User:DelinquoSavvy/Marcos Zapata/Bibliography

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Bibliography

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Palmer, Allison Lee. "The Last Supper by Marcos Zapata (c. 1753): a meal of bread, wine, and guinea pig." Aurora, The Journal of the History of Art, vol. 9, annual 2008, pp. 54+. Gale Academic OneFile, link.gale.com/apps/doc/A191476255/AONE?u=anon~74243710&sid=googleScholar&xid=36d1d00c. Accessed 25 Feb. 2024.[1]

Art, Commerce and Colonialism 1600-1800. United Kingdom, Manchester University Press, 2018.[2]

Zendt, Christina. “Marcos Zapata's "Last Supper": a feast of European religion and Andean culture.” Gastronomica : the journal of food and culture vol. 10,4 (2010): 9-11. doi:10.1525/gfc.2010.10.4.9.[3]

Collective Creativity and Artistic Agency in Colonial Latin America. United States, University of Florida Press, 2023.[4]

Colonial, Obras destacadas, September 2015-Present, Museo de Arte de Lima, Peru.

Cowie, Helen. "Guinea Pig." New World Objects of Knowledge: A Cabinet of Curiosities (Institute of Latin American Studies), Edited by Mark Thurner and Juan Pimentel, University of London Press, 2021, pp. 187-193.[5]

Damian, Carol. "Artist and Patron in Colonial Cuzco: Workshops, Contracts, and a Petition for Independence." Colonial Latin

            American Historical Review 4, 1 (1995): 25. https://digitalrepository.unm.edu/clahr/vol4/iss1/2.[6]

Frank Barrows Freyer Collection, Currently on View, Denver Art Museum, Denver.[7]

Meredith, America, The Cuzco School: Andean Visions in Oils and Gold, Fırst American Art Magazine, Spring 2014, no. 2, 21 Feb. 2015, pp. 52–59, Remembered, Allan Houser, et al. "FırstAmericanArt." (2014).[8]

Alicia Seldes, José E. Burucúa, Gabriela Siracusano, Marta S. Maier & Gonzalo E. Abad (2002) Green, Yellow, and Red Pigments in South American Painting, 1610–1780, Journal of the American Institute for Conservation, 41:3, 225-242, DOI: 10.1179/019713602806082548.[9]

Alicia M. Seldes, José Emilio Burucúa, Marta S. Maier, Gonzalo Abad, Andrea Jáuregui & Gabriela Siracusano (1999) Blue Pigments in South American Painting (1610–1780), Journal of the American Institute for Conservation, 38:2, 100-123, DOI: 10.1179/019713699806113484.[10]

Meade, Teresa A.. A History of Modern Latin America: 1800 to the Present. Germany, Wiley, 2011.[11]

References

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  1. ^ Palmer, Allison Lee (2008-01-01). "The Last Supper by Marcos Zapata (c. 1753): a meal of bread, wine, and guinea pig". Aurora, The Journal of the History of Art. 9: 54–74.
  2. ^ "Manchester University Press - Art, commerce and colonialism 1600-1800". Manchester University Press. Retrieved 2024-03-27.
  3. ^ "https://csu-sb.primo.exlibrisgroup.com/discovery/fulldisplay?docid=cdi_openaire_primary_doi_dedup_479b7aa31d3797fae4b46dc8e88b0a47&context=PC&vid=01CALS_USB:01CALS_USB&lang=en&search_scope=Everything&adaptor=Primo%20Central&tab=Everything2&query=any,contains,Marcos%20Zapata&mode=Basic". csu-sb.primo.exlibrisgroup.com. Retrieved 2024-03-27. {{cite web}}: External link in |title= (help)
  4. ^ Stanfield-Mazzi, Maya; Vargas-Betancourt, Margarita (2023-05-09). Collective Creativity and Artistic Agency in Colonial Latin America. University Press of Florida. ISBN 978-1-68340-378-4.
  5. ^ Gänger, Stefanie (2023-04-03). "New World objects of knowledge: a cabinet of curiosities New World objects of knowledge: a cabinet of curiosities , edited by Mark Thurner and Juan Pimentel, London: University of London, 2021, xviii + 278 pp. (ISBN 9781908857828)". Colonial Latin American Review. 32 (2): 289–290. doi:10.1080/10609164.2023.2205263. ISSN 1060-9164. {{cite journal}}: line feed character in |title= at position 57 (help)
  6. ^ Damian, Carol (1995-12-01). "Artist and Patron in Colonial Cuzco: Workshops, Contracts, and a Petition for Independence". Colonial Latin American Historical Review. 4 (1): 25. ISSN 1063-5769.
  7. ^ "Adoration of the Magi | Denver Art Museum". www.denverartmuseum.org. Retrieved 2024-03-27.
  8. ^ Benavides, Annick. "Andean Visions in Oil and Gold". {{cite journal}}: Cite journal requires |journal= (help)
  9. ^ Seldes, Alicia; Burucúa, José E.; Siracusano, Gabriela; S. Maier, Marta; E. Abad, Gonzalo (2002-01). "Green, Yellow, and Red Pigments in South American Painting, 1610–1780". Journal of the American Institute for Conservation. 41 (3): 225–242. doi:10.1179/019713602806082548. ISSN 0197-1360. {{cite journal}}: Check date values in: |date= (help)
  10. ^ Seldes, Alicia M.; Burucúa, José Emilio; Maier, Marta S.; Abad, Gonzalo; Jáuregui, Andrea; Siracusano, Gabriela (1999-01). "Blue Pigments in South American Painting (1610–1780)". Journal of the American Institute for Conservation. 38 (2): 100–123. doi:10.1179/019713699806113484. ISSN 0197-1360. {{cite journal}}: Check date values in: |date= (help)
  11. ^ Meade, Teresa A. (2011-09-09). A History of Modern Latin America: 1800 to the Present. John Wiley & Sons. ISBN 978-1-4443-5811-7.

Outline of proposed changes

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I've added a variety of sources from other types of media, along with different focuses. These include things such as textbooks, published articles and information from museums.