Tales of Great Neck Glory is an album by the American band Sammy, released in 1996.[1][2] The album was put out by DGC Records; band member Luke Wood was working for the company at the time.[3][4] The first single was "Neptune Ave (Ortho Hi Rise)".[5]
| Tales of Great Neck Glory | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1996 | |||
| Label | DGC | |||
| Sammy chronology | ||||
| ||||
Sammy broke up shortly after the album's release.
Production
editSammy used three different drummers during the recording sessions for the album.[6] Most of the songs are about nightlife in New York City.[7]
Critical reception
edit| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [8] |
| Robert Christgau | A−[9] |
| The Encyclopedia of Popular Music | [10] |
| Fort Worth Star-Telegram | [11] |
| Waikato Times |  [12] |
Robert Christgau wrote that "rather than hiding their privilege behind obscure witticisms, these alt-rock everyboys tell it like it is for their cultural class—bright, affluent kids who still have more options than they know what to do with."[9] Trouser Press called the album "powerful and loads of fun," writing that "on atmospheric songs like 'Blue Oyster Bay' and the quiet 'Anything', the band expands its emotional range without leaving behind the art-damaged take on pop that makes its first album effective."[6] The Evening Standard said that "Jesse Hartman's affecting, weary vocals give the outfit its panache."[13]
The Waikato Times dismissed it as "not quite bad enough to become a cult classic, but not quite good enough to buy."[12] Calling the band "posers," the Fort Worth Star-Telegram wrote that Sammy "sound like every other Geffen band out there, especially Sonic Youth and Weezer."[11] The Arkansas Democrat-Gazette wrote: "Playing like Elastica's kid brothers and writing like graduate students bucking for an A, Sammy has style to burn."[14]
AllMusic deemed it "a fun, if derivative, album," writing that Sammy "distills the half-mumbled, half-sung vocals, loopy guitars, off-kilter percussion, and sunny pop hooks that Pavement made their own in the late '80s."[8] In a retrospective feature, Spin panned the album as a "cutout-bin regular."[3]
Track listing
edit| No. | Title | Length |
|---|---|---|
| 1. | "Possibly Peking" | |
| 2. | "Encyclopedi-ite" | |
| 3. | "Slim Style" | |
| 4. | "Neptune Ave (Ortho Hi Rise)" | |
| 5. | "Buckle-Up Sunshine" | |
| 6. | "Blue Oyster Bay" | |
| 7. | "Chilling Excerpts" | |
| 8. | "Red Lights Flashing" | |
| 9. | "Anything" | |
| 10. | "Horse or Ballet?" | |
| 11. | "Kings Pt. Vs. Steamboat" |
Personnel
edit- Jesse Hartman - vocals, piano, guitar
- Luke Wood - bass, guitar, vocals
References
edit- ^ "Artist Biography by Stacia Proefrock". AllMusic. Retrieved 21 August 2021.
- ^ Triplett, Greg (May 3, 1996). "Sammy Tales of Great Neck Glory DGC". Weekend. The Daily Oklahoman. p. 3.
- ^ a b "Blame Nirvana: The 40 Weirdest Post-'Nevermind' Major-Label Albums". Spin. January 8, 2013.
- ^ Newman, Melinda (May 18, 1996). "Label Executives Land Label Contracts". Billboard. Vol. 108, no. 20. p. 13.
- ^ Walsh, Jim (June 7, 1996). "Is There a Doctor in the House?". St. Paul Pioneer Press. p. 1D.
- ^ a b "Sammy". Trouser Press. Retrieved 21 August 2021.
- ^ Rollins, Ron (1 Sep 1996). "Tales of Great Neck Glory by Sammy". Dayton Daily News. p. 3C.
- ^ a b "Tales of Great Neck Glory". AllMusic.
- ^ a b "Sammy: Tales of Great Neck Glory". Robert Christgau.
- ^ Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 7. MUZE. p. 237.
- ^ a b Mayhew, Malcolm (April 19, 1996). "CAPSULE REVIEWS". Star Time. Fort Worth Star-Telegram. p. 13.
- ^ a b Anandaraja, R. (25 Mar 1997). "CD Frenzy". Features. Waikato Times. p. 11.
- ^ Lusher, Tim (18 Feb 1997). "Sammy". Evening Standard. p. 47.
- ^ Trieschmann, Werner (September 13, 1996). "Sammy, Tales of Great Neck Glory, Geffen". Arkansas Democrat-Gazette. p. 19W.