Wikipedia

Nelson Stevens

(Redirected from Nelson Stevens (artist))
For the American photographer, see Webster and Stevens.

Nelson Stevens (1938–July 22, 2022) was an artist known for his involvement with Chicago-based Black art collective AfriCOBRA.[1][2] Stevens' works are held by institutions such as the Art Institute of Chicago,[3] the Brooklyn Museum,[4] Memphis Brooks Museum of Art,[5] Pennsylvania Academy of the Fine Arts,[6] the Smithsonian National Museum of African American History and Culture,[7] and the Tate.[8]

Nelson Stevens
Born1938
Bedford-Stuyvesant, Brooklyn, New York City, United States
DiedJuly 22, 2022
NationalityAmerican
Alma materOhio University, Kent State University

Early life and education edit

Stevens was born Nelson Lowell Stevens Jr in Bedford-Stuyvesant, Brooklyn, New York City. He began attending weekend classes at the Museum of Modern Art after winning a spot in the fourth grade; his winning piece was inspired by Picasso's Guernica.[1][9]

In 1962 he earned a Bachelor of Fine Arts from Ohio University, and in 1969 he earned his Master of Fine Arts in studio art and art history from Kent State University.[1][10]

Art career edit

In 1956 Stevens began painting murals at jazz nightclubs in Utica, New York; in return, the businesses provided Stevens with free meals.[9][11]

Stevens joined AfriCOBRA in 1969 after meeting co-founder Jeff Donaldson at the College Art Association Conference in Boston.[1][9][10] He, along with other members, created silkscreen prints of his work as a way to make art more accessible to the general public; they were initially sold for only $10–15 at local events.[8][12]

In 1971, Stevens designed posters for a project at Northern Illinois University called Color Rappers, which aimed to raise scholarship money for Black students through selling art.[13]

In 1992 Stevens began the Art in the Service of the Lord project, which commissioned African-American artists to create biblical art featuring Black individuals.[14] The project was inspired by an experience in which a Black-owned funeral home approached Stevens and asked to commission him for a painting to replace their work of a blonde and blue-eyed Mary and Jesus.[14] The works were sold as a series of calendars through Spirit Wood Productions, a group founded by Stevens and his wife, Martha Grier.[15] The calendars were sold for four years, with about 15,000 calendars sold each year.[9] Some works from the project were exhibited at the Schomburg Center for Research in Black Culture in New York City in 1994.[14]

Style edit

Stevens viewed the creation of art as "for the sake of people" rather than "for art's sake".[16] His art featured "bold", "cool-ade" colors and "unexpected lines", and often included lettering or text. His works frequently focused on pan-Africanism and positive portrayals of both historical and contemporary Black subjects.[1][8][17][18]

Stevens largely focused on two-dimensional paintings, although his body of work does include some collages.[19]

Murals edit

In 1973, Stevens began a program to create public murals in Springfield, Massachusetts, with the aid of his students from University of Massachusetts Amherst. Over the following four years Stevens and his team created 36 murals.[9] Although many of the murals were lost in the intervening years, two of the murals – Wall of Black Music and Tribute to Black Women – were recreated in 2022.[20][17] In 1973, Stevens also created a mural in Boston, entitled Work to Unify African People, which was intended to parallel Dana Chandler's mural, Knowledge is power so Stay in School.[21][18]

In 1980, Stevens created a mural, entitled Centennial Vision, for the Tuskegee University to celebrate their 100th anniversary.[22][23] It was unveiled in July of that year.[24] In 1989 Stevens and five Job Corps students collaborated on a mural to commemorate the program's 25th anniversary. The mural was installed in the U.S. Department of Labor's headquarters in Washington, D.C.[25][26]

Exhibitions edit

Stevens' work has appeared in exhibitions showcasing art from various AfriCOBRA members.[27][28][29] His work has also been displayed among other Black artists, including at UMass Amherst[30] and Springfield Technical Community College in February 1992 (the latter of which Stevens also curated),[31] at the Jamaica Plain Art Center in 1994,[32] and at the Northampton Center for the Arts in 1995.[33] Stevens also curated a 1991 exhibition of African American art entitled "Rhythming".[34]

A one-man show of Stevens' work was shown at the Studio Museum in Harlem in 1973,[35] and at the Afro-American Cultural Center of American International College in January and February 1978.[36] In 2009 a collection of Stevens' work was shown at UMass Amherst.[16] In September 2019, Stevens had a solo exhibition titled "Work from the 60s to the Present" at the Kravets Wehby Gallery in New York City.[11]

In September 2022, a retrospective of Stevens' work, entitled "Nelson Stevens' Color Rapping", opened at the University of Maryland Global Campus, where it remained on view until January 2023.[19] The exhibition then transferred to the D'Amour Museum of Fine Arts in Springfield, Massachusetts, where it was scheduled to be on view from March until September 2023.[37][38]

Teaching career edit

After earning his bachelors degree, Stevens became a middle school art teacher in Cleveland, Ohio. At the time he also taught at the Karamu House. The Cleveland Board of Education later placed him at the Cleveland Museum of Art.[2][9][11]

Stevens was an assistant professor at Northern Illinois University from 1969 until 1971, during which he taught a course on African-American art history. He was a professor of art in the African-American Studies Department at the University of Massachusetts Amherst from 1972 until 2003.[1][9][39] During his tenure he also functioned as faculty advisor to DRUM, a student literary and cultural magazine.[25]

Personal life edit

While living in Cleveland, Stevens frequently attended The Jazz Temple.[2]

Stevens lived in Springfield, Massachusetts from 1972 until 2003.[40] After his retirement in 2003, Stevens moved to Owings Mills, Maryland.[1]

He and Marciana G. Sealey, had one daughter, Nadya Stevens in 1983.[15][40]

References edit

  1. ^ a b c d e f g Valentine, Victoria L. (July 25, 2022). "AfriCOBRA Artist Nelson Stevens Has Died at 84: He Contributed to a 'Radical Black Aesthetic That Asserted Black Empowerment, Self-Determination, and Unity'". Culture Type. Retrieved March 26, 2023.
  2. ^ a b c "Prominent Artist and Educator Nelson Stevens, Dead at 84". Diverse: Issues In Higher Education. July 24, 2022. Retrieved March 26, 2023.
  3. ^ "Nelson Stevens". The Art Institute of Chicago. Retrieved March 26, 2023.
  4. ^ "Uhuru". Brooklyn Museum. Retrieved March 26, 2023.
  5. ^ "Spirit Sister – Works – Collection Online". Memphis Brooks Museum of Art. Retrieved March 31, 2023.
  6. ^ "Nelson Stevens, "Spirit Sister" (2013)". PAFA – Pennsylvania Academy of the Fine Arts. September 15, 2017. Retrieved March 26, 2023.
  7. ^ "Arty (Centerpiece)". National Museum of African American History and Culture. Retrieved March 31, 2023.
  8. ^ a b c Mistry, Priyesh (November 2017). "'Uhuru', Nelson Stevens, 1971". Tate. Retrieved March 26, 2023.
  9. ^ a b c d e f g "Nelson Stevens Biography". Galerie Myrtis. Retrieved March 26, 2023.
  10. ^ a b Carter, Grace (December 9, 2022). "Nelson Stevens (MFA '69) and the AfriCOBRA Movement". Kent State University. Retrieved March 26, 2023.
  11. ^ a b c Sayej, Nadja (August 29, 2019). "'The 60s were devastating' – AfriCOBRA's Nelson Stevens on art and activism". The Guardian. ISSN 0261-3077. Retrieved March 26, 2023.
  12. ^ Zorach, Rebecca (2019). Art for People's Sake: Artists and Community in Black Chicago, 1965–1975. Duke University Press. p. 200. doi:10.2307/j.ctv11sn14j. ISBN 978-1-4780-0100-3. JSTOR j.ctv11sn14j.
  13. ^ "Raise Scholarship Funds Selling Art". Jet: 47. January 28, 1971.
  14. ^ a b c Pugh, Susannah (September 10, 1994). "Calendar features black Christian art". The Republican. p. 11.
  15. ^ a b O'Quinn, Beatrice (August 1, 1992). "Professors contribute to calendar". The Republican. p. 13.
  16. ^ a b "Gems in the Valley: A Toast to Nelson Stevens". fac.umass.edu. Retrieved March 26, 2023.
  17. ^ a b Thurlow, Emily (September 25, 2022). "The late Nelson Stevens, who taught art at UMass for 3 decades, has two of his historic murals recreated, dedicated in Springfield". Daily Hampshire Gazette. Retrieved March 26, 2023.
  18. ^ a b Crawford, Margo Natalie (2017). Black Post-Blackness: The Black Arts Movement and Twenty-First-Century Aesthetics. University of Illinois Press. pp. 55–56, 100–101. ISBN 978-0-252-04100-6. JSTOR 10.5406/j.ctt1q31s64.
  19. ^ a b "Exhibition Memorializes Nelson Stevens' Art, Life | UMGC Global Media Center". University of Maryland Global Campus. November 7, 2022. Retrieved March 26, 2023.
  20. ^ Canton, Dave (September 25, 2022). "Springfield rededicates artist Nelson Stevens' murals of Black life from 1970s". MassLive. Retrieved March 26, 2023.
  21. ^ Jones, Freida (1974). "Artists Hold Sixteenth Convention: A NEW ERA OF BLACK ART". Black View. 2 (7): 11–15. ISSN 2473-1250. JSTOR 43819151.
  22. ^ "Artist Nelson Stevens standing in front of the "Centennial Vision" mural at Tuskegee Institute in Tuskegee, Alabama". digital.archives.alabama.gov. Retrieved March 26, 2023.
  23. ^ "Centennial Vision · Antislavery Usable Past". www.antislavery.ac.uk. Retrieved March 26, 2023.
  24. ^ "Mural unveiled in TI activity". The Tuskegee News. July 31, 1980. p. 6.
  25. ^ a b Frank, Gary (April 19, 1989). "Mural by students to honor Job Corps". The Republican. p. 22.
  26. ^ Frank, Gary (August 8, 1989). "Job Corps paintbrushes depict racial harmony". The Republican. p. 44.
  27. ^ "Africobra 1". Black World/Negro Digest: 83, 89. October 1970.
  28. ^ "About Art and Artists". Black World/Negro Digest: 92. August 1973.
  29. ^ Peacock, Leslie Newell (June 23, 2016). "AfriCOBRA also here, at Hearne Fine Art". Arkansas Times. Retrieved March 26, 2023.
  30. ^ "Gallery plans artful celebration". The Republican. February 4, 1992. p. 24.
  31. ^ Andreoni, Phyllis (February 9, 1992). "STCC marks Black History Month". The Republican. pp. A12.
  32. ^ Palumbo, Mary Jo (February 1, 1994). "BLACK HISTORY MONTH Colorful events celebrate heritage". Boston Herald. p. 38.
  33. ^ "VALLEY PAYS TRIBUTE TO BLACK CULTURE". Daily Hampshire Gazette. February 8, 1995.
  34. ^ Russell, Gloria (March 17, 1991). "Rhythm a factor in art exhibit". The Republican. pp. D4.
  35. ^ Major, Gerri (December 27, 1973). "Society World". Jet.
  36. ^ "Bits and pieces: Things to see and do". Springfield Union. January 27, 1978. p. 16.
  37. ^ "Nelson Stevens: Color Rapping | Springfield Museums". Retrieved March 26, 2023.
  38. ^ Conway, Matt (March 8, 2023). "D'Amour Museum of Fine Arts debuts Nelson Stevens exhibit". Reminder Publications. Retrieved March 26, 2023.
  39. ^ Jarrell, Wadsworth A.; May, Richard Allen (2020). AFRICOBRA: Experimental Art toward a School of Thought. Duke University Press. pp. 119, 125. ISBN 978-1-4780-0042-6. JSTOR j.ctv11689c2.
  40. ^ a b NEPM (November 10, 2022). "Springfield Murals Honor the Late Artist & Activist Nelson Stevens". Connecting Point. Retrieved March 31, 2023.
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