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Leonardo (2021 TV series)

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Leonardo is a historical drama created by Frank Spotnitz and Steve Thompson. The series was produced by Italian Lux Vide in collaboration with Rai Fiction, Sony Pictures Entertainment, with Frank Spotnitz's Big Light Productions and Freddie Highmore's Alfresco Pictures in association with France Télévisions and RTVE.[1]

Leonardo
File:Aidan Turner Leonardo 2021.jpg
Aidan Turner as Leonardo da Vinci
GenreHistorical drama
Created by
Directed byDan Percival
Alexis Sweet
Starring
ComposerJohn Paesano
Country of originItaly
France
Spain
United Kingdom
United States
Original languageEnglish
No. of series1
No. of episodes8
Production
Executive producers
Running time52 minutes
Production companiesLux Vide
Big Light Productions
Rai Fiction
Sony Pictures Television
France Télévisions
RTVE
Alfresco Pictures
Original release
NetworkRai 1 and Rai 4K (Italy), VOX (Germany), The CW (United States)
Release23 March 2021[1] –
present

The series recounts Leonardo da Vinci's extraordinary life through the works that made him famous and through the stories hidden within those works, revealing little by little the inner torments of a man obsessed with attaining perfection.

In March 2021, it was announced that Leonardo would return for a second season.[2]

Plot

In 1506, Leonardo da Vinci, the most famous artist of his time, is accused of the murder of Caterina da Cremona. Questioned by Stefano Giraldi, an ambitious officer of the Duchy of Milan, Leonardo begins to tell his life, starting from the first meeting with Caterina in Andrea del Verrocchio's workshop. Giraldi, fascinated by the artist's personality, begins to suspect that Leonardo may be innocent and investigates to discover the truth.

Cast

Main

Recurring

Episodes

No.TitleDirected by [3]Written byOriginal air date [4]
1"Episode #1.1"Dan PercivalFrank Spotnitz, Steve ThompsonMarch 23, 2021 (2021-03-23)
Milan, 1506. Leonardo is arrested for poisoning Caterina de Cremona. After protesting his innocence to Stefano Giraldi, Leonardo remembers back to his days as an apprentice in Andrea del Verrocchio's studio, where he first meets Caterina.
2"Episode #1.2"Dan PercivalFrank Spotnitz, Steve ThompsonMarch 23, 2021 (2021-03-23)
With Leonardo's successes recognised and his reputation growing, a risky decision sets to destroy everything he has worked for. Leonardo receives support through new commissions (the Portrait of Ginevra de Benci and The Adoration of the Magi), but pays the price for his actions.
3"Episode #1.3"Dan PercivalGabbie AsherMarch 30, 2021 (2021-03-30)
Leonardo ventures to Milan with a determination to claim an offer of patronage from the Duke Regent, Ludovico Sforza. When the reality of the situation turns out to be less appealing and he is assigned to produce a big theatrical entertainment instead of a painting, a newfound relationship helps liberate Leonardo's imagination.
4"Episode #1.4"Dan PercivalFrank Spotnitz, Steve ThompsonMarch 30, 2021 (2021-03-30)
When Ludovico asks Leonardo to create a sculpture in honour of his father, Leonardo's ambitions rise as he tries to outperform. During the work, Leonardo finds himself in Gian Galeazzo Sforza, the young duke of Milan and puts trust in an unexpected source, Salaì, a resourceful thief. As he gets distracted from Caterina, Leonardo ends up in a race against time with a costly decision to make.
5"Episode #1.5"Alexis SweetFrank Spotnitz, Steve ThompsonApril 6, 2021 (2021-04-06)
After the death of Ludovico's wife, he is given a new art commission but struggles with inner turmoil. After reflecting on wise words from Father Luca Pacioli, Leonardo seeks assistance from friends and presses on with the work, despite tensions in the city. Putting his creativity to the test and experimenting with a new technique, he must deal with the consequences of his actions and results.
6"Episode #1.6"Alexis SweetFrank Spotnitz, Steve ThompsonApril 6, 2021 (2021-04-06)
Returning to Florence, an uninspired Leonardo accepts to paint the portrait of Lisa Gherardini, that will become the Mona Lisa. After failing to repair his relationship with Caterina, Leonardo goes to Imola, where he receives much praise from his employer, Cesare Borgia.
7"Episode #1.7"Dan PercivalFrank Spotnitz, Steve ThompsonApril 13, 2021 (2021-04-13)
Reunited with Caterina, Leonardo perseveres with his work but is frustrated by the growing success of a younger artist, Michelangelo. Putting his feelings aside, Leonardo is persuaded to accept a new commission, a giant fresco of the Battle of Anghiari, but faces competition from his newfound rival.
8"Episode #1.8"Dan PercivalFrank Spotnitz, Steve ThompsonApril 13, 2021 (2021-04-13)
Time is short as Stefano races to save Leonardo and uncovers his secret. With facts and no evidence, an epiphany leads Stefano going to a remote source for help. As the execution nears, Leonardo's life hangs by a thread. His guilt is upheld, and hope seems lost. Holding the fate of Milan's greatest artist in his hands, Stefano realises the answer he seeks lies in the man he is striving to save.

Broadcast

The series premiered on March 23, 2021 on Rai 1.[5] In the United Kingdom and Ireland, the series aired on Amazon Prime Video, premiering April 16, 2021.[6] In India, the series premiered on SonyLIV on April 9, 2021.[7] It aired in Canada on April 15 on Telus, while in Spain, on June 3, on RTVE. In the United States, The CW picked up the series.[8]

Historical inaccuracies

The producers openly declared that they had purposely moved away from historical reality to insert elements of fantasy, such as the story relating to the murder accusation of Leonardo and the character of Caterina da Cremona. Among the alterations to real events include:[9][10][11][12][13][14][15]

Episodes 1 and 2

  • The first part of the series is set in 1490 (sixteen years before 1506) and Leonardo is shown as a pupil of Verrocchio. Actually Leonardo attended Verrocchio's workshop between 1468 and 1470, while in 1490 Verrocchio had already been dead for two years and Leonardo had his own shop.
  • The process of mixing colors was among the first things that were taught to apprentices as soon as they entered a workshop, that is, as children. In the series an adult Leonardo is taught by his master this procedure for the first time, despite Leonardo himself had already secretly painted with colours a few scenes before.
  • Leonardo, who is initially shown to be little appreciated by Verrocchio, had actually already collaborated with the him well before the Baptism of Christ. Indeed, in the painting Tobias and the Angel - which can be seen in the background of the master's studio - the details of the dog and fish have been recognised as Leonardo's production.
  • It was not Ludovico il Moro who went to Florence to ask for Leonardo's services; it was instead Leonardo himself who in 1482 moved to Milan, sent by Lorenzo the Magnificent as a lyre player[16] and who presented Ludovico a sort of "curriculum" by letter.[17]
  • Amerigo de 'Benci, Ginevra's father, was already dead at the time Leonardo began her portrait, and for this reason he could not be the one who mutilated the lower part of the painting. It was probably curtailed in the next centuries because the hands were irremediably worn.[18] Ginevra herself had also been married for at least a year to Luigi Niccolini (1474) when the portrait was commissioned.[19]
  • Although the memory of the kite is true, as told by Leonardo himself, it does not appear that the latter was ever considered cursed, neither as a newborn nor as an adult.[20]
  • Bernardo Bembo was actually ambassador in Florence in 1475 under the doge Pietro Mocenigo and in 1478 under the doge Giovanni Mocenigo. In the series he presents himself instead as ambassador in Milan: in accordance with his office, he would have had the duty to reside in Milan, while we initially find it in Florence. Under the dogate of Agostino Barbarigo, whom he named at the beginning, Bernardo held other positions not in Florence.[21]
  • Bernardo Bembo at the time of Ginevra's portrait (1474-1478) was a man in his forties, married to Elena Marcello and father of five children (including the famous humanist Pietro Bembo), while in the series he is said to be still unmarried.[21]
  • It does not appear that Piero da Vinci ever harboured hatred towards his son Leonardo; on the contrary, he welcomed him into his family and managed to guarantee him a future by sending him to a workshop.

Episodes 3 and 4

  • When Leonardo went to Milan, i.e. in 1482, Beatrice d'Este was only seven years old and still lived in Naples at the court of her maternal ancestor Ferrante d'Aragona. She went to Milan only in 1491, when at the age fifteen years old she married Ludovico il Moro,[22] while in the series we see her since Leonardo's arrival at court.
  • Duke Gian Galeazzo declares to Leonardo that he detests hunting. Actually, it is historically documented that his greatest passion was precisely hunting.[23]
  • Gian Galeazzo also declares that he was abandoned by his mother because he did not want to, in truth Bona di Savoia went into exile due to political differences with his brother-in-law Ludovico after the latter in 1481 took power, and not because he wanted to abandon his son, indeed he returned several times to visit him in Milan and Pavia and was also present on his deathbed.[23]
  • During a court dinner we see the dukes and their courtiers eating with their hands, but in truth the forks had already been in use permanently in Italy for a long time, unlike in the rest of Europe where they continued to use their hands, so much so that the French and the king of France himself will then be criticized by the Italians as uncivilized for their habit of eating again with their hands. [24]
  • As responsible for the plot against Ludovico Sforza is mentioned "King Louis of France", but the whole thing clearly takes place in a period before 1496, and at that time king of France was still Charles VIII. There was also never any attempt by Luis d'Orleáns to poison Ludovico Sforza. The latter in 1496 actually accused stomach pains that led to suspicion of poisoning, but nobody was accused or killed on that occasion.[23]
  • Salaì is presented in the series as a young thief and vagabond, while in reality he entered Leonardo's workshop as an apprentice at the age of ten in 1490 and was later defined as a "thief" by Leonardo himself because of his numerous pranks and of the petty thefts he carried out.[25]
  • The series suggests that Ludovico Sforza used to mistreat his wife Beatrice. Actually, from the sources of the time, it appears that it was Duke Gian Galeazzo who beat his wife Isabella of Aragon, while no such act is attributable to Ludovico.[23][26]
  • Gian Galeazzo died at the age of twenty-five in 1494 and not as a child as shown in the series.

Episodes 5 and 6

  • The childbirth of Beatrice d'Este was substantially different way than as shown in the series. Indeed, Beatrice probably had a premature labour, giving birth to a son already dead and dying in turn an hour and a half later, while in the series it is implied that the child is not born at all. Furthermore, at that time the management of pregnancy and childbirth was the sole responsibility of the midwives, while doctors hardly ever intervened and men were not allowed into the delivery room. Beatrice herself had her own personal midwife, comare Frasina da Ferrara, who assisted her during her three childbirths.[27]
  • Although it is true that Ludovico Sforza, destroyed by the death of his wife, focused since that moment exclusively on the embellishment of Santa Maria delle Grazie, the Last Supper was commissioned to Leonardo long before the death of Beatrice d'Este, i.e. in 1494, and indeed Beatrice herself together with her husband and two children was depicted by Leonardo on the wall opposite the Cenacle, in the fresco of the Crucifixion by Donato Montorfano.[28]
  • The conquest of the Duchy of Milan was entrusted by King Louis XII to the famous leader Gian Giacomo Trivulzio, and not to Cesare Borgia as shown in the series.
  • Lisa Gherardini declares to mourn for the death of her newborn daughter of only six months. Actually it was not the custom in the fifteenth century to mourn for children who died as babies, as it was done instead for parents or other important personalities, since infant mortality was extremely high.
  • Guidobaldo da Montefeltro declares to Cesare Borgia that he has a son, but he actually never had children, and was instead accused of impotence.[29]

Episodes 7 and 8

  • Ludovico Sforza had numerous surviving children, including the two legitimate ones he had from Beatrice d'Este and at least three of the illegitimate ones. The existence of Francesco (son of Caterina da Cremona) would not therefore have been a problem for him - indeed in the Renaissance every bastard son was a source of pride - nor would the French have had the opportunity or reason to use him against Ludovico to "claim the kingdom". Rather, it was Louis XII himself who claimed the Duchy of Milan as his own possession, being a descendant of a Visconti, and it was the threats of the latter that forced Ludovico's children to escape, certainly not those of their own father.[23]
  • Galeazzo Sanseverino, after a few years spent at the imperial court of Innsbruck, moved in 1504 to France where he entered into the good graces of Louis XII, even becoming Grand Squire of France, and he was still in France in 1506, while in the series he is shown in Florence and still in the service of Ludovico Sforza.
  • Ludovico Sforza's last attempt to reconquer Milan dates back to the early months of 1500, before his incarceration in the castle of Loches. The attempts of Galeazzo Sanseverino and even of the Emperor Maximilian I of Habsburg, both relatives of him, to mediate with the king of France to obtain his release were vain. Therefore, the gonfaloniere Soderini could have done nothing and indeed his intervention was never requested.

Other historical liberties

  • The beard was absolutely not fashionable in those years in Italy, nor would it have become so before the first decade of the 1500s. It was indeed a symbol of mourning, therefore almost none of the historical characters shown in the series, at least during the years preceding such date, ever wore a beard.
  • The earrings, which we see many female characters from the series wearing, were in fact not at all fashionable at the end of the 15th century. Indeed, they were the prerogative of women of Eastern origin, such as the Greeks of Venice, and courtesans.
  • The "Palazzo Sforza", where the ducal family is shown living in the series, does not actually exist. The main residence of the Dukes of Milan was the Castello Sforzesco and if there was a palace it was that of the Arengo, where Ludovico's father, Francesco Sforza, lived. By the time of Il Moro, however, the court had already moved into the castle and the Palazzo dell'Arengo was used as offices, where among other things Leonardo himself held a workshop.[23]
  • The carriage was a means of transport exclusively for women, children and the sick. It was not used by men - who moved exclusively on horseback - other than for special occasions. Ludovico il Moro and Galeazzo Sanseverino themselves, who in the series are shown travelling by carriage, in truth are known to have used it only on two occasions, that is to please respectively the two sisters Isabella and Beatrice d'Este, who wanted their company.[23][30]
  • On the coat of arms located at the gates of the Castello Sforzesco one can see the imperial eagle and the Visconti viper as in the time of Ludovico il Moro. This is anachronistic in 1506, since at the time Milan was under the French and there should have been the coat of arms of Louis XII, including the Visconti viper and the French Fleur-de-lis.
  • Among Verrocchio's pupils and collaborators there were Lorenzo di Credi (who inherited the workshop), Sandro Botticelli, Perugino, Domenico Ghirlandaio and Filippino Lippi; however, none of them is named, replaced in the series by fictional pupils.

References

  1. ^ a b "'Leonardo', arriva sul piccolo schermo la vita del geniale inventore toscano" (in Italian). La Repubblica. 24 February 2021. Retrieved 14 March 2021.
  2. ^ "Leonardo series debuts on Amazon Prime as producers confirm second season". 16 April 2021.
  3. ^ "Leonardo". Lux Vide Productions. Retrieved 23 February 2021.
  4. ^ "Leonardo – Listings". Next Episode. Retrieved 14 March 2021.
  5. ^ Perugini, Sergio (27 March 2021). "Miniserie e prime visioni, cosa guardare in streaming in tv". Corriere Cesenate.
  6. ^ Craig, David (15 March 2021). "Leonardo release date: Latest news on Aidan Turner's da Vinci drama". Radio Times. Retrieved 2 April 2021.
  7. ^ "Leonardo review: SonyLIV series offers in-depth study on life and times of the historic Renaissance artist - Entertainment News , Firstpost". Firstpost. 9 April 2021. Retrieved 17 April 2021.
  8. ^ White, Peter (19 October 2021). "Aidan Turner Italian Series 'Leonardo' & Australian Comedy Drama 'Bump' Land At The CW". Deadline Hollywood. Retrieved 19 October 2021.
  9. ^ ""Leonardo" (2021): fake news o lecita finzione?". Questione Civile.
  10. ^ "Gli errori nella serie "Leonardo": dai personaggi agli eventi realmente accaduti". Meteoweek.
  11. ^ "Leonardo, la serie tv più attesa e ridicola dell'anno". Spettacoli.
  12. ^ "Leonardo, tra fantasia e realtà storica".
  13. ^ "Leonardo da Vinci, realtà e finzione nella serie tv".
  14. ^ "Leonardo da Vinci offeso dalla fiction".
  15. ^ "Leonardo, le incongruenze della serie tv con la realtà: i 10 elementi romanzati che non avete notato".
  16. ^ Anonimo Gaddiano
  17. ^ Codex Atlanticus, c 270 r.
  18. ^ BENCI, Amerigo on Treccani.
  19. ^ BENCI, Ginevra on Treccani.
  20. ^ Codex Atlanticus, c 61 r.
  21. ^ a b BEMBO, Bernardo on Treccani.
  22. ^ Mazzi Maria Serena, Come rose d'inverno. Le signore della corte estense nel '400.
  23. ^ a b c d e f g Francesco Malaguzzi Valeri, La corte di Lodovico il Moro, la vita privata e l'arte a Milano nella seconda metà del quattrocento.
  24. ^ Francesco Malaguzzi Valeri (1913). La corte di Lodovico il Moro, la vita privata e l'arte a Milano nella seconda metà del quattrocento. p. 85.
  25. ^ CAPROTTI, Gian Giacomo de', detto Salaj on Treccani.
  26. ^ Julia Cartwright, Beatrice d'Este duchessa di Milano.
  27. ^ Luisa Giordano, Beatrice d'Este (1475-1497).
  28. ^ MONTORFANO, Giovanni Donato on Treccani.
  29. ^ Bernardino Baldi da Urbino, Della vita e de' fatti di Guidobaldo I da Montefeltro duca d'Urbino.
  30. ^ Julia Cartwright, Beatrice d'Este duchessa di Milano.
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