Lilian Armstrong (1936-2021) was Mildred Lane Kemper Professor of Art at Wellesley College. She was an internationally renowned expert on Italian Renaissance manuscripts and early printed books.
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Education edit
Armstrong received her PhD from the Department of Art History and Archaeology at Columbia University in 1966. Her doctoral thesis, in two volumes, was entitled The Paintings and Drawings of Marco Zoppo.[1] Marco Zoppo was an Italian artist who lived in the fifteenth century. Rudolf Wittkower supervised her PhD. Before completing her PhD, Armstrong was awarded her undergraduate degree from Wellesley College, and a master's degree from Harvard University.[2]
Career edit
Armstrong focused her research primarily on Italian illuminated manuscripts, hand-illuminated incunabula, and woodcut illustration in early printed books of Venetian origin. She was Mildred Lane Kemper Professor of Art, the first holder of the college's prestigious chair.[3] She retired in 2006, and in 2010 she was awarded an Andrew W. Mellon Emeritus Fellowship.[4]
Following her death, she was described as 'an inspiration to generations of students and colleagues in her decades teaching' and as a pioneer as a woman scholar with a Venetian focus.[5] Columbia University have launched a fund named after Armstrong to support graduate students in Venice at Casa Muraro.[6] A Festschrift in her honour, The Art of the Renaissance Book, was published by Brepols in 2023 and edited by Iaria Andreoli and Helena Szepe.[7]
Bibliography edit
- Petrarch’s Famous Men in the Early Renaissance: The Illuminated Copies of Felice Feliciano’s Edition. London: The Warburg Institute 2016.
- La xilografia nel libro italiano del XV sexcolo: Un percorso tra gli incunaboli del Seminario Vescovile di Padova, trans. by Lucia Mariani, ed. by Paola Maria Farina, Milan: EDUCatt, 2015.
- Lilian Armstrong, Piero Scapecchi, and Federica Toniolo, Gli Incunaboli della Biblioteca del Seminario Vescovile di Padova: Catalogo e Studi, ed. by Pierantonio Gios and Federica Toniolo, Padova, Istituto per la storia ecclesiastica padovana, 2008
- Studies of Renaissance Miniaturists in Venice, 2 vols., London, Pindar Press, 2003
- The Painted Page: Italian Renaissance Book Illumination, 1450-1550, ed. Jonathan J. G. Alexander, with contributions by Lilian Armstrong et al., exhibition catalogue, Royal Academy of Arts, London, and Pierpont Morgan Library, New York, 1994–1995, Munich, Prestel Verlag, 1994
- Renaissance Miniature Painters and Classical Imagery: The Master of the Putti and His Venetian Workshop, London, Harvey Miller Publishers, 1981.
- The Paintings and Drawings of Marco Zoppo (1966), New York, Garland Publishing Inc., 1976.
External links edit
- Obituary for Lilian Armstrong: https://magazine.wellesley.edu/spring-2022/lilian-armstrong-%E2%80%9958-and-peter-j-fergusson
- Obituary for Lilian Armstrong: https://www.slu.edu/arts-and-sciences/medieval-renaissance-studies/pdfs/mom35.pdf
Reference list edit
- ^ Anderson, Lilian Armstrong (1966). The paintings and drawings of Marco Zoppo (Thesis).
- ^ "Columbia University Announces Lilian Armstrong Fellowship Fund". giving.columbia.edu. Retrieved 2024-01-23.
- ^ "The Master of the Pico Pliny: In Memory of Lilian Armstrong". The Morgan Library & Museum. 2022-09-12. Retrieved 2024-01-23.
- ^ "Lilian Armstrong". en.lerma.it. Retrieved 2024-01-23.
- ^ "Columbia University Announces Lilian Armstrong Fellowship Fund". giving.columbia.edu. Retrieved 2024-01-23.
- ^ "Columbia University Announces Lilian Armstrong Fellowship Fund". giving.columbia.edu. Retrieved 2024-01-23.
- ^ "Brepols - The Art of the Renaissance Book". www.brepols.net. Retrieved 2024-01-23.