The Stranger Left No Card is a 1952 British short film directed by Wendy Toye[1] and starring Alan Badel in his screen debut.[2] It was adapted from the story of the same name by Sidney Carroll.
| The Stranger Left No Card | |
|---|---|
.jpg) DVD cover | |
| Directed by | Wendy Toye |
| Written by | Sidney Carroll |
| Produced by | George K. Arthur |
| Starring | Alan Badel |
| Cinematography | Jonah Jones |
| Edited by | Jean Barker |
| Music by | |
Production company | Meteor Films |
| Distributed by | British Lion Film Corporation (UK) |
Release date |
|
Running time | 23 minutes |
| Country | United Kingdom |
| Language | English |
Plot
editA stranger arrives in a small town, costumed as a flamboyant itinerant magician with a folding bag of tricks. The eccentric behaviour of "Napoleon", as he becomes known, soon gives him a reputation for harmless, flamboyant buffoonery. After ten days in town, he visits a businessman, Mr. Latham. Latham is known to keep regular hours and the stranger bedevils him with irritating magic tricks. The last of these tricks leaves Latham handcuffed in his office.
Slowly, speaking all the while, Napoleon's monologue grows slower and sadder. It is revealed that he has been in costume for over a week to confuse witnesses: he removes the lifts from his shoes to reveal his actual short height; he removes his false beard, eyebrows and wig, to show his face. Latham framed this man, Jason Smith, and he served 15 years in prison for a crime he did not commit. The magician then stabs the crooked businessman through the heart, and leaves (almost) unnoticed.
Cast
edit- Alan Badel as The Stranger
- Cameron Hall as Mr. Latham
- Geoffrey Bayldon as clerk
- Eileen Way as secretary
Music
editThe soundtrack is notable for the repetition of Hugo Alfvén's Swedish Rhapsody No. 1 (1903). Incidental music is by Doreen Carwithen.
Critical reception
editMonthly Film Bulletin said "This is a companion piece to George Arthur's Gentleman in Room Six [1951] and as a gimmick picture, it is infinitely more successful than the former film. The transition from the wacky atmosphere of the beginning to the grim business of the second half is cleverly handled, thanks in part to the capable performance of Alan Badel. Other assets are pleasant location shooting and a resourceful arrangement of Alfven's Midsommarvarka music. This type of short story film has serious limitations, but, as a competently made novelty. It is not without merit."[3][check quotation syntax]
Leslie Halliwell wrote: "Smart little trick film which as a novelty has not been surpassed."[4]
Britmovie wrote, "Toye delightfully handles the ever darkening story from its almost madcap beginning to the sinister finale."[2]
Accolades
editThe film won the Best Fiction award at the 1953 Cannes Film Festival,[5] where it was described as "a masterpiece"[citation needed] by Jean Cocteau, the head of the jury.[6]
Remake
editThe film was remade, also directed by Toye, as Stranger In Town (1982), an episode of the British television series Tales of the Unexpected, starring Derek Jacobi and Clive Swift.[7]
Adaptations
edit"Here Today..." in Black Cat Mystery #50, June 1954, is an uncredited comic book adaptation with art by Sid Check and Frank Frazetta.[8]
References
edit- ^ "The Stranger Left No Card". British Film Institute Collections Search. Retrieved 21 November 2023.
- ^ a b "The Stranger Left No Card". Britmovie.
- ^ "The Stranger Left No Card". Monthly Film Bulletin. 20 (228): 41. 1953 – via ProQuest.
- ^ Halliwell, Leslie (1989). Halliwell's Film Guide (7th ed.). London: Paladin. p. 968. ISBN 0586088946.
- ^ "The Stranger Left No Card". Festival De Cannes. Retrieved 21 November 2023.
- ^ "Wendy Toye". The British Entertainment History Project. Retrieved 21 November 2023.
- ^ "Stranger in Town (1982)". Archived from the original on 15 November 2016.
- ^ Sadowski, Greg (ed.). Four Color Fear, Seattle: Fantagraphics Books, 2010, p. 312.
External links
edit
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