Wikipedia

Valley Forge (play)

Valley Forge is a 1934 three-act historical play by Maxwell Anderson, about the winter that George Washington spent in Valley Forge.[1] It has four settings, a large cast, and slow pacing. It concerns Washington's struggle to keep faith with his soldiers amidst intrigue from General Howe and the British Army in Philadelphia, and despite little support and outright treachery from the Continental Congress.[2] Like the playwright's earlier historical dramas, Elizabeth the Queen and Mary of Scotland, the play's action, though set in historical circumstances, is fictional.[3]

Valley Forge
Washington and Lafayette at Valley Forge
Written byMaxwell Anderson
Directed byHerbert Biberman and John Houseman
Date premieredDecember 10, 1934
Place premieredGuild Theatre
Original languageEnglish
SubjectPerseverance in difficulty
GenreHistorical drama
SettingBunkhouse at Valley Forge;
Washington's Headquarters;
Ballroom in Philadelphia;
Barn on Hay Island;
January 1778

The play was produced by the Theatre Guild and staged by Herbert Biberman and John Houseman.[3] A minuet dance within the play was choreographed by Martha Graham, and had music arranged by Max Weiser.[1] The settings were designed by Kate Drain Lawson and costumes by Carroll French.[4] The original production starred Philip Merivale as George Washington. The play has had no Broadway revival, but was adapted for television on several occasions, starting in 1950.[5]

Characters edit

Only the principal characters are listed; many featured characters are omitted, as are walk-on parts in the ballroom scene.

Lead

Supporting

  • Spad is a Continental enlisted soldier, a scrounger type.
  • Alcock is a Continental enlisted soldier whose homespun pants have worn away.
  • Teague is an older Continental enlisted soldier, a veteran of frontier battles.
  • Mason is a Continental enlisted soldier, who helps take care of a feverish young soldier.
  • Lt. Cutting is a Continental officer, in command of the bunkhouse soldiers.
  • Lt. Col. Lucifer Tench is an American officer on Washington's staff, an ardent patriot.
  • Marquis de Lafayette is a 20 year-old French aristocrat who idolizes Washington.
  • Sir William Howe is the 48 year-old General commanding the British Army in North America.
  • Mary Philipse is a married loyalist, whom the playwright posits as a former interest of George Washington.
  • General Stirling is one of Washington's ablest generals, who exposes Conway's disparaging talk.
  • Thomas Conway is an ambitious Franco-Irishman serving as a Brigadier General in the Continental Army.

Synopsis edit

The play opens with the interior of a one-room bunkhouse in Valley Forge. A dozen ragged Continental soldiers call it home, but not for long. Hunger, illness, the cold and lack of supplies are driving them to drift away, back to their real homes. When General Washington comes by with the Marquis de Lafayette to inspect the encampment, the men tell him of their wants and fear that Congress will neither pay nor supply them. They need to go home to hunt food for their families. Washington, though he shares their concern about Congress, implores them to stay despite their sufferings. If you leave now, he tells them, there will be no revolution left when you return.

Meanwhile, at a ballroom in Philadelphia where British officers are being entertained by loyalist families, General Howe meets Mary Philipse, now Mistress Morris, who was once close to a young George Washington. Howe decides to propose negotiations to Washington, using Mary as initial go between. He has heard that France is close to signing a Treaty of Alliance with America, and is anxious to negotiate before Washington hears the news. At first reluctant, she agrees to visit Washington at his camp, bringing Howe's offer with her. The next evening Mary meets with Washington. Though a committed loyalist she is ambivalent about persuading him to meet with Howe. Later, Washington and his staff discuss the proposal and he decides to accept the offer to meet.

The next morning, the bunkhouse soldiers argue about General Conway. He has made disparaging remarks about Washington to other senior officers. Conway has also met with two representatives of Congress in the camp, from a group trying to surrender to the British in order to restore trade. Washington confronts Conway and drives the two representatives out of camp. But he is concerned to alleviate the sufferings of his soldiers, which he feels can only be done by holding the army together to negotiate from strength.

Washington meets with Howe in a barn on Hay Island in the Delaware River. Howe warns Washington that his own tenure as commander of British forces in North America is ending, and the next general sent out may well be harder to deal with. Washington is torn by doubt, but his soldiers and aides shout to him not to give in, that they want liberty more than food or clothing. Washington breaks off the negotiations and reassures his men that their joint cause will continue its struggle. He observes to his men that "This liberty will look easy by and by when nobody dies to get it."[6]

Original production edit

Background edit

The first public notice of this play came with a newspaper article in late September 1934 stating the Theatre Guild was trying to decide whether Valley Forge or Rain From Heaven by S. N. Behrman would be the second production of their subscription season.[7] By mid-October the Guild had decided to mount both plays,[8] with Lawrence Langner and Theresa Helburn supervising production for Valley Forge.[9] At the same time the Guild signed an India-born Englishman named Philip Merivale to play George Washington.[10]

Cast edit

Principal cast for the tryouts in Pittsburgh, Washington, D.C., Baltimore and during the original Broadway run.
Role Actor Dates Notes and sources
George Washington Philip Merivale Nov 19, 1934 - Jan 26, 1935
Spad Alan Bunce Nov 19, 1934 - Jan 26, 1935
Alcock Victor Kilian Nov 19, 1934 - Jan 26, 1935
Teague Grover Burgess Nov 19, 1934 - Jan 26, 1935
Mason Charles Ellis Nov 19, 1934 - Jan 26, 1935
Lt. Cutting George Coulouris Nov 19, 1934 - Jan 26, 1935
Lt. Col. Lucifer Tench Stanley Ridges Nov 19, 1934 - Jan 26, 1935
Marquis de Lafayette Edward Trevor Nov 19, 1934 - Jan 26, 1935
Sir William Howe Reginald Mason Nov 19, 1934 - Jan 26, 1935
Mary Philipse Ruth Weston Nov 19, 1934 - Nov 22, 1934 Weston was announced as having "withdrawn from the cast" after three performances at the first tryout city.[11]
Margalo Gilmore Nov 23, 1934 - Jan 26, 1935 [11]
General Stirling Harold Elliott Nov 19, 1934 - Jan 26, 1935
Thomas Conway Charles Francis Nov 19, 1934 - Jan 26, 1935

Tryouts edit

The first tryout was held at Pittsburgh's Nixon Theatre on November 19, 1934.[12] Reviewer Kaspar Monahan said the opening night audience was largely composed of Guild subscribers, and that it was "warmly responsive" to the play.[12] Monahan himself was enthusiastic about it, on both patriotic[fn 1] and dramatic grounds. He was most enthusiastic about the writing and Merivale's interpretation of Washington at this time as a man beset by doubts. He also appreciated the dramatic contrast afforded by the juxtapostion of the bunkhouse and ballroom scenes, and praised the acting of Stanley Ridges and Ruth Weston.[12] Another local reviewer had read Anderson's manuscript before seeing the opening night performance; she said there was a major difference in that Anderson originally had Mary Philipse tell Washington about the coming French aid.[13] The stage production removed this scene, strengthing the drama of Washington's eventual decision to not negotiate, at the expense of the Mary Philipse character, whose visit now seemed inconsequential.

The production went to the National Theatre in Washington, D.C., on November 26, 1934.[14] The local critic called it a fine play, but remarked that "it still breathes of dress rehearsal days".[14] They found the character played by Margalo Gilmore[fn 2] a "strange interlude" that took the viewer away from Valley Forge.[14] The settings lacked both "bold grandness" and "surefire frowsiness", "and if it was cold at Valley Forge than we escaped it."[14]

Originally scheduled to hit Broadway on December 3, 1934,[15] the production instead made a last minute detour to Ford's Theatre in Baltimore for another week's tryout.[16] A booking change on such short notice was highly unusual for a Broadway-bound production, and made possible only by the Theatre Guild's ownership of the Manhattan venue. The Baltimore reviewer praised the playwright for presenting a human Washington rather than a legend, but noted of the storyline "there are times when it seems less like a plot than a discussion".[2] He found the Act III dying declaiming of a consumptive soldier "as false as the sounds of skirmishing supposedly going on outside."[2]

Premiere and reception edit

Valley Forge premiered at the Guild Theatre on December 10, 1934.[17] Critical reaction was positive, but nuanced with a general sense the play was neither the equal of Anderson's previous efforts nor quite up to the usual Guild production standards. Brooks Atkinson thought the scene where Mary Philipse meets Washington "runs perilously close to theatrical solemnity" but was saved by the "craggy candor of Mr. Merivale's acting."[3] He also thought the settings undistinguished: "the traditional Theater Guild magic is wanting here", but was impressed with the caliber of acting.[3] Burns Mantle was one of several reviewers whose patriotism colored their assessment of the play's merits: "There are some.... who will get few thrills from Valley Forge, and I think I pity them a little. Their ancestral roots are not struck deep in American soil...".[17] He also felt the production values were "skimpier than usual", but praised the acting of Philip Merivale, Stanley Ridges, Margalo Gilmore, and Victor Kilian.[17]

Rowland Field wrote that Valley Forge "is a magnificent analysis of the character of a great man", complimented the playwright and all the leading performers, but spent most of the space recounting the story as if he were writing a history rather than a review.[1] Arthur Pollock was impressed with the writing of Maxwell Anderson's play: "It is articulate as lightning and made eloquent by liquid language that is often liquid fire."[4] However, he thought it too lovely for the time and place: "They are a little sound-drunk, these ragamuffins, the emaciated warriors of Valley Forge."[4] Pollock judged Philip Merivale a fine performer but sometimes felt his delivery ambiguous; was the character weighing his words or the actor trying to remember them?[4]

Closing edit

Valley Forge closed at the Guild Theatre on January 26, 1935.[18] According to Burns Mantle, the play was successful and still making money, but the Guild wanted Philip Merivale, Margalo Gilmore, and Stanley Ridges to join Helen Hayes in a tour for Mary of Scotland, which would provide greater financial returns.[fn 3][19]

Adaptations edit

Radio edit

On January 3, 1935, while the original production was still running, Philip Merivale performed an extract from it on Rudy Vallee's radio show over the WEAF chain.[20]

Television edit

See also edit

Notes edit

  1. ^ This was a common expression of tryout and Broadway reviewers for this play, and certainly colored their appreciation for it.
  2. ^ She had replaced Ruth Weston in the role of Mary Philipse.
  3. ^ A bit ironic given the play's disparagement of those who place crass commerce before the cause of liberty.

References edit

  1. ^ a b c Field, Rowland (December 11, 1934). "'Valley Forge' Presented at Guild Theatre". Times Union. Brooklyn, New York. p. 7 – via Newspapers.com.
  2. ^ a b c Kanour, Gilbert (December 4, 1934). "For Theatre Goers". The Evening Sun. Baltimore, Maryland. p. 24 – via Newspapers.com.
  3. ^ a b c d Atkinson, Brooks (December 11, 1934). "The Play". New York Times. New York, New York. p. 38 – via NYTimes.com.
  4. ^ a b c d Pollock, Arthur (December 11, 1934). "The Theater". Brooklyn Daily Eagle. Brooklyn, New York. p. 11 – via Newspapers.com.
  5. ^ a b "Television Features Tonight". The Buffalo News. Buffalo, New York. February 22, 1950. p. 36 – via Newspapers.com.
  6. ^ ""Valley Forge" Has a Lesson for Us". The Herald-News. Passaic, New Jersey. December 11, 1934. p. 8 – via Newspapers.com.
  7. ^ "Gilbert Miller Has Ina Claire For Howard Play". Daily News. New York, New York. September 30, 1934. p. 262 – via Newspapers.com.
  8. ^ "Guild Starts Two". Brooklyn Daily Eagle. Brooklyn, New York. October 12, 1934. p. 19 – via Newspapers.com.
  9. ^ "Theatre Notes". Daily News. New York, New York. October 24, 1934. p. 561 – via Newspapers.com.
  10. ^ "Guild Signs P. Merivale". Daily News. New York, New York. October 18, 1934. p. 603 – via Newspapers.com.
  11. ^ a b "Ruth Draper Returning for Christmas; Margalo Gilmore in 'Vally Forge'". Daily News. New York, New York. November 23, 1934. p. 218 – via Newspapers.com.
  12. ^ a b c Monahan, Kaspar (November 20, 1934). "The Show Shops". The Pittsburgh Press. Pittsburgh, Pennsylvania. p. 16 – via Newspapers.com.
  13. ^ Parry, Florence Fisher (November 22, 1934). "On With The Show". The Pittsburgh Press. Pittsburgh, Pennsylvania. p. 20 – via Newspapers.com.
  14. ^ a b c d de S. Melcher, E. (November 27, 1934). "With Dignity, History, Poetry and Mr. Merivale". Evening Star. Washington, D.C. p. 40 – via Newspapers.com.
  15. ^ "Theatre News". Daily News. New York, New York. November 9, 1934. p. 619 – via Newspapers.com.
  16. ^ "Maxwell Anderson's New Play Booked". The Baltimore Sun. Baltimore, Maryland. November 28, 1934. p. 10 – via Newspapers.com.
  17. ^ a b c Mantle, Burns (December 11, 1934). "'Valley Forge' at the Guild". Daily News. New York, New York. p. 683 – via Newspapers.com.
  18. ^ "Drama News". Times Union. Brooklyn, New York. January 16, 1935. p. 7 – via Newspapers.com.
  19. ^ Mantle, Burns (January 26, 1935). "Three Additional Plays Join the Short Run Group". Daily News. New York, New York. p. 30 – via Newspapers.com.
  20. ^ "Phillip Merivale in 'Valley Forge'". The Buffalo News. Buffalo, New York. January 3, 1935. p. 6 – via Newspapers.com.
  21. ^ "Tonight's Television". Akron Beacon-Journal. Akron, Ohio. February 23, 1934. p. 38 – via Newspapers.com.
  22. ^ "Valley Forge Play Slated Wednesday". The Daily Herald. Provo, Utah. December 1, 1975. p. 37 – via Newspapers.com.

See also edit

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