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Stupid Fucking Bird is a contemporary adaptation of Anton Chekhov's The Seagull, written by American playwright Aaron Posner, co-founder of the Arden Theatre Company in Philadelphia. Posner has written multiple adaptations of Chekhov and Shakespeare works. In 2013, Stupid Fucking Bird premiered at the Woolly Mammoth Theatre Company in Washington, DC. According to Howard Shalwitz, the play takes a satirical spin on a theatrical classic, but has the essence of Chekhov's original intent for the piece—what it means to create art.[1]


Writing processEdit

Aaron Posner has a large collection of adaptations of classical works in his repertoire. While directing another production at the Woolly Mammoth Theatre Company, a friend of Posner remarked that the actors cast in the show would be ideal for a Chekhov play. This sparked the initial idea for Stupid Fucking Bird in Posner, who began work on the idea. His first draft loosely followed the plot of The Seagull—although he cut and combined the original group of characters to create a cast of seven. The draft was put to the test when Posner, the director and the actors were invited to Lake George Theatre Lab in Upstate New York. There, Posner and his team worked on final edits. Throughout the week, they workshopped the script: the team held cold readings, blocked, rehearsed; and to close the week, performed in front of an audience. James Suggs supplied the musical score for the show, which—like the show itself—was influenced contemporary music, but drew inspiration from Russian opera and dance. Finally, the show premiered at the Woolly Mammoth Theatre Company in Washington DC on May 31, 2013. The show received positive reviews, and is noted as a successful adaptation of Chekhov, containing the intensity, tragedy, humor, and thought-provoking content for which Chekhov is known.[1]


Act OneEdit

Stupid Fucking Bird follows the life of Con (Conrad), a struggling playwright who is desperately trying to write a new play. Act I begins shortly before a theatrical presentation that Con is putting on at his mother's country home, in which his flighty girlfriend Nina is playing the lead. Con's mother Emma, a famous actress and overbearing presence in Con's life, unhappily attends the performance with her new lover Trigorin, a successful novelist. Con's good friends Dev and Mash also attend the performance. Dev is desperately in love with Mash, while Mash is infatuated with Con, who is oblivious to Mash's love because of his unhealthy obsession with Nina. Nina wants to become a famous actress more than anything, and begins to have feelings for Trigorin, who is a successful writer who could advance her acting career. Act One ends with Con attempting to kill himself after discovering Nina's feelings for Trigorin.[2]

Act TwoEdit

At the beginning of Act Two, we discover that Con has failed in his suicide attempt. While Nina is attempting to be a comforting presence in Con's life, we see her act upon her impulses to seduce Trigorin. Her seduction is soon thwarted by Emma. Nina leaves, flustered, while Trigorin begs Emma to release him from her clutches. She refuses, but Trigorin finds a way to wriggle free of her grip and runs away with Nina.[2]

Act ThreeEdit

Act Three begins four years after the end of Act Two. The ensemble of the show is reuniting to celebrate the birthday of their dear friend Sorn. The first scene begins with Mash and Dev, who have married and have three children. It is discovered that Trigorin is back with Emma, after an unforeseen tragedy concerning the death of a baby he had had with Nina. Even after four years, Con is still in love with Nina and in denial about her absence. After hearing that she is back for Sorn's birthday, he attempts to visit her and she rejects him. Con believes all hope is lost, until she unexpectedly knocks on his door. Her acting career has plummeted, as has her physical and mental health. She is in a somewhat hysteric state, demanding to know why Con shot a seagull to prove his love for her. After having a complete mental breakdown, Nina exits abruptly, leaving Con to wallow in his self-pity. Breaking the fourth wall, Con addresses the audience, informing them that, in the original adaptation of the script, this is where his character finally kills himself. He pulls out a gun and points it at his head. Nevertheless, Con somehow reaches a sort of catharsis while speaking to the audience. He drops the gun, turns towards the audience and says, “Stop the fucking play” to conclude the show.[2]


  • Con – (based on Konstantin Gavrilovich Treplev) The protagonist, a struggling playwright. Cynical.
  • Nina – (based on Nina Mikhailovna Zarechnaya) Con's love interest. Wants to become a famous actress. Flighty.
  • Emma – (based on Irina Nikolayevna Arkadina) Con's mother. A famous actress. Jaded, jealous, and overbearing.
  • Trig – (based on Boris Alexeyevich Trigorin) Emma's lover. A narcissistic, selfish, hedonistic and famous novelist.
  • Dev – (based on Semyon Semyonovich Medvedenko) Con's best friend. In love with Mash.
  • Mash – (based on Masha) A musician In love with Conrad. Manipulative.
  • Sorn – (based on Sorin) An old friend of Con and Emma's.[2][3]

Performance historyEdit

Stupid Fucking Bird has been produced a number of times.

Reviews and recognitionsEdit

The Economist published their review on August 9, 2014: “The script is new and crackling, at once incisive, poignant and darkly funny. Like the original, it affords plenty of opportunities to chuckle with recognition. And like the original, it delivers an ending that is destined to make its audience weep.” The review also celebrates the fact that the play was able to be revamped for the present-day, while still maintaining the essence of Chekhov's iconic story.[12]

Original cast and crewEdit

This is the original cast and crew that performed the premiere of the show at the Woolly Mammoth Theatre Company in 2013.


Character Original cast
Con Brad Koed
Emma Kate Eastwood Norris
Trig Cody Nickell
Nina Katie deBuys
Sorn Rick Foucheux
Mash Kimberly Gilbert
Dev Darius Pierce


Position Crew
Director Howard Shalwitz
Set Designer Misha Kachman
Costume Designer Laree Lentz
Lighting Designer Colin K. Bills
Sound Designer James Sugg
Dramaturg Miriam Weisfeld
Production Stage Manager Maribeth Chaprnka


  1. ^ a b Shalwitz, Howard (2013). "An Introduction To Aaron Posner's Stupid Fucking Bird". TheatreForum (44): 3–4.
  2. ^ a b c d Posner, Aaron (May 27, 2013). Stupid Fucking Bird. United States: TheatreForum. pp. 5–27. ISBN 978-0-8222-3250-6.
  3. ^ Burris, Katherine Carton (June 2014). Directing Stupid Fucking Bird. California, United States. ISBN 9781321087062.
  4. ^ "Sideshow Theatre Company".
  5. ^ "Arden Theatre Company".
  6. ^ "San Francisco Playhouse".
  7. ^ "Review: Stupid Fucking Bird by Keith Paul Medelis, Theatre Is Easy, March 30, 2016
  8. ^ "Stupid Fucking Bird | 12 Peers Theater". Retrieved 2018-07-27.
  9. ^ Desk, BWW News. "12 Peers Theater Presents The Pittsburgh Premiere Of STUPID FUCKING BIRD". Retrieved 2018-07-27.
  10. ^ "Station Theatre".
  11. ^ "Adult comedy soars in Station's 'Bird'" by Jeffrey Eric Jenkins, The News-Gazette, April 21, 2019
  12. ^ "A 21st-Century Seagull; New American Theatre" (8899). The Economist IntelligenceUnit N.A., Incorporated. August 9, 2014. Retrieved November 24, 2017.

External linksEdit