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Spiegel im Spiegel (Mirror(s) in the mirror) is a composition by Arvo Pärt written in 1978, just before his departure from Estonia. The piece is in the tintinnabular style, wherein a melodic voice, operating over diatonic scales, and tintinnabular voice, operating within a triad on the tonic, accompany each other. It is about ten minutes long.

Spiegel im Spiegel
Chamber music by Arvo Pärt
Arvo Pärt.jpg
The composer in 2008
KeyF major
Composed1978 (1978)
Scoring
  • violin or other melody instrument
  • piano

Contents

DescriptionEdit

The piece was originally written for a single piano and violin – though the violin has often been replaced with either a cello or a viola. Versions also exist for double bass, clarinet, horn, flugelhorn, flute, oboe, bassoon, trombone, and percussion. The piece is an example of minimal music.

The piece is in F major in 6/4 time, with the piano playing rising crotchet triads and the second instrument playing slow F major scales, alternately rising and falling, of increasing length, which all end on the note A (the mediant of F). The piano's left hand also plays notes, synchronised with the violin (or other instrument).

"Spiegel im Spiegel" in German literally can mean both "mirror in the mirror" as well as "mirrors in the mirror", referring to an infinity mirror, which produces an infinity of images reflected by parallel plane mirrors: the tonic triads are endlessly repeated with small variations as if reflected back and forth. The structure of melody is made by couple of phrases characterized by the alternation between ascending and descending movement with the fulcrum on the note A. This, with also the overturning of the final intervals between adjacent phrases (for example, ascending sixth in the question - descending sixth in the answer), contribute to give the impression of a figure reflecting on a mirror and walking back and towards it.

In 2011, the piece was the focus of a half-hour BBC Radio 4 programme, Soul Music, which examined pieces of music "with a powerful emotional impact". Violinist Tasmin Little discussed her relationship to the piece.[1][2]

AdaptationEdit

The piece has been used in television, film and theatre including:

FilmEdit

Year Type Title Director
1996 film Mother Night Keith Gordon
2001 film In Praise of Love Jean-Luc Godard
2001 film The Officers' Ward François Dupeyron
2001 film Wit Mike Nichols
2002 film Gerry Gus Van Sant
2002 short film Dans le Noir du Temps Jean-Luc Godard
2002 film Heaven Tom Tykwer
2002 film Soldados de Salamina (Spain) David Trueba
2002 film Swept Away Guy Ritchie
2002 film On the Occasion of Remembering the Turning Gate Hong Sang-soo
2004 film Dear Frankie Shona Auerbach
2005 film Time to Leave François Ozon
2005 documentary Auschwitz: The Nazis and 'The Final Solution' Laurence Rees and Catherine Tatge
2008 film Elegy Isabel Coixet
2011 film Burning man Jonathan Teplitzky
2011 film This Must Be the Place Paolo Sorrentino
2011 documentary The Umbrella Man New York Times Op-Docs Errol Morris
2013 film About Time Richard Curtis
2012 trailer Silent House
2013 trailer Gravity Alfonso Cuarón
2013 film The East Zal Batmanglij
2013 film Movie 43 Peter Farrelly and others
2014 film The Way He Looks Daniel Ribeiro
2015 film La tête haute Emmanuelle Bercot
2017 film Foxtrot Samuel Maoz
2017 film Novitiate Maggie Betts

DanceEdit

TheatreEdit

  • The New York production of Eurydice, a play by Sarah Ruhl (2007)
  • Venezuelan production called 120 vidas x minuto ("120 Lives a Minute"), a play by Gustavo Ott (2007)
  • Czech production of Forgotten Light ("Zapomenuté světlo"), a play by Jakub Deml
  • French production of The Glass Menagerie (Tennessee Williams) a play by Daniel Jeanneteau (2016)[3]
  • Canadian production of "Othello", a play by Shakespeare, directed by Ian Farthing at the St. Lawrence Shakespeare Festival (2012)

TelevisionEdit

  • The BBC documentary Touched by Auschwitz (2015)
  • The BBC drama Hattie (2011)
  • The RTS (Radio and Television of Serbia) and Colossal production documentary "Izgubljeni orden" (The lost Medal) (2010)
  • The BBC television series Criminal Justice (2009)
  • It was also used in a 2008 episode of the British medical drama Casualty, when character Dr. Ruth Winters attempted suicide, and again in January 2010 when Dr. Adam Trueman's son, Harry Trueman, dies after a car accident. It was reused in their spin-off show Holby City in December 2016 when Jac Naylor was being operated on as a result of her ovarian cyst rupturing.
  • The season two episode of Supernatural entitled "What is and What Should Never Be" (2007)
  • The BBC dramatisation of Elizabeth Gaskell's 'North & South' (2004) – theme for the romantic railway station closing-scene
  • The BBC documentary Century of the Self (2002) by Adam Curtis
  • The BBC documentary John Steinbeck: Voice of America (2011) by Melvyn Bragg
  • The FOX television show Simpsons episode 534 Yolo (2013)
  • The RTÉ News, on New Year's Eve, at the end of news editions as a memoriam to victims of road traffic deaths during the year[citation needed]
  • The Carlton series "The Wrong Side of the Rainbow" (2001)
  • The S4C television drama "Gwaith Cartref" (2015).

SportEdit

AvailabilityEdit

Pärt himself endorsed a recording on the ECM New Series album entitled Alina, recorded in July 1995 and released in 1999. It includes two variations of Für Alina by pianist Alexander Malter, and three versions of Pärt’s Spiegel im Spiegel (for piano and violin, violoncello, and violin, respectively). According to the liner notes, the two versions, somewhat like “mood improvisations”, were handpicked by Pärt from a recording that was originally several hours long. The two versions most strikingly differ in the use of rubato and that of the use of the low octave b. Both versions clock slightly under eleven minutes.

The piece is featured on the 2016 album Sacred by Australian violinist Niki Vasilakis and features Deanna Djuric on piano.

ReferencesEdit

External linksEdit