The Roman studio of the prolific Italian Baroque painter Carlo Maratta included numerous younger pupils and assistants. Among his many pupils were:[1][2][3][4]
| Painter | Dates | Birthplace | Source |
|---|---|---|---|
| Paolo Albertoni | |||
| Martino Altomonte | 1657–1745 | (W) | |
| Jean Andre | 1662–1753 | Paris | (H) |
| Cosmas Damian Asam | 1686–1739 | (W) | |
| Gérard Audran | 1640–1703 | (W) | |
| Giovanni Raffaelle Badarocco | 1648–1726 | Genoa | (W)(H) |
| Antonio Balestra | 1666–1740 | Verona | (W) (H) |
| Niccolò Bambini | 1651–1736 | (H) | |
| Cristiano Bernetz | 1628–1722 | Hamburg | (R) |
| Niccolo Berrettoni | 1637–1682 | Montefeltro | (H) |
| Jean Christian le Blond | 1667–1741 | Frankfort | (H) |
| Francesco Boccacino | 1680–1750 | Cremona | (H) |
| Giovanni Domenico Bruggieri[5] | 1678–1754 | Lucca | (H) |
| Jan van Bunnik | 1654–1727 | Utrecht | (H)(AH) |
| Giacinto Calandrucci | 1646–1707 | (W)(H) | |
| Giuseppe Bartolomeo Chiari | 1654–1727 | (W)(H) | |
| Marc van Duvende | 1674–1729 | (H) | |
| Girolamo Ferroni | 1687–1730 | (H) | |
| Antonio Filocamo | 1669–1748 | Messina | (H) |
| Paolo Filocamo | 1688–1743 | Messina | (H) |
| Francesco Fernandi (Imperiali) | 1679–1740 | (H) | |
| Agostino Gasull | 18th-century | Valencia | [6] |
| William van Inghen | 1651–1709 | Utrecht | (H)(AH) |
| Francesco Juvani | (H) | ||
| Godfrey Kneller | 1646–1723 | Lübeck, moved to England | (H)(AH) |
| Andrea Lanzano | 1651–1709 | (H) | |
| Giuseppe Laudati | 1672–after 1718 | Perugia | (H) |
| Stefano Maria Legnani | 1661–1713 | Milan | (H) |
| Theodore van Loon | 1630–1678 | Brussels | (H)(AH) |
| Agostino Masucci | 1691–1758 | Rome | (W)(H) |
| Giovanni Paolo Melchiore | 1664–1721 | Rome | (H) |
| Sebastian Munoz | c.1654–1690 | (H) | |
| Girolamo Odam | 1681–after 1718 | Lorena | (H) |
| Robert van Oudenarde | 1663–1743 | Ghent | (H) |
| Paolo Gerolamo Piola | 1666–1724 | (W) | |
| Pierre Parrocel | 1670–1739 | (W) | |
| Domenico Parodi | 1672–1742 | (W) (H) | |
| Giuseppe Passeri | 1654–1714 | Rome | (W)(H) |
| Pietro da Pietri | 1663–1708 | Rome | (H) |
| Stefano Pozzi | 1699–1768 | Rome | (H) |
| Andrea Procaccini | 1671–1734 | Rome | (H) |
| Tommaso Redi | 1665–1726 | Florence | (W) (H) |
| Giovanni Stefano Robatto | 1649–1733 | Savona | (H) |
| Daniel Seiter | 1647–1705 | Vienna, moved to Turin | (H)(AH) |
| Filippo Tancredi | 1655–1725 | Messina | (H) |
| Lodovico Trasi | 1634–1695 | Ascoli | (H) |
| Francesco Trevisani | 1656–1746 | Capodistria | (W) |
| Francesco Varnetam | 1658–1724 | Hamburg | (R) |
| Nicolas Vleys | 1694–1703 | Brussels | (H) |
References edit
See Carlo Maratta article
- ^ Arnold Houbraken's "Schouburg", 1718. Houbraken called Carlo Maratta "Karel Marat" or "Karlo Marat"), labelled (AH)
- ^ Wittkower R. p.339, labeled (W).
- ^ Hobbes J.R. p149-151, labeled (H).
- ^ Rosini G, Storia della pittura italiana esposta coi monumenti; Epoca Quarta (1847),labeled (R)
- ^ Mazzarosa, Marchese Antonio (1843). Tipografia de Giuseppe Giusti (ed.). Memorie e documenti per servire alla storia di Lucca, Volume 8.. Lucca; Googlebooks. p. 172.
- ^ Ticozzi, Stefano (1818). Dizionario degli architetti, scultori, pittori, intagliatori in rame ed in pietra, coniatori di medaglie, musaicisti, niellatori, intarsiatori d’ogni etá e d’ogni nazione (Volume 1). Vincenzo Ferrario, Milan. p. 226.