The Road Not Taken
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of The Atlantic Monthly, and later published as the first poem in the collection Mountain Interval (1916). Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being complex and potentially divergent.
|by Robert Frost|
|First published in||Mountain Interval|
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves, no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
The first 1915 publication differs from the 1916 republication in Mountain Interval: In line 13, "marked" is replaced by "kept" and a dash replaces a comma in line 18.
Frost spent the years 1912 to 1915 in England, where among his acquaintances was the writer Edward Thomas. Thomas and Frost became close friends and took many walks together. One day as they were walking together they came across two roads. Thomas was indecisive about which road to take and in retrospect often lamented that they should have taken the other one. After Frost returned to New Hampshire in 1915, he sent Thomas an advance copy of "The Road Not Taken". Thomas took the poem seriously and personally, and it may have been significant in Thomas' decision to enlist in World War I. Thomas was killed two years later in the Battle of Arras.
The poem consists of four stanzas of five lines each. With the rhyme scheme as 'ABAAB', the first line rhymes with the third and fourth, and the second line rhymes with the fifth. The meter is basically iambic tetrameter, with each line having four two-syllable feet, though in almost every line, in different positions, an iamb is replaced with an anapest.
"The Road Not Taken" reads naturally or conversationally, beginning as a kind of photographic depiction of a quiet moment in yellow woods. The variation of its rhythm gives naturalness, a feeling of thought occurring spontaneously, affecting the reader's sense of expectation. In the only line that contains strictly iambs, the more regular rhythm supports the idea of a turning towards an acceptance of a kind of reality: "Though as for that the passing there … " In the final line, the way the rhyme and rhythm work together is significantly different, and catches the reader off guard.
"The Road Not Taken" is one of Frost's most popular works.
It is a frequently misunderstood poem, often read simply as a poem that champions the idea of "following your own path," but rather it expresses some irony regarding such an idea. Frost himself wrote the poem as a joke for his friend Edward Thomas, who was often indecisive about which route to take when the two went walking. A New York Times book review on Brian Hall's 2008 biography Fall of Frost states: "Whichever way they go, they're sure to miss something good on the other path." Regarding the "sigh" that is mentioned in the last stanza, it may be seen as an expression of regret or of satisfaction. However, there is significance in the difference between what the speaker has just said of the two roads, and what he will say in the future. According to Lawrance Thompson, Frost's biographer, as Frost was once about to read the poem, he commented to his audience, "You have to be careful of that one; it's a tricky poem—very tricky," perhaps intending to suggest the poem's ironic possibilities.
Thompson suggests that the poem's narrator is "one who habitually wastes energy in regretting any choice made: belatedly but wistfully he sighs over the attractive alternative rejected." Thompson also says that when introducing the poem in readings, Frost would say that the speaker was based on his friend Edward Thomas. In Frost's words, Thomas was "a person who, whichever road he went, would be sorry he didn't go the other. He was hard on himself that way."
- Robinson, Katherine. "Robert Frost: "The Road Not Taken"". Poetry Foundation. Poetry Foundation. Retrieved 9 August 2016.
- Robert Frost, "A Group of Poems", The Atlantic Monthly (August 1915). Accessed 2021-03-18.
- Thompson, Lawrance Roger; Winnick, R. H. (1970). Robert Frost: The early years, 1874-1915. Holt, Rinehart and Winston. p. 546. ISBN 9780030178061.
- Hollis, Matthew (2011-07-29). "Edward Thomas, Robert Frost and the road to war". The Guardian. London. Retrieved 8 August 2011.
- White, James Boyd (2009). Living Speech: Resisting the Empire of Force. Princeton University Press. ISBN 9781400827534. p. 98
- Timmerman, John H. (2002). Robert Frost: The Ethics of Ambiguity. Bucknell University Press. ISBN 9780838755327. p. 71
- Orr, David (2015-09-11). "The Most Misread Poem in America". The Paris Review. Retrieved 2020-04-12.
- Sternbenz, Christina. "Everyone Totally Misinterprets Robert Frost's Most Famous Poem". Business Insider. Business Insider. Retrieved 13 June 2015.
- Robinson, Katherine. "Poem Guide: Robert Frost: "The Road Not Taken"". Poetry Foundation. Poetry Foundation. Retrieved 14 December 2020.
- Miles, Jonathan (May 11, 2008). "All the Difference". New York Times. Retrieved June 13, 2015.
- Finger, Larry L. (November 1978). "Frost's "The Road Not Taken": A 1925 Letter Come to Light". American Literature. 50 (3): 478–479. doi:10.2307/2925142. JSTOR 2925142.
- Thompson, Lawrance (1959). Robert Frost. Minnesota: University of Minnesota Press.
- Kearns, Katherine (2009). Cambridge Studies in American Literature and Culture. 77. Cambridge University Press. ISBN 9780521109987. p. 73
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