User:DoctorMabuse/Sandbox27

Red links in my new version of Stanislavski articles

• Actor training
• Popular theatre
• Modernist drama, theatre and performance
• Literary manager
• MAT tour to the US
• Theatre studio
• Theatre-Studio
• First Studio
• Second Studio
• Third Studio
• Opera Studio
• Opera-Dramatic Studio
• American Laboratory Theatre
• Kammerspiele (Max Reinhardt)
• An Actor's Work
• Art of experiencing
• Given circumstances
• Communication
• Emotion memory
• Mechanical acting
• Method of Physical Actions

• Konkordia Antarova
• Yuri Bakhrushin
• Jean Benedetti
• Leo Bulgakov
• Varvara Bulgakov
• Victor Diachenko
• Nikolai Efros
• Firmin Gémier
• Olga Gzovskaya
• Elizabeth Hapgood / Elizabeth Reynolds Hapgood
• Jacques Hébertot
• Andrius Jilinsky
• Vasili Kachalov
• Mikhail Kedrov
• Alisia Koonen
• Alexander Kosheverov
• Vera Kotlyarevskaya
• Aleksandr Kugel
• Aleksandr Lensky
• Nikolai Massalitinov
• Paul Nivoix
• Lev Pospekhin
• Pavel Rumiantsev
• Ilya Satz
• N. Y. Solovyev
• Vera Solovyova

• Men Above the Law by Aleksey Pisemsky
• A Feast in Time of Plague by Alexander Pushkin
• Mozart and Salieri by Alexander Pushkin
• A Burning Heart by Aleksandr Ostrovsky.
• Artists and Admirers by Aleksandr Ostrovsky.
• Girl Without a Dowry by Aleksandr Ostrovsky
• Light Without Heat by Aleksandr Ostrovsky and N. Y. Solovyev
• In Dreams by Vladimir Nemirovich-Danchenko
• The Philistines by Maxim Gorky.
• Enemies by Maxim Gorky.
• The Days of the Turbins by Mikhail Bulgakov
• Molière (also known as The Cabal of Hypocrites) by Mikhail Bulgakov.
• Black Snow by Mikhail Bulgakov.
• The Sunken Bell by Gerhart Hauptmann.
• Lonely People by Gerhart Hauptmann.
• Michael Kramer by Gerhart Hauptmann.
• Schluck and Jau by Gerhart Hauptmann.
• The Drama of Life by Knut Hamsun
• The Life of Man by Leonid Andreyev
• The Gérard Sisters by Adolphe d'Ennery and Eugène Cormon.
• Untilovsk by Leonid Leonov.
• The Embezzlers by Valentin Kataev.
• The Governor by Victor Diachenko
• Nicholas I and the Decembrists by Aleksandr Kugel.
• Merchants of Glory by Marcel Pagnol and Paul Nivoix.
• Acting: The First Six Lessons

Sources

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• Banham, Martin, ed. 1998. The Cambridge Guide to Theatre. Cambridge: Cambridge UP. ISBN 0521434378.
• Benedetti, Jean. 1989. Stanislavski: An Introduction. Revised edition. Original edition published in 1982. London: Methuen. ISBN 0413500306.
• ---. 1998. Stanislavski and the Actor. London: Methuen. ISBN 0413711609.
• ---. 1999a. Stanislavski: His Life and Art. Revised edition. Original edition published in 1988. London: Methuen. ISBN 0413525201.
• ---. 1999b. "Stanislavsky and the Moscow Art Theatre, 1898-1938." In Leach and Borovsky (1999, 254-277).
• ---. 2005. The Art of the Actor: The Essential History of Acting, From Classical Times to the Present Day. London: Methuen. ISBN 0413773361.
• ---. 2008a. Foreword. In Stanislavski (1938, xv-xxii).
• ---. 2008b. "Stanislavski on Stage." In Dacre and Fryer (2008, 6-9).
• Benjamin, Walter. 1986. Moscow Diary. Trans. Richard Sieburth. Ed. Gary Smith. Cambridge, MA and London: Harvard UP. ISBN 0674587448.
• Bradby, David, and John McCormick. 1978. People's Theatre. London: Croom Helm and Totowa, NJ: Rowman and Littlefield. ISBN 085664501X.
• Braun, Edward. 1982. "Stanislavsky and Chekhov". The Director and the Stage: From Naturalism to Grotowski. London: Methuen. ISBN 0413463001. p.59-76.
• ---. 1988. Introduction. In Plays: 1. By Maxim Gorky. Methuen World Classics ser. London: Methuen. xv-xxxii. ISBN 0413181103.
• ---. 1995. Meyerhold: A Revolution in Theatre. Rev. 2nd ed. London: Methuen. ISBN 0413727300.
• Carlson, Marvin. 1993. Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present. Expanded ed. Ithaca and London: Cornell UP. ISBN 0801481546.
• Carnicke, Sharon M. 1998. Stanislavsky in Focus. Russian Theatre Archive Ser. London: Harwood Academic Publishers. ISBN 9057550709.
• ---. 2000. "Stanislavsky's System: Pathways for the Actor". In Hodge (2000, 11-36).
• Chamberlain, Franc. 2000. "Michael Chekhov on the Technique of Acting: 'Was Don Quixote True to Life?'" In Hodge (2000, 79-97).
• Clark, Katerina et al., ed. 2007. Soviet Culture and Power: A History in Documents, 1917-1953. Annals of Communism ser. New Haven: Yale UP. ISBN 0300106467.
• Counsell, Colin. 1996. Signs of Performance: An Introduction to Twentieth-Century Theatre. London and New York: Routledge. ISBN 0415106435.
• Dacre, Kathy, and Paul Fryer, eds. 2008. Stanislavski on Stage. Sidcup, Kent: Stanislavski Centre Rose Bruford College. ISBN 1903454018.
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• Gauss, Rebecca B. 1999. Lear's Daughters: The Studios of the Moscow Art Theatre 1905-1927. American University Studies ser. 26 Theatre Arts, vol. 29. New York: Peter Lang. ISBN 0820441554.
• Hartnoll, Phyllis, ed. 1983. The Oxford Companion to the Theatre. 4th ed. Oxford: Oxford UP. ISBN 0192115464.
• Hobgood, Burnet M. 1991. "Stanislavsky's Preface to An Actor Prepares". Theatre Journal 43: 229-232.
• Hodge, Alison, ed. 2000. Twentieth-Century Actor Training. London and New York: Routledge. ISBN 0415194520.
• Innes, Christopher, ed. 2000. A Sourcebook on Naturalist Theatre. London and New York: Routledge. ISBN 0415152291.
• Leach, Robert. 1989. Vsevolod Meyerhold. Directors in perspective ser. Cambridge: Cambridge UP. ISBN 0521318432.
• ---. 2004. Makers of Modern Theatre: An Introduction. London: Routledge. ISBN 0415312418.
• Leach, Robert, and Victor Borovsky, eds. 1999. A History of Russian Theatre. Cambridge: Cambridge UP. ISBN 0521432200.
• Magarshack, David. 1950. Stanislavsky: A Life. London and Boston: Faber, 1986. ISBN 0571137911.
• Markov, Pavel Aleksandrovich. 1934. The First Studio: Sullerzhitsky-Vackhtangov-Tchekhov. Trans. Mark Schmidt. New York: Group Theatre.
• Meyerhold, Vsevolod. 1991. Meyerhold on Theatre. Ed. and trans. Edward Braun. Revised edition. London: Methuen. ISBN 0413387909.
• Milling, Jane, and Graham Ley. 2001. Modern Theories of Performance: From Stanislavski to Boal. Basingstoke, Hampshire and New York: Palgrave. ISBN 0333775422.
• Mirodan, Vladimir. 1997. "The Way of Transformation: The Laban-Malmgren System of Dramatic Character Analysis." Diss. Royal Holloway College, U of London.
• Mitter, Shomit. 1992. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London and NY: Routledge. ISBN 0415067847.
• Moore, Sonia. 1968. Training an Actor: The Stanislavski System in Class. New York: Viking. ISBN 0670002496.
• Pitches, Jonathan. 2006. Science and the Stanislavsky Tradition of Acting. London: Routledge. ISBN 0415329078.
• Ribot, Théodule-Armand. 2006. The Diseases of the Will. Trans. Merwin-Marie Snell. London: Kessinger Publishing's Legacy Reprints. ISBN 1425489982. Online edition available.
• ---. 2007. Diseases of Memory: An Essay in the Positive Psychology. London: Kessinger Publishing's Legacy Reprints. ISBN 1432511645. Online edition available.
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• ---. 1988. Russian and Soviet Theatre: Tradition and the Avant-Garde. Trans. Roxane Permar. Ed. Lesley Milne. London: Thames and Hudson. Rpt. as Russian and Soviet Theater, 1905-1932. New York: Abrams. ISBN 0500281955.
• Schuler, Catherine A. 1996. Women in Russian Theatre: The Actress in the Silver Age. London and New York: Routledge. ISBN 0415111056.
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• Strasberg, Lee. 1965. Strasberg at the Actors Studio: Tape-Recorded Sessions. Ed. Robert H. Hethmon. New York: Theatre Communications Group, 1991. ISBN 1559360224.
• ---. 1987. A Dream of Passion: The Development of the Method. Ed. Evangeline Morphos. New York and London: Penguin. ISBN 0452261988.
• ---. 2010. The Lee Strasberg Notes. Ed. Lola Cohen. Oxon and New York: Routledge. ISBN 0415551862.
• Toporkov, Vasily Osipovich. 2001. Stanislavski in Rehearsal: The Final Years. Trans. Jean Benedetti. London: Methuen. ISBN 041375720X.
• Vakhtangov, Evgeny. 1982. Evgeny Vakhtangov. Compiled by Lyubov Vendrovskaya and Galina Kaptereva. Trans. Doris Bradbury. Moscow: Progress.
• White, Andrew. 2006. "Stanislavsky and Ramacharaka: The Influence of Yoga and Turn-Of-The-Century Occultism on the System." Theatre Survey 47 (May): 73-92.
• Whyman, Rose. 2008. The Stanislavsky System of Acting: Legacy and Influence in Modern Performance. Cambridge: Cambrdige UP. ISBN 9780521886963.
• Worrall, Nick. 1996. The Moscow Art Theatre. Theatre Production Studies ser. London and NY: Routledge. ISBN 0415055989.