Maurice Donnay

Charles Maurice Donnay (12 October 1859 – 31 March 1945) was a French dramatist.

Donnay and Delamios in 1918
Charles Maurice Donnay.


Donnay was born of middle-class parents in Paris in 1859. His father was a railway engineer and initially Donnay followed a similar profession, studying at the École centrale des arts et manufactures in 1882.

With Alphonse Allais, Donnay started by writing material for the celebrated cabaret le Chat noir.

Donnay made his serious debut as a dramatist on the little stage of the Chat Noir with Phryne (1891), a series of Greek scenes. This was followed by Lysistrata, a four-act comedy, was produced at the Grand Théâtre in 1892 with Mme Rejane in the title part. With Amants in 1895 he won a great success, and the play was hailed by Jules Lemaître as the Berenice of contemporary French drama. His plays were performed by famous actors including Cécile Sorel, Réjane et Lucien Guitry.

On 14 February 1907, Donnay was elected a member of the Académie française, replacing the late Albert Sorel.


Donnay's plays were:

  • Phryné (1891)
  • Lysistrata (1892), in collaboration with Maurice Leblanc (Act II, scene 7. However, Donnay would not admit it.)
  • Folle Entreprise (1894)
  • Pension de famille (1894)
  • Complices (1895), in collaboration with M. Groselande
  • Amants (1895), produced at the Renaissance theatre with Mme Jeanne Granier as Claudine Rozeray
  • La Douloureuse (1897)
  • L'Affranchie (1898)
  • Georgette Lemeunier (1898)
  • Le Torrent (1899), at the Comédie Française
  • Éducation de prince (1900)
  • La Clairière (1900)
  • Oiseaux de passage (1904), in collaboration with Lucien Descaves
  • La Bascule (Igor)
  • L'Autre danger, at the Comédie Française (1902)
  • Le Retour de Jérusalem (1903)
  • L'Escalade (1904)
  • Paraître (1906) Comédie-Française with Berthe Cerny as Christiane Margès


  This article incorporates text from a publication now in the public domainChisholm, Hugh, ed. (1911). "Donnay, Charles Maurice". Encyclopædia Britannica. 8 (11th ed.). Cambridge University Press. p. 417.