This article needs a plot summary. (February 2021)
Succubus (German: Necronomicon – Geträumte Sünden, lit. 'Necronomicon – Dreamt Sins') is a 1968 West German horror film directed by Jesús Franco. The film stars Janine Reynaud as Lorna Green, a performer at a nightclub who performs fictionalized acts that involve erotically charged sadomasochistic murders. It is suggested that Lorna may be under mind control by a man who might be Satan (Michel Lemoine) which draws her to a night in the future when she begins to actually kill people.
West German theatrical release poster
|Directed by||Jesús Franco|
|Produced by||Adrian Hoven|
|Written by||Jesus Franco|
Pier A. Caminnecci
|Screenplay by||Jesus Franco|
|Music by||Jerry Van Rooyen|
|Edited by||Fritzi Schmidt|
Aquila Film Enterprises
|Distributed by||Constantin Film|
Succubus was Franco's first film made entirely outside of Spain. During production, the German backers for the film fell out, leading to the producer contacting Pier A. Caminnecci to finance the film.
After working on several productions in Spain, director Jesús Franco sought out financial backing in Germany. Franco became frustrated with the production rules and censorship in Spain, stating that even if he had an entirely Spanish crew, he would have to film in Spain to receive the co-production funding, and that for Succubus, "the censors had taken their red pen and crossed everything out, even the title". The title for the film was found at the home of Pier A. Caminnecci, where Franco found a book titled Necronomicon. The story was only three pages long, so Franco fused the story with a previous film script that he had worked on. Despite this alternative title for the film, the actual story has no connection whatsoever with H.P. Lovecraft's fictional Necronomicon or Lovecraft's Cthulhu Mythos.
After finishing work on his film Lucky, the Inscrutable, he went to production manager Karl-Heinz Mannchen with an eight-page script for Succubus. After securing funding, model Janine Reynaud was cast in the film after being introduced to Franco by her husband, actor Michel Lemoine.
The film was shot in Lisbon and West Berlin. While filming was in progress, the German financial backers pulled out of the film. Producer Adrian Hoven contacted Pier A. Caminnecci, who took an interest in actress Reynaud and agreed to finance the film. An affair later occurred between the two.
Succubus was shown at trade shows at the 17th Berlin International Film Festival in 1967. Variety noted that after the film's showing it received substantial word-of-mouth for its sex and horror sequences.
The film was acquired by American International Pictures and released in the United States under the title Succubus. To promote the film, a phone number was offered for audience members who did not know what the title succubus meant. The film was shown at Fantastic Fest in 2009 with Franco in attendance. The print of the film shown was borrowed from American director Quentin Tarantino.
The film was originally released on DVD on October 27, 1998 by Anchor Bay Entertainment. It was released again on July 25, 2006 with an interview with director Jesús Franco and actor Jack Taylor as bonus features by Blue Underground.
From contemporary reviews, Vincent Canby wrote a review in The New York Times, noting that the film could not decide if it wanted "to be a bare-breasted exploitation movie or a nice, erotic horror story about a demented lady of bizarre sexual tastes" referring to the film as "being a bit of a drag". In a review for the Umberto Lenzi film Orgasmo, Roger Ebert critiqued Succubus as one of the worst films of the year, referring to it as "a flat-out bomb. It left you stunned and reeling. There was literally nothing of worth in it. Even the girl was ugly." David McGillivray (Monthly Film Bulletin) claimed that "the most positive thing one can say about Succubus is that it is strikingly different from anything Jesús Franco has directed either before or since." The review complimented that the "utilisation of an obviously low budget is relatively accomplished. In all other respects, however, the film is an absurdly hit-or miss affair with scenes that have a certain bizarre appeal (shop window dummies coming to life) juxtaposed with others of crushing banality." "Hans." of Variety described the film as one that "may stir controversy" as "many will see Necronomicon as just a sex and horror film, other might see more" and that "there will be a split opinion about pic's artistic outcome, but its technical side can't be disputed" noting "excellent color photography, it has several fascinating optical effects."
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- "Necronomicon-Getraumte Sunden (Succubus)". Monthly Film Bulletin. Vol. 40 no. 468. British Film Institute. 1973. p. 254.