Mary Russell Mitford
Mary Russell Mitford (16 December 1787 – 10 January 1855) was an English author and dramatist. She was born at Alresford in Hampshire. She is best known for Our Village, a series of sketches of village scenes and vividly drawn characters based upon life in Three Mile Cross, a hamlet in the parish of Shinfield, near Reading in Berkshire, where she lived.
Life and relationship with her parentsEdit
She was the only daughter of Dr George Mitford, or Midford, who apparently trained as a medical doctor, and Mary Russell, a descendant of the aristocratic Russell family who grew up near Jane Austen and was an acquaintance of hers when young. At ten years old in 1797, young Mary Russell Mitford won her father a lottery ticket worth £20,000, but by the 1810s the small family suffered financial difficulties. In the 1800s and 1810s they lived in large properties in Reading and then Grazeley (in Sulhamstead Abbots parish), but, when the money was all gone after 1819, they lived on a small remnant of the doctor's lost fortune and the proceeds of his daughter's literary career. He is thought to have inspired Mary with the keen delight in incongruities, the lively sympathy, self-willed vigorous individuality, and tolerance which inspire so many of her sketches of character. She cared for her mother and father until their deaths and supported them and herself by proceeds from her writing.
From age 10 to 15 she attended a school in Hans Place, Knightsbridge, London, the successor to Reading Abbey Girls' School, which Austen had attended a few years earlier. Her father engaged Frances Arabella Rowden, formerly governess to the family of Frederick Ponsonby, 3rd Earl of Bessborough, to give her extra tuition. Rowden was not only a published poet, but according to Mitford, "she had a knack of making poetesses of her pupils". Rowden took Mitford to Theatre Royal, Drury Lane, especially to plays featuring John Kemble, and entranced her with the life of the theatre.
Mitford was an especially prolific and successful writer in a range of genres, from poetry to drama as well as the prose for which she has been best known. Her writings have been celebrated for their spontaneous humour, combined with quick wit and literary skill.
Her youthful ambition had been to be the greatest English poetess, and her first publications were poems in the manner of Samuel Taylor Coleridge and Walter Scott (Miscellaneous Verses, 1810, reviewed by Scott in the Quarterly; Christina, the Maid of the South Seas, a metrical tale based on the first news of discovery of the last surviving mutineer of the H. M. S. Bounty and a generation of British-Tahitian children on Pitcairn Island in 1811; and Blanche, part of a projected series of "Narrative Poems on the Female Character", in 1813). Her play Julian was produced at Covent Garden, with William Charles Macready in the title role, in 1823; Foscari at Covent Garden, with Charles Kemble as the hero, in 1826; while Rienzi, 1828, the best of her plays, ran for 34 performances, and Mitford's friend, Thomas Noon Talfourd, supposed that its popularity detracted from the success of his own play, Ion. Charles the First was refused a licence by the Lord Chamberlain, but was played at the Surrey Theatre in 1834.
The prose, to which she was driven by the need to earn a living, was the most successful and financially rewarding of her literary productions. The first series of Our Village sketches appeared in book form in 1824 (having first appeared in The Lady's Magazine five years previously), a second in 1826, a third in 1828, a fourth in 1830, a fifth in 1832. They were reprinted several times. Belford Regis, another series of literary sketches in which the neighbourhood and society of Reading were idealised, was published in 1835. Her description of village cricket in Our Village has been called "the first major prose on the game".
Her Recollections of a Literary Life (1852) is a series of causeries about her favourite books. Her talk was said by her friends, Elizabeth Browning and Hengist Horne, to have been even more amusing than her books, and five volumes of her Life and Letters, published in 1870 and 1872, show her to have been a delightful letter-writer. The many collections available of her letters provide especially useful commentary and criticism of her Romantic and Victorian literary contemporaries.
- 1810: Miscellaneous Poems
- 1811: Christina, the Maid of the South Seas (poetry)
- 1812: Watlington Hill
- 1812: Blanch of Castile
- 1813: Narrative Poems on the Female Character
- 1823: Julian: A tragedy (play)
- 1824: Our Village, Volume 1 (Volume 2 1826; Volume 3, 1828; Volume 4, 1830; Volume 5, 1832)
- 1826: Foscari: A tragedy (play)
- 1827: Dramatic Scenes, Sonnets, and other Poems
- 1828: Rienzi: A tragedy (play)
- 1830: Editor, Stories of American Life, by American Writers, Volume 2
- 1831: Mary Queen of Scots
- 1831: American Stories for Little Boys and Girls (Editor)
- 1832: Tales for Young People (Editor)
- 1832: Lights and Shadows of American life (Editor)
- 1834: Charles the First: An historical tragedy (play)
- 1835: Sadak and Kalascado
- 1835: Belford Regis; or, Sketches of a Country Town (in three volumes)
- 1837: Country Stories
- 1852: Recollections of a Literary Life, or Books, Places and People (three volumes)
- 1854: Atherton, and Other Tales (three volumes)
- 1854: Dramatic Works
Later life and deathEdit
Mitford met Elizabeth Barrett Browning in 1836, and their acquaintance ripened into a warm friendship.
The strain of poverty told on Mitford's work, for although her books sold at high prices, her income did not keep pace with her father's extravagances. In 1837, however, she received a civil list pension, and five years later, on 11 December 1842, her father died. A subscription was raised to pay his debts, and the surplus increased Mary's income.
In 1851 she moved from Three Mile Cross to a cottage in Swallowfield, three miles away, where she remained for the rest of her life. She died there on 10 January 1855, after being injured in a carriage accident the previous December. She is buried in the churchyard.
- Crisafulli, Lilla Maria; Pietropoli, Cecilia, eds. (2008). The Languages of Performance in British Romanticism. Bern: Peter Lang. p. 301. ISBN 978-3-03911-097-1.
- Swanton, E. W. (1980). Barclay's World of Cricket (2nd ed.). Collins. p. 582. ISBN 0-00-216349-7.
- Cox, Michael, ed. (2004). The Concise Oxford Chronology of English Literature. Oxford University Press. ISBN 978-0-19-860634-5.
- Lee, Elizabeth (1894). Lee, Sidney (ed.). Dictionary of National Biography. 38. London: Smith, Elder & Co. p. 84. . In
- The Life of Mary Russell Mitford, related in a Selection from her Letters, 3 vols (1870 Bentley).
- Henry Fothergill Chorley (Ed.), Letters of Mary Russell Mitford (1872).
- A.G.K. L'Estrange (Ed.), The Friendships of Mary Russell Mitford as recorded in Letters from Her Literary Correspondents, 2 vols (1882 Hurst & Blackett).
- William J. Roberts, (The Life and Friendships of) Mary Russell Mitford: The Tragedy of a Blue Stocking (Andrew Melrose, London 1913). (Modern publishing: Kessinger 2007, ISBN 0-548-60938-1)
- M. Constance Hill, Mary Russell Mitford and Her Surroundings (Bodley Head, London 1920).
- Marjorie Austin, Mary Russell Mitford – Her Circle and Her Books (Noel Douglas, London 1930).
- James E. Agate, Mary Russell Mitford (1940).
- Vera G. Watson, Mary Russell Mitford (Evans Brothers, 1949).
- Caroline Mary Duncan-Jones, Miss Mitford and Mr. Harness. Records of a Friendship. (S.P.C.K./Talbot Press, London 1955).
- W.A. Coles, 'Mary Russell Mitford: the inauguration of a literary career', Journal of the John Rylands Library 40 (1957), 33–46.
- Pamela Horn (Ed.), Life in a Country Town: Reading and Mary Russell Mitford (1787–1855) (Beacon Publications, Sutton Courtenay 1984).
- Catherine Addison, 'Gender and Genre in Mary Russell Mitford's Christina,' English Studies in Africa 41, Part 2 (1998), 1–21.
- Diego Saglia, 'Public and Private in Women's Romantic Poetry: Spaces, Gender, Genre in Mary Russell Mitford's Blanch,' Women's Writing 5.3 (1998), 405–19.
- Martin Garrett, 'Mary Russell Mitford', Oxford Dictionary of National Biography, 2004.
- Diego Saglia, 'Mediterranean Unrest: 1820s Verse Tragedies and Revolutions in the South,' Romanticism 11.1 (2005) 99–113.
- Alison Booth, 'Revisiting the Homes and Haunts of Mary Russell Mitford', Nineteenth Century Contexts, 30 Part 1 (2008), 39–65.
- Cecilia Pietropoli, 'The Story of the Foscaris, a Drama for Two Playwrights: Mary Mitford and Lord Byron,' in The Language of Performance in British Romanticism (Peter Lang, New York, 2008), 115–26.
- Elisa Beshero-Bondar, 'Romancing the Pacific Isles Before Byron: Music, Sex, and Death in Mitford's Christina,' ELH 76.2 (Summer 2009) 277–308.
- Digital Mitford: The Mary Russell Mitford Archive This project is producing new digital editions of Mary Russell Mitford's correspondence and literary works, holds bibliographical listing of Mitford's writings, and lists locations of her manuscripts.
- Works by Mary Russell Mitford at Project Gutenberg
- Works by Mary Russell Mitford at Faded Page (Canada)
- Works by or about Mary Russell Mitford at Internet Archive
- Works by Mary Russell Mitford at LibriVox (public domain audiobooks)
- Royal Berkshire History: Mary Russell Mitford
- Bibliographical listing of commentaries
- "Archival material relating to Mary Russell Mitford". UK National Archives.