Miles Davis and the Modern Jazz Giants
Miles Davis and the Modern Jazz Giants (PRLP 7150) is an album by Miles Davis, released on Prestige Records in 1959. Most of the material comes from a session on December 24, 1954, featuring Thelonious Monk and Milt Jackson, and had been previously released in the discontinued ten inch LP format. "Swing Spring" was originally released on the 10"LP Miles Davis All Stars, Volume 1 (PRLP 196), and "Bemsha Swing" and "The Man I Love" (take 2) had been previously released on Volume 2 (PRLP 200). "'Round Midnight" is newly released, and comes from the same sessions by Davis's new quintet in 1956 which resulted in Steamin' with the Miles Davis Quintet (PRLP 7200) and three other albums to fulfill Davis's contract with Prestige.
|Miles Davis and the Modern Jazz Giants|
|Compilation album by|
|Recorded||December 24, 1954 and October 26, 1956|
|Studio||Van Gelder Studio, Hackensack|
|Miles Davis chronology|
|All About Jazz||(favorable)|
The 1954 sessionEdit
The 1954 session is essentially Davis accompanied by the Modern Jazz Quartet, with Monk in place of John Lewis. Notable as the only time Thelonious Monk made a studio recording with Davis – the two men did not get on well, as Davis felt Monk ought to be "laying out" (refraining from playing) during the trumpeter's solos. Ira Gitler, who was present at the session and wrote the sleevenotes for the album, dispels the myth that the two men confronted each other physically, but there was argument throughout the session. The first take of "The Man I Love" has a false start caused by Monk asking when he should start playing, and an exasperated Davis telling engineer Rudy Van Gelder, "Hey Rudy, put this on the record, man – all of it!". In his autobiography, Davis recalls "When I heard stories later saying that me and him was almost about to fight after I had him lay out while I was playing on 'Bags' Groove,' I was shocked, because Monk and I were, first, very close, and second, he was too big and strong for me to even be thinking about fighting [...] All I did was tell him to lay out when I was playing. My asking him to lay out had something to do with music, not friendship. He used to tell cats to lay out himself."
|1.||"The Man I Love" (Take 2)||George Gershwin, Ira Gershwin||7:59|
|2.||"Swing Spring"||Miles Davis||10:46|
|1.||"'Round Midnight"||Bernie Hanighen, Cootie Williams, Thelonious Monk||5:25|
|2.||"Bemsha Swing"||Thelonious Monk, Denzil Best||9:33|
|3.||"The Man I Love" (Take 1)||George Gershwin, Ira Gershwin||8:29|
- "Billboard - May 4, 1959". Billboard. Retrieved October 28, 2016.
- "All About Jazz – Miles Davis: Miles Davis and the Modern Jazz Giants". All About Jazz. Retrieved October 28, 2016.
- "All Music – Miles Davis: Miles Davis and the Modern Jazz Giants". All Music. Retrieved October 28, 2016.
- "Prestige Records Catalog: 100, 200 series". The Jazz Discography Project. Retrieved October 28, 2016.
- "October 26, 1956 Session Details". Miles Ahead: A Miles Davis Website. Retrieved October 28, 2016.
- Davis, Miles; Troupe, Quincy (1990). Miles, the Autobiography. New York: Simon & Schuster. p. 80. ISBN 978-0-671-72582-2. Retrieved 2011-02-04.
- "Miles Davis – Miles Davis and the Modern Jazz Giants". Discogs. Retrieved October 28, 2016.
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