Wikipedia

User:Grenadine13/Achilles and Patroclus

< User:Grenadine13

Suggested New Organization edit

Lead edit

Relationship in the Iliad edit

Egalitarian Homosexual Relationship edit

Classical Views In Antiquity edit

In the 5th and 4th centuries BC, the relationship was portrayed as same-sex love in the works of Aeschylus, Plato, Pindar and Aeschines.

In Athens, the relationship was often viewed as being loving and pederastic.[1] The Greek custom of paiderasteia between members of the same-sex, typically men, was a political, intellectual, and sometimes sexual relationship.[2] Its ideal structure consisted of an older erastes (lover, protector), and a younger eromenos (the beloved). The age difference between partners and their respective roles (either active or passive) was considered to be a key feature.[3] Writers that assumed a pederastic relationship between Achilles and Patroclus, such as Plato and Aeschylus, were then faced with a problem of deciding who must be older and play the role of the erastes.[4]

Aeschylus edit

Aeschylus, in his lost tragedy The Myrmidons (5th century BC), assigned Achilles the role of erastes or protector (since he had avenged his lover's death, even though the gods told him it would cost him his own life), and assigned Patroclus the roles of eromenos. Achilles publicly laments Patroclus’ death, addressing the corpse and criticizing him for letting himself be killed. In a surviving fragment of the play, Achilles speaks of “the reverent company” of Patroclus’ thighs and how Patroclus was “ungrateful for many kisses.”[5][6]

Pindar edit

Pindar's comparison of the adolescent boxer Hagesidamus and his trainer Ilas to Patroclus and Achilles in Olympian 10.16–21 (476 BC) as well as the comparison of Hagesidamus to Zeus' lover Ganymede in Olympian 10.99–105 suggest that student and trainer had a romantic relationship, especially after Aeschylus' depiction of Achilles and Patroclus as lovers in his play Myrmidons.[7]

Plato edit

In Plato's Symposium, written c. 385 BC, the speaker Phaedrus holds up Achilles and Patroclus as an example of divinely approved lovers. Phaedrus argues that Aeschylus erred in claiming Achilles was the erastes because Achilles was more beautiful and youthful than Patroclus (characteristics of the eromenos) as well as more noble and skilled in battle (characteristics of the erastes).[8][9] Instead, Phaedrus suggests that Achilles is the eromenos whose reverence of his erastes, Patroclus, was so great that he would be willing to die to avenge him.[9]

Xenophon edit

Plato's contemporary, Xenophon, in his own Symposium, had Socrates argue that Achilles and Patroclus were merely chaste and devoted comrades.[1] Xenophon cites other examples of legendary comrades, such as Orestes and Pylades, who were renowned for their joint achievements rather than any erotic relationship.[9] Notably, in Xenophon's Symposium, the host Kallias and the young pankration victor Autolycos are called erastes and eromenos.

Aeschines edit

Further evidence of this debate is found in a speech by an Athenian politician, Aeschines, at his trial in 345 BC. Aeschines, in placing an emphasis on the importance of paiderasteia to the Greeks, argues that though Homer does not state it explicitly, educated people should be able to read between the lines: "Although (Homer) speaks in many places of Patroclus and Achilles, he hides their love and avoids giving a name to their friendship, thinking that the exceeding greatness of their affection is manifest to such of his hearers as are educated men."[10] Most ancient writers (among the most influential Aeschylus, Plutarch, Theocritus, Martial and Lucian)[4] followed the thinking laid out by Aeschines.

Arguments Against Pederasty edit

According to William A. Percy III, there are some scholars, such as Bernard Sergent, who believe that in Homer's Ionian culture there existed a homosexuality that had not taken on the form it later would in pederasty.[10] However, Sergent and others have argued that it had, though it was not reflected in Homer. Sergent asserts that ritualized man-boy relations were widely diffused through Europe from prehistoric times.[citation needed]

Other Interpretations from Antiquity edit

Attempts to edit Homer's text were undertaken by Aristarchus of Samothrace in Alexandria around 200 BC. Aristarchus believed that Homer did not intend the two to be lovers. However, he did agree that the "we-two alone" passage did imply a love relation and argued it was a later interpolation.[11]

When Alexander the Great and his confidant Hephaestion passed through the city of Troy on their Asian campaign, Alexander honoured the sacred tomb of Achilles and Patroclus in front of the entire army, and this was taken as a clear declaration of their own relationship. The joint tomb and Alexander's action demonstrates the perceived significance of the Achilles-Patroclus relationship at that time (around 334 BC).[12][13]

Post Classical/ Modern Interpretations edit

"War Buddies" Argument edit

Post-classical and modern interpretations edit

 
Achilles Lamenting the Death of Patroclus (1855) by the Russian realist Nikolai Ge

Commentators from the Classical period on have interpreted the relationship through the lens of their own cultures. The post-classical tradition shows Achilles as heterosexual and having an exemplary platonic friendship with Patroclus. Medieval Christian writers deliberately suppressed the homoerotic nuances of the figure.[14]

David Halperin compares Achilles and Patroclus to the traditions of Jonathan and David, and Gilgamesh and Enkidu, which are approximately contemporary with the Iliad's composition. He argues that while a modern reader is inclined to interpret the portrayal of these intense same-sex male warrior friendships as being fundamentally homoerotic, it is important to consider the greater themes of these relationships:

The thematic insistence on mutuality and the merging of individual identities, although it may invoke in the minds of modern readers the formulas of heterosexual romantic love […] in fact situates avowals of reciprocal love between male friends in an honorable, even glamorous tradition of heroic comradeship: precisely by banishing any hint of subordination on the part of one friend to the other, and thus any suggestion of hierarchy, the emphasis on the fusion of two souls into one actually distances such a love from erotic passion.[15]

According to Halperin, these extra-institutional relationships were of necessity portrayed by using the language of other, institutionalized love relationships, such as those of parent/child and husband/wife. This can explain the overtones in Book 19 of the Iliad wherein Achilles mourns Patroclus (lines 315–337) in a similar manner used previously by Briseis (lines 287–300).[1]

Shakespeare edit

William Shakespeare's play Troilus and Cressida portrays Achilles and Patroclus as lovers in the eyes of the Greeks.[16] Achilles' decision to spend his days in his tent with Patroclus is seen by Ulysses and many other Greeks as the chief reason for anxiety about Troy.[17]

===Achilles in Vietnam=== [citation needed] Jonathan Shay, whose book Achilles in Vietnam proposes readings of the Iliad that have been helpful and therapeutically useful for the healing of mental wounds in Vietnam veterans, pointed out that their familial relationship in the Iliad must not be overlooked: Patroclus is Achilles' cousin and his foster brother; symbolically, comrades in battle are "like brothers," making the Achilles/Patroclus model useful for thinking about the intensity of Vietnam veterans' feelings of loss when their comrades fell beside them. Shay places a strong emphasis on the relationships that soldiers who experience combat together forge, and points out that this kind of loss has in fact often led to "berserking" of soldiers stunned with grief and rage, in a way similar to the raging of Achilles in the Iliad. Shay points out that a frequent topos in veterans' grief for a companion is that companion's gentleness or innocence; similarly, while a warrior of great note, Patroclus is said in the Iliad by other soldiers and by Briseis the captive to have been gentle and kind.

Troy (2006) edit

The film Troy presented Patroclus as a younger relative of Achilles, without any romantic or sexual aspects.[18] (In the Iliad, it is explicitly stated that Patroclus was the older and more responsible of the two.)

Song of Achilles edit

Madeline Miller's The Song of Achilles (2011) is a coming-of-age story told from Patroclus' point of view, showing the development of a loving and sexual relationship between Achilles and Patroclus.[19]

  1. ^ a b c Clarke, W. M. (1978). "Achilles and Patroclus in Love". Hermes. 106 (3): 381–396. JSTOR 4476069.
  2. ^ Nicole, Holmen (2010). "Examining Greek Pederastic Relationships". Inquiries Journal. 2 (2): 1.{{cite journal}}: CS1 maint: date and year (link)
  3. ^ Marguerite, Johnson; Ryan, Terry (2005). Sexuality in Greek and Roman Society and Literature: A Sourcebook. New York: Routledge. pp. 3. ISBN 9780415173315 – via Google Books.
  4. ^ Percy, William A. (1998). Pederasty and Pedagogy in Archaic Greece. Chicago: University of Illinois Press. pp. 39. ISBN 9780252067402 – via Google Books.
  5. ^ Michelakis, Pantelis (2007). Achilles in Greek Tragedy. Cambridge University Press. p. 51. ISBN 978-0-521-81843-8.
  6. ^ Aesch. Myrmidons fr. 135 Radt.
  7. ^ Hubbard, T (2005). "Pindar's Tenth Olympian and athlete-trainer pederasty". J Homosex. 49 (3–4): 137–71. doi:10.1300/j082v49n03_05. PMID 16338892. S2CID 27221686.
  8. ^ Percy, William Armstrong (2005) "Reconsiderations about Greek Homosexualities," in Same–Sex Desire and Love in Greco-Roman Antiquity and in the Classical Tradition of the West, Binghamton. p. 19. ISBN 9781560236047
  9. ^ a b c Dover, Kenneth J. (1978). Greek Homosexuality. New York: Vintage Books. pp. 197–199. ISBN 978-0-394-74224-3.
  10. ^ Percy, William Armstrong (2005). "Reconsiderations About Greek Homosexualities". Journal of Homosexuality. 49 (3–4): 13–61. doi:10.1300/j082v49n03_02. PMID 16338889. S2CID 20548741.
  11. ^ Crompton, Louis (1993) Homosexuality and Civilization. The Belknap Press of Harvard University Press. p. 6. ISBN 9780674022331
  12. ^ Plutarch (1973) Age of Alexander, Life of Alexander. p. 294, Penguin Classics edition
  13. ^ Arrian (1958). The Campaigns of Alexander. p. 67, Penguin Classics edition.
  14. ^ King, Katherine Callen (1987) Achilles: Paradigms of the War Hero from Homer to the Middle Ages, Berkeley.
  15. ^ Halperin, David M. (2000). "How to do the history of male homosexuality" (PDF). GLQ: A Journal of Lesbian and Gay Studies. 6: 87–124. doi:10.1215/10642684-6-1-87. S2CID 145019034. Archived from the original (PDF) on 2016-12-20. Retrieved 2016-12-09.
  16. ^ Shakespeare, William (1609), "Troilus and Cressida", in Muir, Kenneth (ed.), The Oxford Shakespeare: Troilus and Cressida, Oxford University Press, pp. 47–48, doi:10.1093/oseo/instance.00027413, ISBN 9780198129035
  17. ^ Shakespeare, William (1609), "Troilus and Cressida", in Muir, Kenneth (ed.), The Oxford Shakespeare: Troilus and Cressida, Oxford University Press, pp. 24–5, doi:10.1093/oseo/instance.00027413, ISBN 9780198129035
  18. ^ Michael, Michael G. (2011). Of Muscles and Men: Essays on the Sword and Sandal Film. McFarland. p. 46. ISBN 978-0786489022.
  19. ^ Haynes, Natalie (September 29, 2011). "The Song of Achilles by Madeline Miller – review". The Guardian.
Retrieved from "https://en.wikipedia.org/w/index.php?title=User:Grenadine13/Achilles_and_Patroclus&oldid=1078513905"