Rebecca Zorach (born 1969) is an art historian and Mary Jane Crowe Professor in Art and Art History at Northwestern University. Her work focuses on early modern European art, contemporary and activist art.[1]
Rebecca Zorach | |
|---|---|
| Title | Mary Jane Crowe Professor in Art and Art History |
| Academic background | |
| Alma mater | University of Chicago |
| Academic work | |
| Institutions | Northwestern University |
| Notable works | Blood, Milk, Ink, Gold |
Zorach earned her PhD from the University of Chicago in 1999.[1]
Zorach won the 2006 Gustave O. Arlt Award from the Council of Graduate Schools and the 2005 book prize from the Society for the Study of Early Modern Women for her book Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance.[2]
Works edit
- ed. Embodied Utopias: Gender, Social Change, and the Modern Metropolis with Amy Bingaman and Lisa Shapiro Sanders (Routledge, 2002)
- Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance (University of Chicago Press, 2005)[3][4][5][6][7]
- Paper Museums: The Reproductive Print in Europe 1500-1800 with Elizabeth Rodini (Smart Museum of Art, University of Chicago, 2005)[8][9]
- The Virtual Tourist in Renaissance Rome: Printing and Collecting the Speculum Romanae Magnificentiae (University of Chicago Library, 2008)[10][11][12]
- ed. The Idol in the Age of Art with Michael Cole (Routledge, 2009)
- The Passionate Triangle (University of Chicago Press, 2011)[13][14][15][16]
- ed. Art Against the Law (School of the Art Institute of Chicago, 2014)
- Gold: Nature and Culture with Michael W. Phillips Jr. (Reaktion Books, 2016)
References edit
- ^ a b "Rebecca Zorach: Department of Art History - Northwestern University". www.arthistory.northwestern.edu. Northwestern University. Archived from the original on 8 March 2017. Retrieved 8 March 2017.
- ^ "Art historian examines abundance, excess of French Renaissance through art, literature, architecture". chronicle.uchicago.edu. University of Chicago. Archived from the original on 23 April 2017. Retrieved 8 March 2017.
- ^ Fiorenza, Giancarlo (2006). "Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance (review)". Renaissance Quarterly. 59 (3): 898–900. doi:10.1353/ren.2008.0371. ISSN 1935-0236. S2CID 191645125.
- ^ Broomhall, Susan (2010-07-14). "Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance (review)". Parergon. 27 (1): 263–266. doi:10.1353/pgn.0.0207. ISSN 1832-8334. S2CID 201794943. Archived from the original on 2018-06-02. Retrieved 2020-12-06.
- ^ Kilroy, Lauren Grace (2007). "Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance by Rebecca Zorach (review)". Comitatus: A Journal of Medieval and Renaissance Studies. 38 (1): 288–290. doi:10.1353/cjm.2007.0060. ISSN 1557-0290.
- ^ Parsons, Jotham (2007). "Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance – By Rebecca Zorach". Historian. 69 (2): 399–400. doi:10.1111/j.1540-6563.2007.00182_68.x. ISSN 1540-6563. S2CID 144169351. Archived from the original on 2021-02-01. Retrieved 2020-12-06.
- ^ Marr, Alexander (2007). "Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance - By Rebecca Zorach". Renaissance Studies. 21 (2): 298–299. doi:10.1111/j.1477-4658.2007.00390.x. ISSN 1477-4658. Archived from the original on 2021-02-01. Retrieved 2020-12-06.
- ^ Prange, Peter (2007-05-01). "Paper Museums. The Reproductive Print in Europe, 1500–1800". Journal of the History of Collections. 19 (1): 145–147. doi:10.1093/jhc/fhm002. ISSN 0954-6650.
- ^ Mazzi, Maya Stanfield (2006). "Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public by Peter Parshall, Rainer Schoch, and Paper Museums: The Reproductive Print in Europe, 1500–1800 by Rebecca Zorach, Elizabeth Rodini (review)". Comitatus: A Journal of Medieval and Renaissance Studies. 37 (1): 279–283. doi:10.1353/cjm.2006.0046. ISSN 1557-0290.
- ^ Bentz, Katherine M. (2009). "Rebecca Zorach, ed. The Virtual Tourist in Renaissance Rome: Printing and Collecting the Speculum Romanae Magnificentiae. Chicago: The University of Chicago Press, 2008. 176 pp. illus. bibl. $25. ISBN: 0–943056–37–3". Renaissance Quarterly. 62 (1): 249–250. doi:10.1086/598422. ISSN 0034-4338. S2CID 163966948. Archived from the original on 2021-02-01. Retrieved 2020-12-06.
- ^ Fishburne, James (2009). "The Virtual Tourist in Renaissance Rome: Printing and Collecting the Speculum Romanae Magnificentiae ed. by Rebecca Zorach (review)". Comitatus: A Journal of Medieval and Renaissance Studies. 40 (1): 343–344. doi:10.1353/cjm.2009.0030. ISSN 1557-0290.
- ^ Rowland, Ingrid (2011-10-27). "The Virtual Tourist in Renaissance Rome: Printing and Collecting the Speculum Romanae Magnificentiae (review)". The Catholic Historical Review. 97 (4): 806–807. doi:10.1353/cat.2011.0221. ISSN 1534-0708. S2CID 161373351. Archived from the original on 2018-06-03. Retrieved 2020-12-06.
- ^ Hammerschmidt, Jennifer (2012-08-21). "The Passionate Triangle (review)". Comitatus: A Journal of Medieval and Renaissance Studies. 43 (1): 306–308. doi:10.1353/cjm.2012.0053. ISSN 1557-0290. Archived from the original on 2018-06-01. Retrieved 2020-12-06.
- ^ HARDING, CATHERINE (2012). "Review of The Passionate Triangle". Renaissance and Reformation. 35 (4): 179–181. ISSN 0034-429X. JSTOR 43446654. Archived from the original on 2021-02-01. Retrieved 2020-12-06.
- ^ Terry-Fritsch, Allie (2012). "Review of The Passionate Triangle". The Sixteenth Century Journal. 43 (4): 1247–1249. ISSN 0361-0160. JSTOR 24245059.
- ^ Hall, Marcia B. (2012). "Rebecca Zorach. The Passionate Triangle. Chicago: University of Chicago Press, 2011. xiii + 264 pp. $45. ISBN: 978–0–226–98939–6". Renaissance Quarterly. 65 (3): 881–882. doi:10.1086/668313. ISSN 0034-4338. S2CID 164138677. Archived from the original on 2021-02-01. Retrieved 2020-12-06.