To the Ends of the Earth
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To the Ends of the Earth is the name given to a trilogy of nautical, relational novels—Rites of Passage (1980), Close Quarters (1987), and Fire Down Below (1989)—by British author William Golding. Set on a former British man-of-war transporting migrants to Australia in the early 19th century, the novels explore themes of class (assumed status) and man's reversion to savagery when isolated, in this case, the closed society of the ship's passengers and crew.[not verified in body]
The first of the books, Rites of Passage, was awarded the Man Booker Prize in 1980. The trilogy as a whole was adapted by the late Leigh Jackson and Tony Basgallop for a 2005 BBC drama mini-series of the same name, directed by David Attwood and starring Benedict Cumberbatch. It aired in the United States in PBS' 2006 season of Masterpiece Theatre. It became available in 2016 on Netflix and Hulu streaming.
Rites of PassageEdit
Rites of Passage (1980) is an account of a six-month voyage to Australia in the early 19th century by an assorted group of British migrants on a converted man-of-war. It is in the form of a journal written by Edmund Talbot, a young aristocrat. His influential godfather has arranged for him to be employed with the Governor of New South Wales, and presents Talbot with a journal to record the significant events of the journey. He considers it a time of reflection for the young man. Talbot begins by describing the passengers of all classes (getting a tour of the ship) and crew members, who encompass a motley yet representative collection of early 19th-century English society. He becomes concerned with the downfall of passenger Reverend Colley.
Talbot has a somewhat ambiguous role in Colley's fall; although he quickly assumes a mediator's role between the Reverend and Captain Anderson, initially he had presumed on his status by going on the quarterdeck without the captain's express invitation, about which the latter man was protective. Colley dies after getting drunk and possibly being sexually assaulted by the ship's crew and officers. When one of the crew suggests officers were involved, the captain ends his investigation of Colley's death, as "buggery" (homosexual intercourse) is punishable by hanging. Talbot comes across Colley's journal, and feels guilty for seeing how eager Colley was to know him better. Colley is given a formal burial at sea. As the novel closes, Talbot is ambivalent about presenting his own journal to his godfather, as he fears it may not show him in the best light. He concludes that he does not have a choice, and eventually he seals the journal, in order to protect what he has written.[clarification needed]
Golding begins Close Quarters (1987) from Talbot's point of view and soon after he completed his first journal on the 6-month voyage to Australia. Talbot starts a new journal in a different tone, as this volume will not be presented to his godfather. He describes his romantic feelings for a young woman whom he meets on a different ship they encounter, HMS Alcyone. Feeling ill, he expresses his fears about the seaworthiness of his own ship and its ability to complete the journey. The book has a more traditional structure, with chapter breaks at dramatic moments (rather than the day-by-day account presented in Rites).
Fire Down BelowEdit
Fire Down Below (1989) closed the trilogy with a description of the ever-more perilous voyage (given the old ship and old charts); of Talbot's maturing and his growing admiration for the Prettimans; of the rivalry between the two principal officers, Summers and Benét, for Captain Anderson's respect and trust; and of the conclusion to Edmund's affaire de coeur with Miss Chumley. Much detail is given to the increasingly frantic measures to repair the ship and reach Australia.
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Rites of Passage is characterized by the theme of class division, in particular, the assumption of a higher status by individuals than is warranted. The leitmotiv of proper gentlemanly conduct is explored in the often stormy friendship of Talbot with Lieutenant Summers, who presses him to live up to his responsibilities as an aristocrat after he has taken advantage of its privilege. Summers sometimes feels slighted by Talbot's ill-considered comments and advice. Rites explores the cruelties of men in groups, and the tensions as they struggle over status and place in their artificial society on the ship.