Morteza Mahjoobi (Persian: مرتضی محجوبی‎; 1900 – 21 March 1965) was an Iranian pianist and composer.[1] He was a piano soloist for the Golha radio programme.[2]

Morteza Mahjoobi
Background information
Born1900
Tehran, Iran
OriginIran
DiedMarch 21, 1965(1965-03-21) (aged 65)
Occupation(s)composer and pianist
Instrument(s)piano

Early life edit

Morteza Mahjoobi (Persian: مرتضى محجوبى) was born in 1900, in Tehran, Iran.[2][3] His father, Abbas Ali (Persian: عباسعلى), known as Nazer (Persian: ناظر), played the Ney. His mother, Fakhr-o-SSaadaat (Persian: فخرالسادات), played the piano. Mahjoobi's parents sent him, along with his older brother Reza, to Hossein Hang Afarin who taught Reza the violin and Morteza the piano.[3]

At the age of ten, Morteza performed a concert accompanying Aref Qazvini in Farus Cinema (Persian: سينماى فاروس).[3] In the following years, he went on to perform with other musicians including Darvish Khan, Seyyed Hossein Taherzadeh (Persian: سيد حسين طاهرزاده), and Hossein Esmail Zadeh (Persian: حسين اسماعيل‌زاده).[1]

Teachers edit

His first teacher was Hossein Hang Afarin, from whom he learned the preliminary studies. He was then sent to Mahmoud Mofakham to further his studies of the piano and radif.[3] He also studied with other musicians, including Darvish Khan, Hossein Esmail Zadeh, Hajikhan Zarbgir, and Seyyed Hossein Taherzadeh.[2]

Performance style edit

Mahjoobi's performance style was improvisational. According to Navvab Safa, he never planned or prepared for his performances, and if he played a piece ten times he would play it differently each time.[4]

Compositions edit

Mahjoobi has composed many tasnifs (ballads), pīshdarāmads (rhythmic preludes), and rengs (rhythmic pieces). A noteworthy example is his composition "Man az Rooze Azal Divane Boodam" ("I Was Bewildered From Pre-eternity"). This tasnif has been performed by Gholam-Hossein Banan.[5] While Mahjbi was unfamiliar with western notation, he devised a notation system similar to Siaaq (a set of symbols used in premodern times to note the weight of merchandise or monetary figures), which he used to transcribe musical ideas.[6]

Students edit

Mahjoobi had many students the most famous of whom is Fakhri Malekpour who studied with Mahjoobi over a period of twelve years.[6]

References edit

  1. ^ a b "MAḤJUBI, Morteżā – Encyclopaedia Iranica". Iranicaonline.org. Retrieved 2013-06-14.
  2. ^ a b c dijit.net. "Murtaza Mahjoobi". Golha. Retrieved 2013-06-14. (registration required)
  3. ^ a b c d Khaleqi, Ruhollah (2001). History of Iranian Music (Sargozashte Moosight Iran). Tehran: Safi Ali Shah. p. I249–I251. ISBN 978-9645626226.
  4. ^ Navvab Safa, Esmaíl (1998). Story of the Candle (Qessey-e Sham'). Tehran. p. 218. ISBN 964-442-108-6.{{cite book}}: CS1 maint: location missing publisher (link)
  5. ^ Lewison, Jane. "Golha Radio Program Program 216". The Iran Heritage Foundation. Retrieved 10 June 2013.
  6. ^ a b Malekpour, Fakhri (2011). The Music of Script: Morteza Mahjoubi (Mashq-e Ostad). Tehran: Mo'assesse Farhangi Honari Avaye Honar va Andishe. pp. 8–19. ISBN 978-9640428443.