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User:Oceanflynn/sandbox/Timeline Paul Klee

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Selected timeline of events related to Paul Klee

  • born 18 December 1879 born Münchenbuchsee, Switzerland father German music teacher Hans Wilhelm Klee (1849–1940) mother Swiss singer Ida Marie Klee, née Frick (1855–1921).
  • 1880 family moved to Bern
  • 1886 violin classes at the Municipal Music School,
  • 1886 - 1890, primary school
  • 1890 gifted [1]
  • 1892[File:Paul Klee 1892.jpg|thumb|right|50px|Paul Klee as schoolboy, 1892]
  • 1895 His landscape drawings showed skill.[2]
  • 1896
    My Room (German: Meine Bude), 1896. Pen and ink wash, 120 by 190 mm (4+3⁄4 by 7+1⁄2 in). In the collection of the Klee Foundation, Bern, Switzerland
  • 1897 Klee started his diary (1897-1918)
  • 1898-1901(?) studies art at Academy of Fine Arts in Munich with Heinrich Knirr and Franz von Stuck.
  • 1901-1902 Grand Tour (Rome, Florence, and Naples)[3] with Hermann Haller [4]
  • 1903-5 eleven zinc-plate etchings called Inventions, first exhibited works grotesque characters.[4][5]
  • 1903-5 11 zinc-plate etchings InventionsExhibited works, in which he illustrated several grotesque characters.[4][6]
  • "Blaue Reiter", 1911

In January 1911 Alfred Kubin[7] 1911 Klee met Wilhelm Hausenstein in 1911.[8]

1913 In the Quarry (1913) Houses near the Gravel Pit (1913)[12] color[13]

Red Balloon, 1922, oil on muslin primed with chalk, 31.8 x 31.1 cm. The Solomon R. Guggenheim Museum, New York
  • 1919 3-year contract with dealer Hans Goltz's influential gallery: exposure and commercial success
  • 1920 Retrospective c.300 works[26][27]
  • January 1921 to April 1931 Klee taught at Bauhaus[28][29]
  • 1922 Kandinsky joined Bauhaus staff Resumed friendship with Klee
  • 1922 1st Bauhaus exhibition and festival[30][31]
Tropical Gardening, 1923 watercolor and oil transfer drawing on paper, The Solomon R. Guggenheim Museum, New York.
Nocturnal Festivity, 1921, The Solomon R. Guggenheim Museum, New York.
  • 1931 to 1933 Klee taught Düsseldorf Academy (Nazi newspaper: "Then that great fellow Klee comes onto the scene, already famed as a Bauhaus teacher in Dessau. He tells everyone he's a thoroughbred Arab, but he's a typical Galician Jew."[34]
  • 1930s Klee's home searched by Gestapo Klee fired from his job.[35][36] His self-portrait Struck from the List (1933)[34]
  • 1933-4 Klee shows in London and Paris
  • 1933-4 Met Pablo Picasso[37]
  • late 1933 Klees emigrated to Switzerland[37]
  • 1932 career peaked Ad Parnassum (1932) His masterpiece.[38][39]
  • 1933 produced 500 works in Germany.[40]
  • 1933 First symptoms of scleroderma
  • 1921 Rainer Maria Rilke : Klee in 1921, "Even if you hadn’t told me he plays the violin, I would have guessed that on many occasions his drawings were transcriptions of music."[41]
  • 1933 Pamela Kort observed: "Klee's 1933 drawings present their beholder with an unparalleled opportunity to glimpse a central aspect of his aesthetics that has remained largely unappreciated: his lifelong concern with the possibilities of parody and wit. Herein lies their real significance, particularly for an audience unaware that Klee's art has political dimensions."[42]
  • 1916 and 1925 hand puppets Felix his son. not in his catalogue raisonné. at Zentrum Paul Klee, Bern.[43]
  • 1903 and 1905 in the cycle "Inventionen" (Inventions),[44]
  • June 1906 at the "Internationale Kunstausstellung des Vereins bildender Künstler Münchens 'Secession'" (International Art Exhibition of the Association for Graphic Arts, Munich, Secession), his first appearance as a painter in the public.[45]
  • 1905: scratching on a blackened glass panel with a needle: 57 Verre églomisé pictures, among those the 1905 Gartenszene (Scene on a Garden) and the 1906 Porträt des Vaters (Portrait of a Father), with which he tried to combine painting and scratching.[46]
  • 1911 Klee met and was inspired by Alfred Kubin Became associated the Blaue Reiter.[47]
  • April 1914 12 days in Tunis in April 1914[48]
  • Fenster und Palmen, 1914, watercolor on grounding on paper on cardboard, Kunsthaus Zürich, Zurich
    Fenster und Palmen, 1914, watercolor on grounding on paper on cardboard, Kunsthaus Zürich, Zurich
  • In den Häusern von St. Germain, 1914, watercolor on paper on cardboard, Zentrum Paul Klee, Bern
    In den Häusern von St. Germain, 1914, watercolor on paper on cardboard, Zentrum Paul Klee, Bern
  • Föhn im Marc’schen Garten, 1915, watercolor on paper on cardboard, Lenbachhaus, Munich
    Föhn im Marc’schen Garten, 1915, watercolor on paper on cardboard, Lenbachhaus, Munich
  • Acrobats, 1915, watercolor, pastel and ink on paper, Solomon R. Guggenheim Museum, New York
    Acrobats, 1915, watercolor, pastel and ink on paper, Solomon R. Guggenheim Museum, New York
  • 1917 military service, painting Trauerblumen (Velvetbells), graphical signs, vegetal, phantastic shapes forerunner future works, combining graphic, color and object Birds appear Blumenmythos (Flower Myth) from 1918 WWI Flying/falling planes
  • 1918 Einst dem Grau der Nacht enttaucht, poem incorporated letters[49]
  • 1922 Bauhaus betroffener Ort (Affected Place) (1922), Camel (in rhythmic landscape with trees) , Die Zwitscher-Maschine (The Twittering Machine), National Gallery
  • degenerate art[50]
    In Engelshut, 1931, watercolor and colored inks on paper, mounted on paper, Guggenheim Museum
    [51]
  • 1925 der Goldfisch (The Goldfish)
  • 1927 Limits of Reason
  • 1928 Katze und Vogel (Cat and Bird)
  • 1929 Hauptweg und Nebenwege (Mainway and Sideways).
  • 1931 Transferred to Düsseldorf to teach in the Akademie
  • the Nazis closed the Bauhaus.[52]
  • 1920-1932 series of guardian angels "In Engelshut" (In the Angel's Care).[53]
  • 1932 Ad Parnassum Düsseldorfer period. mosaic-like pointillism
  • 1928 to 1929 trip to Egypt: pyramids. [54] [55]
  • 1933 Klee's last year in Germany: 482 works von der Liste gestrichen[56]
  • Switzerland
  • 1936 25 works 1936 catalogue
  • 1937 264 pictures
  • 1938 to 489, hieroglyphic-like element, Insula dulcamara
  • 1939 1254 works. Musiker (musician), Revolution des Viadukts (Revolution of the Viadukt), Viadukt (1937)[57]
  • Zeichen in Gelb, 1937, pastel on cotton on colored paste on jute on stretcher frame, Foundation Beyeler, Riehen near Basel
    Zeichen in Gelb, 1937, pastel on cotton on colored paste on jute on stretcher frame, Foundation Beyeler, Riehen near Basel
  • Nach der Überschwemmung, 1936, wallpaper glue and watercolors on Ingres paper on cardboard
    Nach der Überschwemmung, 1936, wallpaper glue and watercolors on Ingres paper on cardboard
  • Revolution des Viadukts, 1937, oil on oil grounding on cotton on stretcher frame, Hamburger Kunsthalle
    Revolution des Viadukts, 1937, oil on oil grounding on cotton on stretcher frame, Hamburger Kunsthalle
  • Die Vase, 1938, oil on jute, Foundation Beyeler, Riehen near Basel
    Die Vase, 1938, oil on jute, Foundation Beyeler, Riehen near Basel
  • Heroische Rosen (Heroic Roses), 1938, oil on canvas, Kunstsammlung Nordrhein-Westfalen, Düsseldorf
    Heroische Rosen (Heroic Roses), 1938, oil on canvas, Kunstsammlung Nordrhein-Westfalen, Düsseldorf
  • Insula dulcamara, 1938, oil color and colored paste on newsprint on jute on stretcher frame, Zentrum Paul Klee, Bern
    Insula dulcamara, 1938, oil color and colored paste on newsprint on jute on stretcher frame, Zentrum Paul Klee, Bern
  • Ohne Titel (Letztes Stillleben), 1940, oil on canvas on stretcher frame, Zentrum Paul Klee, Bern
    Ohne Titel (Letztes Stillleben), 1940, oil on canvas on stretcher frame, Zentrum Paul Klee, Bern
  • Tod und Feuer (Death and Fire), 1940, oil on distemper on jute, Zentrum Paul Klee, Bern
    Tod und Feuer (Death and Fire), 1940, oil on distemper on jute, Zentrum Paul Klee, Bern
  • 1940 Ohne Titel, aka Der Todesengel (Angel of Death).[58]
  • Death and Fire[59] His legacy comprises about 9,000 works of art.[13][60]
  • 29 June 1940 Died in Muralto, Locarno, Switzerland.
  • July 1940 Granted Swiss citizenship posthumously.
  • In the years 1903-5 he also completed a cycle of eleven zinc-plate etchings called Inventions, his first exhibited works, in which he illustrated several grotesque characters.[4][61]

Publications

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  • Jardi, Enric (1991) Paul Klee, Rizzoli Intl Pubns, ISBN 0-8478-1343-6
  • Kagan, Andrew (1993) Paul Klee at the Guggenheim Museum (exhibition catalogue) [1] Introduction by Lisa Dennison, essay by Andrew Kagan. 208 pages. English and Spanish editions. 1993, ISBN 978-0-89207-106-7
  • Partsch, Susanna (2007). Klee (reissue) (in German). Cologne: Benedikt Taschen. ISBN 978-3-8228-6361-9.
  • Rudloff, Diether (1982). Unvollendete Schöpfung: Künstler im zwanzigsten Jahrhundert (in German). ISBN 978-3-87838-368-0.
  • Baumgartner, Michael; Klingsöhr-Leroy, Cathrin; Schneider, Katja (2010). Franz Marc, Paul Klee: Dialog in Bildern (in German) (1st ed.). Wädenswil: Nimbus Kunst und Bücher. ISBN 978-3-907142-50-9.
  • Giedion-Welcker, Carola (1967). Klee (in German). Reinbek: Rowohlt. ISBN 978-3-499-50052-7.
  • Glaesemer, Jürgen; Kersten, Wolfgang; Traffelet, Ursula (1996). Paul Klee: Leben und Werk (in German). Ostfildern: Hatje Cantz. ISBN 978-3-7757-0241-6.
  • Rümelin, Christian (2004). Paul Klee: Leben und Werk. Munich: C. H. Beck. ISBN 3-406-52190-8.

Books, essays and lectures by Paul Klee

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  • 1922 Beiträge zur bildnerischen Formlehre ('Contributions to a pictorial theory of form', part of his 1921-2 lectures at the Bauhaus)
  • 1923 Wege des Naturstudiums ('Ways of Studying Nature'), 4 pages. Published in the catalogue for the Erste Bauhaus Ausstellung (First Bauhaus Exhibition) in Summer 1923. Also published in Paul Klee Notebooks vol 1.
  • 1924 Über moderne Kunst ('On Modern Art'), lecture held at Paul Klee's exhibition at the Kunstverein in Jena on 26 January 1924
  • 1924 Pädagogisches Skizzenbuch ('Pedagogical Sketchbook')
  • 1949 Documente und Bilder aus den Jahren 1896–1930, ('Documents and images from the years 1896–1930'), Berne, Benteli
  • 1956 Graphik, ('Graphics'), Berne, Klipstein & Kornfeld
  • 1956 Schriften zur Form und Gestaltungslehre ('Writings on form and design theory') edited by Jürg Spiller (English edition: 'Paul Klee Notebooks')
    • 1956 Band I: Das bildnerische Denken., ('Volume I: the creative thinking'). 572 pages review. (English translation from German by Ralph Manheim: 'The thinking eye')
    • 1964 Band 2: Unendliche Naturgeschichte ('Volume 2: Infinite Natural History') (English translation from German by Heinz Norden: 'The Nature of Nature')
  • 1964 The Diaries of Paul Klee 1898–1918 ed. Felix Klee Berkeley, University of California
  • 1976 Schriften, Rezensionen und Aufsätze edited by Ch. Geelhaar, Köln,
  • 1960 Gedichte, poems, edited by Felix Klee
  • 1962 Some poems by Paul Klee ed Anselm Hollo. London


References

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  1. ^ Giedion-Welcker, p. 10-11
  2. ^ Kagan p. 54
  3. ^ Olga's Gallery Paul Klee
  4. ^ a b c d Cite error: The named reference Partsch, p. 11 was invoked but never defined (see the help page).
  5. ^ “Invention” Paul Klee at the Museum of Contemporary Art San Francisco ARTinvestment.RU – 18 April 2009
  6. ^ “Invention” Paul Klee at the Museum of Contemporary Art San Francisco ARTinvestment.RU – 18 April 2009
  7. ^ Beate Ofczarek, Stefan Frey: Chronologie einer Freundschaft. Michael Baumgartner, Cathrin Klingsöhr-Leroy, Katja Schneider, p. 207
  8. ^ Thomas Kain, Mona Meister, Franz-Joachim Verspohl, Jena 1999, p. 90
  9. ^ Jardi, p. *1911
  10. ^ Göttler: Der Blaue Reiter, p. 118
  11. ^ Partsch, p. 18
  12. ^ Jardi, plate 7, 9
  13. ^ a b Cite error: The named reference Kagan, p. 23 was invoked but never defined (see the help page).
  14. ^ a b c Partsch, p. 20
  15. ^ Partsch, pp. 24–5
  16. ^ Kagan, p. 33
  17. ^ Partsch, p. 27
  18. ^ Kagan, p. 27, 29.
  19. ^ Kagan, p. 35
  20. ^ Partsch, p. 31
  21. ^ Reproduced alongside Gerg Traki's poem in Zeit-Echo 1915.A reverse ekphrasis.
  22. ^ Beate Ofczarek, Stefan Frey: Chronologie einer Freundschaft, pp. 214 et seqq
  23. ^ Partsch, p. 35
  24. ^ Partsch, p. 36
  25. ^ Partsch, p. 40
  26. ^ Partsch, p. 44
  27. ^ Anger, Jenny. Paul Klee and the Decorative in Modern Art, Cambridge University Press 2004 pp120–122
  28. ^ Geelhaar, Christian (1972). Paul Klee und das Bauhaus. DuMont Schauberg, Köln, p. 9
  29. ^ Jardi, p. 17
  30. ^ Jardi, p. 18
  31. ^ Partsch, p. 48
  32. ^ Jardi, pp. 18–9
  33. ^ Jardi, p. 20
  34. ^ a b Partsch, p. 73
  35. ^ The private Klee: Works by Paul Klee from the Bürgi Collection Scottish National Gallery of Modern Art, Edinburgh, 12 August - 20 October 2000
  36. ^ Partsch, p. 55
  37. ^ a b Jardi, p. 23
  38. ^ Partsch, p. 64
  39. ^ Kagan, p. 42
  40. ^ Partsch, p. 74
  41. ^ Cite error: The named reference Jardi, p. 8 was invoked but never defined (see the help page).
  42. ^ Paul Klee 1933 at www.culturekiosque.com
  43. ^ Daniel Kupper: Paul Klee. p. 81
  44. ^ Christian Rümelin: Paul Klee. Leben und Werk, München 2004, pp. 12 et seq. online
  45. ^ Beate Ofczarek, Stefan Frey: Chronologie einer Freundschaft, p. 203
  46. ^ Giedion-Welcker, Klee, pp. 22–25
  47. ^ Temkin, Ann . "Klee, Paul." Grove Art Online. Oxford Art Online. Oxford University Press. Web.
  48. ^ "Paul Klee". Meisterwerke der Kunst, Isis Verlag. Archived from the original on 9 January 2009. Retrieved 25 September 2008.
  49. ^ "Kunst öffnet Augen". augen.de. Archived from the original on 9 January 2009. Retrieved 26 October 2008.
  50. ^ Partsch, p. 94
  51. ^ Siglind Bruhn: Das tönende Museum, Gorz Verlag 2004, pp. 34  et seqq
  52. ^ "Archived copy". Archived from the original on 29 April 2015. Retrieved 19 May 2015.{{cite web}}: CS1 maint: archived copy as title (link)
  53. ^ Andrew Kagan, Paul Klee at the Guggenheim Museum, New York: Guggenheim Museum Library, 2003, 41.
  54. ^ Partsch: Klee, p. 67
  55. ^ Berggruen, "Paul Klee—In Search of Natural Signs" in The Writing of Art (London: Pushkin Press, 2011), 63.
  56. ^ Partsch: Klee, p. 75
  57. ^ Partsch: Klee, p. 92
  58. ^ Partsch: Klee, p. 76–83
  59. ^ Partsch, p. 80
  60. ^ Partsch, p. 84
  61. ^ “Invention” Paul Klee at the Museum of Contemporary Art San Francisco ARTinvestment.RU – 18 April 2009
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