On a Pale Horse
On a Pale Horse is a fantasy novel by Piers Anthony, first published in 1983. It is the first of eight books in the Incarnations of Immortality series. The book focuses on Zane, a photographer about to commit suicide who instead kills Death and must assume his office.
|Series||Incarnations of Immortality|
|Genre||Fantasy, Dark Fantasy|
|Publisher||Del Rey Books|
|LC Class||PS3551.N73 O5 1983|
|Followed by||Bearing an Hourglass|
The book spawned a five-issue comic series, released by Innovation in 1993. It was also the inspiration for the television series, Dead Like Me, which worked on the premise that there are multiple Grim Reapers working the planet.
In the early 21st century, Zane is living a pathetic life without money or employment. When a magic gem merchant cheats Zane out of an opportunity for romance, Zane decides to take his own life. As he starts to pull the trigger, he sees the spectre of Death (Thanatos) advancing on him. Startled, he pulls the gun from his own head and shoots Death right between the eyes. He is then visited by a woman who introduces herself as Fate, who insists that Zane must now assume the position of the man he has killed, since whoever kills Death must become the new Death. As Zane makes his way downstairs, he gets his first view of a pale limousine with the license plate reading "Mortis"...his Death Steed (Death rides a pale horse) who can assume the form of a pale boat, a plane, or a pale limousine, as well as the form of a pale horse. Fate then departs and leaves Zane in the care of Chronos, the Incarnation of Time, who then instructs Zane how to use his deathwatch, how Mortis changes form, how to use other instruments of the office, and exactly what his new duties are. This entails residing in Purgatory and visiting Earth to collect the souls of humans who are in a close balance of good and evil and cannot determine their eternal destination (Heaven or Hell) without help. In the course of learning the job, he discovers that his coming into the office of Death was not accidental, but was manipulated by a powerful magician (Cedric Kaftan Jr.). Despite being a mortal, this magician has strong ties to the other Incarnations from Purgatory and reveals to Zane that the Incarnation of Fate arranged Zane's destiny for the magician's purpose. There is a prophecy which states that Luna Kaftan, the magician's daughter, is destined to go into politics and thwart the schemes of Satan, the Incarnation of Evil. Luna Kaftan is thus a target for the forces of Hell and is in need of supernatural protection. The magician, who has done a great deal of research, feels that Zane is the best candidate for the Incarnation of Death to fall in love with Luna and thus want to protect her.
The only way for the magician Kaftan to meet with Death without Satan's knowledge is to die with his soul in balance. The magician chooses to sacrifice his own life to introduce Zane to Luna and explain to Zane the circumstances which brought him into the office of Death.
The dead magician's plans however seem to go awry. Due to manipulation by Satan, Luna is also destined to die before she can fulfill the prophecy. The magician had used too much black magic for his soul to be in balance. To bring it into balance before committing suicide, he has transferred the excess evil on his soul to Luna's soul, whom he has assumed to be innocent of evil. However, Luna has a burden of evil on her soul already, and her father's scheme has put her on the course to Hell. To correct this, she volunteers to switch places with one of Death's other clients. By sacrificing her own life to save another, she manages to balance the evil on her soul.
Her actions play right into Satan's trap, who doesn't care whether she goes to Heaven or Hell, only that she dies and is no longer a threat to his plots. However, Zane has already fallen in love with Luna by this time, just like the magician had planned, and he refuses to take the soul of the woman he loves.
Now the motives behind the magician's choice of Zane are made clear to him when the other four Incarnations (Time, Fate, War, and Nature) from Purgatory approach him and explain that they were all in on the plan. The previous Death could not be manipulated into betraying the duties of his office for love, so the Incarnations of Immortality decided to replace him with a young, stubborn man like Zane, who could.
Because Luna's soul is next in the queue, Zane cannot take the souls of other mortals until he deals with hers. He refuses to do so, thereby going on strike and leaving dying mortals in agony, unable to be released by death. As this is not to Satan's advantage, he first tries to bribe Zane, then intimidate him into going back to work.
Zane, however, has had a conversation with Gaea, the Incarnation of Nature, who has demonstrated to him the absolute power each Incarnation wields in its own sphere of influence. Zane eventually realises that the office of Death is unassailable by Satan and that he cannot be harmed within the sphere of that office. As an Incarnation, Satan himself has a soul and is subject to Zane's dominion. The conflict ends in a draw and Satan has no choice but to admit defeat.
With Satan's plot exposed, Purgatory changes Luna's destiny and she is free to return to life. Zane lifts his strike, and with Luna under his protection, Satan can no longer interfere with her fate through the means of death.
Death's Cloak provides significant protection against the elements and nearly all physical harm. It is magical in nature and allows Death to appear "socially" invisible to any who may observe Death, i.e. he may appear as a policeman when an accident takes place. The only ones who can see death for what he truly is would be client, those connections to the client and truly religious people. When the cowl of his cloak is pulled up a skeletal mask is generated. Death also has the ability to generate an unnerving presence to anyone who looks directly at Death, "Death Stare". This is part of the costume of death.
Death's Gloves and ShoesEdit
Death's Gloves and Shoes complete the costume. Magical in nature, they give Death the power to open doors and walk on water, while protecting the wearer from harm. In addition, they also generate the skeletal look typical for the incarnation of death.
Death carries a heavy, well-made chronometer (watch) with several functions; the watch is also attuned to Chronos and has the ability to stop time in a local area. The first function is to show a countdown of how much time a person has before their soul requires death's attention (it counts backwards).The second function shows the backlog whenever Death takes a break. The watch can also be used to recycle some time to gain more travel time between "clients."
Death has a magical scythe that grants the user the ability to cut through any substance, including flames. The scythe has the ability to destroy supernatural creatures as well. It is also used to painlessly reap mortal souls and is the tool that represents death.
Jewels and GemsEdit
Death has several magical Jewels and Gems, such as his earring, which allows Death to speak and understand any language. He also has a cat's eye jewel with a black center that enlarges when Death gets closer to his client, and a green jewel with an arrow pointing in the direction of the client. The most notable of these gems are a matched pair that Death uses to "weigh" a soul's good and bad deeds to determine whether it is destined for heaven or hell.
Mortis is an intelligent creature whose typical form is a pale stallion; he is Death's primary means of transportation. Based on the needs of Death, Mortis can become one of any number of forms, e.g. car, plane or boat. Mortis is immune to physical – and lesser magical – harm and when Death is astride the horse the 'presence' of Death is amplified. He can run at super speed and travel between earth and purgatory. He can run on water, in the air, up vertical surfaces and through ground. His car form also has the tool he uses to send souls to heaven or hell when they have been measured along with tape.
Used to store the folded paper like souls until they can be released
Mathews says that On a Pale Horse "explores fantasy's (and Anthony's) unique ability to embody abstractions. In the novel, an incarnation of Death engages in symbolic interactions written with the goal of helping readers come to terms with the inevitable end of life."