Reading Egyptian Art: A Hieroglyphic Guide to Ancient Egyptian Painting and Sculpture a primer on Egyptian hieroglyphs from the viewpoint of seeing hieroglyphs in the context of their use in iconography of sculpture, monuments, reliefs, tomb reliefs, literature, specifically the corpus of The Book of the Dead versions for various deceased Egyptians, and other areas.

The book is arranged sequentially with the 26 categories of Gardiner's Sign List. Each entry is a detailed write-up, and a facing page of one to six graphic or photo examples, elucidating the hieroglyphs usage.

Example categoriesEdit

Hippopotamus hieroglyphEdit

The hippopotamus, Gardiner E25,
E25
shows a "Faience hippopotamus, Meir, 12th Dynasty."[1] The photo is a small statuette, the hippo skin covered with large lined lotus buds, and lotus blossoms.

Follower SignEdit

The less common Follower Sign, Gardiner T18,
T18
uses three examples, the first being from the Tomb of Sennedjem, Thebes, 19th Dynasty, and shows the barque of Ra and the main iconography of the Follower Sign, Ra as seated God, and the Steering Oar (hieroglyph) at rear.[2]

"Clenched Hand" from the palette corpusEdit

The not-so-common Clenched Hand, Gardiner D49, (khefa),
D49
shows 4 graphics, but the largest is one side of the Bull Palette, from the Predynastic Period cosmetic palette corpus, with its iconography of warriors on a field, the 'community large rope', and 5 standards-for-gods, (iat standard (hieroglyph)).[3]

ReferencesEdit

  1. ^ Reading Egyptian Art, Hippopotamus, deb, E25, p. 70-71
  2. ^ Reading Egyptian Art, Follower Sign, shemset, T18 p. 186-187
  3. ^ Reading Egyptian Art, Clenched Hand, khefa D49, p. 54-55
  • Wilkinson, Richard H., Reading Egyptian Art: A Hieroglyphic Guide to Ancient Egyptian Painting and Sculpture, c 1992, 1994, Thames and Hudson; abbreviated Index, 224 pp. {softcover, ISBN 0-500-27751-6}