The Buddy Holly Story
The Buddy Holly Story is a 1978 biographical film which tells the life story of rock musician Buddy Holly. It features an Academy Award-winning musical score, adapted by Joe Renzetti and Oscar-nominated lead performance by Gary Busey.
|The Buddy Holly Story|
The Buddy Holly Story DVD cover
|Directed by||Steve Rash|
|Produced by||Fred Bauer|
Edward H. Cohen
Fred T. Kuehnert
Charles Martin Smith
|Music by||Joe Renzetti|
|Edited by||David E. Blewitt|
|Distributed by||Columbia Pictures|
|Budget||$1.2 million or $2 million|
|Box office||$14.3 million|
Buddy Holly, a teenager from Lubbock, Texas, emerges into the world of rock and roll with friends and bandmates, drummer Jesse Charles and bass player Ray Bob Simmons, forming a trio known as The Crickets.
The band's first break comes when it is invited to Nashville, Tennessee to make a recording, but Buddy's rock and roll vision soon clashes with the producers' rigid country music based ideas of how the music should sound and he walks out. Eventually, he finds a more flexible producer, Ross Turner, who, after accidentally publishing their demo to public acclaim, very reluctantly allows Buddy and the Crickets to make music the way they want.
Turner's secretary, Maria Elena Santiago, quickly catches Buddy's eye. Their budding romance nearly ends before it can begin because her aunt initially refuses to let her date him, but Buddy persuades the aunt to change her mind. On their very first date, Maria accepts his marriage proposal and they are soon wed.
A humorous episode results from a misunderstanding at a New York booking. Sol Gittler signs up the Crickets sight-unseen for the famous Apollo Theater in Harlem, assuming from their music that they're a black band. When three white Texans show up instead, he is stunned. Unwilling to pay them for doing nothing, and because Buddy and the Crickets have a contract specifying a week's engagement for $1000.00, Gittler nervously lets them perform and prays fervently that the all-black audience doesn't riot at the sight of the first all-white band to play there. After an uncomfortable start, Buddy's songs soon win over the audience and the Crickets are a tremendous hit.
After two years of success, Ray Bob and Jesse decide to stop performing with Buddy as they feel overshadowed by Buddy and do not want to relocate to New York City, which Buddy believes is necessary to stay on top. They return to Lubbock with the agreement that they will retain the Crickets name. Buddy is saddened by their departure. While he carries on writing, he initially is afraid to tour without them despite his manager's emphasis of the importance of touring to chart success. Maria announces that she is pregnant and Buddy is delighted. She sees that he is frustrated and urges him to tour, which he eventually agrees to.
On February 2, 1959, preparing for a concert at Clear Lake, Iowa, Holly decides to charter a private plane to fly to Moorhead, Minnesota for his next big concert as the tour bus has broken down. The Big Bopper and Ritchie Valens join him on the flight. Meanwhile, the Crickets, feeling nostalgic, appear unexpectedly at Maria's door, expressing their desire to reunite the band. They plan to surprise Buddy at his next tour stop. After playing his final song, "Not Fade Away", Holly bids the crowd farewell with: "Thank you Clear Lake! C'mon. We love you. We'll see you next year." A caption then reveals that Holly, Valens, and the Bopper died in a plane crash that night "...and the rest is Rock and Roll."
|Charles Martin Smith||Ray Bob|
|Conrad Janis||Ross Turner|
|Maria Richwine||Maria Elena|
|Amy Johnston||Cindy Lou|
|Dick O'Neill||Sol Gittler|
|Fred Travalena||Madman Mancuso|
|Neva Patterson||Mrs. Holly|
|Arch Johnson||Mr. Holly|
|John Goff||T. J.|
|Gloria Irizarry||Mrs. Santiago|
|Jody Berry||Engineer Sam|
|Gailard Sartain||Big Bopper|
|Albert Popwell||Eddie Foster|
|Paul Mooney||Sam (Cooke)|
|Freeman King||Apollo M.C.|
|Craig White||King Curtis|
|Jerry Zaremba||Eddie Cochran|
Actor Gilbert Melgar is briefly seen, in an uncredited non-speaking role, playing Ritchie Valens.
The actors did their own singing and played their own instruments, with guitarist Jerry Zaremba overdubbing the guitar parts. Busey, in particular, was admired by critics[who?] for recording the soundtrack music live and for losing a considerable amount of weight in order to portray the skinny Holly. According to Busey's biography, he lost 32 pounds to look more like Holly, who weighed 146 pounds at the time of his death.
The actor's accurate portrayal was aided by knowledge gained from a previous attempt to film part of the Holly life story, the ill-fated Three-Sided Coin, in which he played Crickets drummer Jerry Allison. The film was cancelled by 20th Century Fox due to pressure from Fred Bauer and his company, who had made deals with the Holly estate. The screenplay of Three-Sided Coin (by Allison and Tom Drake) revealed many personal details about Holly, and Busey picked up more during off-set conversations with Allison.
While the story follows Buddy Holly from age 19 to 22 (1956 to February 1959), Busey was 33 when he played the role. Charles Martin Smith auditioned for the role of Buddy, but since Busey already had been cast, the producers cast Martin to play Ray Bob Simmons because they liked his audition. Simmons and Jesse Charles were character names used in place of Joe B. Mauldin and J.I. Allison, two of the actual Crickets (1956 to early 1958 Cricket Niki Sullivan, performing on 27 of the 32 songs Holly recorded, is not shown).
The incident in which a Buffalo disc jockey locked himself in a studio and repeatedly played the same song over and over was loosely based on real-life stunts orchestrated by controversial disc jockey Tom Clay (and repeated a few years later by Danny Neaverth), who held up Buffalo's Shelton Square by playing Bill Haley & His Comets' "Rock Around the Clock" repeatedly from the top of a billboard, and by Joey Reynolds, who locked himself in a studio playing "Sherry" by The Four Seasons for several hours; those incidents, however, had no relation to Buddy Holly or his music.
The film had a special premiere in nine different Texas and Oklahoma cities on May 18, 1978, including Holly's hometown of Lubbock and Busey's hometown of Tulsa, before opening in Los Angeles on June 14. The film was a box office success, grossing $14.3 million on a $1.2 million budget.
Roger Ebert gave the film three-and-a-half stars out of four and praised Busey's "remarkable performance as Buddy Holly. If you're a fan of Holly and his music, you'll be quietly amazed at how completely Busey gets into the character." Vincent Canby of The New York Times wrote, "There are a lot of actors in 'The Buddy Holly Story' — some of them very nice — but the movie is really a one-man show. It's Gary Busey's galvanizing solo performance that gives meaning to an otherwise shapeless and bland feature-length film about the American rock-and-roll star who was killed in a plane crash in 1959." Gene Siskel gave the film four stars out of four and wrote, "In a year in which we are inundated with films featuring rock music, 'The Buddy Holly Story' probably will turn out to be the best. That is because of Busey's galvanizing performance." Charles Champlin of the Los Angeles Times wrote, "The heart and soul and power of 'The Buddy Holly Story' is the uncanny, marrow-deep, robust, exhilarating, likable, superlative, overwhelmingly convincing portrayal by Gary Busey ... For once there is no lip-synching to someone else's voice, no feigning with the fingers to somebody else's strumming. Busey does it all himself, and it is one of those rare and stunning performances in which the person of the actor himself is totally lost to sight in his creation of someone else." Gary Arnold of The Washington Post wrote, "Gary Busey invests the title role with a personal charm so original and an emotional dedication so exhilarating that he seems to lift the material off its somewhat pedestrian feet."
Holly authorities and other music scholars criticized what they deemed gross inaccuracies in the plot, such as showing a physical confrontation at Holly's first Nashville session when nothing of the sort actually occurred. Another inaccuracy is that the period guitars used by Gary Busey onscreen did not match Holly's: the film shows a Fender Telecaster rather than Holly’s usual Fender Stratocaster, then shows Busey with a 1968 Stratocaster during the 1959 Clear Lake show. At one point, Busey is shown playing a 1967 Fender Bronco.
The film won the Academy Award for Best Adaptation Score by Joe Renzetti. Busey was nominated for Best Actor in a Leading Role, and Tex Rudloff, Joel Fein, Curly Thirlwell and Willie D. Burton for Best Sound.
- 'The Buddy Holly Story' is back, on Blu-ray. The Morning Call. Published October 1, 2014.
- Studios Are Picking Up More Films From Independents By ALJEAN HARMETZ. New York Times 26 June 1978: C18
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- Canby, Vincent (July 21, 1978). "Screen: 'Buddy Holly Story'". The New York Times. Retrieved October 27, 2018.
- The Buddy Holly Story Details. Archived 2014-08-24 at the Wayback Machine. Sony Movie Channel. Retrieved August 22, 2014.
- "Big Texas Preem: 'Buddy Holly Story' P.A.'s Plus Radio". Variety. May 10, 1978. 40.
- Grant, Lee (May 17, 1978). "'Holly Story' Right in Tune". Los Angeles Times. Part IV, p. 8.
- Ebert, Roger (June 25, 1978). "The Buddy Holly Story". RogerEbert.com. Retrieved December 16, 2018.
- Canby, Vincent (July 21, 1978). "Screen: 'Buddy Holly Story'". The New York Times. C14.
- Siskel, Gene (August 15, 1978). "Busey is a rock in the authentic, engrossing 'Buddy Holly'". Chicago Tribune. Section 2, p. 6.
- Champlin, Charles (June 14, 1978). "Busey Rocks 'n' Socks 'Em as Buddy Holly". Los Angeles Times. Part IV, p. 13.
- Arnold, Gary (August 18, 1978). "Buddy Holly: Riveting Re-Creation Of a Pioneering Rocker". The Washington Post. B1.
- "The Buddy Holly Story". Rotten Tomatoes. Retrieved 27 October 2018.
- "The 51st Academy Awards (1979) Nominees and Winners". Oscars.org. Retrieved 2011-10-06.