The Old Musician is an 1862 oil painting on canvas by French painter Édouard Manet, produced during the period when the artist was influenced by Spanish art. The painting also betrays the influence of Gustave Courbet. This work is one of Manet's largest paintings and is now conserved at the National Gallery of Art in Washington, DC.
|The Old Musician|
|Medium||oil on canvas|
|Dimensions||187.4 cm × 248.3 cm (73.8 in × 97.8 in)|
|Location||National Gallery of Art, Washington, D.C.|
The painting is composed of seven characters in a landscape. The old musician in the center who is preparing to play the violin is Jean Lagrène, the leader of a local gypsy band. To the left is a young girl standing with a baby in her arms, as well as two young boys. In the background, the man in the top hat is the rag picker and ironmonger Colardet. At the right, the Oriental man (partly shown) with a turban and a long robe, represents Guéroult, a "wandering Jew". Attitudes and clothes of the characters seem to be inspired by Diego Velázquez or Louis Le Nain.
The painting contains a series of allusions: the man in the top hat is the same character as The Absinthe Drinker, painted by Manet some years earlier and who reappears in this painting without any particular reason. The young boy in straw hat, meanwhile, is explicitly inspired by Antoine Watteau's Pierrot.
- "Collection - The Old Musician". nga.cov. Retrieved 26 July 2017.
- "The Old Musician, 1862 by Edouard Manet". manet.org. Retrieved 26 July 2017.
- "Édouard Manet, les premières œuvres" (in French). Van Gogh. Retrieved 25 March 2010.
- "Édouard Manet (artist), French, 1832 - 1883, The Old Musician, 1862". National Gallery of Art. Retrieved 25 March 2010.
- Blake & Frascina 1993, pp. 88, 91, pl. 67, 81.
- Blake, Nigel & Frascina, Francis (1993). "Modern Practices of Art and Modernity". Modernity and Modernism : French Painting in the Nineteenth Century. New Haven: Yale University Press. ISBN 0-300-05514-5 – via the Internet Archive.
- Fried, Michael (1996). Manet's Modernism, or The Face of Painting in the 1860s. Chicago, London: University of Chicago Press. ISBN 0-226-26217-0.