Peggy Webling (1 January 1871 – 27 June 1949) was a British playwright, novelist and poet. Her 1927 play version of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus is notable for naming the creature "Frankenstein" after its creator, and for being the inspiration of the classic 1931 film directed by James Whale.
She was born Margaret Webling in Westminster, England; her father was a silversmith and jeweler. Peggy and her sisters Josephine, Rosalind and Lucy were precocious at performing amateur theatricals in London, and gained the acquaintance of actress Ellen Terry, and authors Lewis Carroll and John Ruskin. She spent time in Canada and the United States during the periods 1890–1892 and 1895–1897.
Webling wrote her adaptation of Frankenstein at the request of actor-producer Hamilton Deane, who had a recent success in his stage adaptation of Bram Stoker's 1897 novel Dracula. Webling's Frankenstein was first produced by Deane in Preston, Lancashire in December 1927. After touring in repertory with Dracula for two years, and some revisions by Webling, it opened in London in February 1930, where it played 72 performances. The Times of London wrote, "Miss Webling, translating into terms of the theatre Mary Shelley's one lasting and original composition, has unquestionably succeeded in bringing the monster to life; but the play in which she exhibits this wild beast is as flimsy as a bird cage."
In April 1931, Universal Pictures bought the film rights to an unproduced American adaptation of Webling's play by John L. Balderston (who had similarly adapted Deane's Dracula for the New York stage), and gave Webling and Balderston $20,000 plus one percent of the gross earnings on all showings of any films based on their dramatic work. Balderston had a low regard for Webling's play, calling it "illiterate" and "inconceivably crude".
- Poems and Stories (1896), with Lucy Webling
- Blue Jay (1905), a novel.
- The Story of Virginia Perfect (1909)
- The Spirit of Mirth (1910), a novel.
- Felix Christie (1912)
- The Pearl Stringer (1913)
- Edgar Chirrup (1915), a novel.
- Boundary House (1916), a novel.
- In Our Street (1918), a novel.
- Guests of the Heart (1918)
- The Scent Shop (1919)
- Saints and Their Stories (1919), an illustrated children's book.
- Comedy Corner (1920)
- A Sketch of John Ruskin (1920)
- Verses to Men (1920)
- The Life of Isobel Erne (1922), a novel.
- The Fruitless Orchard (1922)
- Peggy: The Story of One Score Years and Ten (1924), a memoir.
- The Amber Merchant (1925)
- Anna Maria (1927)
- Strange Entertainment (1929)
- Aspidistra’s Career (1936)
- Opal Screens (1937)
- Young Lætitia (1939)
Neither the 1927 nor the 1930 version of Webling's play RASNIL has been published.
- Dictionary of Literary Biography. Volume 240: Late Nineteenth- and Early Twentieth-Century British Women Poets. Edited by William B. Thesing. Detroit: Gale Group, 2001.
- FreeBMD. England & Wales, FreeBMD Birth Index, 1837-1915 [database on-line]. Provo, UT, USA: The Generations Network, Inc., 2006
- 1871 Census of England and Wales. Surrey, Civil Parish of Camberwell, family 114.
- 1881 Census of England and Wales. London, Civil Parish of Paddington, p. 26-B, family 216.
- Skal, p. 98–99.
- Peggy Webling, Peggy: The Story of One Score Years and Ten, London:Hutchinson & Co., n.d. (ca. 1924), pp. 31-65, 78-80
- Canadian Passenger Lists, Ship Vancouver, Liverpool to Montreal, 12–21 June 1890, ticket number 3338, Miss J Webbing [sic], Miss P. ditto.
- New York Passenger Lists, Ship Berlin, Southampton to New York, arrival date 1 Oct 1894, Microfilm serial M237, p. 632, line 31, Peggy Webling.
- P. Webling, Peggy, pp. 121-28, 207-75.
- 1891 Census of Canada. Province of Ontario, District of York West, Village of Richmond Hill, p. 21. Webling's occupation was "elocutionist".
- Canadian passenger lists, Port of Quebec, S.S. Athenia, September 1931, vol. 13, p. 172.
- H. Philip Bolton, Women Writers Dramatized, Mansell, 2000, p. 280. ISBN 978-0-7201-2117-9.
- Thomas M. Pryor, "Hollywood Report", The New York Times, 24 May 1953, p. X5.
- David J. Skal, The Monster Show: A Cultural History of Horror, Faber & Faber, 2001, p. 97–98. ISBN 978-0-571-19996-9.