The issue of the earliest use of trombone glissando in classical music has been thoroughly treated in:

Trevor Herbert, "Trombone Glissando: A Case Study in Continuity and Change in Brass Instrument Performance Idioms, Historic Brass Society Journal, Vol. 22, 2012. pp. 1-18

It can no longer be said that Schoenberg's use of trombone glissando was the first - or even one of the earliest - use of the trombone glissando in classical music, with works by Glazunov (The Sea, 1889), Elgar (Dream of Gerontius, 1899), and Rimsky Korsakov (Mlada, 1892), all of which predated Pelleas. Fuseduletecil (talk) 16:25, 17 June 2016 (UTC)Reply

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