Louis Octave Maxime Le Verrier, known more commonly as Max Le Verrier, also known by the pseudonym Artus (1891–1973) was a French sculptor.[1][2] He was known for being a pioneer within the Parisian Art Deco movement, creating decorative art objects often made in bronze as well as historical sculptures.[3]
Max Le Verrier | |
|---|---|
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| Born | Louis Octave Maxime Le Verrier 29 January 1891 |
| Died | 6 June 1973 (aged 82) |
| Burial place | Fontenay-lès-Briis |
| Other names | Artus, M. Le Verrier |
| Education | École Supérieure des Beaux-Arts, Genève |
| Spouse | Jeanne Hubrecht |
| Children | 2 |
| Signature | |
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Biography edit
Max Le Verrier was born on 29 January 1891 in Neuilly-sur-Seine, France to a French father that was a goldsmith and jeweler, and a mother from Belgium.[3] His parents separated when he was a child and he spent a lot of time in boarding schools. He served as a pilot in the French Army during World War I.[3]
Le Verrier attended Geneva University of Art and Design (formerly École Supérieure des Beaux-Arts, Genève), studying under Marcel Bouraine and Pierre Le Faguays.[3] He returned to Paris by 1919.[3]
In 1925, he showed his work at the Exposition internationale des Arts décoratifs et industriels modernes in Paris, where he won a gold metal.[3] His first popular sculpture was a pelican in 1925.[4] In 1921, Le Verrier married Jeanne Hubrecht, together they had two children. In the early 1920s, he inherited a small metal foundry and by 1926 he started making decorative objects in his own workshop.[3]
During World War II, Le Verrier's house was used as a dead drop for the Resistance. He was arrested in 1944 for his connection to the resistance against Nazis.[3] He was able to reopen studio after the war.[3]
His workshop was located at 30 rue Deparcieux, and he had a small shop located at 100 rue du Théâtre in Paris.[1] Le Verrier's studio created bronze lamps, ashtrays, bookends, desk sets, and hood ornaments; often featuring nude women or animals in an Art Deco style.[3] He used a few different patina styles, included the notable "greenie" style, and often mounted them on Italian marble bases.[3] Besides bronze, he also worked with ivory, zinc, terracotta, and ceramics. He also cast work for other sculptors, including Pierre Le Faguays,[4] Marcel Bouraine,[4] André Vincent Becquerel,[1] and Jules Edmont Masson.[1]
Death and legacy edit
Le Verrier died on 6 June 1973 in Paris.
His work can be found in public museum collections, including at the Musée d'Orsay.[5] Le Verrier's great grandson Damien Blanchet continued to produce his sculptures after his death, under the name Maison Max Le Verrier.[1]
References edit
- ^ a b c d e Shayo, Alberto. "Statuettes Art Deco Period". Issuu. p. 158. ISBN 1-85149-824-9. Retrieved 2021-07-06.
- ^ "Le Verrier, Max". Benezit Dictionary of Artists. Oxford University Press. 31 October 2011. doi:10.1093/benz/9780199773787.article.b00108835. Retrieved 2021-07-06.
- ^ a b c d e f g h i j k Fendelman, Helaine; Rosson, Joe (1 March 2013). "Treasures In Your Attic, A Decorative Metal Chest Dates 20th Century France". Newspapers.com. The Daily Journal (Vineland, New Jersey). p. B2. Retrieved 2021-07-06.
- ^ a b c "Le Verrier, Max - Biography -". Art Deco Ceramic Glass Light. 2015-03-30. Archived from the original on 2015-03-30. Retrieved 2021-07-06.
- ^ "Max Le Verrier". musee-orsay.fr.
