívam útpatanti
tá ā́vavr̥trant sádanād r̥tásya ā́d ídghr̥téna pr̥thivī́ vyúdyate
48. dvā́daśa pradháyaś cakrám ékaṃ trī́ṇi nábhyāni ká u tác ciketa
tásmint sākáṃ triśatā́ ná śaṅkávo 'rpitā́ḥ ṣaṣṭír ná calācalā́saḥ[2]
47. Along the dark course, tawny well-feathered (birds) [=flames], clothing themselves in the waters, fly up toward heaven.|
These have returned here (as rain) from the seat of truth [=heaven]. Only then is the earth moistened with ghee.||
48. The chariot-wheel (of the Sun) is one, its wheel-segments are twelve, its wheel-naves are three: who understands this?|
They [=the days] that wander on and on are fitted together on that, like three hundred pegs, like sixty (more).||
-Translator: [Stephanie W. Jamison, Joel P. Brereton][3]

Dayananda Saraswati interpreted these verses to mean:

"jumping into space speedily with a craft using fire and water ... containing twelve stamghas (pillars), one wheel, three machines, 300 pivots, and 60 instruments."[4]

Others may interpret it merely as a flowery way of saying the year is made of 12 months or 3 seasons or about 360 days.

Hindu epics edit

 
Ravana rides his Vimana, Pushpaka.

Ramayana edit

In the Ramayana, the pushpaka ("flowery") vimana of Ravana is described as follows:

"The Pushpaka Vimana that resembles the Sun and belongs to my brother was brought by the powerful Ravana; that aerial and excellent Vimana going everywhere at will ... that chariot resembling a bright cloud in the sky ... and the King [Rama] got in, and the excellent chariot at the command of the Raghira, rose up into the higher atmosphere.'"[5]

It is the first flying vimana mentioned in existing Hindu texts (as distinct from the gods' flying horse-drawn chariots). Pushpaka was originally made by Vishvakarma for Brahma, the Hindu god of creation; later Brahma gave it to Kubera, the God of wealth; but it was later stolen, along with Lanka, by his half-brother, king Ravana.

Jain literature edit

Vimāna-vāsin ('dweller in vimāna') is a class of deities who served the tīrthaṃkara Mahā-vīra.[6] These Vaimānika deities dwell in the Ūrdhva Loka heavens. According to the Kalpa Sūtra of Bhadra-bāhu, the 24th tīrthaṃkara Mahā-vīra himself emerged from the great vimāna Puṣpa-uttara;[7] whereas the 22nd tīrthaṃkara Ariṣṭa-nemi emerged from the great vimāna Aparijita.[8] The tīrthaṃkara-s Abhinandana (4th) and Sumati-nātha (5th) both[9] traveled through the sky in the "Jayanta-vimāna", namely the great vimāna Sarva-artha-siddhi, which was owned by[10] the Jayanta deities; whereas the tīrthaṃkara Dharma-nātha (15th) traveled through the sky in the "Vijaya-vimāna".[11] A vimāna may be seen in a dream, such as the nalinī-gulma.[12][13]

Ashoka Edict IV edit

Ashoka mentions a model vimana ("aerial chariot") as part of the festivities or procession which were organised during his reign.[14]

In times past, for many hundreds of years, there had ever been promoted the killing of animals and the hurting of living beings, discourtesy to relatives, (and) discourtesy to Sramanas and Brahmanas. But now, in consequence of the practice of morality on the part of king Devanampriya Priyadarsin, the sound of drums has become the sound of morality, showing the people representations of aerial chariots, elephants, masses of fire, and other divine figures.

— Ashoka, Major rock Edict no IV

Samarangana Sutradhara edit

Chapter 31 of Samarangana Sutradhara, an 11th-century treatise on architecture, discusses machinery and automata, discussing their operation in terms of the four elements and aether, but suggesting that mercury may be an element in its own right.[15] The author says he has personally seen most of the devices he describes in use, but does not specify which ones. The list includes two wooden aircraft, referred to as "vimanas": a "light" one shaped like a huge bird and a "heavy" one shaped like a temple.[16] Both types contain a fire chamber which heats a container of mercury, somehow causing the aircraft to rise from the ground. However, the description is purposely left incomplete for ethical reasons:

"The construction of the machines has not been explained
For the sake of secrecy, and not due to lack of knowledge.
In that respect, that should be known as the reason -
They are not fruitful when disclosed".[15]

Vaimānika Shāstra edit

 
An illustration of the Shakuna Vimana that is supposed to fly like a bird with hinged wings and tail.[17]

The Vaimānika Shāstra is an early 20th-century Sanskrit text on aeronautics, obtained allegedly by mental channeling, about the construction of vimānas, the "chariots of the Gods". The existence of the text was revealed in 1952 by G. R. Josyer, according to whom it was written by one Pandit Subbaraya Shastry, who dictated it in 1918–1923. A Hindi translation was published in 1959, the Sanskrit text with an English translation in 1973. It has 3000 shlokas in 8 chapters. Subbaraya Shastry allegedly stated that the content was dictated to him by Maharishi Bharadvaja.[18] A study by aeronautical and mechanical engineering at Indian Institute of Science, Bangalore in 1974 concluded that the aircraft described in the text were "poor concoctions" and that the author showed a complete lack of understanding of aeronautics.[19]

Ayyavazhi edit

Pushpak Vimana, meaning "an aeroplane with flowers", is a mythical aeroplane found in Ayyavazhi mythology. Akilattirattu Ammanai, the religious book of Ayyavazhi, says that the Pushpak Vimana was sent to carry Ayya Vaikundar to Vaikundam.

A similar reference is found in regards of Saint Tukaram, Maharashtra, India. Lord Vishnu was so impressed by the devotion and singing of Saint Tukaram that when his time came, a Pushpak Viman (a heavenly aircraft shaped as an eagle) came to take him to heaven. Though it is believed that every other human being can go to Heaven without body, Saint Tukaram went to heaven with body (Sadeha Swarga Prapti).

In popular culture edit

Vimanas have appeared in books, films, internet, games, etc., including:

  • Vimana is an arcade game from Toaplan wherein the player's ship earns the name.
  • Vimana also appears in the Nintendo DS version of the first-person action role-playing game Deep Labyrinth, as the first area the main protagonist Shawn visits upon entering the titular realm in the game's first of two campaigns. He is then approached by a mysterious elephantine being named Lord Elephas, apparently inspired by the Hindu god Ganesh.
  • Biman is the name of national airline of Bangladesh, its name derived from Sanskrit Vimāna.
  • Vimanas appear on the 2005 Vimanarama comic mini-series.

See also edit

References edit

  1. ^ Monier-Williams, Sanskrit-English Dictionary
  2. ^ Thomson, Karen; Slocum, Jonathan. "Rigveda, Book 1: Metrically Restored Text". University of Texas at Austin: Linguistics Research Center. Archived from the original on Apr 29, 2023.
  3. ^ Stephanie Jamison (2015). The Rigveda –– Earliest Religious Poetry of :India. Oxford University Press. p. 359. ISBN 978-0190633394.
  4. ^ cited after Mukunda, H.S.; Deshpande, S.M.; Nagendra, H.R.; Prabhu, A.; Govindraju, S.P. (1974). "A critical study of the work "Vyamanika Shastra"" (PDF). Scientific Opinion: 5–12. Retrieved 2007-09-03. p. 5.
  5. ^ Dutt, Manatha Nath (translator), Ramayana, Elysium Press, Calcutta, 1892 and New York, 1910.
  6. ^ Hermann Jacobi (2008). Jaina Sūtras. Forgotten Books. p. 169. ISBN 9781605067278.
  7. ^ (2) Archived December 8, 2008, at the Wayback Machine
  8. ^ (171) Archived December 8, 2008, at the Wayback Machine
  9. ^ Johann Georg Buhler (ed. by James Burgess) : The Indian Sect of the Jainas. London : Luzac, 1903. p. 67
  10. ^ Johann Georg Buhler (ed. by James Burgess) : The Indian Sect of the Jainas. London : Luzac, 1903. p. 74
  11. ^ Johann Georg Buhler (ed. by James Burgess) : The Indian Sect of the Jainas. London : Luzac, 1903. p. 69
  12. ^ Saryu Doshi (transl. by Thomas Dix) : Dharma Vihara, Ranakpur. Axel Menges, 1995. p. 11a.
  13. ^ Mewar Encyclopedia, s.v. "Ranakpur, founding of" Archived July 21, 2011, at the Wayback Machine
  14. ^ Eugen Hultzsch (1925). Inscriptions of Asoka. New Edition by E. Hultzsch (in Sanskrit). pp. 30–31.
  15. ^ a b Salvini, Mattia (January 2012). "The Samarāṅgaṇasūtradhāra" (PDF). Journal of the Royal Asiatic Society. 22 (1). doi:10.1017/S135618631100085X. Retrieved 25 October 2023.
  16. ^ King Bhojadeva of Dhar (attrib.) (1927). Sastri, T. Ganapati (ed.). Samarangana Sutradhara. Baroda: Baroda Central Library. p. introduction. Retrieved 25 October 2023.
  17. ^ *Mukunda, H.S.; Deshpande, S.M.; Nagendra, H.R.; Prabhu, A.; Govindraju, S.P. (1974). "A critical study of the work "Vyamanika Shastra"" (PDF). Scientific Opinion: 5–12. Retrieved 2007-09-03.
  18. ^ Childress (1991), p. 109
  19. ^ "Flights of fancy? (Part X of XII)". The Week. 2001-06-24. Archived from the original on 2012-03-31. Retrieved 2009-06-29.

External links edit