Martin's Lie is a chamber opera in one act with music and an English language libretto by Gian Carlo Menotti. Commissioned by CBS, it was Menotti's third opera for television after Amahl and the Night Visitors and Labyrinth. Although not initially conceived as a work for the stage, the opera premiered in a live theatrical performance on 3 June 1964 at the Bristol Cathedral for the opening of the 17th annual Bath International Music Festival.[1] The opera was subsequently filmed with the same cast for television under the direction of Kirk Browning with Julie Andrews serving as host. The production used sets and costumes by designer Anthony Powell, and was broadcast nationally by CBS for the opera's United States television premiere on 30 May 1965.[2]

Martin's Lie
Chamber opera for television by Gian Carlo Menotti
The composer in 1944
3 June 1964 (1964-06-03)

The first live performance of the opera in the United States was at the Washington National Cathedral in 1976, with Paul Callaway conducting both Martin's Lie and the world premiere of Menotti's The Egg.[3] The cast included Gene Tucker as Father Cornelius, Simon Jackson as Martin, Richard Dirksen as the Fugitive, Dana Krueger as the Housekeeper, and Gimi Beni as the Sheriff.[4]

Roles edit

Role Voice type Premiere Cast, 3 June 1964
(Conductor: Lawrence Leonard)
Martin boy soprano Michael Wennink
Stranger baritone Donald McIntyre
Naninge, a nurse mezzo-soprano Noreen Berry
Father Cornelius tenor William McAlpine
Sheriff bass Otakar Kraus
Christopher boy soprano Keith Collins
Timothy boy soprano Roger Nicholas
Executioner silent role Hugh Smith Marriott
Soldiers silent roles
Orphans (boy's chorus)

Plot edit

Setting- An orphanage in medieval Germany

Martin, a 12‐year‐old orphan boy, deeply desires to have a father. An escaping heretic enters the orphanage in order to hide from his pursuers. Martin hides him and forms an emotional attachment to the stranger. Martin is questioned and threatened by the sheriff who is pursuing the stranger, and he lies to protect him. Martin ultimately becomes so frightened by the threats that he is literally scared to death. His refusal to betray the stranger out of love and faith makes Martin "a figure of moral power, an image of redemption. Father Cornelius, the well intentioned, ineffectual shepherd of the orphans, makes the summary point—the force of love is stronger than any sin."[1]

References edit

  1. ^ a b Gene Baro (June 5, 1964). "Opera By Menotti Bows In England: Premiere of 'Martin's Lie' Sung in Bristol Cathedral". The New York Times.
  2. ^ Howard Klein (May 31, 1965). "TV: New Menotti Opera; 'Martin's Lie' Given Belated U.S. Premiere by C.B.S. -- Meant for Church Groups". The New York Times.
  3. ^ Paul Hume (June 13, 1976). "Gian Carlo Menotti: 'The Egg and I'". The Washington Post. p. 135-H1.
  4. ^ Donald L. Hixon (2000). Gian Carlo Menotti: A Bio-bibliography. Greenwood Publishing Group. p. 196. ISBN 0-313-26139-3.