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Set and Setting is the fourth album by the American psychedelic rock group Bardo Pond. It was released on August 10, 1999 on Matador Records. The album's title comes from the writings of Timothy Leary.[4]
| Set and Setting | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | August 10, 1999 | |||
| Studio | Lemur House, Philadelphia, PA | |||
| Genre | ||||
| Length | 49:08 | |||
| Label | Matador Records | |||
| Producer | Bardo Pond, Michael Gibbons | |||
| Bardo Pond chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
| The Boston Phoenix | [2] |
| NME | [3] |
Reception edit
The critical reception to Set and Setting was quite positive. Head Heritage praised the album, describing it as a combination of "Sabbath, Sonic Youth, My Bloody Valentine and smoking a bag of something interesting."[5] "While their last two records have been more concerned with sonic crunch than actual songwriting," wrote Sean Palmerston for Exclaim!, "this time around it seems that Bardo Pond has got it all right. Basing song structures in heavy blues riffs (the natural beginning to the psychedelic movement anyway), the band moves away from confusing swirls of 1996’s Lapsed [sic] and streamlines their direction into more direct, harder-hitting songs. [...] Just don’t expect them to be touring with Fat Possum bands anytime soon – for my money, they’re still the closest thing left to real stoner rock since Sleep split up."[6] CMJ New Music wrote that the album "rightly positions Bardo Pond among today's space-rock luminaries, but it also sees the band on a different course from some of its drone-rock colleagues [...] Where bands like Flying Saucer Attack work a decidedly celestial groove, as Bardo Pond has evolved, its grooves have become more scuzzy, vaguely blues-inspired and covered with a sticky layer of big-city grime, creosote and resin. It's space-rock at its stoned and sludgy best."[7]
Despite a mixed score, AllMusic's Matt Kantor gave the album a very positive review, writing that "[t]he cilia-pulling strains of Set and Setting become utterly more infectious with each new spin [...] The band is at their most effective on instrumental cuts like "Datura" and the violin-based "Cross Current." Here, sounds get their most stretched out and visual. On the whole, [the album] is another cohesive step forward, a slow parade of seductive experimentation and noise that crawls on rock's foundation and doesn't care what anyone thinks. [...] Imagine then, Sonic Youth strewn across the desert on blotter acid; Set and Setting probably sounds something like that."[1]
Track listing edit
- "Walking Stick Man" – 11:01
- "This Time (So Fucked)" – 4:00
- "Datura" – 8:02
- "Again" – 6:33
- "Lull" – 2:16
- "Cross Current" – 6:36
- "Crawl Away" – 9:26
- "#3" – 1:14
Personnel edit
- Isobel Sollenberger – Violin, Vocals
- John Gibbons – Synthesizer, Guitar, Percussion, Feedback
- Michael Gibbons – Synthesizer, Guitar, Producer
- Clint Takeda – Bass, Snake Guitar
- Ed Farnsworth – Drums (tracks 1, 3)
- Joe Culver – Drums (tracks 2, 4–8)
- Additional personnel
- Dan Wittels – Harmonica (track 1)
- Jim Salamone – Mastering
References edit
- ^ a b "Set and Setting - Bardo Pond | Songs, Reviews, Credits". AllMusic. Retrieved 2021-01-03.
- ^ "The Boston Phoenix October 1-7, 1999: Vol 28 Iss 40". Boston Phoenix. October 1999.
- ^ "Set And Setting". Nme.com. 12 September 2005. Retrieved 1 January 2022.
- ^ The Wire. C. Parker. 2006. ISBN 9780955154102.
- ^ "Bardo Pond - Set and Setting". Head Heritage.
- ^ "Bardo Pond Set and Setting". Exclaim.ca. Retrieved 2021-01-03.
- ^ Inc, CMJ Network (October 1999). CMJ New Music Monthly. CMJ Network, Inc.
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