Metempsychosis

Metempsychosis (Greek: μετεμψύχωσις), in philosophy, refers to transmigration of the soul, especially its reincarnation after death. The term is derived from ancient Greek philosophy, and has been recontextualised by modern philosophers such as Arthur Schopenhauer[2] and Kurt Gödel;[3] otherwise, the term "transmigration" is more appropriate. The word plays a prominent role in James Joyce's Ulysses and is also associated with Nietzsche.[4] Another term sometimes used synonymously is palingenesis.

A section of Metempsychosis (1923) by Yokoyama Taikan; a drop of water from the vapours in the sky transforms into a mountain stream, which flows into a great river and on into the sea, whence rises a dragon (pictured) that turns back to vapour; National Museum of Modern Art, Tokyo (Important Cultural Property)[1]

European antiquityEdit

It is unclear how the doctrine of metempsychosis arose in Greece. It is easiest to assume that earlier ideas which had never been extinguished were used for religious and philosophic purposes.

OrphismEdit

The Orphic religion, which held it, first appeared in Thrace upon the semi-barbarous northeastern frontier. Orpheus, its legendary founder, is said to have taught that soul and body are united by a compact unequally binding on either; the soul is divine, immortal and aspires to freedom, while the body holds it in fetters as a prisoner. Death dissolves this compact, but only to reimprison the liberated soul after a short time, for the wheel of birth revolves inexorably. Thus the soul continues its journey, alternating between a separate unrestrained existence and fresh reincarnation, round the wide circle of necessity, as the companion of many bodies of men and animals. To these unfortunate prisoners Orpheus proclaims the message of liberation—that they stand in need of the grace of redeeming gods, Dionysus in particular—and calls them to turn to the gods by ascetic piety and self-purification: the purer their lives, the higher will be their next reincarnation, until the soul has completed the spiral ascent of destiny to live forever as a God from whom it comes. Such was the teaching of Orphism, which appeared in Greece about the 6th century BCE, organized itself into private and public mysteries at Eleusis and elsewhere, and produced copious literature.[5][6][7]

Pre-Socratic philosophyEdit

The earliest Greek thinker with whom metempsychosis is connected is Pherecydes of Syros,[8] but Pythagoras, who is said to have been his pupil, is its first famous philosophic exponent. Pythagoras is not believed to have invented the doctrine or to have imported it from Egypt. Instead, he made his reputation by bringing the Orphic doctrine from northeastern Hellas to Magna Graecia and creating societies for its diffusion.[citation needed]

Platonic philosophyEdit

The real weight and importance of metempsychosis in the Western tradition are due to its adoption by Plato.[9] In the eschatological myth that closes the Republic, he tells how Er, the son of Armenius, miraculously returned to life on the 12th day after death and recounted the secrets of the other world. After death, he said, he went with others to the place of Judgment and saw the souls returning from heaven, and proceeded with them to a place where they chose new lives, human and animal. He saw the soul of Orpheus changing into a swan, Thamyras becoming a nightingale, musical birds choosing to be men, and Atalanta choosing the honours of an athlete. Men were seen passing into animals and wild and tame animals changing into each other. After their choice, the souls drank of Lethe and then shot away like stars to their birth. There are myths and theories to the same effect in other dialogues, including the Phaedrus, Meno, Phaedo, Timaeus, and Laws.[citation needed] In Plato's view the number of souls was fixed; souls are never created, but only transmigrate from one body to another.[10]

Scholars have debated the extent of Plato's belief in metempsychosis since at least the Renaissance. Marsilio Ficino argued that Plato's references to metempsychosis were intended allegorically.[11] Scholars have tended to agree with this assessment. Chad Jorgensen and Gerard Naddaf, for instance, agree with Ficino.[12] But some recent scholars have come to doubt this view. For example, Campbell argues that Plato intends the theory of reincarnation to explain features of the world and animal life in the Timaeus, and in other dialogues, it is follows from various commitments that Plato argues for.[13] In other words, not only does Plato believe in the literal truth of reincarnation; he also thinks that it is in an inseparable part of his account of the soul and the cosmos.

In later Greek literature, the doctrine appears from time to time; it is mentioned in a fragment of Menander (the Inspired Woman) and satirized by Lucian (Gallus 18 seq.). In Roman literature it is found as early as Ennius,[14] who in his Calabrian home must have been familiar with the Greek teachings that had descended to his times from the cities of Magna Graecia. In a lost passage of his Annals, a Roman history in verse, Ennius recounted that Homer had assured him in a dream that the same soul that had animated both poets had once belonged to a peacock. Persius in one of his satires (vi. 9) laughs at Ennius for this; Lucretius (i. 124) and by Horace (Epist. II. i. 52) also mention it. Virgil works the idea into his account of the Underworld in the sixth book of the Aeneid (Vv. 724 sqq.). It persists in antiquity down to the latest classic thinkers, Plotinus and the other Neoplatonists.

Middle AgesEdit

Metempsychosis was a part of Catharism in Occitania in the 12th century.[15]

RenaissanceEdit

Created in the early 15th century, the Rosicrucianist movement also conveyed an occult doctrine of metempsychosis.[16]

In literature after the classical eraEdit

"Metempsychosis" is the title of a longer work by the metaphysical poet John Donne, written in 1601.[17] The poem, also known as the Infinitati Sacrum,[18] consists of two parts, the "Epistle" and "The Progress of the Soule". In the first line of the latter part, Donne writes that he "sing[s] of the progresse of a deathlesse soule".[18]

Metempsychosis is a prominent theme in Edgar Allan Poe's 1832 short story "Metzengerstein".[19] Poe returns to metempsychosis again in "Morella" (1835)[20] and "The Oval Portrait" (1842).[21]

Metempsychosis is referred to prominently in the concluding paragraph of Chapter 98, "Stowing Down and Clearing Up", of Herman Melville's Moby-Dick.

Metempsychosis is mentioned as the religion of choice by the minor character Princess Darya Alexandrovna Oblonsky in Leo Tolstoy's Anna Karenina.

Herbert Giles uses the term metempsychosis in his translation of the butterfly dream from the Zhuangzi (Chinese: 《莊子》).[22] The use of this term is contested by Hans Georg Möller (de), though, who claims that a better translation is "the changing of things".[23]

Metempsychosis is a recurring theme in James Joyce's modernist novel Ulysses (1922).[24] In Joycean fashion, the word famously appears in Leopold Bloom's inner monologue, recalling how his wife, Molly Bloom, apparently mispronounced it earlier that day as "met him pike hoses."[25]

In Thomas Pynchon's 1963 premiere novel V., metempsychosis is mentioned in reference to the book "The Search for Bridey Murphy" by Morey Bernstein, and also later in chapter eight.

Metempsychosis is referenced in Don DeLillo's 1982 novel The Names.

In David Foster Wallace's 1996 novel Infinite Jest, the name of the character Madame Psychosis is an intentional malapropism of metempsychosis.

Guy de Maupassant's story "Le docteur Héraclius Gloss" (1875) is a fable about metempsychosis.

In Marcel Proust's famous first paragraph from In Search of Lost Time, the narrator compares his separation from the subject of a book to the process of metempsychosis.

In Robert Montgomery Bird's fiction novel Sheppard Lee Written by Himself (1836) the protagonist is a serial identity thief by way of metempsychosis.

The eponymous Archy of Don Marquis's archy and mehitabel poems is a cockroach with the transmigrated soul of a human vers libre poet.

In The Discovery of Heaven, a novel by Harry Mulisch, a "thin man with a short black beard" asks for books on metempsychosis, and then explains "I mean the transmigration of souls."

See alsoEdit

ReferencesEdit

  1. ^ "Masterpieces". National Museum of Modern Art, Tokyo. Retrieved 13 February 2016.
  2. ^ Schopenhauer, A: "Parerga und Paralipomena" (Eduard Grisebach edition), On Religion, Section 177
  3. ^ Gödel Exhibition: Gödel's Century
  4. ^ Nietzsche and the Doctrine of Metempsychosis, in J. Urpeth & J. Lippitt, Nietzsche and the Divine, Manchester: Clinamen, 2000
  5. ^ Linforth, Ivan M. (1941) The Arts of Orpheus Arno Press, New York, OCLC 514515
  6. ^ Long, Herbert S. (1948) A Study of the doctrine of metempsychosis in Greece, from Pythagoras to Plato (Long's 1942 PhD dissertation) Princeton, New Jersey, OCLC 1472399
  7. ^ Long, Herbert S. (16 February 1948) "Plato's Doctrine of Metempsychosis and Its Source" The Classical Weekly 41(10): pp. 149-155
  8. ^ Schibli, S., Hermann, Pherekydes of Syros, p. 104, Oxford Univ. Press 2001
  9. ^ Plato. Republic, Book 10, section 620.
  10. ^ "That is the conclusion, I said; and if a true conclusion, then the souls must always be the same, for if none be destroyed they will not diminish in number." Republic X, 611. The Republic of Plato By Plato, Benjamin Jowett Edition: 3 Published by Clarendon Press, 1888.
  11. ^ See Platonic Theology 17.3–4.
  12. ^ Jorgensen 2018: 199 says that Plato's eschatological accounts are "much better suited to a creative discourse aimed at capturing the imagination of a particular audience than to an attempt to describe an independently existing reality. See Jorgensen, Chad. The Embodied Soul in Plato’s Later Thought. Cambridge: Cambridge  University Press, 2018. Naddaf 2016: 113 says that this part of Plato's thinking can be represented “only by eschatological or cosmological myths. It is inaccessible to explanation." See Naddaf, Gerard. “Poetic Myths of the Afterlife: Plato’s Last Song,” Reflections on Plato’s Poetics: Essays from Beijing. Academic Printing and Publishing: Berrima, NSW, 2016,   111-136.
  13. ^ See Douglas R. Campbell, "Plato's Theory of Reincarnation: Eschatology and Natural Philosophy" Review of Metaphysics 75 (4): 643-665. 2022.
  14. ^ Poesch, Jessie (1962) "Ennius and Basinio of Parma" Journal of the Warburg and Courtauld Institutes 25(1/2): pp. 116-118, page 117, FN15
  15. ^ Hardon, S.J., Fr. John A. (1998). "Fr. Hardon Archives - Albigensianism". www.therealpresence.org. Retrieved 21 August 2017.
  16. ^ Part X Metempsychosis, Sacred-texts.com
  17. ^ Collins, Siobhán (2005) "Bodily Formations and Reading Strategies in John Donne's Metempsychosis" Critical Studies 26: pp. 191-208, page 191
  18. ^ a b full text of Metempsychosis or Infinitati Sacrum from Luminarium Editions
  19. ^ Bonaparte, Marie (1949) The life and works of Edgar Allan Poe: a psycho-analytic interpretation Imago, London, page 273, OCLC 1398764
  20. ^ Roderick, Phillip L. (2006) The Fall of the House of Poe: And Other Essays iUniverse, New York, page 22, ISBN 0-595-39567-8
  21. ^ Quinn, Patrick F. (1971) The French face of Edgar Poe (2nd edition) Southern Illinois University Press, Carbondale, Illinois, page 272, ISBN 0-8093-0500-3
  22. ^ Giles, Herbert (1889). Chuang Tzŭ: Mystic, Moralist, and Social Reformer. B. Quaritch.
  23. ^ Möller, Hans Georg (2011). Daoism Explained: From the Dream of the Butterfly to the Fishnet Allegory. Open Court. p. 48. ISBN 978-0-8126-9750-6.
  24. ^ "List of occurrences of Metempsychosis in Ulysses". Archived from the original on 16 March 2012. Retrieved 14 January 2008.
  25. ^ Cf. Joyce, Ulysses, §8 Lestrygonians Archived 7 June 2011 at the Wayback Machine

External linksEdit