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Ludus was a British post-punk band formed in Manchester in 1978 which featured artist, designer and singer Linder Sterling. It played jazz-, avant-garde- and punk- oriented material. The band influenced singer Morrissey, later of The Smiths and a solo artist, who remains one of the group's most vocal fans.
|Genres||New wave, post-punk|
|Associated acts||Ed Banger and the Nosebleeds, Magazine, Manicured Noise, The Distractions, The Durutti Column, Visage, The Fall|
The band was founded by Linder Sterling, who in the arts and music scene was credited as Linder, having designed the cover of Buzzcocks' single Orgasm Addict and Magazine's debut album Real Life; Kadmon was formerly in Manicured Noise. Shortly after the formation, ex-Nosebleeds drummer Philip "Toby" Tomanov and bassist Willie Trotter joined to complete the band. It debuted live at the Factory Club, supporting The Pop Group, in October 1978, the same month it recorded a first studio demo. Later, it toured in some parts of England, like the Eric's Club in Liverpool and, travelling with Magazine, The Venue in London, in November the same year.
- Ludus are anything but ordinary. A rich, bewitching quartet, led by the enigmatic Linder, whose maturing, enchanting voice adds layers of mystery, fragility and haunting strength to the esoteric music... Arthur supplies the solids, Linder the shadows; Arthur the rain, Linder the wind. It's a classic combination... The overall mixture is of a precious dance music: Gothic, but not glossily so, like Magazine; impressionistic and expressionistic; compact and exuberant. It's music that chills and warms, with images that scare and comfort... Still young, still unsure onstage, their music is already alone and knowing. And they're getting better all the time. Take good care of them.
In February 1979, Ludus returned to the studio to record another demo, produced by Linder's then boyfriend, Howard Devoto, singer of Magazine. Shortly after a brief UK tour supporting Buzzcocks in March 1979, Kadmon and Trotter quit the band. Kadmon later joined The Distractions and Trotter moved onto working in the BBC as executive producer for daytime drama. Ian Devine replaced them, after which the group began recording for New Hormones and pursued more abstract directions, including jazz, improvisation, and (after moving on to Les Disques du Crepuscule even French pop. A provocative live performance at The Haçienda club in Manchester on 5 November 1982 saw Linder take the stage dressed in a dress fashioned from raw meat, a sartorial innovation later reprised by Lady Gaga. After a spell in exile in Brussels, the group disbanded in 1983.
In October 1985 Morrissey wrote sleevenotes for an (unissued) Crepuscule compilation, and offered this closing eulogy: "Ludus lay on us the decorative impulses of their music, and nowhere more significantly than on the volume which now lies before you. People who know real genius will love this record... Her singing leaves me out of breath... Linder went to Brussels and I remained stuck in Manchester, battling with the tides of fortune. Our shrill spirits still slide through the ugly streets of Manchester, always wet through, always caught out, always spectating, our hearts damaged by too many air-raids."
Singles and EPsEdit
- The Visit (1980)
- Pickpocket (1981)
- "My Cherry Is In Sherry" (1980)
- "Mother's Hour" (1981)
- Completement Nue Au Soleil (1982)
- "Breaking the Rules" (1983)
Compilations and reissuesEdit
- Nice, James (2002). "Ludus: Genius And Damage". The Crepuscule and Factory Pages. Retrieved on 18 March 2007.