Rituparno Ghosh (31 August 1963 – 30 May 2013) was an Indian film director, actor, writer and lyricist in the Bengali cinema. After pursuing a degree in economics he started his career as a creative artist at an advertising agency. In 1992, his debut film Hirer Angti released. In 1994, his next film Unishe April released which won National Film Award for Best Feature Film.
Rituparno Ghosh at MAMI festival
|Died||30 May 2013 (aged 49)|
Kolkata, West Bengal, India
|Cause of death||Heart attack|
Ghosh was a self-professed Satyajit Ray fan and inspired other filmmakers like Mithaq Kazimi who adapted Ghosh's film Raincoat in English. In his career spanning almost two decades, he won 12 National and many International awards. Ghosh died on 30 May 2013 in Kolkata after a heart attack.
Rituparno Ghosh was born in a Bengali family on 31 August 1963 in Kolkata. His father, Sunil Ghosh, was a documentary film maker and painter. He completed his schooling at South Point High School, and earned a degree in economics from the Jadavpur University, Kolkata.
Before his career in film, Rituparno Ghosh worked at the Response India advertising agency and became known as an especially effective copywriter in Kolkata. He was particularly noted for composing succinct, appealing one-liners and slogans for ad campaigns in Bengali during the 1980s. At the time, the trend in Kolkata was to translate all-India advertisement campaigns originally composed in English and Hindi into Bengali. Ghosh won recognition for his ability to initiate campaigns in Bengali. Among his noted ad campaigns were 'Sharad Samman' and 'Bongo Jiboner Ango' for the antiseptic ointment, Boroline, and others for Frooti, the largest-selling mango drink in India. Some commentators noted that his power to appeal to consumers through ad campaigns helped make his films appealing to wider audiences, particularly to middle class Bengalis. In 1990, Rituparno got his first break in documentary film when his own agency, Tele-Response, a member of the Response family of companies, was commissioned to make a documentary on Vande Mataram for Doordarshan.
Ghosh made his directorial debut in the feature film Hirer Angti which was released in 1992, a family-friendly film based on a novel written by Shirshendu Mukhopadhyay about inheritance and conjuring tricks, and starring Moon Moon Sen, Basanta Choudhury, and others
His second film, Unishe April, starring Aparna Sen, Debashree Roy, Prosenjit Chatterjee and Dipankar Dey, with a soundtrack composed by Jyotishka Dasgupta, was released in 1994, and won two National Film Awards in 1995, including Best Feature Film. It portrayed the relationship of an award-winning dancer and her emotionally abandoned daughter, who aspires to be a doctor. This film received both critical acclaim and commercial success. His next film, Dahan, released in 1997. won Ghosh the National Film Award for Best Screenplay Dahan was based on the true story of a woman who was molested on a street in Kolkata, and of another woman, a witness who came forward to bring legal action against the perpetrators, but became frustrated by the callousness of society, including the victim's family.
Bariwali, released in 2000, starring Kirron Kher, Rupa Ganguly and Chiranjeet Chakraborty, portrayed a lonely and withdrawn widow (Kirron Kher) who rents out her large house for a film production, and fantasises about the charming and very much married director, who flirts with her but, predictably, disappoints her. Kher won National Film Award for Best Actress. In the 1999 film Asukh, Ghosh dealt with the relationship between a young film star and her father who must depend unwillingly on his daughter's earnings. The film won National Film Award for Best Feature Film in Bengali.
Ghosh won the National Award for Best Direction for Utsab, released in 2000. The film dealt with the decadence of a large family whose members now live away from the ancestral home, and meet only during the traditional Durga puja held on the premises. The 2002 film Titli was another narrative about a mother-daughter relationship—the teenage daughter has a crush on an older film star who, years ago, had an affair with the mother.
The 2003 film Shubho Mahurat, a whodunit based on Agatha Christie's book, The Mirror Crack'd from Side to Side, starred the veteran actresses Rakhee and Sharmila Tagore, alongside Nandita Das, in major roles. The same year, Ghosh released his film Chokher Bali, based on a novel written by Rabindranath Tagore, in which Bollywood actress Aishwarya Rai worked with the director for the first time.
In 2004, Ghosh's first Hindi film, Raincoat, an adaptation of the short story, The Gift of the Magi (1906), by O. Henry was released. In this film he worked with Aishwarya Rai again. The shooting of the film was completed in 17 days. This film received National Film Award for Best Feature Film in Hindi award. It was later adapted in English by Mithaq kazimi.
In 2005 the Bengali film, Antar Mahal was released. The film was set in British India and revolved around a land-owning or zamindari family. Jackie Shroff played the Zamindar. Soha Ali Khan and Roopa Ganguly played the Zaminder's wives.
Ghosh's 2007 film, The Last Lear, revolved around the life of a retired Shakespearean theatre actor, with Amitabh Bachchan in the lead role, and with Preity Zinta and Arjun Rampal playing supporting roles.
The 2008 film, Khela, was Manisha Koirala's debut film in Bengali cinema. Later the same year, Shob Charitro Kalponik, starring Bipasha Basu and Prosenjit, was released, and won the National Award for Best Film in Bengali.
In 2009, Ghosh's film Abohoman, starring Jisshu Sengupta, Ananya Chatterjee, Dipankar Dey, and Mamata Shankar, was released, and won him the National film award for Best Director in Bengali for this film.
Rituparno Ghosh made his first screen appearance in an Oriya film, Katha Deithilli Ma Ku, which was directed by Himanshu Parija and released in 2003. In 2011, he acted in two Bengali films— Arekti Premer Golpo directed by Kaushik Ganguly, which dealt with gay relationships, and Memories in March directed by Sanjoy Nag.
Rituparno suffered from diabetes mellitus type 2 for ten years, and pancreatitis for five years. He experienced insomnia and had been taking medication for it. According to Dr Rajiv Seal of Fortis Hospitals, who had been his physician for almost two decades, Rituparno was also facing complications from hormone treatments after abdominoplasty and breast implants operations which he underwent for his role in Kaushik Ganguly's film, Arekti Premer Golpo, in which he played a transgender filmmaker with a bisexual lover.
Ghosh died at his Kolkata residence on 30 May 2013, following a massive heart attack. His attendants, Dileep and Bishnu, found him lying unconscious in bed. Nilanjana Sengupta, wife of actor Jisshu Sengupta, sent for Dr. Nirup Mitra, who declared Ghosh dead. Ghosh was 49 years old.
Many Bengali film actors and directors went to Ghosh's residence to pay tribute. In the afternoon his body was taken to Nandan and kept outside the Nandan complex for some time to allow his fans to see him one last time. Thousands of people came to Nandan to pay homage. Then his body was taken to Tollygunge Technician Studios, where West Bengal's Chief Minister Mamata Banerjee spoke of him in tribute. From Tollygunge, Ghosh's body was taken to Siriti cremation ground where his funeral took place. He was given gun salute by Kolkata Police before cremation.
Reactions and tributesEdit
- Bengali film industry
Bengali actor Soumitra Chatterjee said "I cannot believe that Rituparno is no more. It is very difficult to accept this news. We lost a very promising film director at a very early age." Konkona Sen Sharma, who acted in Ghosh's Titli and Dosar', said that Ghosh's death was a great personal loss for her. Actor Arindam Sil requested to observe the day as a day of national mourning. Dev said he was speechless after getting the news. Rituparna Sengupta described Ghosh as a creative genius who had enriched the Bengali film industry emotionally and culturally.
- Bollywood film industry
Amitabh Bachchan remembered Ghosh as the only director who had worked with every member of the Bachchan family. He tweeted, "Ghosh was a sensitive artistic minded gentle human being." For actress Bipasha Basu it was heartbreaking news, difficult to believe. Film director Shyam Benegal said, Ghosh's death was a "huge tragedy". Soha Ali Khan described Ghosh as one in the vanguard of Bengali cinema who created a link between Satyajit Ray and a new school of Bengali filmmakers. To Arjun Rampal, Ghosh was "a master of his craft" and a wonderful man. Actress Kirron Kher remembered his childlike wonder and added, "In the film world, which is replete with ignorant people, Ritu was a very well-read man. He had a library of his own and would study religiously. His knowledge was unparalleled."
- International film industry
The Indian consulate in Bangladesh held a retrospective and Mithaq Kazimi wrote his reactions via his personal blog.
Rituparno Ghosh was one of the most acclaimed film directors of India, and was himself an admirer of Satyajit Ray. His films glorified womanhood and closely and sensitively portrayed women's lives, feelings and sufferings. According to Bollywood actor Anupam Kher, Ghosh had wonderful understanding of the female psyche. In his last films he addressed issues of homosexuality and gender.
An article in the newspaper Live Mint categorised Ghosh's cinematic career in three phases: In his early films, he tried to portray Bengali middle-class lives, their aspirations and desires; in the second phase, he mainly worked with Bollywood actors and made films in Hindi and English as well as Bengali; in the third and the last phase his movies mainly dealt with sexuality.
His films, with their sensitive portrayal of human relationships, anguish, trauma and love in a fast-changing, post-liberalisation India charmed audiences. His brilliant story-telling reflected contemporary society like never before. While his death creates a tremendous void that can never be filled, Rituparno's work blazed a trail that has paved the way for an entire generation of filmmakers who have dared to be different. It was Rituparno who gave them the courage.
He looked at ordinary middle-class relationships from an angle that had never been explored. For example, the mother-daughter relationship in 'Unishe April' was refreshing, yet realistic in a society that was going through churning.
Goutam Ghose also felt that Rituparno Ghosh was the best film director of his generation. He directed and as well as acted in such films which tried to reject the concept that homosexual relationship is all about a physical relationship. He said in an interview in 2010— "There is much more to such relationships. Same-sex relationships, too, are extremely soulful, emotional and have the same pathos that any heterosexual relationship has."
Bengali film director Mrinal Sen said that whenever he thought of direction, the name that came to mind was Rituparno Ghosh. According to Sen, Ghosh's contribution to Indian cinema will be remembered forever. The independent film critic Saibal Chatterjee, in an article in The Hindu, described the way Ghosh mixed the literary traditions of Bengal with modern-day sensibility, thereby transcending the confines of region. Chatterjee praised Ghosh for his brave and empathetic treatment of "alternative sexuality" as actor in Arekti Premer Golpo and Memories in March, and as director-actor in Chitrangada.
Ghosh's exploration of Tagore's worksEdit
Ghosh was a researcher and admirer of Rabindranath Tagore. He made three films directly based on literary works of Rabindranath Tagore— Choker Bali (2003), Nokuadubi (2010) and Chitrangada (2012). In the film Asukh (1999) Tagore played an invisible role. In 2012, Ghosh made a documentary based on Tagore's autobiography, 'Jiban Smriti', for the Government of India Ministry of Culture.
In an interview in August 2012, Ghosh spoke about Tagore— "What comes through is what a lonely man Tagore was – from childhood to old age. There is no one in his life to share even his success with him. It's the journey of a lonely traveller. What I haven't captured in the documentary is what a fun-loving, humorous man he could be. I show him as a profound thinker, a guru – but then this was perhaps necessary for an audience which is not at all familiar with Rabindranath."
|1992||Hirer Angti||Bengali||Yes||Yes||Directorial debut, based on Shirshendu Mukhopadhyay's novel|
|1999||Asukh||Bengali||Yes||Yes||National Film Award for Best Feature Film in Bengali|
|2000||Utsab||Bengali||Yes||Yes||National Film Award for Best Direction|
|Chokher Bali||Bengali||Yes||Yes||National Film Award for Best Feature Film in Bengali|
|Raincoat||Hindi||Yes||Yes||National Film Award for Best Feature Film in Hindi|
|2006||Dosar||Bengali||Yes||Yes||National Film Awards – Special Jury Award – Prosenjit Chatterjee|
|2007||The Last Lear||English||Yes||Yes|
|Shob Charitro Kalponik||Bengali||Yes||Yes||National Film Award for Best Feature Film in Bengali|
|Noukadubi||Bengali||Yes||Yes||He dubbed for Amu Chatterjee|
|2011||Arekti Premer Golpo||Bengali||Yes||Directed by Kaushik Ganguly, dealt with homosexual relationship|
|Memories in March||English||Yes||Yes||National Film Award for Best Feature Film in English|
|2012||Sunglass||Hindi||Yes||Yes||Released at the 19th Kolkata International Film Festival inauguration as a tribute to the legend Rituparno Ghosh|
|Chitrangada||Bengali||Yes||Yes||Yes||National Film Awards – Special Jury Award|
|JEEVAN SMRITI : Selective Memories||Bengali||Yes||Yes||Yes||Documentary on Rabindranath Tagore based on Tagore's autobiography, unreleased|
|National Film Awards||1995||Unishe April||National Film Award for Best Feature Film||Won|
|1998||Dahan||National Film Award for Best Screenplay and National Film Award for Best Feature Film in Bengali||Won|
|2000||Asukh||National Film Award for Best Feature Film in Bengali||Won|
|2001||Utsab||National Film Award for Best Direction||Won|
|2003||Shubho Mahurat||National Film Award for Best Feature Film in Bengali||Won|
|2004||Chokher Bali||National Film Award for Best Feature Film in Bengali||Won|
|2005||Raincoat||National Film Award for Best Feature Film in Hindi||Won|
|2008||The Last Lear||National Film Award for Best Feature Film in English||Won|
|2009||Sob Charitro Kalponik||National Film Award for Best Feature Film in Bengali||Won|
|2010||Abohoman||National Film Award for Best Direction||Won|
|National Film Award for Best Feature Film in Bengali||Won|
|2012||Chitrangada||National Film Awards – Special Jury Award||Won|
|Bombay International Film Festival||1999||Asukh||FIPRESCI Prize (Special Mention)||Won|
|2002||Titli||FIPRESCI Prize (Jury Prize)||Won|
|2003||Shubho Mahurat||Best Indian film||Nominated|
|Berlin International Film Festival||2000||Bariwali||NETPAC Award||Won|
|Kalakar Awards||1997||Unishe April||5th Kalakar Award for Best Director||Won|
|2011||Arekti Premer Golpo||19th Kalakar Award for Best Actor||Won|
|Tele Cine Awards||2011||Arekti Premer Golpo||11th Tele Cine Awards special award for Extraordinary Performance in an Exceptional Character||Won|
|Pusan International Film Festival||1996||Unishe April||New Currents Award||Nominated|
|Locarno International Film Festival||2003||Chokher Bali||Golden Leopard||Nominated|
|International Film Festival of Kerala||2005||Antarmahal||Golden Crow Pheasant||Nominated|
|Karlovy Vary International Film Festival||1998||Dahan||Crystal Globe||Nominated|
|Deauville Asian Film Festival||2010||Abohoman||Best film— Lotus||Nominated|
|Chicago International Film Festival||2003||Chokher Bali||Gold Hugo||Nominated|
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