Rachel Berwick (born 1962) is an American visual artist whose sculptural installations explore themes of extinction and loss in the natural world.[1][2]
Rachel Berwick | |
|---|---|
 Artist Rachel Berwick with Galapagos Tortoises while filming for her Installation "Lonesome George" | |
| Born | 1962 (age 61–62) Somers Point, New Jersey, U.S. |
| Nationality | American |
| Education | Rhode Island School of Design, Yale School of Art |
Early life edit
Born in Somers Point, New Jersey, Berwick grew up in a rural setting where she gained an appreciation for nature and biology. Berwick studied sculptural arts in the glass department at Rhode Island School of Design. She received her B.F.A. in 1984, and her M.F.A. from Yale School of Art in 1989.[3]
Career edit
Berwick teaches as a faculty member at the RISD glass department, teaching multiple studio classes. She used to be the head of the department.[4]
Artwork edit
Berwick has created art installations focused on bird migrations,[5] language transmission,[6] and dying species,[7] often taking inspiration from the animal world. Inspired by Martha (passenger pigeon), Berwick cast 500 amber bird sculptures from a preserved passenger pigeon specimen for her installation entitled A Vanishing; Martha (2003–2005).[8] For her living installation, entitled may-por-é (1996–present), Berwick trained parrots to mimic sounds and words from the Maipure language, as documented in the writings and research of Alexander von Humboldt.[9] In her mixed-media video installation, entitled Lonesome George (2005–2010), Berwick invites the viewer to reflect upon the extinction of a species of Galápagos tortoise.[10]
Berwick's art has been exhibited internationally[11] and she has received many awards and fellowships, including the Anonymous Was A Woman Award (1996),[12] a Smithsonian Artists Research Fellowship (2008),[13] the Joan Mitchell Fellowship (2012),[14] a Connecticut Artists Fellowship (2012), and a Robert Rauschenberg Foundation Artists Residency (2015).[15]
References edit
- ^ "Nico Israel on Rachel Berwick". www.artforum.com. December 2000. Retrieved August 26, 2022.
- ^ "Rachel Berwick | Smithsonian American Art Museum". americanart.si.edu. Retrieved September 9, 2022.
- ^ Springer, Claudia (2002). "Rachel Berwick: Economies of Desire". Woman's Art Journal. 23 (2): 16–20. doi:10.2307/1358703. ISSN 0270-7993. JSTOR 1358703.
- ^ "Rachel Berwick | RISD". www.risd.edu. Retrieved April 16, 2024.
- ^ Krinsky, Anne (2010). "Decoding Art in Science". Art New England. 31 (2): 26–28.
- ^ "Frances Richard on Rachel Berwick". www.artforum.com. April 1998. Retrieved August 26, 2022.
- ^ Thompson, Nato (2005). Becoming Animal: Contemporary Art in the Animal Kingdom. MIT Press. pp. 32–38. ISBN 9780262201612.
- ^ Kurin, Richard (October 25, 2016). The Smithsonian's History of America in 101 Objects. Penguin. ISBN 978-0-14-312815-1.
- ^ "Parrots speak lost rainforest tongue". The Independent. April 1, 2000. Retrieved August 26, 2022.
- ^ Freeman, Carol; Leane, Elizabeth; Watt, Yvette (2011). Considering Animals: Contemporary Studies in Human-animal Relations. Ashgate Publishing, Ltd. p. 122. ISBN 978-0-7546-9863-0.
- ^ "Rachel Berwick - Biography". www.artnet.com. Retrieved August 26, 2022.
- ^ "Recipients to Date". Anonymous Was A Woman. Retrieved August 26, 2022.
- ^ Goodyear, Anne Collins; Weitekamp, Margaret A. (October 30, 2013). Analyzing Art and Aesthetics. Smithsonian Institution. ISBN 978-1-935623-23-6.
- ^ "Rachel Berwick". Joan Mitchell Foundation. January 17, 2013. Retrieved August 26, 2022.
- ^ "Past Residents Captiva | Robert Rauschenberg Foundation". www.rauschenbergfoundation.org. Retrieved August 26, 2022.