Kismet is an album by the Hungarian musician Márta Sebestyén, released in 1996.[2][3] It is in the táncház musical tradition of Transylvania.[4][5] Sebestyén supported the album with a North American tour.[6]
| Kismet | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1996 | |||
| Label | Hannibal[1] | |||
| Producer | Nikola Parov | |||
| Márta Sebestyén chronology | ||||
| ||||
Production edit
The album was produced by Nikola Parov.[7][8] It includes songs from outside of Sebestyén's Hungary, a first for the musician; on some songs, Sebestyén combined musical styles of different countries to illustrate their connections.[9][10] Sebestyén sang in English on the majority of the album's songs.[11]
Critical reception edit
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [12] |
| The Encyclopedia of Popular Music |  [11] |
| MusicHound World: The Essential Album Guide | [13] |
| The Republican | [14] |
The Dallas Observer wrote that "this is music that has lived and died a thousand times, sounding so ancient and distant even when updated for the world-music crowd that likes its exotica pristine and slick."[15] The Baltimore Sun called Kismet "a truly remarkable recording," writing that "the album draws not just from the Hungarian tradition, but also from the music of Ireland, India, Bosnia, Bulgaria, Romania, Greece and Tatarstan... It's a heady mix, but because Sebestyen so clearly understands the connections between these cultures, the melodic threads weave easily into a strong and lustrous fabric."[16]
The Observer determined: "Entwining traditional and modern instruments and songs from Eire to India, this is an impeccable, at times transcendent fusion."[17] The Republican noted the "exquisite soundscape of violins, flutes, acoustic guitars, mandola, tamboura and a host of other instruments."[14] City Pages deemed the album "a mostly acoustic set of gorgeous internationalist folk."[18]
AllMusic wrote that "this is world music fusion as an expression of culture, at the same time as it is an expression of the universality of some ideas and emotions."[12]
Track listing edit
| No. | Title | Length |
|---|---|---|
| 1. | "Devoiko Mome" | |
| 2. | "Sino Moi" | |
| 3. | "Leaving Derry Quay/Eleni" | |
| 4. | "Gold, Silver or Love" | |
| 5. | "Hindi Lullabye" | |
| 6. | "The Shores of Loch Brann/Hazafelé" | |
| 7. | "If I Were a Rose (Ha Én Rozsa Volnék)" | |
| 8. | "Imam Sluzhba (The Conscript)" |
References edit
- ^ "Márta Sebestyén Biography, Songs, & Albums". AllMusic.
- ^ Thompson, Clifford (October 7, 2020). Contemporary World Musicians. Routledge.
- ^ Lange, Barbara Rose (July 6, 2018). Local Fusions: Folk Music Experiments in Central Europe at the Millennium. Oxford University Press.
- ^ The Rough Guide to Budapest. Apa Publications Limited. January 4, 2018.
- ^ "Muzsikas & Marta Sebestyen". Chicago Reader. October 23, 1997.
- ^ Kassulke, Natasha (14 Mar 1996). "Muzsikas Makes 'Dead Notes Alive'". Rhythm. Wisconsin State Journal. p. 16.
- ^ Verna, Paul (Feb 17, 1996). "Albums — Kismet by Marta Sebestyen". Billboard. Vol. 108, no. 7. p. 89.
- ^ Spencer, Peter (April 20, 1997). "Mandolin prodigies and Balkan hipsters". Spotlight. The Star-Ledger. p. 6.
- ^ Meyer, Bill (14 Mar 1996). "Playing for Keeps". Tempo. Chicago Tribune. p. 1.
- ^ Strauss, Neil (14 Mar 1996). "Microwave and Folk Songs". The New York Times. p. C15.
- ^ a b Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 7. MUZE. pp. 328–329.
- ^ a b "Márta Sebestyén Kismet". AllMusic.
- ^ MusicHound World: The Essential Album Guide. Visible Ink Press. 2000. p. 694.
- ^ a b O'Hare, Kevin (March 10, 1996). "Marta Sebestyen, 'Kismet'". The Republican. p. F5.
- ^ Wilonsky, Robert. "Out There". Dallas Observer.
- ^ Considine, J.D. (1 Feb 1996). "CD Reviews". Features. The Baltimore Sun. p. 7.
- ^ Spencer, Neil (18 Feb 1996). "Pop Releases". The Observer Review Page. The Observer. p. 13.
- ^ Hermes, Will (March 27, 1996). "Hungarian Rhapsody". Feature. City Pages.