Talk:Tonality diamond

Latest comment: 13 years ago by Hyacinth in topic 7-limit tonality diamond with audio
WikiProject iconTunings, Temperaments, and Scales (defunct)
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Diamond marimba's popularity edit

...the diamond marimba, which is laid out as a tonality diamond and which has proven rather popular.

Really? Where can I get one for cheap? =P ——Keenan Pepper 22:07, 5 December 2005 (UTC)Reply

Term's origin edit

from para. 1 "The tonality diamond is often regarded as comprising the set of consonances of the n-limit. The term is due to Harry Partch."

But the Harry Partch page states "Partch's tuning had its origin in an extended version of Max Meyer's tonality diamond..."

I don't have my copy of Genesis of A Music handy, and don't remember who Max Meyer is/was.

Genesis has this to say about Max Meyer:
Max F. Meyer (b. 1873), psychologist, takes the trouble, in The Musician's Arithmetic, to state the case for ratios as a nomenclature for musical materials, these being the only terms "safe from ambiguity." Meyer uses what Monophony would call identities through 9 (including 7), disavows both overtones and undertones as constituting the source of tonality, and, somewhat disappointingly, applies his ideas to a "quartertone" harmonium (see Chapter 17).
See also Meyer's Diamond and Partch's Diamond. —Keenan Pepper 21:44, 16 May 2006 (UTC)Reply
Thanks. According to Cris Forster's page, Meyer's diamond looks just like Partch's, only rotated and (not to quote Spinal Tap, but) Partch's "goes to 11." I think this line should be credited to Meyer, not Partch. Namrevlis 22:41, 16 May 2006 (UTC)Reply
Meyer is the authentic creator of the tonality diamond for one reason only: he studied the works of Rameau. If you don't understand the problems faced by Rameau, you won't understand the solutions offered by Meyer. -Cris Forster

Illustration of 7-limit Tonality Diamond edit

The tonality diamond illustrated does not match the description, in that the 3 and 5 columns (and their associated inverses) replace each other. It does match Harry Partch's Diamond Marimba, but I think it would be better if the tonality diamond were in canonical form. Does anyone have a problem with me changing it? --Eraticus 06:02, 10 June 2007 (UTC)Reply

And Music? edit

Would somebody state what this has to do with music in the main definition, pretty please? —Preceding unsigned comment added by 89.201.194.156 (talk) 18:50, 5 November 2009 (UTC)Reply

7-limit tonality diamond with audio edit

7/4
3/2 7/5
5/4 6/5 7/6
1/1 1/1 1/1 1/1
8/5 5/3 12/7
4/3 10/7
8/7

Hyacinth (talk) 07:09, 2 June 2010 (UTC)Reply