The House of Clocks

The House of Clocks (Italian: La casa nel tempo) is an Italian horror film directed by Lucio Fulci.

The House of Clocks
DVD cover for The House of Clocks
ItalianLa casa nel tempo[1]
Screenplay by
Story byLucio Fulci[1]
Directed byLucio Fulci[1]
Country of originItaly[3]
  • Massimo Manasse
  • Marco Grillo Spina[3]
CinematographyNino Celeste[1]
EditorAlberto Moriani[1]
Running time84 minutes[1]
Production companies
  • Dania Film
  • Reteitalia[3]


The story revolves around a wealthy older couple who are murdered during a robbery by three young perpetrators. The event results in a supernatural reversal of time, symbolized by the fast, counter-clockwise movement of hands on the house's many clocks. Eventually, this leads to the resurrection of the older couple, who subsequently seek to terrorize the three burglars.

An elderly couple, Victor (Paolo Paoloni) and Sarah (Bettine Milne), live in a rambling country house filled with clocks of all shapes and sizes. The couple's taciturn grounds man Peter (Al Cliver) is happy enough looking after the slavering pack of dogs the couple own. But the maid Maria (Carla Cassola) is becoming more and more suspicious of her sinister employers that they are hiding something. Sure enough, she discovers the dead bodies of a money-grabbing nephew (Paolo Bernardi) and his wife (Francesco De Rose) lying preserved in open coffins in the wine cellar. Maria is gorily killed by the elderly Sarah in the greenhouse the next morning while announcing her plans to quit.

Meanwhile, three hoodlums, Diana (Karina Huff), Tony (Keith Van Hoven) and Paul (Peter Hintz) are driving through the area and decide to rob the old couple's house after receiving a tip-off from a grocery store owner in a nearby town about the wealth it supposedly contains and the decrepitude of the owners. That evening, Diana cunningly talks her way into the household by pretending that her car has broken down nearby and asks to use the phone. Soon, the phone lines are cut by her male accomplices and they force entry through an open window. Their plans to rob the old couple go badly wrong when Peter intervenes with his shotgun. A bloodbath ensues with Sarah accidentally getting shot, Peter getting killed by Paul, and Victor attacks Tony, forcing Diana to shoot him dead. The young trio are horrified by this turn of events, but decide to bundle the bodies away in a cupboard.

At first the dazed criminals fail to notice what effect the mayhem has had on all the clocks in the house. Each clock stops at 8:00 PM, the exact time the couple were killed. When they do notice, they try to leave, but are trapped indoors by the Dobermans let loose to prowl the grounds. Stranger still, the clocks begin to move in reverse, first slowly, then faster. The three decide to relax in the house overnight, and they head off upstairs to smoke some joints. Diana and Tony get a little too drawn into it and start to make out with each other, and soon begin to have sex.

Paul, who is left out of the lovemaking, wonders dejectedly downstairs. He discovers the bloodstains on the dining room floor where the killings took place have disappeared, and then he sees the bodies lying back where they'd fallen. Before he can alert the others, Paul is shot by an unseen figure stalking the house. Hearing the gunshot, Diana and Tony quickly dress and rush downstairs and see the old couple reanimate and advance towards them. In the kitchen, Diana is trapped by the old woman who grabs a knife and stabs her through the hand, pinning her to the kitchen table. Sarah then retrieves a ring that Diana had stolen from her ring finger. Making a narrow escape, Diana and Tony find a severely wounded Paul in the cellar. (Note: illogical time distortions continue as Diana's hand heals up while Paul's injuries remain.) Diana and Tony escape from the cellar through a high window and emerge into the grounds. Paul is too injured to hoist himself up to the window and is axed to death by the vengefully reanimated Peter. As the couple run across the grounds, now in daylight with the clocks in full reverse, Tony is pulled into a shallow grave by the corpse of Maria, the maid. She kills him with a wooden stick though his stomach before heading off to confront the old couple. In the wine cellar, Maria confronts the elderly couple with murdering their nephew and his wife to remove them as their rightful heirs to the estate. Then, the niece and nephew finally revive and the old couple are killed again by their previous victims. Diana staggers away from the house.

Suddenly, Diana, Tony, and Paul awaken in their car outside the country house. Apparently all that happened to them was just a dream brought on with special intensity by the marijuana they've been smoking. Inside the house, the fully alive nephew and niece enjoy being alive again and are having their morning breakfast, with Maria the maid attending to them. The dead bodies of Victor and Sarah are in the wine cellar having been substituted for them.

Driving away from the house, Diana, Tony, and Paul remark on the astonishing similarities of their dreams of being at the house and time moving backwards. Suddenly, a dead cat they picked up on the road earlier suddenly revives and attacks them, forcing Tony, who's driving, to crash their car off a cliff and killing them all... again. Inexplicably, the car's clock and all the wristwatches on the bloodied and dead Diana, Tony, and Paul stop, and begin to roll backwards...



The House of Clocks is one of four films made for the Italian television series La case maledette (transl. The Houses of Doom).[3][1] The series was developed by Luciano Martino following the release of Brivido Giallo.[1] The series was intended to be part of six films to be directed by Fulci, Umberto Lenzi and Lamberto Bava.[1] Due to other commitments, Bava stepped out of the project to be replaced by Marcello Avallone, who also dropped out of the project leading to only four films being made.[1] For his two films, Fulci asked to replace the two stories he was given with two of his own design.[1] The films were shot on 16mm outside of Rome on a schedule of four weeks each.[4] The House of Clocks was filmed in a villa in Torgiano between January 31 and February 25, 1989.[5]


Along with the other films made for La case maledette, The House of Clocks was shelved.[6] When asked about the films being released in the early 1990s, Fulci responded that the series had been sold to elsewhere in the world, they would have to ask Reiteitalia when they would be shown in Italy.[6] The films were only shown in 2000 in Italy when they were released on VHS thanks to the efforts of the magazine Nocturno Cinema.[6] They were shown on Italian satellite television in 2006.[6] The film was released on DVD in the United States by Shriek Show on November 19, 2002.[7]

Fulci spoke very positively on his two films made for La case maledette, calling them "Fantastic! Excellent Filmmaking!" and that they were "Two of his best films [he'd] made!".[5]

Critical responseEdit

Robert Firsching of AllMovie called the film "a credible addition to the director's oeuvre – sometimes reminiscent of Dolls or Pete Walker's creepy punishment gothics (Frightmare, House of Whipcord, etc.) – and fans should give it a look".[2]


  1. ^ a b c d e f g h i j k l m Curti 2019, p. 205.
  2. ^ a b Firsching, Robert. "The House of Clocks". AllMovie. Retrieved April 3, 2019.
  3. ^ a b c d Curti 2019, p. 204.
  4. ^ Curti 2019, p. 206.
  5. ^ a b Curti 2019, p. 207.
  6. ^ a b c d Curti 2019, p. 209.
  7. ^ "The House of Clocks". AllMovie. Retrieved April 3, 2019.


  • Curti, Roberto (2019). Italian Gothic Horror Films, 1980-1989. McFarland. ISBN 978-1476672434.CS1 maint: ref=harv (link)

External linksEdit