Liam Everett (born 4 October 1973) is an American contemporary artist. Everett lives and works in Sebastopol, California.[1]
Liam Everett | |
|---|---|
| Born | October 4, 1974 |
| Nationality | American |
| Alma mater | Empire State College California College of the Arts |
| Known for | Painting Sculptor |
Early life and education edit
Liam Everett was born in Rochester, New York, in 1973.[2] His father was a theater producer, and his interest in the arts began as a child when he was cast in a production of Samuel Beckett's play Waiting for Godot.[3][4] He began painting a few years later, and has said that many aspects of his current practice are rooted in the methods he learned from working in the theater.[5] He studied cultural anthropology and philosophy as an undergraduate student at S.U.N.Y. Empire State College in New York[6] before earning a Master's of Fine Arts in painting from the California College of the Arts in 2012.[7]
Work edit
Everett creates paintings and sculptures in an abstract style. His first solo exhibition at Altman Siegel Gallery in 2012 featured small oil paintings on masonite board and free-standing and leaning wooden and steel frames draped with painted silk.[8]
Beginning in 2013, Everett began creating paintings on linen.[9] The process for these works involves working on the un-stretched fabric, building up many layers of oil paint and ink, and then eroding those layers through a variety of materials and methods including alcohol, salt, steel wool, and a power sander.[10]
Everett's style has been described as theatrical and performative,[11] and involves placing objects from the studio, which the artist has called "obstructions" and "props," onto the surface of the canvas before making a mark.[12][13] These objects serve as obstacles that force the artist to work around and through them, dictating his movements and marks.[14]
Teaching edit
In 2013, Everett was awarded the Richard Diebenkorn Teaching Fellowship from the San Francisco Art Institute, and subsequently taught two courses and gave several lectures at the college.[15]
Exhibitions edit
Everett has exhibited internationally in group shows including A Slow Succession with Many Interruptions at the San Francisco Museum of Modern Art (2016), the Biennale of Painting at the Museum Dhondt-Dhaenens, Deurle, Belgium (2016) and Color Shift at the Berkeley Art Museum and Pacific Film Archive (2014).[16] He has had solo exhibitions at venues including the San Francisco Museum of Modern Art (2017); Altman Siegel Gallery, San Francisco (2012, 2016, 2018); galerie kamel mennour, Paris and London (2017, 2018, 2019); Eleni Koroneou Gallery, Athens (2015, 2017); Office Baroque, Brussels (2015); and White Columns, New York (2009); among others.[17] In 2017, he was awarded the SECA Art Award from the San Francisco Museum of Modern Art, and featured in a related exhibition at the museum.[18]
Collections edit
- The Metropolitan Museum of Art, New York
- San Francisco Museum of Modern Art, San Francisco[19]
- Berkeley Art Museum and Pacific Film Archive, Berkeley[20]
- Fondation Carmignac, Paris, France[21]
References edit
Constructs such as ibid., loc. cit. and idem are discouraged by Wikipedia's style guide for footnotes, as they are easily broken. Please improve this article by replacing them with named references (quick guide), or an abbreviated title. (April 2022) |
- ^ Liam Everett, "Biography," Liam Everett: Without An Audience, Altman Siegel San Francisco and kammel mennour Paris/London, with Colpa Press,2018 ISBN 978-0-9996844-0-5
- ^ Ibid.
- ^ Dirk Vanduffel, "My paintings are constructed forms that shift between light and dark..." - an interview with Liam Everett, Art Dependence Magazine, March 2017, accessed June 2019
- ^ Jonathan Curiel, "Art: Elephant in the Room", SF Weekly, March 2016, Accessed June 2019
- ^ Dirk Vanduffel, "My paintings are constructed forms that shift between light and dark..." - an interview with Liam Everett, Art Dependence Magazine, March 2017, accessed June 2019
- ^ Steven Cox, "Liam Everett Interview," Hunted Projects, Accessed June 2019
- ^ Liam Everett, "Biography," Liam Everett: Without An Audience, 2018
- ^ Kenneth Baker, "Liam Everett's Ghostly Fabrics at Altman Siegel," San Francisco Chronicle, December 7, 2012
- ^ Liam Everett, "Montolieu" at On Stellar Rays, NY
- ^ Jeff McMillan, "Liam Everett Interviewed By Jeff McMillan," SFAQ, Issue 16, May–July 2014, pp. 98-99
- ^ Franklin Melendez, "Dress Rehearsal," Why Painting Now, Exhibition Catalogue for Curated By_Vienna, Departure Vienna, 2013, pp. 96-97, ISBN 978-3-86984-472-5
- ^ Liam Everett, SFMOMA, May 2017, Accessed June 2019
- ^ Jonathan Curiel, "Art: Elephant in the Room", SF Weekly, March 2016, Accessed June 2019
- ^ Johnathan Griffin, "Mapping the Studio," Liam Everett: Without An Audience, Altman Siegel San Francisco and kammel mennour Paris/London, with Colpa Press, 2018, pp. 44. ISBN 978-0-9996844-0-5
- ^ San Francisco Art Institute, Richard Diebenkorn Teaching Fellowship, and Liam Everett, "Biography," Liam Everett: Without An Audience, 2018
- ^ Alicia McCarthy, Lindsey White, Liam Everett, K.R.M. Mooney, Sean McFarland, 2017 SECA Art Award Catalogue, San Francisco Museum of Modern Art, ISBN 978-0-918471-91-8
- ^ Altman Siegel Gallery. Liam Everett Biography. Galerie kammel mennour. Liam Everett Biography. Both accessed June 2019.
- ^ Ibid.
- ^ Liam Everett, SFMOMA, May 2017, accessed June 2019
- ^ BAMPFA collection search - Liam Everett, accessed June 2019
- ^ Fondation Carmignac collection list, accessed June 2019